CHAPTER XI

HANOÏ AND THE TONKIN

Hanoï, northern capital of French Indo-China, is somewhat larger and

less obviously tropical than its southern rival, Saïgon. It is quite a

city, with expensive modern buildings, electric street-cars—found

nowhere else in the colony—railways in four directions, many

automobiles, both of the taxicab and private limousine variety, several

excellent hotels; in short, it is a little Paris of the tropics, with

some advantages that even Paris does not have. Those hotels were a

constant surprise, though I had seen almost their equal in other parts

of the colony. Not only were they all you could expect of the French

themselves, but their rates were surprisingly reasonable for these

exorbitant times. Though I am getting ahead of my story again, we had

later on two large rooms with bath, electric fan thrown in, excellent

French food and plenty of ice, for three adults and two small children

at 250 piastres a month. True, there were cobwebs visible in the corners

of the high ceiling, bright little lizards paraded the walls, and the

plumbing might have been more strictly up-to-date, but he is an

inexperienced traveler who expects perfection anywhere.

In the very heart of Hanoï, with the principal foreign streets on some

sides of it and the native city on the other, is a large lake,

delightfully blue and restful, bordered by a stone-faced embankment

spaced with huge old trees. Out in it rise two little islands, one

reached by a causeway, the other needing a boat, bearing respectively a

famous old temple and a kind of pagoda. The beautiful, lazily tropical

view across this broad deep lake in the heart of a city is one of the

sights of the Far East, and gives Hanoï quite a distinctive atmosphere.

In a well shaded corner on its shores there is, especially on Sunday

mornings, a flower-market very similar to the one near the Madeleine in

Paris, except that this one lasts the whole year round, and in place of

the _bouquetières_ of Paris boulevards the sellers are black-toothed

_congaïe_ in long cinnamon-brown coats, their swollen lips reddened with

betel-nut, yet quite as commercially skillful and in their Oriental way

just as coquettish as their Parisian counterparts.

Rue Paul Bert, named for a former French commander, is to Hanoï what the

Rue Catinat is to Saïgon. Along it are some very up-to-date government

and private buildings, well stocked stores, and cafés overrunning the

sidewalks. The tram-cars across this lead along the lake and through the

native town to even larger government structures in a great park of the

outskirts, now admittedly the headquarters of the governor-general,

though even he hardly dares openly admit this down in Saïgon. There are

other parks, one with a big stone water-tower that looks like a medieval

dungeon, many streets of good foreign houses, most of them gay in

Buddhist-yellow stucco, a big museum left over from a former exposition,

and all the other adjuncts of French civilization. As in Saïgon, there

is an imposing municipal opera-house, where a company subsidized by the

government, at the cost of the natives, comes to sing each “winter” for

the French residents, not to be outdone by that other Paris on the

opposite side of the earth in any of the cultural things of life just

because their lot happens to be cast so far afield. Most of the year the

municipal theater stands idle, however, with a welcoming air toward

anything that promises to be a relief from the monotony of the

silvered-screen nonsense offered in another part of town. On my second

visit to Hanoï its pretentious façade was adorned with the paper of an

“Oriental Magician,” whose performance was as worthy of the solemn

throng in full dress that filled the house as would have been those of

his rivals elsewhere. The very atrociousness with which he massacred the

bit of French needed to accompany his tricks had about it a tang of the

occult East unable to express itself in our crude Western medium—which

was strange in an Italian who called Newton, Massachusetts, home, and

whose ultra-Oriental wife and chief stage assistant admitted in

unofficial moments that she was born in Kansas.

The rush and swirl of street life in Hanoï was even more nearly

incessant than that of hotter Saïgon. Hawkers, improvised restaurants,

hundreds of rickshaws, most of them thumping their wooden wheels on the

ill-fitting axle, queer carriages, wheelbarrows again for the first time

since leaving China, man-drawn freight-carts, automobiles bellowing

their demanding way through flocks and shoals of pedestrians, all bore

testimony to the importance of the northern capital. Superficially

everything was French, down to the tiny bottles containing those

_pierres à briquet_ required for the gasoline-driven cigarette-lighters

of France, which one saw in the display-windows of native as well as

French shops. The big department-store across the street from our hotel

opened at dawn and closed from eleven until two, like almost everything

else, so that its reassembling force was constantly breaking short both

our night’s sleep and our afternoon siesta. But the red tape of buying

there was as entangling as in France, with the added difficulty that

prices quoted in francs and paid in piastres had to be figured according

to the daily rate of exchange—often to our decided advantage. There

seemed to be a general taste for French bread, and bottles by the

coolie-load were so cheap and plentiful, in contrast to China, that

every possible thing was made out of whole or broken ones—walls, garden

borders, sidewalk edges, playhouses. But there did not seem to be much

Frenchifying of native life except in these external details, and even

with those the millions of the masses have little to do.

Late January in Hanoï was cloudless, almost as hot as in Saïgon, more

than ten degrees farther south, so that even in white again I was none

too comfortably cool. By night it was often too hot to sleep well even

stark naked under a languid electric fan, and one’s dozing was made all

the more fitful by the rattling hubs of the _pousses-choléra_, those

iron-tired, almost springless rickshaws of the masses, and of the larger

coolie-pulled baggage and vegetable carts, that made a hubbub beneath

our windows all night long like the passing of a regiment of

lumber-wagons. Sometimes there might be a lull from about two until four

in the morning, corresponding somewhat to the daytime siesta, but even

then the streets were by no means so nearly deserted as they were around

noonday. Plenty of good rickshaws, with wire wheels on large pneumatic

tires and ample springs, as noiseless and comfortable conveyances as

those of Peking and far better than the ones to be found in Canton and

southern China in general, plied the streets of Hanoï. But they were

used almost exclusively by foreigners, one European each, while the

bone-breakers in which even mandarins were glad to save an Indo-China

nickel served the natives.

The rickshaw-men of Indo-China are so hungry for work that they always

know, whether they understand him or not, where a possible client wishes

to go. A score of times I had the same experience; all foreigners in

Indo-China have had it: a mob of rickshaw pullers, seeing me come out of

a hotel, a shop, a government office, the home of the lone Protestant

missionary couple in Hanoï or of the customs officer turned novelist,

rose up like a battling mob along the sidewalk, each vociferously

offering his little seat on wheels, those behind thumping the others

with their shafts, so common a trick that none of them show anger at it,

as if it were all a part of the day’s work, of the eternal struggle for

rice for their thin bodies and the many dependent upon them. “Rue de la

Soie!” I cry to the uproar. All begin to shriek, to howl in chorus: “Moï

connaître! Moï connaître!” I step into one of the vehicles at random.

The others give a little smirk as of amusement to cover their chagrin,

to save face by pretending that they were not keen for the job after

all, while the lucky fellow speeds away straight before him, as if he

knew the way perfectly. But he goes too straight ahead; the way to an

Asiatic goal cannot be so direct as that, even in this less labyrinthine

part of the Orient. I begin to grow suspicious; at the end of several

full-speed minutes I stop him with “Mais, ce n’est pas—this is not the

way to the Rue de la Soie, is it?” He has no idea what I am saying,

longer experience will show me; all he understands is that I have said

something. So he turns around and flees as rapidly in the direction from

which we have come. I call out again, and though he still does not

understand, he pretends to, and feeling that he must do something to

satisfy me he forks off at random, to the right, to the left, no matter

which, and continues to trot, now and then turning his head to look at

me more or less surreptitiously, like a clever old horse, as if to

gather from my expression some notion of where I wish to go.

All very well for the old resident, who knows his way about town and is

well aware that the two-legged horse between his shafts does not know a

word of the French he so glibly pretends to understand. But it is hard

on the new-comer, who has neither of these advantages, who does not know

one street from another until he can read the signs on their corners,

who speaks no Annamese, particularly so on the naïve American accustomed

to put his faith in the truthfulness of the human kind. After he is lost

completely he appeals perhaps to a native policeman, only to find that

the officer knows even less French, and so, he discovers one by one, do

the natives round about, even those in full European tropical dress. So

that unless he happens to run across a French official or resident,

which is unlikely in many parts of town or anywhere at certain hours, he

is in for it. Perhaps, if he is lucky, he can make his more or less

human horse understand that he wishes to be taken back to the place from

which he started, or to a police station, where at least he can

telephone for assistance, if central happens to have a smattering of

French. Besides, it is no pleasure to drive these poor fellows far, with

their thin chests heaving and their bare brown backs gleaming with

sweat. Yet it is perspiring work to walk; the trams go only along a

fixed route, and automobiles are expensive.

The very next day I would find the same coolie, or one looking exactly

like him, shrieking with the same effrontery, “Moï connaître!” if I

asked him to take me to the corner of Broadway and Forty-second Street;

and at the end of the run, wherever that might be, he would stand

holding out both hands cup-fashion in that engaging Annamese manner, as

if he expected a fortune for the job. It is only a poor ruse to earn a

few cents, for these _pousse-pousses_ are the most miserable and the

least astute of the Annamese who serve the French and such few white

foreigners as come to Indo-China. The “boys” who work for us are much

brighter and know far smarter tricks. Certainly they are ingenious, if

somewhat less so than their Chinese counterparts, capable of serving a

ten-course dinner without cook-stove, dishes, or cutlery; but they are

so artful, so cunning and sly for all their outward servility, that even

he who tries to be continually on his guard is sure to be periodically

duped.

Though the streets in their own section of Hanoï bear the names of

French heroes and politicians, the rulers from the West have not

forgotten that it is after all a Tonkinese city. In the native town on

the farther side of the lake—which is nothing like a native town in the

Chinese sense of the word—the streets are also named in French, but not

for the French. Instead, they have preserved as much of the old

atmosphere as is compatible with sanitary requirements, including the

ancient street names. The blue and white metal placards on each corner

bear literal translations of the old Chinese-Tonkinese names for the

trades once, and in many cases still, practised in them—for after the

fashion of the East, those craftsmen or merchants carrying on the same

work gathered in a single street or piece of street, instead of

scattering to various parts of town.

Thus the traveler can wander for interesting hours through the

indigenous quarter intersected by the trolley, into the sweetish-scented

Rue des Sucres, through the Rue des Cercueils, lined with heavy wooden

coffins in the Chinese style—for the wealthy, massive sarcophagi richly

carved, lacquered, gilded, or painted, each bearing the Chinese

character for longevity; for the poor, thin bare boxes. The Rue des

Médicaments is full of the ancient type of medicine-shops, its air

pungent with the odors of dried barks, herbs, deer-horns, roots, plants,

magic powders, tiger bones, talismans, all the somber and mysterious

pharmacopœia of China, everything with which to combat the evil spirits,

influences, fatal breaths of the Black Kingdom. In Furniture Street the

tools of long ago are still in use; crude planes fly; saws sing; a

chisel cuts its way through brass; a center-bit, still run by a string

wound about it, creaks; files set the teeth on edge; chips and shavings

dance madly about among unfinished pieces of furniture on the bare

floors of open booths from which escapes a dry odor of varnish. Here and

beyond are the shops of the inlaid mother-of-pearl things, from tables

to jewel-boxes, for which the Annamese are famous—things to which

steam-heat is so fatal, as the gatherer of souvenirs discovers soon

after arriving home, though they stand the steaming heat of the tropics

well enough. The people of Annam and Tonkin are good carvers and

designers in the old models, but they are plainly not originators; there

is more than a suggestion of the Chinese in all their work. Silk

merchants carry on in the Rue de la Soie as they did centuries ago;

Copper Street, a block long, is strident with workers in copper and

brass; the Street of the Forgers—in the honorable sense of the

word—teems with workers in heavy metals; there is the Street of Rice, of

Veils, of Iron, of Flax, of the Cantonese, a street with shop after shop

full of the gay paper things used in funerals, a street of workers in

lacquer—for the Annamese lacquer other things besides their teeth—and so

on, as long as the hardiest wanderer would care to stroll in such a

climate.

The trolley goes on, through the Rue du Grand Buddha, past the temple of

a great statue that is small compared to similar figures in China,

Mongolia, and Tibet, on along a shore of the big lake, as distinguished

from the _petit lac_ in the heart of the city, to the Village du Papier,

where native paper is made of bamboo shavings or of bark. The brown

outside of the bamboo gives second-grade paper, the white inside

first-quality, and most of it is turned into false money to be burned at

funerals and graves. The raw product is cooked to a pulp and then

pounded in a granite mortar with a stone pestle. Women, standing before

the vats in which the pulp floats, swirl the water and lift out on

bamboo slats the film that form on top, then lay each sheet on a soggy

pile that would seem to defy taking apart after stacks of them have been

pressed to squeeze out the water.

On one side Hanoï is bounded by a wide boulevard on a high dike along

the Red River, which comes down out of China and spreads its fertility

in a long straight streak diagonally clear across Tonkin, a dike not

high enough, however, for sometimes it lets the river into the city.

Here one may muse upon the contrast between East and West while gazing

at the telescopic perspective of the longest bridge in the Orient—as the

French, if not the Tonkinese themselves, will proudly tell you—a bridge

which in one sense is very ugly and in another almost beautiful. Eight

hundred and ten meters from end to end, it carries across the Red River

all the railway trains leaving the city except the daily one to and from

Vinh to the southward; and just then it was being widened to carry

automobiles also, so that no longer would motorists be forced to go down

a steep and often slimy bank to a miserable _bac_.

One train across the bridge follows the Red River northwestward to

Laokay and goes on two days farther into China by a line marvelously

engineered through magnificent mountains, to Yünnanfu, whence the French

have now and then had hopes of pushing their trains clear to the upper

Yang-tze. Across it, too, goes the branch-line to Langson and the “South

Gate” of China, by which I left Tonkin on my way back down the West

River of Kwangsi to Canton, up which the defeated Tai fled centuries ago

before the conquering Chinese. We were soon in uncultivated jungle, as

north of Saïgon, though the undergrowth was much thinner here, with

brown fields and slopes of wild hay now and then, and stations that

consisted of a sign-board and a woodpile. But every little while there

were a few huts and some cultivation. Then came mountains covered with

trees and underbrush, more and more abrupt rocky mountains, and the sun,

so long imperious, suddenly disappeared for good and all the seventeen

days back to Canton. Though the altitude was not great, within an hour

it grew so cold, in contrast to the month behind me, that I changed to

my heaviest clothing, thereby reducing my baggage by half. At the end of

the train a special car carried a lone general, with whom, though I did

not then suspect it, I was to lunch at the _Résidence_ at Langson. As I

alone graced the first-class division of the three-part car, one might

have thought that a simple way of cutting down expenses and paying

French debts would have been to let the general share the compartment

with me, particularly if we were to sit down to the same _déjeuner_. But

the French cannot treat their great men in that simple fashion.

[Illustration: The ladies of Annam lose any claim they have to beauty

when they open their mouths on black-enameled teeth]

[Illustration: Thi-ba, who did her best as guardian of our children, was

equally set against bobbed hair and skirts]

[Illustration: For days one may steam in and out among the fantastic

rock islands of the Bay of Along]

[Illustration: Tropical vegetation sometimes commandeers sustenance on

the rock peaks]

The world had become little more than low mountains punctuated with

forts on rocky eminences when I reached the place from where the little

Peugeot of the _résident_ was to carry me over the border into suddenly

and totally un-Tonkinese scenes. The Foreign Legion serves in these

picturesque strongholds along the Chinese frontier, a picturesque crew

themselves, whom the French find it safer to confine to such isolated

posts than to turn loose on Hanoï and other cities. Though no German

travelers were allowed to land in the colony, there was a whole company

of Germans among these guardians of the frontier, as well as many

Russians and sprinklings of at least a dozen other nationalities,

adventurers, down-and-outers, fugitives from justice—for there is no

extradition from the Foreign Legion—above all men who do not care a

tinker’s damn so long as life remains interesting and as free as

possible from dangerless monotony.

The usual route for those from the outside world who visit Hanoï is by

rail or automobile from Haïphong, or rather, vice versa, also across the

great bridge. There were always the same scenes on these journeys

through Tonkin, but one never seemed to tire of them—broad endless

stretches of rice-fields, women in long copper-colored coats and

grindstone-shaped hats skimming along good roads under shoulder-pole

loads, boys and sometimes girls loafing on the backs of water-buffaloes

grazing among flocks of white ducks, others of these ponderous animals

plowing belly-deep in slime, still others in their glory, with only eyes

and nostrils protruding, beautiful gates into low temples, banyan-trees

of four or five trunks, with little vases of lime and often a few tombs

under them, villages of huts among the feathery bamboo groves, a tomb

with a flat-topped tree over it, a boat with a sail moving through a

rice-field, though no waterway is visible, two women watering a field by

means of a basket between them in the middle of a long rope, graves of

different shapes dotting the dead-level country near-by, cactus hedges,

almost naked countrymen washing their legs beside the track, a girl

toiling with a hoe almost as big as she, a man who owns no buffalo

plowing in deep water with his cow, a little hut thatched with straw

surrounded by a grove of very green trees, still larger groves in the

distance with white buildings peeping out of them, a beautiful tree

spread like an open umbrella, its branches almost touching the ground,

roofs coyly curling up their corners, still another apparatus, like a

huge corn-popper hung on three poles, for lifting water from one field

to another, sometimes a big wooden spoon manipulated by one man, still

more likely by one woman, two pagoda-shaped pillars at the entrance to a

tomb, implying that the deceased was a scholar if not a gentleman, a

coolie laboriously making his way through the rice-fields by a dike-top

path not wide enough for the rickshaw he is dragging behind him, other

such vehicles with two, even three people in them, scampering across the

flat country behind small runners, dim mountains forever in the

distance—and there ahead lies Haïphong, an important city and port now,

the first houses of which sprang up about the barracks of the French

cantonment in the days when France and China disagreed as to the

“protection” of Tonkin.

I had heard so much of the Bay of Along among the French colonials,

confirmed by what I had seen of the terrestrial part of it from Tourane

to Nanning, that I realized the foolishness of leaving Indo-China

without spending a few days cruising about it. That would have been

impossible, there being no regular service and I still unable, for all

my more than a quarter century of toil, to buy a yacht or even charter a

steamer, if the French authorities had not been so proud of their famous

bay that they would not hear of my turning my back on the Far East until

I had given them my unbiased opinion of it. So they lent us the _Tuyen

Quang_, a comfortable floating chalet in the customs service, with a

picturesque Corsican captain whose French outdid our own in foreign

accent. I say “us,” for this time I took along not only the family I had

brought from Canton but Thi-ba, lacquer-toothed Tonkinese nurse-maid of

our children.

We steamed away one sunny morning before the heat and humidity became

unbearable, down the river by which steamers from China and the rest of

the outside world come to Haïphong, and within two or three hours found

ourselves in the midst of the justly famed, or rather, the most unjustly

little known, fairy-land of Along. It was like roaming among

mountain-tops at sea. The rock formations were unlimited, fantastic,

incredible—round rocks springing sheer out of the bluest sea on earth,

rocks like mushrooms, the waves having worn them away about the base

until they seemed to stand on stems, rocks that looked as if they were

floating, or were upheld by pedestals incredibly small for such massive

things, rock islands of the most fantastic shapes to which islands can

aspire, some with holes washed clear through them, some looking

supernatural where gashes of white rock met the black shadows thrown by

them, cliffs, precipices, palisades, with vertical, horizontal,

diagonal, zigzag strata—the sheerness was so remarkable that we could

scrape the sides of them with our large steamer and be in so little

danger of striking the bottom that the sailors were not even told to

heave the sounding-lead.

How many thousands of these rocky islands there are floating on the blue

waters of the Bay of Along only the architect of the universe knows; the

human mind could not count them. Yet never were there two of the same

shape. With every hundred yards forward we found ourselves looking

through another narrow vista upon row after row of pointed rocks, always

varying in size and form, in distance and color, new ones with every new

opening, though one would have thought Nature had already rung all the

changes possible, used all the models and molds in her factory. Each was

of some unique configuration we had never seen before, as if they were

all parties to a masked ball every member of which had succeeded in

getting himself up in some novel way to surprise and delight the

beholder. Morning, noonday, or evening, when the sun rose or when it

set, great vistas of them stretched as far as the most piercing eye

could see in any direction we chose to look. Calcareous rocks washed

down during the centuries to the hard basis of which they were made,

broken by weather, water, and time, with windows, arches, doorways, now

a tree standing forth in silhouette in one of these, here an island

depicting a whole cock, from comb to tail, another looking like a group

of black monkeys made of stone, some veritable mountains of stone slabs

laid together like huge bricks, some with tiny crescent beaches, whole

horizons of fantastic peaks, monuments of every possible form—and

beyond, more vistas of heaped-up rock through every narrow opening.

Magnificent as they were, they seemed at times rather pathetic too,

standing, floating, here for so many centuries in their unrivaled

beauty, yet unknown to almost all the world that prizes so highly many a

vastly inferior scene, unknown even to most of that European nation to

whom they “belong.” An endless wilderness of rocks so poignantly

beautiful in their stillness, their solemn isolation, their majesty....

The far famed Inland Sea of Japan hardly seems worthy of a place on the

same hemisphere.

Many of those steeple-pointed islands are as bare as the sea itself, but

vegetation covers them wherever it can grow, so that some are green as a

spring meadow. On the larger and less impressive ones there was

sometimes a complete cover of bush, with plenty of small game, the

captain said, where they are not too sheer. But ordinary trees cannot

get foothold on most of those gigantic needles; only some contorted

cypresses, intertwisted lianas, represent the forest, wild pineapple

here and there humping its wicked backs. On one of them is a little

cemetery of Frenchmen who died of fever or dysentery far from their

native land.

There are grottoes and tunnels in many of these floating mountain-tops.

We took a life-boat one afternoon nearly two miles through one of them.

It was dark as a Paris sewer, the bottom, clearly seen beneath a

flickering torch, covered with millions of oysters half an inch thick

that recalled the sand-dollars on the coast of Maine. The grottoes, too,

were reached by small boat, then by climbing steep stairways of stones

roughly piled up or carved in the rock. The greatest of these led first

into a sort of reception-hall, beyond which opened a narrow tortuous

corridor, its walls perpetually sweating. Though two solemn Annamese

sailors with sizzling torches of waste or rags in an iron cage at the

end of a pole, on which they occasionally poured thick oil, preceded us,

we advanced by feeling with our fingers, the smoke pricking our eyes and

suffocating us, our elbows tight against our sides. Then suddenly at a

turn came the sight that gives this cave its name of Grotte de la

Surprise. A vast amphitheater of tumbled rocks, into which streaks of

daylight fell as sheer as at the bottom of a crater, yawned at our feet.

The light of the torches wavered capriciously on rock walls striped with

green, with purple, with violet, a setting and lighting as fantastic as

that of any Broadway musical review. Stalactites flowed down from the

great vaulted roof like a cataract of stone, nay, of pure marble,

stalagmites large as century-old tree-trunks climbing to meet them, some

already forming great pillars that gave the place the aspect of a mighty

cathedral. Misty shafts of light played on pulpits carved by nature, on

pillars almost as symmetrical as man could have fashioned, on great

shimmering heaps of stone with the same semi-glossy sheen one sees on

pure-camphor piles in Formosa. Certain columns seemed to be formed of

millions of shells piled up as if by some prehuman, pigmy bricklayers;

others were like the trunks of massive trees, their stone roots twisting

themselves into the stone soil like those searching for nourishment

among the ruins of Angkor. Here hung a colossal stone beard, there a

marble veil with a gleaming white fringe; in places the cold water

dripping forever down through the centuries had made stone things that

looked like mammoth frogs, a monkey, a turtle with a scaly back; in

certain vistas the grotto suggested the interior of a vast tobacco-barn

in the drying-season. Maidenhair ferns had crept in as far as they

dared; now and then, doubled, quadrupled, by the echo, sounded the

piercing cry of a bird of which we saw nothing, except the gigantic

shadow of its wings.

This endless forest of floating stone islands is a fisherman’s paradise.

Each evening and sometimes oftener my wife and I dived into the

incredibly blue sea—though the Corsican captain, to say nothing of the

Annamese crew, evidently thought us mad—and saw between us and the

bottom, hundreds of feet down yet seeming so near that we felt in danger

of striking our heads, fish of every kind and color, pinkish fish of the

tint of the albino water-buffalo, red, purple, green, white fish.

Natives in henna brown peered forth from some of the smaller grottoes;

more of them were at home in their fishing-boats, square golden-brown

sails of which often broke the deep blue surface. Whole clans of

fisher-folk spawn, live, and die among these calcareous rocks, satisfied

to leave this, their native land, only now and then to sell their fish

and buy the few things they need that cannot be found here among these

clustered sea-bound spires. Our steamer now and then called in, by three

short blasts of the whistle, all the sampans and sailing-craft within

hearing, and examined their papers. Finding these in order, and neither

opium nor girls in their holds, we bought fish and sea-monsters of them

for the next Parisian dinner and parted, outwardly at least, friends. It

seems that with its thousands of hiding-places for malefactors, the Bay

of Along has been notorious for two crimes: the smuggling in of Chinese

opium, and the smuggling out of Annamese girls. Old women still lure

girls away and deliver them somewhere in the bay to Chinese junks, which

sell them in the open market farther east. Enticed, drugged, kidnapped,

hidden among the islands and in the grottoes, these girls have supplied

a trade between wicked Annamese and Chinese men of the pirate family

that has flourished for centuries, and even the French have not yet been

able to do away with it entirely. When pursuit grows too warm the

miscreants slit open the bellies of the girls so that they will sink

quickly, and by the time the pursuers overhaul them all traces of blood

may have disappeared in the blue waters.

Three heavenly days we cruised about the Bay of Along in our private

yacht, and we might have gone on for thirty and found something new

every hour among the floating rocks of every shape stretching clear to

the Kwangtung coast of China. The French authorities, and certainly the

Corsican captain, did not seem to care how long we stayed. But all

things must have an end. We turned back much against our will, and by

noonday there was steaming hot Haïphong in the offing again.

East of Siam · 第 11 / 18 章