A CASTLE IN THE AIR.

_By Miss Mitford_.[5]

[5] This ingenious lady is the most indefatigable of all

lady-writers of the present day. Her "Sketches" will soon reach

the famed "One Thousand and One." At this moment too, our

favourite authoress is engaged on two tragedies for the patent

theatres--one _Inez de Castro_, which has been poetized in

half-a-dozen forms of late, and is even in the _Amulet_

before us: the subject and title of the second tragedy is

_Otho_: both will probably be of a melo-dramatic cast, which

founded the success of _Rienzi_. If it should be so, the fault

will not rest with the fair authoress, the managers, or admirers

of the pure drama; we need not add where the blame lies.

"Can any one tell me of a house to be let hereabouts?" asked I, this

afternoon, coming into the room, with an open letter in my hand, and an

unusual animation of feeling and of manner. "Our friends, the Camdens,

want to live amongst us again, and have commissioned me to make

inquiries for a residence."

This announcement, as I expected, gave general delight; for Mr. Camden

is the most excellent and most agreeable person under the sun, except

his wife, who is even more amiable than her amiable husband: to regain

such neighbours was felt to be an universal benefit, more especially

to us who were so happy as to call them friends. My own interest in

the house question was participated by all around me, and the usual

enumeration of vacant mansions, and the several objections to each (for

where ever was a vacant mansion without its objection?) began with zeal

and rapidity.

"Cranley Hall," said one.

"Too large!"

"Hinton Park?"

"Too much land."

"The White House at Hannonby--the Belvidere, as the late people called

it?"

"What! is that flourishing establishment done up? But Hannonby is too

far off--ten miles at least."

"Queen's Bridge Cottage?"

"Ay, that sweet place would have suited exactly, but it's let. The

Browns took it only yesterday."

"Sydenham Court?"

"That might have done too, but it's not in the market. The Smiths intend

to stay."

"Lanton Abbey?"

"Too low; grievously damp."

By this time, however, we had arrived at the end of our list; nobody

could remember another place to be let, or likely to be let, and

confessing ourselves too fastidious, we went again over our catalogue

_raisonée_ with expectations much sobered, and objections much

modified, and were beginning to find out that Cranley Hall was not so

very large, nor Lanton Abbey so exceedingly damp, when one of our party

exclaimed suddenly, "We never thought of Hatherden Hill! surely that is

small enough and dry enough!" and it being immediately recollected that

Hatherden was only a mile off, we lost sight of all faults in this great

recommendation, and wrote immediately to the lawyer who had the charge

of letting the place, whilst I myself and my most efficient assistant,

sallied forth to survey it on the instant.

It was a bright cool afternoon about the middle of August, and we

proceeded in high spirits towards our destination, talking, as, we went,

of the excellence and agreeableness of our delightful friends, and

anticipating the high intellectual pleasure, the gratification to the

taste and the affections, which our renewed intercourse with persons so

accomplished and so amiable, could not fail to afford; both agreeing

that Hatherden was the very place we wanted, the very situation, the

very distance, the very size. In agreeing with me, however, my companion

could not help reminding me rather maliciously how very much, in our

late worthy neighbours, the Norrises' time, I had been used to hate and

shun this paragon of places; how frequently I had declared Hatherden

too distant for a walk, and too near for a drive; how constantly I had

complained of fatigue in mounting the hill, and of cold in crossing

the common; and how, finally, my half yearly visits of civility had

dwindled first into annual, then into biennial calls, and would

doubtless have extended themselves into triennial marks of remembrance,

if our neighbours had but remained long enough. "To be sure," added he,

recollecting, probably, how he, with his stricter sense of politeness,

used to stave off a call for a month together, taking shame to himself

every evening for his neglect, retaining 'at once the conscience and the

sin!' "To be sure, Norris was a sad bore! We shall find the hill easier

to climb when the Camdens live on the top of it." An observation to

which I assented most heartily.

On we went gaily; just pausing to admire Master Keep, the shoemaker's

farming, who having a bit of garden ground to spare, sowed it with wheat

instead of planting it with potatoes, and is now, aided by his lame

apprentice, very literally carrying his crop. I fancy they mean to

thrash their corn in the woodhouse, at least there they are depositing

the sheaves. The produce may amount to four bushels. My companion, a

better judge, says to three; and it has cost the new farmer two superb

scarecrows, and gunpowder enough for a review, to keep off the sparrows.

Well, it has been amusement and variety, however! and gives him an

interest in the agricultural corner of the county newspaper. Master Keep

is well to do in the world, and can afford himself such a diversion.

For my part, I like these little experiments, even if they be not over

gainful. They show enterprise: a shoemaker of less genius would never

have got beyond a crop of turnips.

On we went--down the lane, over the bridge, up the hill--for there

really is a hill, and one of some steepness for Berkshire, and across

the common, once so dreary, but now bright and glittering, under the

double influence of an August sun, and our own good spirits, until we

were stopped by the gate of the lawn, which was of course locked, and

obliged to wait until a boy should summon the old woman who had charge

of the house, and who was now at work in a neighbouring harvest-field,

to give us entrance.

* * * * *

------ the aged portress (Dame Wheeler, Susan's grandmother) had given

us admittance, and we soon stood on the steps in front of the house, in

calm survey of the scene before us. Hatherden was just the place to like

or not to like, according to the feeling of the hour; a respectable,

comfortable country house, with a lawn before, a paddock on one side, a

shrubbery on the other; offices and a kitchen garden behind, and the

usual ornaments of villas and advertisements, a greenhouse and a

veranda. Now my thoughts were _couleur de rose_, and Hatherden was

charming. Even the beds intended for flowers on the lawn, but which,

under a summer's neglect, were now dismal receptacles of seeds and

weeds, did not shock my gardening eye so much as my companion evidently

expected. "We must get my factotum, Clarke, here to-morrow," so ran my

thoughts, "to clear away that rubbish, and try a little bold

transplanting; late hollyhocks, late dahlias, a few pots of lobellias

and chrysanthemums, a few patches of coreopsis and china-asters, and

plenty of scarlet geraniums, will soon make this desolation flourishing.

A good gardener can move any thing now-a-days, whether in bloom or not,"

thought I, with much complacency, "and Clarke's a man to transplant

Windsor forest without withering a leaf. We'll have him to-morrow."

The same good disposition continued after I entered the house. And when

left alone in the echoing empty breakfast-room, with only one shutter

opened, whilst Dame Wheeler was guiding the companion of my survey to

the stableyard, I amused myself with making in my own mind, comparisons

between what had been, and what would be. There she used to sit, poor

Mrs. Norris, in this large airy room, in the midst of its solid handsome

furniture, in a great chair at a great table, busily at work for one of

her seven small children; the table piled with frocks, trousers,

petticoats, shirts, pinafores, hats, bonnets, all sorts of children's

gear, masculine and feminine, together with spelling books, copy books,

ivory alphabets, dissected maps, dolls, toys, and gingerbread, for the

same small people. There she sat a careful mother, fretting over their

naughtiness and their ailments; always in fear of the sun, or the wind,

or the rain, of their running to heat themselves, or their standing

still to catch cold: not a book in the house fit for a person turned of

eight years old! not a grown up idea! not a thought beyond the nursery!

One wondered what she could have talked of before she had children. Good

Mrs. Norris, such was she. Good Mr. Norris was, for all purposes of

neighbourhood, worse still. He was gapy and fidgetty, and prosy and

dosy, kept a tool chest and a medicine chest, weighed out manna and

magnesia, constructed fishing-flies, and nets for fruit-trees, turned

nutmeg-graters, lined his wife's work-box, and dressed his little

daughter's doll; and had a tone of conversation perfectly in keeping

with his tastes and pursuits, abundantly tedious, thin, and small. One

talked down to him, worthy gentleman, as one would to his son Harry.

These were the neighbours that had been. What wonder that the hill was

steep, and the way long, and the common dreary? Then came pleasant

thoughts of the neighbours that were to be. The lovely and accomplished

wife, so sweet and womanly; the elegant and highly-informed husband, so

spirited and manly! Art and literature, and wisdom and wit, adorning

with a wreathy and garlandy splendour all that is noblest in mind and

purest in heart! What wonder that Hatherden became more and more

interesting in its anticipated charms, and that I went gaily about the

place, taking note of all that could contribute to the comfort of its

future inhabitants.

Home I came, a glad and busy creature, revolving in my mind the wants of

the house and their speediest remedies--new paper for the drawing-room;

new wainscoting for the dining parlour; a stove for the laundry; a lock

for the wine-cellar; baizing the door of the library; and new painting

the hall;--to say nothing of the grand design of Clarke and the

flower-beds.

So full was I of busy thoughts, and so desirous to put my plans in train

without the loss of a moment, that although the tossing of apples had

now resolved itself into a most irregular game of cricket--George Copley

being batting at one wicket, with little Sam Roper for his mate at the

other;--Sam, an urchin of seven years old, but the son of an old player,

full of cricket blood, born, as it were, with a bat in his hand, getting

double the notches of his tall partner--an indignity which that

well-natured stripling bore with surprising good humour; and although

the opposite side consisted of Susan Wheeler bowling at one end, her old

competitor of the ragged jacket at the other, and one urchin in trousers,

and one in petticoats, standing out; in spite of the temptation of

watching this comical parody on that manly exercise, rendered doubly

amusing by the scientific manner in which little Sam stood at his

wicket, the perfect gravity of the fieldsman in petticoats, and the

serious air with which these two worthies called Susan to order whenever

she transgressed any rule of the game:--Sam will certainly be a great

player some day or other, and so (if he be not a girl, for really

there's no telling) will the young gentleman standing out. In

spite, however, of the great temptation of overlooking a favourite

divertisement, with variations so truly original, home we went, hardly

pausing to observe the housing of Master Keep's wheat harvest. Home

we went, adding at every step a fresh story to our Castle in the Air,

anticipating happy mornings and joyous evenings at dear Hatherden;--in

love with the place and all about it, and quite convinced that the hill

was nothing, the distance nothing, and the walk by far the prettiest

in the neighbourhood.

Home we came, and there we found two letters: one from Mr. Camden, sent

per coach, to say that he found they must go abroad immediately, and

that they could not therefore think of coming into Berkshire for a year

or more; one from the lawyer, left in charge of Hatherden, to say, that

we could not have the place, as the Norrises were returning to their old

house forthwith. And my Castle is knocked down, blown up--which is the

right word for the demolishing such airy edifices? And Hatherden is as

far-off, and the hill as steep, and the common as dreary as ever.

We have already quoted the most striking of the poetical pieces, at page

283. Allan Cunningham has some spirited lines, My Native Vale; and the

Ettrick Shepherd, a touching Lay of the Martyrs. Archdeacon Wrangham,

one of the most elegant and classical scholars of the day, has

translated twenty-three beautiful verses on the Spider, from Pignotti,

besides a few other little garnishing pieces. The Brothers, a Sketch,

by the Hon. Mrs. Norton, is full of sweet simplicity; and some Stanzas,

which follow, by Mr. Crofton Croker, are gems of affection. Thoughts on

Flowers, by H.G. Bell, breathe the same sweet and touching spirit; and

the Banks of the Dove, written by M.T. Sadler, Esq. on leaving his

"native village in early youth," are not only interesting as gems of

talent which has since ripened into literary distinction in honourable

public service, but will delight every admirer of genuine feeling.

The Engravings are nearly all of first-rate excellence. The

frontispiece, the Minstrel of Chamouni, after Pickersgill, by J.H.

Robinson, in effect, spirit, and finish, cannot be surpassed. But how

shall we describe the Crucifixion, engraved by Le Keux, from a drawing

by Martin: how can we speak of the light shedding over the Holy City

and "Calvary's wild hill," the crucified MESSIAH, the living stream,

and the thousands and tens of thousands that cluster on this "earthly

throne"--the magnificent architectural masses--the vivid light streaming

in the distance; and the warlike turmoil of helmet heads, spears and

floating banners that aid the shout of blood in the foreground: this

must suffice. The First Interview between the Spaniards and Peruvians,

after Briggs, by Greatbach, is a triumph of art; Wilkie's Dorty Bairn

is excellent; the Fisherman's Children, after Collins, by C. Rolls, is

exquisitely delicate; and the Gleaner, by Finden, after Holmes, has

a lovely set of features, which art and fashion may court in vain.

But we have outrun our tether, and must halt here.

* * * * *

The Literary Souvenir.

From the _Amulet_ we turn to Mr. Watts's _El Dorado_ of poetry

and romance in superb crimson silken sheen and burnished gold edges.

Rich as the exterior unquestionably is, it but accords with the rare

treasures which it envelopes. We first indulged our early custom of

"looking at the pictures," but must, as sober middle-aged persons ought

to do--begin at the beginning. Passing over the Advertisement, in which

the editor makes some judicious observations on the remuneration of

British artists, &c. the first tale is the Love-Draught, in the best

style of the author of "Highways and Bye-ways," with many fine touches

of Irish humour and sentiment. We next notice a Village Romance, by Miss

Mitford, with a host of pretty facts and feelings; and a Calabrian Tale,

the Forest of Sant Eufemia, by the author of "Constantinople in 1829:"

it is the longest, and perhaps the best story in the volume, and brings

the author's descriptive powers into full play in the stirring scenes

of brigand life. Next is The Last of the Storm, a tale of deep and

thrilling interest, by Mr. Banim. Of the same description is our prose

extract--

The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 399, Supplementary Number · 第 7 / 8 题