LUSITANIA

LUSITANIA.

_Fourth day out_.

Dearest Mamma,--It is perfectly delightful being at sea--in this

ship--because you don't really know you are on the hateful element. We have

a charming suite with two real windows and beds, and even Agnès has not

grumbled. There are lots of American on board, and really these travelling

ones are quite as bad as the awful English people one meets on the

Continent, only instead of having stick out teeth and elephants' feet,

their general shapes are odd. It appears as if in the beginning Peter, or

someone, called up to the Creator that so many thousands of arms and legs

and bodies and heads were wanted to make this new nation, and so the

requisite amount were pitched down and then joined up without anyone's

worrying to get them en suite. Thus A seems to have received B's head with

C's arms, his own body and D's legs--and so on; not the least thought shown

in their construction. They seem rough-hewn--with foreheads too prominent

or noses too big, or too square shoulders or too deep set eyes, nearly

always too something--and the women the same; whereas the children (there

are only a few of them fortunately) are really impossible. There is one

family of the fattest boys you ever saw--simply like the pictures of the

fat boy of Peckham, and a little girl of six called Matilda. Matilda is

certainly over thirty in her conversation--she told me she was sick of

ocean travelling--her eighth voyage; and she was sick of the Continent,

too--you get no good candy there and her Momma did nothing but shop. She

has the voice of a young peacock and the repartee of a Dublin car

driver--absolutely "all there." They are fairly rich "store keepers" from

Buffalo. The mother has nerves, the father dyspepsia and the nurse is

seasick, so Matilda is quite her own mistress, and rushes over the entire

ship conversing with everyone. She is most amusing for a short time, if it

were not pathetic. She plays off one fat boy (cousins they are of hers)

against the other, and one steward against another for biscuits and

figs--with the most consummate skill. It is no wonder if this quality can

be perfected so young by Americans that they can snatch all our best young

men from us when they grow up.

I don't know how it is the most unattractive creatures of every nation seem

to be the ones who travel. There is a family of English who have the next

table to us, for instance; they make us blush for our country. The two

young men are the most impossible bounders one could meet, and I am sure

their names must be Percy and Ernest! When there was a dance last night

they smoked pipes in the faces of their partners between the valses, and

altogether were unspeakably aggressive. No American in the world would

behave like that to women. I really think the English middle classes are

the most odious--except, perhaps, the Germans--of any people on earth. And

as these are the ones other nations see most of, no wonder they hate us.

Octavia is so entertained at everything. We have not spoken to anyone

except one family who sit near us on the deck, and they have asked us to

stay with them at their country place on the New Jersey shore. But--Oh! I

forgot to tell you, Mamma, Mr. Renour is on board. Is it not a strange

coincidence? He seemed very surprised to see us, and for a moment it was

quite awkward when I introduced him to Octavia--because she, not being deaf

like Aunt Maria, I knew would hear him calling me Lady Elizabeth and think

it odd, and he would be certain to discover from her that I am married. So

the best thing to do seemed to be to take a walk with him at once on the

top deck and explain matters--this was just before dinner in the twilight.

He told me it was unkind to have given him the slip as we did, and that he

had had "quite a worry" to "come up with" us--but if I imagined he was

going to let me get out of range again I was mistaken! You can't think,

Mamma, how difficult it was to screw up my courage to tell him I was

married--he has such nice brown eyes;--and although his language is more

remarkable than anything you ever heard, he is not the least little bit

common. At last I blurted it out straight and explained and asked him to

forgive me. He looked away at the sea for quite five minutes and his jaw

was square as a box. Then he turned round and held out his hand. "Say," he

said, "I expect you didn't mean to play a low down trick on me but it has

hit pretty straight anyway. We'll shake hands and I reckon I'll keep out of

your track for a day or so till I size up things and put them on the new

elevation." And then he went away, saying, "Good evening, Lady Valmond." I

could have cried, Mamma, I felt so small and paltry. He is a great big

splendid creature and I wish I had not been so silly as to pretend in the

beginning. Octavia thinks him delightful. He never appeared for two

days--then he came up as if nothing had happened; only he looks at my hat

or my chin or my feet now and never into my eyes as before, and he calls me

Lady Valmond every other minute--and that is irritating. We shall get in

to-morrow and this will be posted at Sandy Hook, so good-night, dearest

Mamma.

Your affectionate daughter,

ELIZABETH.

Elizabeth Visits America · 第 11 / 54 题