Any questions in regard to photograph matters will be willingly

answered by the Editor of this column, and we should be glad to

hear from any of our club who can make helpful suggestions.

OUR ANNUAL PRIZE CONTEST.

We have received many queries since the appearance of the Prize Offers

as to the exact nature of the photographic prize competition, showing

that our amateurs were looking forward to and preparing for the yearly

event of the club. Each person should read the announcement of the Prize

Offers, and the rules governing the contest, in the October 27 issue of

the ROUND TABLE.

There are two contests, both of which are open to the members of the

Camera Club, and we hope each member of the Camera Club will send

pictures to both competitions. The very fine photographs which were

submitted last year showed that the members are all striving to do good

work. The improvement in the style of pictures and the subjects chosen

was much better last year than in any previous year, and we expect still

better work submitted in this contest. All contestants must be

subscribers to HARPER'S ROUND TABLE themselves, or take the paper in

their family.

There is no restriction as to the number of prints one may send, but in

sending prints mark _each print_ with name, address, and class for which

the picture is designed. The best place to mark a picture is on the back

of the card-mount.

Any printing process may be used except the blue print. While many

amateurs use the glossy papers, the preference is for the matt surface,

and a bromide or platinum print is the paper generally chosen by

first-class amateurs. If one does not know how to use these papers, or

cannot procure them, try to make the best print possible on the paper

which is chosen. The printing and mounting of a picture have a great

deal to do with its attractiveness, and the mechanical work in a

photograph is always considered when judging pictures.

Several queries were received last year asking if a picture taken with a

4-by-5 camera, and trimmed down so that it was a little less than 4 by

5, would be admitted to the competition. The answer was that a picture

might be trimmed a little, but not enough to bring it down to a size

perhaps 3 by 4, that would make it too small to be "eligible."

Each competitor in the Camera Club may send as many pictures as he

pleases to both contests, and he may compete in each class in the two

competitions. This gives the members of the club the advantage over

non-members, who can only compete in the "Open to All" contest.

We have received many additions to our club during the last year, and

shall expect to see some fine work. Do not delay, but send in your

pictures as early as possible. The names of the prize-winners will be

announced in the January, probably the New-Year's, number of the ROUND

TABLE.

[Illustration: IVORY SOAP]

Her graceful presence, everywhere

Suggests the fragrance, faint and rare

With which the sweetest flowers allure:

To such a dainty gown and face

The touch of soap seems out of place--

Save Ivory, which itself is pure.

Copyright, 1896, by The Procter & Gamble Co., Cin'ti.

FOOTBALL AND OTHER SPORTS

* * * * *

A PRIMER OF COLLEGE FOOTBALL

By W. H. LEWIS. Illustrated from Instantaneous Photographs and with

Diagrams. 16mo, Paper, 75 cents.

There is probably no other man in America who has had as much

football experience or who knows more about the game than Mr.

Lewis.... Of value not only to beginners, but to any one who wishes

to learn more about football.... We heartily recommend it as the

best practical guide to football we have yet discovered.--_Harvard

Crimson_, Cambridge.

Written by a man who has a most thorough knowledge of the game, and

is in language any novice may understand.--_U. of M. Daily_,

University of Michigan.

Will be read with enthusiasm by countless thousands of boys who

have found previous works on the subject too advanced and too

technical for beginners.--_Evangelist_, N. Y.

Beginners will be very grateful for the gift, for no better book

than this of Mr. Lewis's could be placed in their hands.--_Saturday

Evening Gazette_, Boston.

_NEW EDITION OF_

CAMP'S AMERICAN FOOTBALL

By WALTER CAMP. New and Enlarged Edition. 16mo, Cloth, $1.25.

The progress of the sport of football in this country, and a

corresponding growth of inquiry as to the methods adopted by

experienced teams, have prompted the publication of an enlarged

edition of this book. Should any of the suggestions herein

contained conduce to the further popularity of the game, the object

of the writer will be attained.--_Author's Preface._

_BY THE SAME AUTHOR:_

=FOOTBALL FACTS AND FIGURES.= Post 8vo, Paper, 75 cents.

A SPORTING PILGRIMAGE

Riding to Hounds, Golf, Rowing, Football, Club and University Athletics.

Studies in English Sport, Past and Present. By CASPAR WHITNEY. Copiously

Illustrated. 8vo, Cloth, $3.50.

The work is certainly one of the most valuable contributions to

athletic literature that has been published for many a

day.--_Chicago Journal._

TRACK ATHLETICS IN DETAIL

Compiled by the Editor of "Interscholastic Sport" in HARPER'S ROUND

TABLE. Illustrated from Instantaneous Photographs. 8vo, Cloth,

Ornamental, $1.25. In "HARPER'S ROUND TABLE Library."

A good book to put into the hands of the athletically inclined. It

is capitally illustrated with instantaneous photographs, and is

full of expert and sound advice and instruction.--_Outlook_, N. Y.

* * * * *

HARPER & BROTHERS, Publishers, New York

[Illustration: "SAY, OLE TURK, I GWINE TEE DEPEN' ON YO' FUR DRUM-STICKS

FUR MY NEW DRUM TER CEL'BRATE THANKSGIVING TER-MORROW."]

* * * * *

THE OLD OAKEN BUCKET.

A dear little girl, named Elsie, was quite a singer, and very fond of an

old song, familiar to most children, called "The Old Oaken Bucket."

Elsie was taking lessons in drawing, which interested her very much. She

drew pictures in all her spare time, and often teased mamma with the

question,

"What shall I draw next, mamma?"

Mamma always suggested cows, or bears, or steam-engines, or trees,

according to the first idea which came into her head. One day, in answer

to Elsie's usual question, mamma replied:

"Draw the 'old oaken bucket,' Elsie. You are very fond of singing 'The

Old Oaken Bucket.' Sit down and make a picture of it."

This was new. Elsie, with a deep satisfied breath, sat down and staid

quiet about five minutes. At the end of that time she brought mamma this

picture.

[Illustration]

"What upon earth does this mean?" asked mamma. "It looks like a

conundrum, Elsie; or like the sun, moon, and stars!"

Elsie looked at her design with great pride, and a little impatience at

mamma's obtuseness.

"Why, don't you see, mamma?" she cried. "The first one is 'the old oaken

bucket,' and the next one is 'the iron-bound bucket,' and the next is

'the moss-covered bucket that hangs in the well'!"

Then mamma laughed hard, leaning back in her chair, while she held

Elsie's sketch at arm's-length to see it better, as artists always look

at pictures.

"And what are all those little spots for, Elsie?"

"Why--those, mamma?" said Elsie. "Those are 'the spots that my infancy

knew'!"

* * * * *

A PERFECT IDENTIFICATION.

Signor Arditi, the well-known musical conductor, has recently published

his memoirs in London. Among the many anecdotes he tells is the

following adventure he had with a bank cashier. He was in an American

city and wished to have a check cashed, but as the cashier did not know

Signor Arditi, he told him he must get himself identified before he

could receive any money.

"But I do not know any one here," protested the musical conductor.

"I am very sorry," said the cashier.

Signor Arditi thought for a few moments, and presently said,

"Do you ever attend the opera, young man?"

"Frequently," said the cashier. "I am very fond of music."

"Then you must know me," continued Signor Arditi; and taking off his hat

he turned his back upon the cashier, and beat time vigorously to an

imaginary orchestra.

"Oh yes!" exclaimed the cashier at once. "I know the back of your head

well. You are Signor Arditi." And he handed out the money to the

musician without further ceremony.

* * * * *

THE END OF THE "CHESAPEAKE."

An English journal contains the following item, for the truth of which

we cannot, of course, vouch; but it is interesting if true:

It is not by any means widely known, says the journal, that the

_Chesapeake_, famous for her historic encounter with the British ship

_Shannon_ in 1813, is in existence to-day, but is used in the somewhat

inglorious capacity of a flour-mill, and is making money for a hearty

Hampshire miller in the little parish of Wickham. After her capture by

Sir Philip B. V. Broke, she was taken to England in 1814, and in 1820

her timbers were sold to Mr. John Prior, miller of Wickham, Hants. Mr.

Prior pulled down his own mill at Wickham, and erected a new one from

the _Chesapeake_ timbers, which he found admirably adapted for the

purpose. The deck beams were thirty-two feet long, and served, without

alteration, for joists. Many of these timbers yet bear the marks of the

_Shannon_'s grape-shot, and, in some places the shot are still to be

seen deeply embedded in the pitch pine. The metamorphosis of a

man-of-war into a peaceful life-sustaining flour-mill is, perhaps, as

near an approach to the prophecy that spears and swords shall be beaten

into ploughs and pruning-hooks as the conditions of modern civilization

will allow.

* * * * *

"Pray, Dr. Smith, what is a good cure for the gout?" was the question of

an indolent and very luxurious gentleman to his hard-worked friend.

"Live upon sixpence a day--and earn it," was the unexpected answer.

End of Project Gutenberg's Harper's Round Table, November 24, 1896, by Various

Harper's Round Table, November 24, 1896 · 第 8 / 8 段