The house in Madeira Crescent was a low stucco-fronted edifice
in a shabby, shallow semicircle, and Hyacinth could see as they
approached it that the window-place in the parlour, on a level with
the street-door, was ornamented by a glass case containing stuffed
birds and surmounted by an alabaster Cupid. He was sufficiently
versed in his London to know that the descent in the scale of the
gentility was almost immeasurable for a person who should have moved
into that quarter from the neighbourhood of Park Lane. The street was
not squalid and was strictly residential; but it was mean and meagre
and fourth-rate and had in the highest degree that petty parochial
air, that absence of style and elevation, which is the stamp of whole
districts of London and which Hyacinth had already more than once
mentally compared with the high-piled, important look of the Parisian
perspective. It was marked by the union of every quality which should
have made it detestable to the Princess; it was almost as bad as Lomax
Place. As they stopped before the narrow ill-painted door, on which the
number of the house appeared on a piece of common porcelain cut in a
fanciful shape, it struck him that he had felt in their long walk the
touch of the passion persuading his companion to divest herself of her
superfluities, but that it would take the romantic out of one’s heroism
to settle one’s self in such a paltry Philistine row. However, if the
Princess had wished to mortify the flesh she had chosen an effective
means of doing so, and of mortifying the spirit as well. The long light
of the grey summer evening was still in the air and Madeira Crescent
wore a soiled, dusty expression. A hand-organ droned in front of a
neighbouring house and the cart of the local washerwoman, to which
a donkey was harnessed, was drawn up opposite. The local children as
well were dancing on the pavement to the music of the organ, and the
scene was surveyed from one of the windows by a gentleman in a dirty
dressing-gown, smoking a pipe, who made Hyacinth think of Mr. Micawber.
The young man gave the Princess a deep look before they went into
the house, and she smiled as if she guessed every comment he hadn’t
uttered.
The long, circuitous walk with her from the far-away south of London
had been strange and delightful; it reminded him more queerly
than he could have expressed of some of the rambles he had taken
on summer evenings with Millicent Henning. It was impossible to
resemble this young lady less than the Princess resembled her, but
in her enjoyment of her unwonted situation (she had never before,
on a summer’s evening—to the best of Hyacinth’s belief at least—lost
herself in the unfashionable districts on the arm of a seedy artisan)
the distinguished personage exhibited certain coincidences with
the shop-girl. She stopped as Millicent had done to look into the
windows of vulgar establishments and amused herself with picking out
the abominable objects she should like to possess; selecting them
from a new point of view, that of a reduced fortune and the domestic
arrangements of the “lower middle class,” and deriving extreme
diversion from the idea that she now belonged to that aggrieved
body. She was in a state of light, fresh, sociable exhilaration which
Hyacinth had hitherto not in the same degree seen in her, and before
they reached Madeira Crescent it had become clear to him that her
present phase was little more than a brilliant _tour de force_—which
he could yet not imagine her keeping up long, for the simple reason
that after the novelty and strangeness of the affair had passed away
she wouldn’t be able to endure the contact of so much that was common
and ugly. For the moment, none the less, her discoveries in this line
diverted her as all discoveries did, and she pretended to be sounding
in a scientific spirit—that of the social philosopher, the student and
critic of manners—the depths of the British Philistia. Hyacinth was
struck more than ever with the fund of life that was in her, the energy
of feeling, the high, free, reckless spirit. These things expressed
themselves, as the couple proceeded, in a hundred sallies and droll
proposals, kindling the young man’s pulses and making him conscious
of the joy with which, in any extravagance, he would bear her company
to the death. She affected him at this moment as playing with life so
audaciously and defiantly that the end of it all would inevitably be
some violent catastrophe.
She desired exceedingly that Hyacinth should take her to a music-hall
or a coffee-tavern; she even professed a curiosity to see the inside
of a public-house. Since she still had self-control enough to remember
that if she stayed out beyond a certain hour Madame Grandoni would
begin to worry about her they were obliged to content themselves with
the minor “lark,” as the Princess was careful to designate their peep
into an establishment, glittering with polished pewter and brass,
which bore the name of the “Happy Land.” He had feared she would turn
nervous after the narrow, befingered door had swung behind her, or
that at all events she would be disgusted at what she might see and
hear in such a place and would immediately wish to retreat. By good
luck, however, there were only two or three convivial spirits in
occupancy and the presence of the softer sex was apparently not so
rare as to excite surprise. The softer sex furthermore was embodied
in a big, hard, red woman, the publican’s wife, who looked as if she
were in the habit of dealing with all sorts and mainly interested in
seeing whether even the finest put down their money before they were
served. The Princess pretended to “have something” and to admire the
ornamentation of the bar; and when Hyacinth asked her in a low tone
what disposal they should make, when the great changes came, of such an
embarrassing type as that, replied off-hand, “Oh, drown her in a barrel
of beer!” She professed when they came out to have been immensely
interested in the “Happy Land” and was not content until Hyacinth had
fixed an evening on which they might visit a music-hall together. She
talked with him largely, by fits and starts, of his adventures abroad
and his impressions of France and Italy; breaking off suddenly with
some irrelevant but almost extravagantly appreciative allusion to
Rose Muniment and Lady Aurora and then returning with a question as
to what he had seen and done—the answer to which, however, in many
cases, she was not at pains to wait for. Yet it implied her having
paid considerable attention to what he told her that she should be
able to say toward the end, with that fraternising frankness which was
always touching because it appeared to place her at one’s mercy, to
show how she counted on one’s having an equal loyalty: “Well, my dear
friend, you’ve not wasted your time; you know everything, you’ve missed
nothing; there are lots of things you can tell me—so that we shall
have some famous talks in the winter evenings.” This last reference
was apparently to the coming season, and there was something in the
tone of quiet friendship with which it was uttered and which seemed to
involve so many delightful things, something that for Hyacinth bound
them still closer together. To live out of the world with her that way,
lost among the London millions in a queer little cockneyfied retreat,
was a refinement of intimacy—with revelations perhaps even beyond those
that had left him wonder-struck at Medley.
They found Madame Grandoni sitting alone in the twilight, very patient
and peaceful and having after all, it was clear, accepted the situation
too completely to fidget at such a trifle as her companion’s not coming
home at a ladylike hour. She had placed herself in the back part of the
tawdry little drawing-room, which looked into a small smutty garden
whence by the open front window the sound of the hurdy-gurdy and
the voices of the children romping to its music came to her through
the summer dusk. The influence of London was present in a mitigated
far-away hum, and for some reason or other at that moment the place
took on to our young friend the semblance of the home of an exile—a
spot and an hour to be remembered with a throb of fondness in some
danger or sorrow of after-years. The old lady never moved from her
chair as she saw the Princess come in with the little bookbinder, and
her observation rested on that member of their circle as familiarly
as if she had seen him go out with her in the afternoon. The Princess
stood smiling a moment before her mild monitress. “I’ve done a great
thing. What do you think I’ve done?” she asked as she drew off her
gloves.
“God knows! I’ve ceased to think!”—and Madame Grandoni stared up with
her fat, empty hands on the arms of her chair.
“I’ve come on foot from the far south of London—how many miles? four or
five—and I’m not a particle tired.”
“_Che forza, che forza!_” the old woman sighed. “She’ll knock you
up completely,” she added, turning to Hyacinth with her customary
compassion.
“Poor darling, _she_ misses the carriage,” Christina remarked, passing
out of the room.
Madame Grandoni’s eyes followed her and Hyacinth made out in them a
considerable lassitude, a plaintive bewilderment and surrender. “Don’t
you like to use cabs—I mean hansoms?” he asked, wishing to be of
comfort and suggestion.
“It’s not true I miss anything; my life’s only too full,” she replied.
“I lived worse than this—in my bad days.” In a moment she went on:
“It’s because you’re here—she doesn’t like Assunta to come.”
“Assunta—because I’m here?” Hyacinth didn’t immediately catch her
meaning.
“You must have seen her Italian maid at Medley. She has kept her and is
ashamed of it. When we’re alone Assunta comes for her hat and things.
But she likes you to think she waits on herself.”
“That’s a weakness—when she’s so strong! And what does Assunta think
of it?” Hyacinth asked, looking at the stuffed birds in the window,
the alabaster Cupid, the wax flowers on the chimney-piece, the florid
antimacassars on the chairs, the sentimental engravings on the walls—in
frames of papier-mâché and “composition,” some of them enveloped
in pink tissue paper—and the prismatic glass pendants attached to
everything.
“She says, ‘What on earth will it matter to-morrow?’”
“Does she mean that to-morrow the Princess will have her luxury back
again? Hasn’t she sold all her beautiful things?”
Madame Grandoni made up a face. “She has kept a few. They’re put away.”
“_A la bonne heure!_” Hyacinth cried with a laugh. He sat down with
the ironical old woman; he spent nearly half an hour in desultory
conversation with her before candles were brought in and while their
friend was in Assunta’s hands. He noticed how resolutely the Princess
had withheld herself from any attempt to sweeten the dose she had taken
it into her head to swallow, to mitigate the ugliness of her vulgar
little house. She had respected its horrible signs and tokens, had
left rigidly in their places the gimcracks finding favour in Madeira
Crescent. She had flung no draperies over the pretentious furniture and
disposed no rugs upon the staring carpet; and it was plainly her theory
that the right way to acquaint one’s self with the sensations of the
wretched was to suffer the anguish of exasperated taste. Presently a
female servant came in—not the sceptical Assunta, but a stunted young
woman of the maid-of-all-work type, the same who had opened the door to
the pair a short time before—and let him know of the Princess’s wishing
him to understand that he was expected to remain to tea. He learned
from Madame Grandoni that the custom of an early dinner followed in
the evening by the frugal repast of the lower orders was another of
Christina’s mortifications; and when shortly afterwards he saw the
table laid in the back parlour, which was also the dining-room, and
observed the nature of the crockery with which it was decorated, he
noted that whether or no her earnestness were durable it was at any
rate for the time intense. Madame Grandoni put before him definitely,
as the Princess had done only in scraps, the career of the two ladies
since his departure from Medley, their relinquishment of that fine
house and the sudden arrangements Christina had made to change her
mode of life after they had been only ten days in South Street. At
the climax of the London season, in a society which only desired
to treat her as one of its brightest ornaments, she had retired to
Madeira Crescent, concealing her address—with only partial success of
course—from every one, and inviting a celebrated curiosity-monger to
come and look at her bibelots and tell her what he would give for the
lot. In this manner she had parted with them at a fearful sacrifice.
She had wished to avoid the nine days’ wonder of a public sale; for,
to do her justice, though she liked to be original she didn’t like to
be notorious, an occasion of stupid chatter. What had precipitated
this violent step was a remonstrance received from her husband just
after she had left Medley on the subject of her excessive expenditure:
he had written her that it was past a joke—as she had appeared to
consider it—and that she must really pull up. Nothing could gall her
more than an interference on that head—since she maintained that she
knew the exact figure of the Prince’s income, of which her allowance
was an insignificant part—and she had pulled up with a vengeance, as
Hyacinth might perceive. The young man divined on this occasion one
of the eminent lady’s high anxieties, of which he had never thought
before—the danger of the Prince’s absolutely putting on the screw, of
his attempting to make her come back and live with him by withholding
supplies altogether. In this case she would find herself in a very
tight place, though she had a theory that if she should go to law
about the matter the courts would allow her a separate maintenance.
This course, however, it would scarce be in her character to adopt;
she would be more likely to waive her right and support herself by
lessons in music and the foreign tongues supplemented by the remnant of
property that had come to her from her mother. That she was capable of
returning to the Prince some day as an effect of her not daring to face
the loss of luxury was an idea that couldn’t occur to our youth in the
midst of her assurances, uttered at various times, that she positively
yearned for a sacrifice; and such an apprehension was less present
to him than ever while he listened to Madame Grandoni’s account of
the manner in which their friend’s rupture with the fashionable world
had been enacted. It must be added that the old lady devoted a deep
groan to her not knowing how it would all end, as some of Christina’s
economies were most expensive; and when Hyacinth pressed her a little
she proceeded to say that it was not at present the question of
complications arising from the Prince that troubled her most, but
the fear that his wife was seriously compromised by her reckless,
her wicked correspondences: letters arriving from foreign countries,
from God knew whom (Christina never told her, nor did she desire it),
all about uprisings and manifestations and liberations—of so much one
could be sure—and other matters that were no concern of honest folk.
Hyacinth but half knew what Madame Grandoni meant by this allusion,
which seemed to show that during the last few months their hostess had
considerably extended her revolutionary connexion: he only thought of
Hoffendahl, whose name, however, he was careful not to pronounce, and
wondered whether his friend had been writing to the Master to intercede
for _him_, to beg that he might be let off. His cheeks burned at the
thought, but he contented himself with remarking to his entertainer
that their extraordinary companion enjoyed the sense of danger. The old
lady wished to know how she would enjoy the hangman’s rope—with which,
_du train dont elle allait_, she might easily make acquaintance; and
when he expressed the hope that she didn’t regard him as a counsellor
of imprudence replied: “You, my poor child? Oh I saw into you at
Medley. You’re a simple _codino_!”
The Princess came back to tea in a very dull gown and with a bunch
of keys at her girdle; and nothing could have suggested the thrifty
housewife better than the manner in which she superintended the laying
of the cloth and the placing on it of a little austere refreshment—a
pile of bread and butter flanked by a pot of marmalade and a morsel
of bacon. She filled the teapot from a shiny tin canister locked up
in a cupboard, of which the key worked with difficulty, and made the
tea with her own superb hands; taking pains, however, to explain to
Hyacinth that she was far from imposing that régime on Madame Grandoni,
who understood that the grocer had a standing order to supply her,
for her private consumption, with any delicacy she might desire. For
herself she had never been so well as since following a homely diet. On
Sundays they had muffins and sometimes for a change a smoked haddock or
even a fried sole. Hyacinth lost himself in worship of the Princess’s
housewifely ways and of the exquisite figure she made as a small
bourgeoise; judging that if her attempt to combine plain living with
high thinking were all a burlesque it was at least the most finished
entertainment she had yet offered him. She talked to Madame Grandoni of
Lady Aurora; described her with much drollery, even to the details of
her dress; declared that she was a delightful creature and one of the
most interesting persons she had seen for an age; expressed to Hyacinth
the conviction that she should like her exceedingly if the poor dear
would only believe a little in _her_. “But I shall like her whether she
does or not,” the Princess all the same declared. “I always know when
that’s going to happen; it isn’t so common. She’ll begin very well with
me and be ‘fascinated’—isn’t that the way people begin with me?—but
she won’t understand me at all nor make out in the least what kind of
a queer fish I am, try as I may to show her. When she thinks she does
at last she’ll give me up in disgust and never know she has understood
me quite wrong. That has been the way with most of the people I’ve
liked; they’ve run away from me _à toutes jambes_. Oh I’ve inspired
aversions!” she mirthfully wailed as she handed Hyacinth his cup of
tea. He recognised it by the aroma as a mixture not inferior to that
of which he had partaken at Medley. “I’ve never succeeded in knowing
any one who would do me good, for by the time I began to improve under
their influence they could put up with me no longer.”
“You told me you were going to visit the poor. I don’t understand what
your Gräfin was doing there,” said Madame Grandoni.
“She had come out of charity—in the same way as I. She evidently goes
about immensely over there; I shall insist on her taking me with her.”
“I thought you had promised to let _me_ be your guide in those
explorations,” Hyacinth promptly pleaded.
The Princess looked at him a moment. “Dear Mr. Robinson, Lady Aurora
knows more than you.”
“There have been times surely when you’ve complimented me on my
knowledge.”
“Oh I mean more about the lower classes!” she returned; and oddly
enough there was a sense in which he was unable to deny the claim
made for her ladyship. He presently came back to something said by
his hostess a moment before, declaring that it had not been the way
with Madame Grandoni and him to take to their heels, and to this she
replied: “Oh you’ll run away yet! Don’t be afraid.”
“I think that if I had been capable of quitting you I should have
done it by this time: I’ve neglected such opportunities,” the old
woman sighed. Hyacinth now made out that her eye had quite lost or
intermitted its fine old pleasantry: she was troubled about many
things.
“It’s true that if you didn’t leave me when I was rich it wouldn’t
look well for you to leave me at present,” the Princess suggested; and
before Madame Grandoni could meet this speech she said to Hyacinth:
“I liked that odd man, your friend Muniment, so much for saying he
wouldn’t come to see me. ‘What good would it do him,’ poor fellow?
What good would it do him indeed? You were not so difficult: you held
off a little and pleaded obstacles, but one easily saw you’d come
down,” she continued while she covered her guest with her mystifying
smile. “Besides I was smarter then, more splendid; I had on gewgaws
and suggested worldly lures. I must have been more attractive. But
I liked him for refusing,” she repeated; and of the many words she
uttered that evening it was these that made most impression on our
hero. He remained an hour after tea, for on rising from the table she
had gone to the piano—not depriving herself of this resource she had a
humble instrument of the so-called “cottage” kind—and begun to play in
a manner that reminded him of her commemorative outburst, as he might
have fancied it, the day of his arrival at Medley. The night had grown
close and as the piano was in the front room he opened at her request
the window that looked into Madeira Crescent. Beneath it assembled the
youth of both sexes, the dingy loiterers, who had clustered an hour
before round the hurdy-gurdy. But on this occasion they didn’t caper
about; they leaned in silence against the area-rails and listened to
the wondrous music. When Hyacinth told the player of the spell she
had thrown on them she declared that it made her singularly happy; she
added that she was really glad, almost proud, of her day; she felt as
if she had begun to do something for the people. Just before he took
leave she encountered some occasion for saying that she was certain the
odd man in Audley Court wouldn’t come; and he forbore to contradict her
because he believed in fact he wouldn’t.