His previous application to work in that room, when his

fellow-apprentices in over hours were cracking jokes on the kitchen

settle, lounging about the yard, tormenting or being tormented by

Kezia, had served somewhat to isolate and lift him above them, albeit

he took his meals in the kitchen with the rest. This separation was now

confirmed by orders Kezia received to “serve Clegg’s dinner in his own

room,” orders which Kezia resented with asperity, and at least three

days’ ill-humour, and which James declined to execute. He was “not

goin’ to disgrace his cloth by waitin’ on ’prentice lads!” Ready-handed

Cicily came to the rescue, and took the office on herself, amid the

banter of the kitchen, which the quick-witted maid returned with right

good will and right good temper.

Permission to receive his friends in his own room occasionally had been

graciously accorded by Mrs. Ashton herself, with the characteristic

observation—

“They are worthy people, Jabez Clegg, and you owe them a son’s duty;

besides, you need some relaxation—‘The over-strained bow is apt to

snap,’ and ‘All work and no play makes Jack a dull boy.’”

Altogether he was more than satisfied. He was not demonstrative, but

his heart swelled as he felt within himself that all these little

things were stepping stones upwards; and he mentally resolved to mount

them fairly. He recognised that he was rising, and ere the week was out

he found that others recognised it also.

His blood-stained garments had been removed, whither he knew not, and

he had had to fall back on his grey frieze Sunday suit. Be sure he

began to calculate the chances of getting a fresh one.

As he was able to go out, he was employed on out-door business until

his arm should regain its full vitality, and one of his errands was

with a note to Mr. Chadwick’s tailor, in King Street. At first he

thought there was some mistake when the fraction of a man proceeded

without more ado to take his measure.

Saturday night proved there had been no mistake. On his bed,

accompanied by a very kind note from Mr. Chadwick (written with his

left hand), lay not only a well-cut, well-made suit of clothes, but a

hat, white linen shirts, neck-cloths, and hose.

Did ever young girl turn up her back hair, or young man assume his

first coat indifferently? To Jabez—the foundling—the Blue-coat

apprentice, this was not merely a first coat, not merely a badge of

approaching manhood. The whole outfit, provided as it was by his

master’s brother-in-law, seemed a recognition of the station he was

henceforth to fill. No clerk in the counting-house was so well equipped

as he, when he stood before his oval swing-glass (for the first time

far too small), and endeavoured to survey himself therein, that fine

September Sunday morning.

I will not presume to say that he looked the conventional gentleman in

that suit of glossy brown broadcloth, and beaver hat; I will not say

that he did not feel stiff in them. Only use gives ease; but this I

will say, that a more manly figure never gave shape to garments, or a

more noble head to a hat, albeit there was more of strength than beauty

in the face it shaded.

His forehead was broad and well developed; the reflective as well as

the perceptive faculties were there. There was just a slight defensive

rise on the else straight nose; the eyebrows were full save where a

scar broke the line of one. Firm but pleasant were mouth and dimpled

chin, and the lower jaw was somewhat massive; but his full grey eyes,

dark almost to blackness, and standing far apart, were clear and deep

as wells where truth lay hid, though deep emotion had power to kindle

them with the luminosity of stars.

I am afraid he was not the only one on whom Parson Gatliffe’s

eloquence was thrown away that Sabbath morning. If he looked up at the

Blue-coat boys in the Chetham Gallery with their quaint blue robes

and neat bands, to throw memory back and imagination forward, others

were doing likewise, from old Simon in his free seat to his envious

fellow-’prentices in the pew, whose mocking grimaces drew upon them the

sharp censure of the beadle.

Party spirit was then at a white heat. Had Peterloo been written on his

forehead it could not have marked him out for curious eyes more surely

than his sling.

Greetings, not altogether congratulatory, followed him through the

churchyard. But old Simon caught his left hand in a tremulous grasp,

his eyes moist with proud emotion. Tom Hulme beamed upon him, and

Mrs. Clowes, energetic as ever, overtook them a few yards from the

chapter-house, just as Joshua Brookes emerged from the door.

“Well, my lad, I’m glad to see you at church again!” she exclaimed,

shaking him warmly by the left hand. “I hardly knew you in your fine

clothes. They’ve made quite a gentleman of you. We shall have to call

you Mr. Clegg now, I reckon.”

“Now, Mother Clowes, don’t you give Jabez _humbug_ of that sort; it’s

sweet, but not wholesome. ‘Fine feathers make fine birds.’ He’s as

proud as a peacock already. _Mr._ Clegg, indeed!—and him a ’prentice

lad not out of his time! Let him stick to the name we gave him at his

baptism—it’s worth all your fine Misters.” And Joshua turned off,

muttering, “Mr. Clegg, indeed!” as he went away.

Neither the old woman in her antiquated gown and kerchief-covered

mutch, nor the old parson in his cassock and square cap, modulated

their loud voices. Jabez blushed painfully. Both had touched sensitive

chords.

But others had heard the “Mr. Clegg,” and _he_ heard it again, from

Kezia and the apprentices in every tone of mockery and derision. Thence

it travelled into the warehouse. He bore it with set teeth through

many a painful week, until the title stuck to him, and the taunt was

forgotten in the force of habit.

CHAPTER THE TWENTY-THIRD.

IN THE THEATRE ROYAL.[19]

It has been said that Madame Broadbent had various subtle ways of

advertising her “Academy” (as the directory has it), by which she

generally contrived to “kill two birds with one stone.” One of these

would scarcely have been practicable in any but a theatrical town like

Manchester, where not even the fierceness of party politics could

close the theatre doors. She was particularly fond of a good play, and

as particularly careful of her own pocket. So she watched for such

occasions as a special benefit or “Bespeak” night, to engage one of the

dress-boxes, and take tickets for a select party of her pupils. The

young ladies—apart from all natural love of amusement and display—were

taught to regard their admission to Mrs. Broadbent’s train as a high

honour—a mark of exceeding distinction; and few were the parents so

stern or so niggardly as to refuse the four shillings for a box-ticket

when Madame invited and Miss pleaded.

The then Theatre Royal, in Fountain Street, which was opened in 1807,

under Macready’s management, and brought to the ground by fire in 1844,

was, in 1820, a building so capacious—so solidly built—it might not

fear comparison with Drury Lane. Stage, scene-rooms, dressing-rooms,

were all on an extensive scale. There were three tiers of boxes, a

large pit, and an immense gallery breaking the line of the third tier.

With the exception of the large side boxes, which were partially on the

stage, all these boxes were open to the view, having only a divisional

barrier the height of the parapet, light iron pillars supporting the

weight above. There were no chairs—only narrow, baize-covered benches,

innocent of backs. And the theatre was lighted by sperm-oil lamps,

those round the auditorium being suspended by cords over pulleys, so

as to be lowered for lighting, trimming, &c. But the glory of that

theatre, of which it was shorn at a later date, was its box-lobby, a

lofty, open promenade, wide as a street, and long in proportion, for

its one grand entrance was in Fountain Street, the other in Back Mosley

Street. Only for the step or two at either end, carriages might have

driven through, or depositing their living loads within at the saloon

doors, have turned easily and driven back.

This lobby was naturally a lounge, as well as a waiting-place for

servants and others with wraps and pattens, neither carriage nor

hackney-coaches being numerous, and the streets being—well, not quite

so clean or well-paved as at present.

The ten days’ trial of Henry Hunt and his compatriots at York had,

as is well known, resulted in sentence of imprisonment for different

terms, to the discomfiture of one party, the exultation of the other.

Close upon the promulgation of this sentence came Easter week, at the

beginning of April, 1820, when Jabez had little more than a month

to serve of his apprenticeship. Edmund Kean was then playing at the

Theatre Royal, supported by Sophia M‘Gibbon—daughter of Woodfall, the

memorable printer of “Junius”—a favourite on the Manchester “boards.”

Either to mark their satisfaction at the result of the trial, or their

admiration of the great tragedian, the officers of the Manchester

Yeomanry Cavalry bespoke “Othello” for the Wednesday evening, and Mrs.

Broadbent made the most of the glorious opportunity. She engaged a box

close to the centre of the dress-circle, on terms well understood, and

as small people take less room than large ones, and her front row was

very juvenile, she contrived to make it a profitable investment even

though she took a teacher with her (at a lower rate). The young ladies

assembled at the school, and made quite a procession to the theatre,

where Mrs. Broadbent’s own maid took charge of hats and cloaks,

and waited drearily in the saloon. Then, duly marshalled by Madame

Broadbent and Miss Nuttall, they filed into the box decorously, and

took their seats, the youngest in the van—the whole programme having

been re-hearsed and re-hearsed for a day or two beforehand.

A boquet of white rosebuds they might have been called, white muslin

was so general; but one young lady blushed in pink gauze, and Augusta

Ashton’s lovely head and shoulders were set off by delicate blue crape.

There were round necklaces of coral or pearl, long loose gloves of

cambric or kid, and every damsel in her teens had her fan. But of

fans, commend me to Madame Broadbent’s. It was no light trifle of ivory

or sandal-wood, but of strong green paper, spotted with gold, with

ribs and frame of ebony, and it measured half-a-yard when closed. Her

well-saved, long-waisted, stiff brocaded robe and petticoat might have

been her wedding-dress kept for state occasions; but that fan, slung by

a ribbon from her wrist, was part of her individuality—the symbol of

her authority inseparable from her walking self. A relic of her younger

days, she employed it—citing Queen Charlotte as her exemplar—to arrest

attention, to admonish, to chastise; and woe to the luckless little

lady on whom it came in admonition!

The box was filled to the very door, where Miss Nuttall kept guard.

Madame Broadbent displayed her own important person on the third row

above the curly heads of the smaller fry, and to Augusta Ashton—being

a profitable pupil, of whom she had reason to be proud—was allotted a

seat next to herself.

The house was full and fashionable, both stage-boxes being occupied by

members of the Manchester Yeomanry, resplendent in silver and blue.

Laurence Aspinall, John Walmsley, and Ben Travis were of the party. In

the pit were the critics, pressing as closely as possible to the stage.

Nods and smiles from friends in different quarters of the theatre

greeted the component parts of Madame Broadbent’s bevy of innocents,

and smiles responded.

Then rose the green curtain upon Edmund Kean’s Othello, and Mrs.

M‘Gibbon’s Desdemona. The audience was enthralled. Act by act the

players kept attention fixed, and all went well until the last scene.

But, as Othello pressed the murderous pillow down, one of Madame

Broadbent’s white-frocked misses in the front row, with whose relatives

Desdemona lodged when she was not Desdemona, started up, and cried out

piteously—

“He’s killing Mrs. M‘Gibbon! He’s killing Mrs. M‘Gibbon!”

The clear voice rang through the house, to the consternation of the

actors, the amusement of some, and the annoyance of the audience. Some

of the officers laughed outright in the very face of the tragic Moor;

but Madame Broadbent was furious, all the more that she was bound to

suppress her passion then and there.

For the credit of her “Academy,” she, however, felt bound to resent

so flagrant a breach of decorum. Tapping the tearful culprit on the

shoulder with her ready fan, in a stern whisper, scarcely less audible

than the child’s impulsive tribute to the great tragedian, she asked,

“How can you bemean yourself so far, miss, to the disgrace of the

school?” and beckoning the child forth, she was passed to Miss Nuttall

at the very back of the box, sobbing more for Mrs. M‘Gibbon than for

Mrs. Broadbent.

This caused a change of places, which brought Miss Ashton more

prominently into view. Laurence Aspinall, an ardent admirer of

beauty, put his hand on the shoulder of the officer before him, and

said—“Good heavens, Walmsley! Do you see that lovely creature in Mother

Broadbent’s box?”

“Which?” was the obtuse answer.

“Which!” (contemptuously echoed.) “The divine beauty in celestial blue.

Who is she?” And his admiring gaze brought a conscious blush to the

young lady’s forehead, although the querist was beyond her hearing.

“In blue?” And Walmsley lazily scanned the group. “Oh! that’s

Charlotte’s cousin, Augusta Ashton! Yes, she is rather pretty;” and the

married man turned away to the stage.

“Rather pretty! She’s an angel! You must introduce me!”

“Well, well!” answered the other testily, anxious to end a colloquy

which distracted his attention from the tragedy, “I’ll see. But she’s

only a school-girl—not yet sixteen!”

“Egad! but she looks seventeen, and she’ll mend of that

disqualification every day;” and still he kept his eyes on Augusta in

a manner extremely disconcerting, though her romantic little heart

fluttered, for in him she recognised the “Adonis” who had reared his

horse so threateningly in front of her Uncle Chadwick’s house.

The green curtain came down amid universal plaudits. Ladies rose to

rest themselves and chat, as was the custom. Gentlemen quitted their

seats to join friends elsewhere, to lounge in saloon or box-lobby, or

to take a hasty glass at the “Garrick’s Head” adjoining.

Amongst the latter were Walmsley and Aspinall; but they did not return

when the prompter’s bell rang the curtain up. There was a _pas de deux_

of Tyrolean peasants by the chief dancers of the company. Then followed

an interlude, and then a comic song, all before the last piece; but the

comrades did not return; and Augusta found herself wondering whether

the handsome officer, with the rich copper-coloured hair, would come

back at all.

They did make their appearance during the progress of the drama

(Monk Lewis’s “Castle Spectre,” in which Mrs. M‘Gibbon gave ocular

demonstration that she was not killed), both seemingly exhilarated, but

they left again before the drama concluded.

Well drilled as were Madame Broadbent’s pupils, they could not quit

their box in the same order they entered it—big people so seldom

recognise the right of little ones to precedence. They straggled into

the saloon, separated by the crowd. There Madame Broadbent, assisted

by Miss Nuttall, collected her brood, and passing on to the box-lobby,

they looked around for their respective attendants.

There was one—a fine young man, in height some five feet ten—who sprang

forward with shawl and calesh for Miss Ashton, at the same time bowing

deferentially to the pompous dame with the big fan. He proceeded to

adjust the shawl round the dimpled shoulders so very precious to him,

and said—

“I hope you have had a pleasant evening, Miss Augusta.”

Then bowing again to Mrs. Broadbent, he offered his hand respectfully

to the young lady, to conduct her home.

On the instant they were intercepted by Aspinall and Walmsley, neither

so sober as he might have been.

“Augusta, here’s my friend, Aspinall; deuced good fellow—quite struck

with you,” was Captain Walmsley’s unceremonious introduction—at a time,

too, when introductions were somewhat formal.

“Quite, Miss Ashton,” he assented. “’Pon my soul, I am! Your charming

face has quite captivated me, and those eyes pierce my heart like

bullets. Permit me to escort you home.”

There was an amusing consciousness of his own attractions in this free

expression of his admiration. A woman of the world, with her weapons

ready, might have dismissed him either with hauteur, badinage, or cool

indifference; but to Augusta Ashton, almost a child in years, it was

bewildering and disconcerting.

Her eyes fell—her colour rose. She stood silent, abashed, and confused.

Native modesty took alarm.

Jabez came to her relief.

“Miss Ashton is under my protection, sir; she requires no other escort.”

The words were cool as those of a man who, having his temper well under

control, did not choose to quarrel, though his pulses were beating

like drums. With cool effrontery his old antagonist looked him full in

the face.

“So it’s you again, yellow-skirt! A nice fellow to protect a pretty

girl: a fellow without skill to defend himself, or spirit to resent an

insult;” and the speaker’s red lips curled with derision.

The eyes of Jabez kindled and his teeth set. There was no lack of

spirit, but not the spirit of which common brawls are made. He was

anxious to get the trembling Augusta away from the gathering crowd.

Madame Broadbent, shorn of half her pretty train, came up aghast.

“Young lady! Miss Ashton! What is——”

A wave of the silver-braided sleeve set her aside, chafed and indignant

at the freedom and impertinence.

“Keep out of the way, Mother Broadbent. Look after the rest of your

lambkins. Miss Ashton’s cousin and I propose to see your pupil home.”

“All right, Augusta,” said Walmsley, thickly; “we’ll see you home.”

But she clung in dismay to the arm of Jabez; and not Hercules himself

could have torn her from him. Ignoring the coarse taunt of Lieutenant

Aspinall, he endeavoured to lead her past them, simply saying to

Captain Walmsley—

“Mr. Ashton committed his daughter to my care. I am answerable for her

safety.”

Aspinall, mistaking his calmness for pusillanimity, again intercepted

their passage, and would have taken Augusta’s hand. But a will

strong as his own—an arm strengthened by lifting and carrying heavy

burdens—was opposed to him. Jabez struck no blow: he thrust out an arm

with muscles like leather, swept the offensive lieutenant aside, and

down he went on the stone pavement of the lobby.

“Bravo, Clegg!” exclaimed a voice from the rear; and the burly form

of Ben Travis parted the curious crowd, as leviathan parts the waves,

before the infuriated Aspinall could rise, or Walmsley interpose;

“that’s right; take the young lady away, and leave these gallant bucks

to me. I’ll guard the honour of our corps.”

The terrified young lady and the inebriated young bully were alike in

sure hands. But consequential Madame Broadbent, ignored, forgotten,

had received a blow to her importance she was not likely to forget or

overlook.

CHAPTER THE TWENTY-FOURTH.

MADAME BROADBENT’S FAN.

They had made their exit from the Fountain Street end of the box-lobby,

to avoid the rush from the gallery door in Back Mosley Street, which

somewhat lengthened the short distance Jabez had to convey his precious

charge, who appeared more apprehensive of offending Madame Broadbent by

scant and unceremonious leave-taking than troubled by the impertinence

of the young officers.

Truth to tell, the whole adventure had a savour of Miss Bohanna’s

circulating library about it, and she felt herself elevated into a

heroine by the occurrence. But her appearance before Madame Broadbent

in the morning would be very real and unromantic, that lady resenting

nothing so much as disrespect.

“You see, Jabez, I did not even make a curtsey to her as we came away.

I am afraid she will be displeased.”

“If you think so, Miss Ashton,” he replied, respectfully, “I will

hasten back as soon as I have seen you safely home, and bear your

apologies to Madame Broadbent. She may not have left the theatre.

Besides, I feel that I also owe an apology for leaving a lady of her

age unprotected in the midst of such a scene. It was very remiss on my

part,” he added; “but, indeed, at the time I thought only of placing

you beyond reach of further insult;” and Augusta could hear him mutter

between his teeth, “The impertinent puppy!”

The distance even from Fountain Street was very inconsiderable, and

they had reached the broad steps of the door in Mosley Street, and his

hand was on the lion-headed knocker when this ejaculation escaped him.

Service from Jabez was so much a matter of course that Augusta regarded

his care for herself, and his proffer to run back at her bidding, only

in the light of apprentice-duty; but that muttered exclamation spoke of

smothered passion; and before James was roused from his doze in front

of the far-away kitchen fire by that peal on the knocker, and sleepily

opened the door, she had added a caution as an addendum to her message

to Madame Broadbent.

“I hope, Jabez, you are not going back to—to interfere or quarrel with

Mr. Walmsley and the other officer. If they are not quite sober, you

must remember _they are gentlemen_.”

“I will forget nothing I should remember, Miss Ashton,” said he, as

James unclosed the door for her entrance, and he darted off, the

emphasis she had laid on her closing words having stung him keenly with

a sense of his social inferiority in her sight. “She evidently thinks

the apprentice College-boy has no right to raise his hand against

gentility in uniform, however drunk or disorderly it may be,” he

thought, as he ran along, spurred by a manly desire to show that it was

not cowardice which had caused him to leave his prostrate enemy in the

hands of a deputy.

He was not three minutes more in reaching the box-entrance in Back

Mosley Street; but for all that, the short walk home, and the brief

delay caused by sleepy-headed James, had given ample time to empty and

close the theatre, from which more than half the audience had dispersed

before they left. Even the oil lamps over the doors were extinguished;

and though a few stragglers loitered about—the natural hangers-on to

histrionic skirts—and there were brawlers in the neighbourhood, he saw

none of those he went to seek.

The fact was, Captain Travis had hauled Lieutenant Aspinall from

the ground with little ceremony, and, with a sharp reproof for “the

disgrace he was bringing on their corps by insulting a young lady in

a public place, as if sufficient odium did not attach to the Yeomanry

already,” forced him into a waiting hackney-coach, giving the driver

orders to bear him home to his father’s house on Ardwick Green,

heedless of the young officer’s remonstrance to the contrary. But Jehu,

who knew his fare, drove him instead to the “George and Dragon” on the

opposite side of the Green, and Mr. Aspinall saw nothing of his hopeful

son that night.

Nor would Charlotte Walmsley have seen much more of her husband, had

not kind-hearted Ben gone far out of his own way to land John safely

at home. Perhaps it would be hardly fair to calculate too nicely how

far he was influenced to that by the relation of the Walmsleys to Ellen

Chadwick, since the secret springs of action often lie too far down

even for self-knowledge.

As for Madame Broadbent, no sooner had Miss Nuttall disposed of the

last of the budding misses than she hid her indignation in the deep

shadow of her large calesh, and, with an access of importance, left the

theatre, slightly in advance of her humble dependants, and made her

fearless way through Fountain Street and High street, with a step which

augured unpleasantness for all beneath her roof if her supper were not

done to a turn and served to a nicety.

Augusta was somewhat loth to leave her pillow in the morning, after the

night’s unusual dissipation, and was still more reluctant to encounter

her lessons and Mrs. Broadbent; and she for the first time remarked to

Cicily that she thought she was “quite too old to go to school.” As if

the world was not one huge school, wherein the dunces get punished most

severely, and even the best and brightest do not escape the rod. But

Augusta Ashton, buoyant, blooming, cherished, admired, adored, could

not see that her real schooling would begin when Madame Broadbent’s

reign ceased.

No doubt Mr. Ashton would have been coaxed into granting an extension

of his darling daughter’s Easter holiday, and suffered her to remain at

home that Thursday morning, but he was at Whaley-Bridge; and mamma met

her request with:—

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