THE PRIEST AND THE ACOLYTE

THE

PRIEST

AND

THE

ACOLYTE

WITH AN

INTRODUCTORY

PROTEST BY

STUART MASON

LONDON: AT THE LOTUS PRESS

NINETEEN HUNDRED AND SEVEN

So many copies of “The Priest and the Acolyte” have been sold by

unscrupulous publishers and booksellers under the implication that it

is the work of Oscar Wilde that it has been thought good to issue this

edition with the object of putting an end, once and for all, to the

possibility of purchasers being misled as to the authorship.

The story was originally published in _The Chameleon_, the first and

only number of which appeared in December, 1894. The author of the

story was an undergraduate at Oxford, “an insufficiently birched

schoolboy,” as he has recently been described, and he alone was

responsible for the contents of the magazine which he edited. At the

time of the trial of Lord Queensberry for libel a few months later it

was attempted to show that Oscar Wilde not only approved of the theme

of the story, but that he was actually a party to the publication of

it, on the grounds that he sent to the editor a number of aphorisms

under the title of “Phrases and Philosophies for the Use of the

Young.”

The simplest way of showing what Oscar Wilde really thought of the

story is to quote what he said when examined in Court on the subject.

John Sholto Douglas, Eighth Marquis of Queensberry, was arrested on

a warrant on March 1, 1895, on a charge of uttering a criminal libel

against Oscar Wilde. On the following morning he was brought up before

Mr. Newton at Marlborough Street Police Court, and after some formal

evidence had been taken was remanded on bail for a week, and on the

second hearing was formally committed to take his trial at the Central

Criminal Court a few weeks later.

The trial began at the Old Bailey on Wednesday, April 3, before

Mr. Justice Henn Collins. Sir Edward Clarke, Q.C., M.P., Mr. Charles

Mathews and Mr. Travers Humphreys appeared for the prosecution;

Mr. Carson, Q.C., M.P., Mr. C. F. Gill and Mr. A. Gill being for the

defence.

The court was crowded. The Marquis was the first to arrive. He came in

alone, and stood, hat in hand, in front of the dock. He spoke to no

one, and no one spoke to him. There was little that was aristocratic

in the Marquis’s appearance. He was of short stature, with a round

face, and clean shaven except for a streak of red whisker. His lower

lip drooped considerably. A few minutes before half-past ten,

Mr. Oscar Wilde entered the court and took a seat immediately in

front of his Counsel, with whom he at once joined in an animated

conversation.

The Judge was ten minutes late, but (the Marquis having entered the

dock) the preliminary proceedings were soon got through, and at a

quarter to eleven, Sir Edward Clarke began his speech for the

prosecution. Everybody listened attentively to the story, as set

forth by Counsel, of the prosecutor’s achievements at college, his

subsequent success as a littérateur, and the circumstances under

which he became acquainted with the defendant’s family. “Phrases and

Philosophies for the Use of the Young,” which Oscar Wilde contributed

to _The Chameleon_, was mentioned in the plea of the defence as

“immoral and obscene,” and Sir Edward Clarke occupied some time in

an endeavour to prove the contrary. With regard to _The Chameleon_,

Counsel admitted that it contained a story entitled “The Priest and

the Acolyte,” which could not be justified, but he declared his client

could not be held responsible for the publication as a whole, he being

but a contributor to its pages. As a matter of fact, Mr. Wilde urged

upon the editor that the book should be withdrawn.

Soon after Mr. Carson began his cross-examination, it became apparent

that the line he was adopting would result in a conflict between

Counsel. Mr. Wilde was being questioned as to his opinion on certain

extracts from “The Priest and the Acolyte,” when Sir Edward Clarke

jumped to his feet and appealed to the Judge whether the questions

were relevant, inasmuch as Mr. Wilde was not responsible for the

story. The Judge ruled in favour of Mr. Carson. Sir Edward, a few

minutes later, raised another objection, but he was again overruled.

The interval for luncheon came as a pleasant relief to all, and, on

the application of Mr. Carson, the Judge consented to the defendant

being allowed his freedom till the court resumed its sitting.

Sir Edward Clarke, in the course of his speech for the prosecution,

said that there were two extremely curious counts at the end of the

plea. One was that in December, 1894, was “published a certain immoral

work in the form of _The Chameleon_, relating to practices and

passions of an unnatural kind,” and that his client had “joined in

procuring the publication of _The Chameleon_, with his name upon it as

the principal contributor.” That was a very gross allegation. Directly

Mr. Wilde saw the magazine, he noticed there was a story in it called

“The Priest and the Acolyte,” which was a disgrace to literature,

which it was amazing any body wrote, and still more amazing that any

body allowed to be published under his name.[1] Directly Mr. Wilde

saw that story he communicated with the editor, and upon his

insistence the magazine was withdrawn. He had no knowledge that that

story was about to be published. It was strange indeed, then, to find

that publication put upon the particulars as justifying the charge

against Mr. Wilde.

[Footnote 1: Sir Edward Clarke was in error. The story was

published anonymously, being signed “X” only, though the author’s

real name was more or less an open secret in Oxford at the time.]

In his examination in chief, Sir Edward Clarke said: It is suggested

that you are responsible for the publication of _The Chameleon_ on the

front page of which some aphorisms of yours appear. Beyond sending

that contribution had you any thing to do with the preparation or

ownership, editorship or publication of that magazine?

Witness—No; nothing whatever.

Until you saw this number of _The Chameleon_ did you know any thing

about the story, “The Priest and the Acolyte”?

Nothing at all.

Upon seeing the story in print, did you communicate with the editor?

The editor came to see me at the Café Royal to speak to me about it.

Did you approve of the story of “The Priest and the Acolyte”?

The Priest and the Acolyte With an Introductory Protest by Stuart Mason · 第 1 / 12 题