CHAPTER II.

_ON TOUR--RESTAURATION--METHOD--RAPID

ACT--PATRIOTISM--CHORUS--DINNER--FORWARDS--ENTRÉE--EXIT--DESTINATION._

With DAUBINET I soon acquire the careless habit of speaking any French

that comes into my head, irrespective of grammar, genders, or idioms.

If he doesn't understand it in French he will do so in English, or

_vice versâ_. On this mutual comprehension system we get along as

easily as the express does, and as easily as the boat does too,

to-day,--for we are in luck, the weather is delicious and the sea

propitious,--and so we arrive hungry and happy at the excellent buffet

at the Calais Station, the praises of which I have sung more than once

in my lifetime.

[Illustration]

Far be it from me to draw comparisons, but I if want to start well and

wisely for the Continong, give me the short sea-passage _viâ_ Dover

and the excellent restauration at Calais, with a good twenty-five

minutes allowed for refreshment; _though why this interval shouldn't

be extended to three-quarters of an hour, and less time occupied on

the journey to Paris, I have never yet been able to ascertain._ In the

not very dim and distant future no doubt it will be so. I record the

above observation in italics, in order to attract the attention of all

whom it may and does and ought to concern. Perhaps they'll kindly see

to it.

Our _déjeuner_ at Calais is as good as it usually is at that

haven of Restauration. After the buffeting of the waves, how

sweet is the _buffet_ of the shore. I sit down at once, as an old

Continental-travelling hand, tell the waiter immediately what I

am going to take, and forthwith it is brought; then, in advance,

I command the coffee, and have my French money all ready in an

outside-pocket, so that there shall be no unnecessary delay. All

station-feeding is a fearsome pastime. You are never quite sure

of the trains, and you never quite trust the waiter's most solemn

asseveration to the effect that you have still so many minutes left,

decreasing rapidly from fifteen to five, when, time being up and the

food down, you find yourself hurrying out on to the platform, plunging

recklessly in between the lines, uncertain as to your carriage, and

becoming more and more hot, nervous, and uncomfortable up to the very

last moment, when the stout guard, with the heavy black moustache,

and the familiar bronzed features set off by a cap-band which once was

red, bundles you into your proper place, bangs the door, and you are

off,--for Paris, or wherever your destination may be.

DAUBINET knows the proprietor of the restaurant, likewise the

proprietor's good lady and good children. He has a great deal to

say to them, always by means of working the semaphore with his arms

and hands, as if the persons with whom he excitedly converses were

deaf; and having lost all count of time, besides being in a state

of considerable puzzle as to the existence of his appetite, he is

suddenly informed by the head-waiter,--another of his acquaintances,

for DAUBINET, it appears, is a constant traveller to and fro on this

route, that if he wants, any thing he must take it at once, or he

won't get it at all, unless he chooses to stop there and lose his

train. So DAUBINET ladles some soup into his mouth, and savagely

worries a huge lump of bread: then having gobbled up the soup in a

quarter of a second, and having put away all the bread in another

quarter, he pours a glass of wine into a tumbler out of the bottle

which I have had opened for both of us, adds water, then tosses it

off, wipes his lips with the napkin which he bangs down on the table,

and, with his hat and coat on, his small bag in his hand, and quite

prepared to resume the journey, he cries, "_Allons! Petzikoff!_" (or

some such word, which I suppose to be either Russian or an ejaculation

quite new and original, but _à la Russe_, and entirely his own

invention), with the cheery and enthusiastic addition of, "Blass the

Prince of WAILES!"

"By all means," I cordially respond, for we are on a foreign soil,

where loyalty to our Royal Family is no longer a duty only, but

also a mark of patriotism, which should ever distinguish the true

Briton,--though, by the way, now I think of it, DAUBINET is a lively

Gaul. Subsequently, observing my friend DAUBINET, I find that he is

especially English in France, and peculiarly French in England. On

what is to me foreign, but to him his own native soil, he is always

bursting out into snatches of our British National Anthem, or he

sings the line above quoted. In France he will insist on talking

about London, England, Ireland, Scotland, with imitations in slang or

of brogue, as the case may be, on every possible or even impossible

opportunity; and, when the subject of conversation does not afford

him any chance for his interpolations, then, for a time, he will "lay

low," like. Brer Fox, only to startle us with some sudden outbursts

of song, generally selected from the popular English Melodies of a

byegone period, such as "_My Pretty Jane_," "_My Love is like a red,

red Rose_," or "_Good-bye, Sweetheart, good-bye_," and such-like

musical reminiscences, invariably finishing with a quotation from the

National Anthem, "_Rule Britannia_," or "Blass the Prince of WAILES!"

He is a travelling chorus.

We stop--I don't know where, as I trust entirely to my guide and

fellow-traveller--for a good twenty minutes' stuff, nominally dinner,

_en route_, about seven o'clock. It is the usual rush; the usual

indecision; the usual indigestion. DAUBINET does more execution among

the eatables and drinkables in five minutes than I can manage in the

full time allotted to refreshment; and not only this, but he finds

plenty of time for talking nonsense to one of the nicest-looking

waitresses. Of course, he positively refuses to speak a word of his

own native language, but gives his orders in English, Spanish, and

Russian, to the despair of all the attendants, with the exception of

the pretty waiting-maid, to whom he addresses himself in colloquial

French. She quite enters into the joke; can give and take as

pleasantly as possible; can also fetch and carry; and when, finally,

DAUBINET _en bon prince_ rewards her intelligence with a two-franc

piece, her bright smile, and her courteous "_Merci beaucoup,

Monsieur_," prove once more that she can take as well as give,--nay,

even better, and yet leave the donor her debtor. "_Da Karascho!_ Yes,

all right! _Montez donc!_" cries my mercurial friend, hurrying to

the train; then, as he once more settles himself in the compartment,

he sings "Rule Britannia! Blass the Prince of WAILES! O Maman!" and

before I have lit my after-dinner cigar, he has made himself quite

comfortable, lying at full length, and is fast asleep. So am I soon.

When I awake, it is night; pitch-dark, and very cold. We are stopping

at some station. A stout Frenchman enters our carriage; not that there

is anything remarkable about his stoutness, as it seems to me that the

majority of middle-class and middle-aged Frenchmen, and Frenchwomen,

too, are all, more or less, of considerable corpulence.

[Illustration]

The new arrival recognises DAUBINET, and salutes him. DAUBINET warmly

acknowledges the recognition, and in a few moments they are engaged

in an animated conversation, one commencing his reply before the other

has finished his question, neither permitting the other to complete

a sentence, whether interrogatory or declaratory; so that, during the

greater part of their conversation,--which lasts till, thank goodness,

the stranger has to get out, which he does at the next station, and

disappears in the darkness,--I can only pick up a word or half a

sentence here and there, and, in a general way, wonder why they become

so earnest and emphatic about the most ordinary topics. For an English

listener, however, it is an excellent lesson in colloquial French;

only I cannot help wishing that they would take the "_tempo_" just a

little slower, and that their tone were not necessarily up to concert

pitch, in order to keep itself well above the running accompaniment

of railway-wheels, which seems to fit all modes of counting from two

to sixteen in a bar. At last the train stops, the dialogue becomes

jerky, our companion salutes us politely, wishes us "_bon voyage_" and

descends.

After his departure, I ask DAUBINET, "Who is your friend?" as I should

like to know the reason of DAUBINET not having introduced us. His

reply at once resolves all my doubts and difficulties on the subject;

it is simply, "Heaven knows! He is a nice fellow. I have met him

_quelque part. Ah! v'là!_" He rushes to the window. "Hi! hi! Guard!

Conducteur!" The Conducteur appears, and informs us that we descend at

the next station, and, after that, in another five minutes we shall be

at Reims.

And so we are. Reims at last! Not brilliant is Reims on this dark

night. There are several omnibuses and other vehicles waiting to

take the very few passengers who alight from the train, and who, it

appears, as a rule, prefer to walk. Having no baggage beyond a few

bags and a small portmanteau which travel with us in our compartment,

and which the porter can wheel on a truck, or indeed carry if he

chooses, we are soon in the 'bus, and rattling over the stones to the

Hotel.

* * * * *

[Illustration: "NEB'LAR (HIC) 'POTHESIS."

_Elderly Gentleman_ (_overcome by gravitation_). "'ORRIGHT,

INSPECTRUM. BEEN READING SPEESH--PRES'DENT BRI'SH-SOSHIASHLEM.

SHPLENDID SPEESH! I'M IN 'UNIQUE POSISHN 'F (HIC) ABSOLUTE IMM'BILITY

IN MIDSHT OF WHIRLING 'N DRIFTING SUNS, 'N SYSHTEMS 'F SUNS.' GOOD OLD

HUGGINS!!"]

* * * * *

Punch, or the London Charivari, Volume 101, August 29, 1891 · 第 23 / 29 题