XXXI

Luckily the questions raised that day died out like a false alarm. With

no further mention of the Whitelaw baby, he graduated from the Latin

School, passed his exams at Harvard, and spent the summer as second

in command of a boys' camp in a part of New Hampshire remote from the

inn-club and the Ansleys. October found him a freshman. The new life

was beginning.

He had slept his first night in his bedroom in Gore Hall, where his

quarters had been appointed. He had met the three fellow-freshmen with

whom he was to share a sitting room. The sitting room was on the ground

floor in a corner, looking out on the Embankment and the Charles. Never

having had, since he left the Quidmores, a place in which to work

better than the narrow squalid room at the end of a narrow squalid

hall, his joy in this new decency of living was naïve to the point of

childishness. He spent in that retreat, during the first twenty-four

hours, every minute not occupied with duties. Because he was glad

of the task, his colleagues had left to him as much of the job of

arranging the furniture as he would assume.

On the second day of his residence he was on his knees, behind his

desk, pulling at a rug that had been wrinkled up. His zeal could bear

nothing not neat, straight, adjusted. The desk was heavy, the rug

stubborn. When a rap sounded on the door he called out, "Come in!"

looking up above the edge of the desk only when the door had been

opened and closed.

A lady, dignified, a little portly, was stepping into the room, with

the brisk air of one who had a right there. As she had been motoring,

she was wreathed in a dark green veil, which partially hid her

features. Peeling off a gauntlet, she glanced round the room, after a

first glance at Tom.

"I'm sorry to be late, Tad. That stupid Patterson lost his way. He's

a very good driver, but he's no sense of direction. Why, where's the

picture? You said you had had it hung."

Her tone was crisp and staccato. In her breath there was the syncopated

halt which he afterward came to associate with the actress, Mrs. Fiske.

She might be nervous; or she might suffer from the heart.

For the first few seconds he was too agitated to know exactly what to

do. He had been looked at and called Tad again, this time probably by

Tad's mother. He rose to his height of six feet two. The lady started

back.

"Why, what have you been doing to yourself? What are you standing on?

What makes you so tall?"

"I'm afraid there's some mistake, ma'am."

She broke in with a kind of petulance. "Oh, Tad, no nonsense! I'm

tired. I'm not in the mood for it."

Both gauntlets peeled off, she flung them on the desk. With a motion as

rapid as her speech she stepped toward a window and looked out over the

Embankment.

"It's going to be noisy and dusty for you here. The stream of cars is

incessant."

Being now beyond the desk, she caught the fullness of his stature. Her

left hand went up with a startled movement. She gave a little gasp.

"Oh! You frightened me. You're not standing on anything."

"No, ma'am, I...."

"I asked for Mr. Whitelaw's room. They told me to come to number

twenty-eight."

Making her way out, she kept looking back at him in terror. When he

hurried to open the door for her, she waved him away. Everything she

did and said was rapid, staccato, and peremptory.

"You've forgotten your gloves, ma'am."

He reached them with a stretch of his arm. Taking them from him, she

still kept her eyes on his face.

"No! You don't look like him. I thought you did. I was wrong. It's only

the--the eyes--and the eyebrows."

She was gone. He closed the door upon her. Dropping into an armchair

by the window, he stared out on a wide low landscape, with a double

procession of motor cars in the foreground, and a river in the middle

distance.

So this was the woman who had lived through the agony of a stolen

child! He tried to recall what Honey had told him of the tragedy. He

remembered the house which five years earlier Honey had taken him to

see; he remembered the dell with the benches and the lilacs. This

woman's child had been wheeled out there one morning--and had vanished.

She had had to bear being told of the fact. She had gone through the

minutes when the mind couldn't credit it. She had known fear, frenzy,

hope, suspense, disappointment, discouragement, despair, and lassitude.

In self-defense, in sheer inability of the human spirit to endure more

than it has endured, she had thrown round her a hard little shell of

refusal to hear of it again. She resented the reminder. She was pricked

to a frantic excitement by a mere chance resemblance to the image of

what the lost little boy might have become.

A chance resemblance! He underscored the words. It was all there was.

He himself was the son of Theodore and Lucy Whitelaw. At least he

thought her name was Lucy. Not till he had been required to give the

names of his parents for some school record did it occur to him that he

didn't positively know. She had always been "Mudda." He hadn't needed

another name. After she had gone there had been no one to supply him

with the facts he had not learned before. Even the Theodore would have

escaped him had it not been for that last poignant scene, when she

stood before the officer and gave a name--Mrs. Theodore Whitelaw! Why

not? There were more Whitelaws than one. There was no monopoly of the

name in the family that had lost the child.

He didn't often consciously think of her nowadays. The memory was

not merely too painful; it was too destructive of the things he was

trying to cherish. He had impulses rather than ideals, in that impulses

form themselves more spontaneously; and all his impulses were toward

rectitude. It was not a chosen standard; neither was it imposed upon

him from without, unless it was in some vague general direction of the

spirit received while at the Tollivants. He didn't really think of it.

He took it as a matter of course. He couldn't be anything but what he

was, and there was an end of it. But all his attempts to get a working

concept of himself led him back to this beginning, where the fountain

of life was befouled.

So he rarely went back that far. He would go back to the Quidmores,

to the Tollivants, to Mrs. Crewdson; but he stopped there. There he

hung up a great curtain, soft and dim and pitiful, the veil of an

immense tenderness. Rarely, very rarely, did he go behind it. He would

not have done it on this afternoon had not the woman who had just

gone out--dressed, as anyone could see, with the expensive easy-going

roughness which only rich women can afford--neurotic, imperious,

unhappy--had not this woman sent him there. She was a great lady whose

tragic story haunted him; but she turned his mind backward, as it

hardly ever turned, to the foolish and misguided soul who had loved

him. No one since that time, no one whatever in the life he could

remember, had loved him at all, unless it were Honey, and Honey denied

that he did. How could he forsake ...? And then it came to him what it

was that pleaded within him not to be forsaken.

* * * * *

The lecture was over. It was one of the first Tom had attended.

The men, some hundred odd in number, were shuffling their papers,

preparatory to getting up. Seated in an amphitheater, they filled

the first seven or eight semicircles outward from the stage. The

arrangement being alphabetical, Tom, as a _W_, was in the most distant

row.

The lecturer, who was also putting his papers together as they lay on a

table beside him, looked up casually to call out,

"If Mr. Whitelaw is here I should like to speak to him."

Tom shot from his seat and stood up. The man on his left did the same.

Occupied with taking notes on the little table attached to the right

arm--the only arm--of his chair, Tom had not turned to the left at all.

He was surprised now at the ripple of laughter that ran among the men

beginning to get up from their seats or to file out into the corridor.

The professor smiled too.

"You're brothers?"

Tom looked at his neighbor; his neighbor looked at Tom. Except for the

difference in height the resemblance was startling or amusing, as you

chose to take it. To the men going by it was amusing.

It was the neighbor, however, who called out, in a shocked voice: "Oh,

no, no! No connection."

"Then it's to Mr. Theodore Whitelaw that I wish to speak."

Mr. Theodore Whitelaw made his way toward the platform, taking no

further notice of Tom.

For this lack of the friendly freemasonry general among young men,

general among freshmen especially, Tom thought he saw a reason. The

outward appearance which enabled him to "place" Tad would enable Tad

to "place" him. On the one there was the stamp of wealth; on the other

there must be that of poverty. He might have met Tad Whitelaw anywhere

in the world, and he would have known him at a glance as a fellow

nursed on money since he first lay in a cradle. It wasn't merely a

matter of dress, though dress counted for something. It was a matter

of the personality. It was in the eyes, in the skin, in the look, in

the carriage, in the voice. It was not in refinement, or cultivation,

or cleverness, or use of opportunity; it was in something subtler

than these, a cast of mind, a habit of thought, an acceptance, a

self-confidence, which seeped through every outlet of expression. Tad

Whitelaw embodied wealth, position, the easy use of whatever was best

in whatever was material. You couldn't help seeing it.

On the other hand, he, Tom Whitelaw, probably bore the other kind

of stamp. He had not thought of that before. In as far as he had

thought of it, it was to suppose that the stamp could be rubbed off,

or covered up. Clothes would do something toward that, and in clothes

he had been extravagant. He had come to Harvard with two new suits,

made to his order by the Jew tailor next door to Mrs. Danker's. But in

contrast with the young New Yorker his extravagance had been futile.

He found for himself the most opprobrious word in all the American

language--cheap.

Very well! He probably couldn't help looking cheap. But if cheap he

would be big. He wouldn't resent. He would keep his mouth shut and

live. Things would right themselves by and by.

They righted themselves soon. The three men with whom he shared the

sitting room, having passed him as "a good scout," admitted him to full

and easy comradeship. In the common-room, in the classroom, he held

his own, and made a few friends. Guy Ansley, urged in part by a real

liking, and in part by the glory of having this big handsome fellow in

tow, was generous of recognition. He was standing one day with a group

of his peers from Doolittle and Pray's when Tom chanced to pass at a

distance. Guy called out to him.

"Hello, you old sinner! Where you been this ever so long?" With a word

to his friends, he puffed after Tom, and dragged him toward the group.

"This is the guy they call the Whitelaw Baby. See how much he looks

like Tad?"

"Tad'll give you Whitelaw Baby," came from one of the group. "Hates the

name of it. Don't blame him, do you, when he's heard everyone gassing

about the kid all through his life?"

But that he was going in Harvard by this nickname disturbed Tom not

a little. Considering the legend in the Whitelaw family, and the

resemblance between himself and Tad, it was natural enough. But should

Tad hear of it....

With Tad he had no acquaintance. As the weeks passed by he came to

understand that with certain freshmen acquaintance would be difficult.

They themselves didn't want it. It was a discovery to Tom that it

didn't follow that you knew a man, or that a man knew you, because you

had been introduced to him. Guy Ansley had introduced him that day to

the little group from Doolittle and Pray's; but when he ran into them

again none of them remembered him.

So Tad Whitelaw did not remember him after having met him accidentally

at Guy's. The meeting had been casual, hurried, but it was a meeting.

The two had been named to each other. Each had made an inarticulate

grunt. But when later that same afternoon they passed in a corridor Tad

went by as if he had never seen him.

He continued to live and keep his mouth shut. If he was hurt there was

nothing to be gained by saying so. Then an incident occurred which

threw them together in a manner which couldn't be ignored inwardly,

even if outward conditions remained the same.

Little by little the Harvard student, following the general sobering

down which makes it harder for people in the twentieth century to

laugh than it was to those who lived fifty years ago, was becoming

less frolicsome. Pranks were still played, especially by freshmen, but

neither so many nor so wild. The humor had gone out of them.

But in every large company of young men there are a few whose high

spirits carry them away. Where they have money to spend and no cares as

to the future on their minds, the new sense of freedom naturally runs

to roistering. In passing Tad Whitelaw's rooms, which were also in Gore

Hall, Tom often heard the banging of the piano, and those shouts of

song and laughter which are likely to disturb the proctor. Guy, who was

often the one at the piano, now and then gave him a report of a party,

telling him who was at it, and what they had had to drink.

In the course of the winter his relations with Guy took on a somewhat

different tinge. In Guy's circle, commonly called a gang or a bunch,

he was Guy's eccentricity. The Doolittle and Pray spirit allowed of an

eccentricity, if it wasn't paraded too much. Guy knew, too, that it

helped to make him popular, which was not an easy task, to be known as

loyal to a boyhood's chum, when he might be expected to desert him.

But behind this patronage the fat boy found in Tom what he had always

found, a source of strength. Not much more than at school did he escape

at Harvard his destiny as a butt.

"Same old spiel, damn it," he lamented to Tom, "just because I'm fat.

What difference does that make, when you're a sport all right? Doesn't

keep me from going with the gang, not any more than Tad Whitelaw's big

eyebrows, or Spit Castle's long nose."

On occasions when he was left out of "good things" which he would

gladly have been in he made Tom come round to his room in the evening

for confidence and comfort. Tom never made game of him. There was no

one else to whom he could turn with the certainty of being understood.

Having an apartment to himself, he could be free in his complaints

without fear of interruption.

It was late at night. The two young men had been "yarning," as they

called it, and smoking for the past two hours. Tom was getting up to

go back to his room, when a sound of running along the corridor caught

their attention.

"What in blazes is that?"

By the time the footsteps reached Guy's door smothered explosions of

laughter could be heard outside. With a first preliminary pound on the

panels the door was flung open, Spit Castle and Tad Whitelaw hurling

themselves in. Though they would have passed as sober, some of their

excess of merriment might have been due to a few drinks.

Tad carried a big iron door-key which he threw with a rattle on the

table. His hat had been knocked to the back of his head; his necktie

was an inch off-center; his person in general disordered by flight.

Spit Castle, a weedy youth with a nose like a tapir's, was in much the

same state. Neither could tell what the joke was, because the joke

choked them. Guy, flattered that they should come first of all to him,

stood in the middle of the floor, grinning expectantly. Tom, quietly

smoking, kept in the background, sitting on the arm of the chair from

which he had just been getting up. As each of the newcomers tried to

tell the tale he was broken in on by the other.

"Came out from town by subway...."

"Walking through Brattle Square...."

"Not so much as a damn cat about...."

"Saw little old johnny come abreast of little old bootstore...."

"Took out a key--opened the door--went into the shop in the dark--left

the key in the keyhole to lock up when he comes outside again--just in

for something he'd forgot."

"And damned if Tad didn't turn the key--quick as that--and lock the old

beggar in."

"Last we heard of him he was poundin' and squealin' to beat all blazes."

Yellin', 'Pull-_ice_!--pull-_ice_!'--whacking his leg, Spit gave an

imitation of the prisoner--"and he's in there yet."

To Guy the situation was as droll as it was to his two friends. An old

fellow trapped in his own shop! He was a Dago, Spit thought, which made

the situation funnier. They laughed till, wearied with laughter, they

threw themselves into armchairs, and lit their cigarettes.

Tom, who had laughed a little not at their joke but at them, felt

obliged, in his own phrase, to butt in. He waited till a few puffs of

tobacco had soothed them.

"Say, boys, don't you think the fun's gone far enough?"

The two guests turned and stared as if he had been a talking piece of

furniture. Tad took his cigarette from his lips.

"What the hell business is it of yours?"

Tom kept his seat on the arm of the chair, speaking peaceably. "I

suppose it isn't my business--except for the old man."

"What have you got to do with him? Is he your father?"

"He's probably somebody's father, and somebody's husband. You can't

leave him there all night."

The Happy Isles · 第 68 / 125 题