CHAPTER XXXII.

IS THE CONCLUSION.

"Do you really believe that man?" asked Cane, turning to us quite coolly,

a sarcastic smile upon his lips.

He was a marvellous actor, for he now betrayed not the slightest

confusion. He even laughed at the allegations made against him. His bold

defiance utterly amazed us. Yet we knew now how resourceful and how

utterly unscrupulous he was.

"Yes, I do!" was the officer's reply. "You murdered her Highness, fearing

that she should go to her father and expose you before you could have

time to dispose of your stolen concession to him. Had she gone to him,

the police would hunt you down as Sir Digby's assassin. But by closing

her lips you hoped to be able to sell back the concession and still

preserve your guilty secret."

"Of course," remarked Frémy, "the whole affair is now quite plain. Poor

Miss Shand was drawn into the net in order to become this scoundrel's

victim. He intended from the first to make use of her in some way, and

did so at last by making her believe she had killed her alleged rival in

Mr. Royle's affection. Truly this man is a clever and unscrupulous

scoundrel, for he succeeded in obtaining a quarter of a million francs

from a reigning sovereign for a document, to obtain which he had

committed a foul and dastardly crime!"

"A lie--lies, all of it!" shouted the accused angrily, his face as white

as paper.

"Oh, do not trouble," laughed Frémy, speaking in French. "You will have

an opportunity to make your defence before the judge--you and your

ingenious accomplice, Mrs. Petre."

"We want her in England for the attempted murder of Mr. Royle," Edwards

remarked. "I'll apply for her extradition to-morrow. Your chief will, no

doubt, decide to keep Cane here--at least, for the present. We shall want

him for the murder of the Englishman, Sir Digby Kemsley."

"You may want me," laughed the culprit with an air of supreme defiance,

"but you'll never have me! Oh, no, no! I'll remain over here, and leave

you wanting me."

"Prisoner, what is the use of these denials and this defiance?" asked

Frémy severely in French, advancing towards him. "You are in my

custody--and under the law of the Kingdom of Belgium I arrest you for the

murder of Sir Digby Kemsley, in Peru, and for the murder of Stephanie,

daughter of his Highness the Grand Duke of Luxemburg." Then, turning to

his two subordinates, he added briefly: "Put the handcuffs on him! He may

give trouble!"

"Handcuffs! Ha, ha!" cried Senos the Peruvian, laughing and snapping his

brown fingers in the prisoner's face. "It is my triumph now. Senos has

avenged the death of his poor, good master!"

"A moment," exclaimed the prisoner. "I may at least be permitted to

secure my papers before I leave here, and hand them over to you? They

will, perhaps, interest you," he said quite coolly. Then he took from his

watch-chain a small key, and with it opened a little cupboard in the

wall, from whence he took a small, square deed-box of japanned tin, which

he placed upon the table before us.

With another and smaller key, and with a slight grin upon his face, he

opened the lid, but a cry of dismay escaped us, for next second we saw

that he held in his hand a small, black object, sinuous and writhing--a

small, thin, but highly venomous black snake!

It was over in an instant, ere we could realise the truth. Upon his white

wrist I saw a tiny bead of blood, where the reptile had struck and bitten

him, and as he flung it back into the box and banged down the lid he

turned upon us in defiance, and said:

"Now take me! I am ready," he cried, uttering a peal of fiendish

laughter. "Carry me where you will, for in a few moments I shall be dead.

Ah! yes, my good friends! I have played the great game--and lost. Yet

I've cheated you all, as I always declared that I would."

The two men sprang forward to slip the metal gyves upon his wrists, but

Frémy, noticing the instant change in the assassin's countenance,

motioned them off.

The culprit's face grew ashen grey, his thin jaws were fixed. He tried to

utter some further words, but no sound came from him, only a low gurgle.

We stood by and watched. He placed both his palms to his brow and stood

for a few seconds in the centre of the room. Then a paroxysm of pain

seemed to double him completely up, and he fell to the carpet writhing in

most fearful agony. It was horrible to witness, and Phrida, with a cry,

turned away.

Then suddenly he lay stiff, and stretched his limbs to such an extent

that we could hear the bones crack. His back became arched, and then he

expired with horrible convulsions, which held his limbs stiffened and

extended to their utmost limits--truly, the most awful and agonising of

deaths, and a torture in the last moments that must have been

excruciating--a punishment worse, indeed, than any that man-made law

might allow.

* * * * *

As Herbert Cane paid the penalty of his crimes the woman Petre at last

recovered consciousness.

I saw the look of abject terror upon her face as her eyes fell upon the

man lying dead upon the carpet before us.

She realised the terrible truth at once, and giving vent to a loud,

hysterical scream, rose and threw herself on her knees beside the man

whose wide-open eyes, staring into space, were fast glazing in death.

Edwards bent, and asked in a low voice whether I wished to give her into

custody for the attempt upon me.

But I replied in the negative.

"The assassin has received his just punishment and must answer to his

Maker," I replied. "That is enough. This scene will assuredly be a lesson

to her."

"She falsely accused Miss Shand, remember," he said. "She knew all the

time that Cane struck the poor girl down."

"No," I replied. "Now that the stigma has been removed from the one I

love, I will be generous. I will prefer no charge against her."

"Ah! dearest," cried Phrida, "I am glad of that. Let us forgive, and

endeavour, if possible, to forget these dark, black days and weeks when

both our lives were blighted, and the future seemed so hopeless and full

of tragedy."

"Yes," I said, "let us go forth and forget."

And with a last glance at the dead man, with the woman with dishevelled

hair kneeling in despair at his side, I took the arm of my beloved, and

kissing her before them all, led her out, away from the scene so full of

bitterness and horror.

* * * * *

To further prolong the relation of this tragic chapter of my life's

history would serve no purpose.

What more need I tell you than to say Mrs. Petre disappeared entirely,

apparently thankful to escape, and that at St. Mary Abbots, in

Kensington, a month ago, Phrida and I became man and wife, both Edwards

and Frémy being present.

As I pen these final lines I am sitting upon the balcony of the great

Winter Palace Hotel, in Luxor, within sight of the colossal ruins of

Karnak, for we are spending a delightful honeymoon in Upper Egypt, that

region where the sun always shines and rain never falls. Phrida, in her

thin white cotton gown and white sun helmet, though it is January, is

seated beside me, her little hand in mine. Below us, in the great

garden, rise the high, feathery palms, above a riot of roses and

poinsettias, magnolias, and other sweet-smelling flowers.

It is the silent, breathless hour of the desert sunset. Before us, away

beyond the little strip of vegetation watered by the broad, ever-flowing

Nile, the clear, pale green sky is aflame with crimson, a sunset mystic

and wonderful, such as one only sees in Egypt, that golden land of the

long-forgotten.

From somewhere behind comes up the long-drawn nasal song of an Arab

boatman--that quaint, plaintive, sing-song rhythm accompanied by a

tom-tom, which encourages the rowers to bend at their oars, while away

still further behind across the river, lays the desolate ruins of the

once-powerful Thebes, and that weird, arid wilderness which is so

impressive--the Valley of the Tombs of the Kings.

Phrida has been reading what I have here written, and as I kiss her sweet

lips, she looks lovingly into my eyes and says:

"It is enough, dearest. Say that you and I are happy--ah! so supremely

happy at last, in each other's love. No pair in the whole world could

trust each other as we have done. I know that I was guilty of a very

grave fault--the fault of concealing my friendship with that man from

you. But I foolishly thought I was acting in your interests--that being

your friend, he was mine also. I never dreamed that such a refined face

could hide so black and vile a heart."

"But I have forgiven all, darling," I hasten to reassure her! "I know now

what a clever and ingenious scoundrel that man was, and how full of

resource and amazing cunning. You were his victim, just as I was

myself--just as were the others. No," I add, "life, love, and happiness

are before us. So let us learn to forget."

And as our lips meet once again in a long, fond, passionate caress, I lay

down my pen in order to press her more closely to my breast.

She is mine--my own beloved--mine for now and evermore.

THE END.

Butler & Tanner Frome and London

WARD, LOCK & CO.'S

New and Recent Fiction.

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Thorgils of Treadholt

MAURICE HEWLETT.

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HALLIWELL SUTCLIFFE.

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EDGAR WALLACE.

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KATHARINE TYNAN.

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Adam

PAUL TRENT.

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48 =The Secret Service= Wm. Le Queux

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116 =The Traitors= E. P. Oppenheim

122 =Dr. Nikola= Guy Boothby

127 =The Crimson Blind= Fred M. White

145 =A Bid for Freedom= Guy Boothby

155 =The Betrayal= E. P. Oppenheim

160 =A Study in Scarlet= A. Conan Doyle

171 =The Master Mummer= E. P. Oppenheim

179 =The King of Diamonds= Louis Tracy

199 =Beneath Her Station= Harold Bindloss

233 =The Liberationist= Harold Bindloss

237 =The Mother= Eden Phillpotts

248 =The League of the Leopard= Harold Bindloss

266 =The Powers of Mischief= Sir Wm. Magnay, Bart.

277 =The Sundial= Fred. M. White

279 =In White Raiment= Wm. Le Queux

282 =The Missioner= E. P. Oppenheim

286 =Lorna Doone= R. D. Blackmore

305 =The Sporting Chance= A. & C. Askew

323 =Vivienne= "Rita"

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367 =A Son of the Immortals= Louis Tracy

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370 =Mr. Marx's Secret= E. P. Oppenheim

372 =Lady Clara= Fred M. White

374 =The Secret of the Sands= Fred M. White

375 =The House of the Black Panther= A. & C. Askew

376 =Hawtrey's Deputy= Harold Bindloss

377 =The Mystery Queen= Fergus Hume

379 =Sylvia's Chauffeur= Louis Tracy

381 =The Peer and the Women= E. P. Oppenheim

382 =A Scarlet Sin= A. & C. Askew

383 =Her Sacrifice= Arthur Applin

384 =Justice= Marie Connor Leighton

386 =His Little Girl= L. G. Moberly

387 =Radford Shone= Headon Hill

388 =The Open Door= Fred M. White

409 =A Prince of Darkness= Florence Warden

412 =The Van Dylk Diamonds= Arthur Applin

417 =Pallard, the Punter= Edgar Wallace

420 =The Supplanter= Paul Trent

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429 =Ducks and Drakes= Marie Connor Leighton

430 =Gilded London= A. & C. Askew

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472 =The Woman Who Tempted= Gertrude Warden

490 =Souls in Pawn= Lindsay Russell

494 =Blackthorn Farm= Arthur Applin

495 =All Men are Liars= Joseph Hocking

500 =The Girl from Nippon= Carlton Dawe

506 =The Caretaker= Fergus Hume

507 =The Man Who Bought London= Edgar Wallace

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512 =The Gates of Silence= Lindsay Russell

514 =After Long Years= L. G. Moberly

515 =The Flying Girl= Richard Marsh

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525 =A Debt Discharged= Edgar Wallace

526 =The Annexation Society= J. S. Fletcher

527 =The Allinson Honour= Harold Bindloss

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530 =The Footlight Glare= A. & C. Askew

531 =The Open Road= Halliwell Sutcliffe

532 =The Master of Merripit= Eden Phillpotts

533 =The Atonement= James Blyth

534 =An Enemy Hath Done This= Joseph Hocking

535 =In the Cause of Freedom= A. W. Marchmont

536 =Story of a Great Sin= Marie Connor Leighton

537 =The Red Bicycle= Fergus Hume

538 =Maid Marjory= L. G. Moberly

539 =The Little Anarchist= A. W. Marchmont

540 =A Maker of Secrets= Wm. Le Queux

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542 =Ambition's Slave= Fred M. White

543 =The Tomb of Ts'in= Edgar Wallace

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63 =Out of a Labyrinth= Ditto

65 =The Lost Witness= Ditto

68 =A Slender Clue= Ditto

76 =Toilers of the Sea= Victor Hugo

77 =History of a Crime= Ditto

78 =Ninety-Three= Ditto

80 =Margaret Catchpole= Rev. R. Cobbold

81 =Freston Tower= Ditto

84 =The Mystery of Orcival= E. Gaboriau

85 =Detective's Dilemma= Ditto

86 =Detective's Triumph= Ditto

88 =Caught in the Net= Ditto

89 =The Champdoce Mystery= Ditto

91 =Mr. Barnes of New York= A. C. Gunter

92 =The Princess of Copper= Ditto

95 =Jane Eyre= Charlotte Brontë

97 =Looking Backward= Edward Bellamy

103 =Frank Fairlegh= Frank Smedley

104 =Alice's Adventures in Wonderland= Lewis Carroll

106 =Tom Brown's School Days= Hughes

133 =Crime and the Criminal= R. Marsh

150 =Her Splendid Sin= Headon Hill

151 =Caged= Ditto

152 =The Avengers= Ditto

160 =Lorna Doone= R. Blackmore

162 =For the Term of His Natural Life= Marcus Clarke

169 =East Lynne= Mrs. Henry Wood

171 =The Shadow of Ashlydyat= Ditto

172 =The Channings= Ditto

173 =Mrs. Halliburton's Troubles= Ditto

175 =Roland Yorke= Ditto

Ward, Lock & Co., Ltd., London, Melbourne & Toronto.

TRANSCRIBERS' NOTES

Page 6: FREMY standardised to FRÉMY; SURETE standardised to SURETÉ

Page 33: hand-bag standardised to handbag

Page 35: Placé in the phrase "in the Placé Vendôme" as in the original

Page 41: " changed to ' before You--you blackguard, and after

You've--you've killed me!

Page 42: note-paper standardised to notepaper

Page 47: anenomes corrected to anemones in the phrase "drooping red

anenomes"; manservant standardised to man-servant

Page 126: reopened standardised to re-opened

Page 127: " removed before If so, what then?

Page 148: repass standardised to re-pass

Page 150: over-burdened standardised to overburdened

Page 160: nonplussed standardised to non-plussed in His question

non-plussed me.

Page 166: arm-chair standardised to armchair

Page 202: " added after must have happened to her.

Page 210: " changed to ' before You blackguard, Cane and ' added after

why, you've killed me!

Page 218: ? after No, don't do that as in the original

Page 240: Bon jour spaced as in the original

Page 244: " added after Here is the reply,

Page 249: . added after non-plussed me for the moment

Page 257: ' corrected to " before My interests!

Page 267: " added after round of France.

Page 269: . added after I asked frantically

Page 309: Author of 108. His Little Girl standardised to Moberly

Page 314: Blank author names as in original

General: variable hyphenation of street-lamp and street lamp as in the

original

The Sign of Silence · 第 32 / 32 章