OUR BOOKING-OFFICE.

(_BY MR. PUNCH'S STAFF OF LEARNED CLERKS._)

One of the most interesting features, to an English observer, in the

impressive spectacle of America girding herself for war is the sight

of our great Ally passing through all those phases of initiation that

to us are now remote memories. Such a phase is the coming of the

first war-books, exemplified for me by the appearance of _From the

Fire Step_ (PUTNAMS). As his sub-title indicates--_Experiences of an

American Soldier in the British Army_--the writer, Mr. ARTHUR GUY

EMPEY, has proved himself something of a pioneer. In a singularly

vivacious opening chapter he tells how, after waiting with decreasing

expectation during the months that followed the _Lusitania_ crime, he

decided to be a law unto himself, and came alone to offer his personal

service in the cause of freedom. You will hardly read unmoved (by

laughter as much as by sympathy) his story of how this offer was at

first refused, then accepted. Throughout indeed you must prepare to

find Mr. EMPEY an entirely independent, though generous, critic of

our men and methods; it is precisely this attitude that gives his

book its chief interest as a survey of all-too-familiar things from

a refreshingly new angle. I hardly suppose there will be anything in

the actual matter, from church parade to gas-attacks, which readers

on this side will not by now have seen or heard about, times beyond

number; but one can imagine sympathetically with what concern it

will all be received in the homes oversea; and after turning its

high-spirited and encouraging pages can warmly echo the admonition of

their writer: "Pacifists and small-army people please read with care!"

* * * * *

Since there is probably no writer who can approach Mrs. FLORA ANNIE

STEEL in the art of telling Indian tales about Indian people, one is

specially happy to find her in _Mistress of Men_ (HEINEMANN) with

her foot once more upon her special terrain. Not for the first time,

I think, she has gone to the records of the House of AKBAR for her

material; the result here is hardly to be called a novel so much as

amplified history, since it is really the life story of an actual

(and wonderful) woman, NURJAHÂN THE BEAUTIFUL, wife of the Emperor

JAHÂNGIR. Naturally the writer has experienced not only the great

advantages but the hazards of such a building upon fact. To explain

the marriage of your heroine with the Imperial lover by whose orders

her first husband was killed, and not to lessen sympathy for her in

the process, is a problem to test the skill of any novelist. One sees,

however, even without Mrs. STEEL'S own declaration, that it has been

for her a grateful task to set down "a record of the most perfect

passion ever shown by man for woman." This was the adoration of the

EMPEROR for his consort, an amazing romance of Oriental domesticity,

which makes the story of the pair stranger and more fascinating than

fiction. A love-tale indeed; and, since 'tis love that makes a book

go round, one may trust the circulating libraries to see to it that

_Mistress of Men_ is well represented on their shelves. As a study

of an alluring, dazzling and masterful personality it was well worth

writing.

* * * * *

There is a sad interest in the title-page of _Irish Memories_

(LONGMANS), since only by a pathetic fiction does it bear the names,

as joint authors, of E. OE. SOMERVILLE and "MARTIN ROSS," those two

gifted ladies whose association has been such a happy chance for

them and for us all. Really the book, though in part compiled from

the letters and journals of "MARTIN," is an eloquent tribute by Miss

SOMERVILLE to the partner whose death has robbed her of a friend and

the world of so much kindly laughter. But, haunted as it is by this

shadow of bereavement, you must in no way think of it as wholly a

thing of gloom. Looking back into the good years, the writer has

recalled many incidents and scenes full of that genial and most

infectious merriment that we have learnt to expect from her--tales of

the wonderful peasant chorus that one remembers first in the pages of

_An Irish R.M._, exploits after hounds (it needs no telling how well

both authors loved them), and much besides. There will be interest

also for many uninitiated admirers in the account here given of how

the famous stories came first into being. Of its more intimate and

personal side I hesitate to speak; those who loved "MARTIN ROSS,"

either through her writings or in the closer relationship of friend,

must be glad that her _ave atque vale_ has been spoken, as she would

have wished it, by her whose right it was. It will send many to

read again those delightful volumes with a new appreciation of the

sympathetic and lovable personality that helped in their making.

* * * * *

I am afraid that something of the charm which, in a sympathetic

preface, M. HENRI BORDEAUX claims for _A Crusader in France_ (MELROSE)

is veiled by a rather faltering translation. I would counsel all

who appreciate the exquisitely sensitive _Récit d'une Soeur_, with

which he not unfavourably compares it, to go rather to the French

original of these letters of a young captain of the famous Chasseurs

Alpins. Captain FREDERIC BELMONT fell near the stubbornly-contested

Hartmannsweilerkopf in 1916. He was the third of his family to give

his life for France. The letters reveal a character that hardships

and dangers not only strengthened but refined. He writes with a noble

French ardour of his country in the crisis of her fate. He dreads, but

rises greatly to the height of, his heavy responsibility as Captain at

the age of twenty-one. The coveted cross of the Legion of Honour comes

to him before the end, and he wins the affection and confidence of his

men--a soldier's highest prize. A deep religious conviction unclouded

by superstition sustains his courage. He is a product of the French

Catholic tradition at its best. He writes intelligently of his work,

and with a greater freedom as to detail than our more exigeant

censorship allows; so that you get an excellent picture of the daily

life of a campaigner in the greatest of all wars. He met the English

in Flanders, admired and liked their looks and ways.... A very

charming record of a gallant soldier, a chosen soul.

* * * * *

In the first few pages of _At the Serbian Front in Macedonia_ (LANE),

Mr. E.P. STEBBING tells so many little anecdotes that I began to

wonder if he was ever going to get there. When, however, he has

got into his stride, he gives us information which is all the more

valuable because we hear so little of the Macedonian campaign. Mr.

STEBBING was appointed Transport Officer to a unit of the Scottish

Women's Hospitals that was sent to the Serbian Front. Naturally he has

much to say of the work done by these brave and untiring women. Under

exceptionally difficult circumstances their courage never failed,

and it is good to remember that their arrival at Ostrovo was of the

greatest possible service to the Serbs. That is one part of the book,

and it is well told. The other is of actual war, and here Mr. STEBBING

was given ample opportunities to observe. No one can read his account

of the taking of Kajmaktcalan without feeling the keenest admiration

for the gallantry of the Serbs. He also describes very graphically the

frontal attack by the French upon the Kenali lines in October, 1916.

The British public is too apt to look upon the Macedonian campaign

as a prolonged picnic, and for them a dose of Mr. STEBBING would be

excellent medicine. I wish someone with our own troops would do as

sound a service for them as is done here for the Serbs and French.

But let him avoid anecdotes.

* * * * *

I am a little puzzled about _A Bolt from the East_ (METHUEN). The

publishers, who surely should know, call it "A modern and up-to-date

romance, which deals mystically but boldly with the greatest and most

pertinent of all questions--'Is Life Worth Living?'" But for my own

part the greatest and most pertinent question suggested by Mr. G.F.

TURNER'S up-to-date romance was whether it could possibly have been

intended as serious. I despair of giving you any adequate idea of its

contents. There are lots and lots of characters, and, as several of

them seem to own more than one personality, it is often more than a

little hard to say who is what. The central figure is an Indian Prince

of marvellous beauty and mysterious powers, who, being jilted by the

girl of his heart, wishes to be revenged upon the human race. To this

end he employs the activities of a German Professor, who produces what

one might call a _Kultur_ of the sterility germ. However, these cheery

projects go astray, though in precisely what manner I have no very

clear idea. But the end came at a gathering where the _Prince_ played

psychic music, and a chance union of hands between hero and heroine

transmuted the former from "a dilettante" and "polished ladies' man"

to "a virile male filled with the blasting vehemence of primary

passions." Incidentally it proved altogether too much both for the

_Professor_ and his inoculated rabbits, all of whom expired on the

spot. Just about here that most pertinent question became more acute

than ever. Fortunately it was the last page but one of the story.

* * * * *

[Illustration: _The Visitor_. "I HEAR YOUR BOY IS IN PALESTINE. HOW

INTERESTING IT MUST BE FOR HIM TO MOVE AMONG THOSE SCENES WHERE EVERY

SPOT BEINGS UP SOME RECOLLECTION OF THE WONDERFUL EVENTS OF BIBLICAL

HISTORY!"

_The Mother_. "TED DON'T SAY MUCH ABOUT THAT IN 'IS LETTERS. 'E SEEMS

TO THINK THE COUNTRY IS SUFFERIN' FROM A FLY-PAPER SHORTAGE."]

* * * * *

"Senhor Rodrique Bettencourt will be Premier, and Senhor

Adinterin, President of the Republic."--_Dublin Daily Express_.

But is nothing to be done for Senhors Defacto and Dejure?

Punch, or the London Charivari, Volume 153, December 19, 1917 · 第 43 / 43 题