CHAPTER X

|YOUNG Mr. Barlowe started so violently that he spilt his tea over his

knees; for just before James had uttered his last sentence the music

stopped, but as it had been somewhat loud in the final bars, and James

had raised his voice in the same proportion, the inertia of his tone

defied any attempt to modulate it, so that it was almost with a shout

that he had declared that he had been sent to be educated in his

profession to a murderer.

Fanny was too much overcome by the ludicrous aspect of the contretemps

to be able to laugh. Her brother, who had had no intention of startling

anyone in the room except young Mr. Barlowe, hung his head and was

blushing under the South Sea tan of his skin; Sir Joshua Reynolds had

heard nothing after the crashing chords that concluded the duet; but

poor Miss Reynolds almost sprang from her chair in horror.

Mrs. Burney was very angry.

“You have been making a fool of yourself as usual, James,” she cried.

“Pray give Mr. Barlowe another cup of tea, Fanny. I vow that 'tis a

shame for you, James Burney, to treat such a company as though you were

on the deck of the _Adventure_ facing your South Sea savages.”

But Dr. Burney, with his customary tact, raised a hand half reprovingly

toward his wife.

“Give Mr. Barlowe his cup, and then pass one to me, Fanny,” he said,

rising from the piano. “You know that James has spoken no more than

the truth, my dear,” he added, smiling at his wife. “I can see that the

rascal has been fooling while our backs were turned to him; but we know

that he spoke no more than the truth--at least in that one sentence

which he bawled out for us. He was, indeed, sent to a school where he

was placed under an accomplished usher who was some time after hanged

as a murderer. You see, madam----” he had turned, still smiling, to Miss

Reynolds, thereby doing much to restore her confidence in the sanity of

the family--“You see that James was from the first so desperate a young

rascal that, just as a boy who is an adept at figures is educated for

the counting-house, and one who spends all the day before he is six

picking out tunes on the harpsichord should be apprenticed, as I was, to

a musician, so we thought our James should be sent whither he could

be properly grounded in the only profession at which he was likely to

excel. But, alas! the poor usher was carried off by the police, tried at

the next assizes and duly hanged before James had made much progress in

his studies; but I believe that a few years in the navy does as much

for a youth who has made up his mind to succeed, as a protracted course

under a fully qualified criminal.”

Miss Reynolds looked as if she were not quite certain that, in spite of

his smiles, Dr. Burney was jesting; but when Mrs. Burney, seeing how her

husband's mock seriousness was likely to produce a wrong impression upon

plain people, said:

“You must recall hearing about Mr. Eugene Aram some years back, Mrs.

Reynolds,” that lady showed that her mind was greatly relieved.

“I recall the matter without difficulty,” she said. “The man was usher

at the grammar school at Lynn.”

“And no school had a more learned teacher than that unfortunate man,”

said Sir Joshua. Young Mr. Barlowe had been divided in his amazement

at what Dr. Burney had said, and at the sight of Sir Joshua holding the

trumpet to his ear, though the instrument remained mute. He had never

found himself within the circle of so startling a society. He wished

himself safe at home in the Poultry, where people talked sense and made

no attempt to blow a trumpet with their ears.

“James had acquired quite a liking for poor Aram,” said Dr. Burney,

“and, indeed, I own to having had a high opinion of the man's ability

myself. It was to enable him to purchase books necessary for his studies

in philology that he killed his victim--a contemptible curmudgeon named

Johnstone. I fear that all our sympathy was on the side of the usher.”

“I was greatly interested in Mr. Aram, and read a full account of his

trial,” said Sir Joshua.

“I wonder that a man of so sensitive a mind as his did not so brood over

his crime as to cause suspicion to fall on him earlier than it did.”

“Only upon one occasion it seemed that he was affected by an incident

which might possibly have awakened some suspicion in the mind of a

person given to suspicion,” said Dr. Burney.

“James had been presented with a copy of the translation of Gessner's

'Death of Abel'--everyone was going mad about the book that year--more

copies were sold of it than of any translation since Pope's 'Homer,' but

I fancy James found it dull enough reading. He had it on his knee trying

to get through a page or two in case the kind donor might question him

upon it, when the usher came up. He took the volume in his hand and

glanced at the title. Down the book fell from his grasp and he hurried

away without a word--'as if he had been stung,' James said, in telling

us about it, to excuse the broken cover. Of course, I never gave a

thought to the matter at the time; but when I heard of the arrest of

Eugene Aram the following year, I recalled the incident.”

“I should like to make a picture of the scene, and name it 'Remorse,'”

said Reynolds.

(_He never did make such a picture; many years had passed, and Lieutenant

Burney had become an Admiral before his narration of the incident

touched the imagination of a poet who dealt with it in verse that has

thrilled a good many readers._)

Thomas Barlowe was not greatly thrilled by the story as told by Dr.

Burney. He seemed rather shocked to find himself at the table with

someone who had been taught by a murderer. He glanced furtively at James

Burney, who had remained silent since the contretemps that had prevented

him from perfecting his fooling of Thomas; and the result of Thomas's

scrutiny at that moment was to cause Thomas a tremor; for who could say

what fearful knowledge Lieutenant Burney might have acquired during

his intercourse with the murderer--knowledge which might jeopardize the

safety of a simple visitor like himself? Thomas felt that no ordinary

person could be accounted absolutely safe in a company that included a

tall, able-bodied young naval man who had begun his education under a

murderer and had gone to complete it among the cannibals of the South

Seas; and, in addition, an elderly gentleman who fancied that he could

bring any sound out of a trumpet by pressing it to his ear instead of

his lips, and had shown himself ready to extol the scholarship of any

man who had been hanged.

But then Thomas looked at Fanny, and she pleased him more than ever. She

was so demure, so modest, so shy. She had a very pretty blush, and she

did not play on the piano. It was a thousand pities, he felt, that such

a girl should be compelled to remain in such uncongenial companionship.

All the time that Dr. Burney and his other daughter were playing a

second duet, and the silly gentleman holding the bell of his trumpet

to the case of the piano, still fondly believing that he was also a

performer with the mouth-piece in his ear, Thomas Barlowe was feeling

wave after wave of pity passing over him for the unhappy position of

the shy girl in the midst of so doubtful a household. Before long his

compassion for her so stimulated his imagination that he began to think

of the possibility of his rescuing her--he began to think of himself in

the character of a hero--he did not remember the name of any particular

hero who had carried off a young woman who was placed in a similar

situation to that occupied by Miss Burney; but he had no doubt that more

than one romance was founded upon the doings of such a man as he felt

himself fully qualified to be, if he made up his mind to assume such a

rôle.

As the music continued--it was an arrangement of Bach's _Orfèo_--Thomas

Barlowe became more and more resolute. He would be the heroic person who

should appear at the right moment and achieve the emancipation of that

sweet and shy girl, who by no fault of hers was forced to live in that

house and remain, if she could, on friendly terms with her father and

sisters, who kept strumming on the piano, and with her brother, who was

ready to boast of having received the rudiments of his education from

a murderer. All that he needed was the opportunity to show his heroism,

and he did not doubt that when he set his mind to work on the matter, he

would have such an opportunity.

If anyone had whispered in his ear that his inward consciousness of

being equal to the doing of great deeds was solely due to the music

which was being played, and to which he was unwillingly listening, he

would have been indignant. He would have thought it preposterous had it

been suggested to him that the effect of that strumming was to make him

feel more like a god than a man--to be ready to face hell for the love

of a woman, as Jean Sebastian Bach imagined Orpheus doing for Eurydice.

But Jean Sebastian Bach knew what he was about when he had composed his

_Orfèo_, and Dr. Burney was quite equal to the business of interpreting

his aims, and of urging his daughter Susan to join with him in

impressing them upon even so unimpressionable a nature as that of Thomas

Barlowe; so that while Thomas Barlowe believed that this music was one

of the most petty of all human interests, it was making him think

such thoughts as had never before entered his mind--it was giving him

aspirations from which in ordinary circumstances he would have shrunk.

The master musician and his interpreters were making sport of him,

leading him if not quite into the region of the heroic, at least to the

boundary of that region, and supplying him with a perspective glass, as

the Interpreter did to the Pilgrims, by the aid of which he might see

the wonderful things that had been beyond his natural scope.

And that was how it came about that he gazed into Miss Burney's eyes and

pressed her hand at parting with a tenderness he had never previously

associated with his leave-taking. He felt sure that Miss Burney would

understand what he meant, though he knew that he would have difficulty

in expressing it all to her in words; for the effect of the music was

to make him feel that he could put so much feeling into a look, into

a squeeze of the hand, as would touch the heart of any young woman and

cause her to be certain that she might trust him though all other help

might fail her.

That was the effect which the heroic music had upon him, though he did

not know it; it made him feel willing to face hell for her sake at that

moment, and even until he had walked through more than a mile of the

network of streets that lay between Leicester Fields and the Poultry.

But the effect of such an intoxicant as music upon such a nature as his

is not lasting. Before he had reached Cheapside his own individuality

was beginning to assert itself; and he wondered if he had not gone too

far for discretion--discretion being, according to his reckoning, the

power to withdraw from a position that might compromise him. And before

he reached his home he had got the length of wondering how he had so far

forgotten himself as to yield to that compromising impulse represented

by the gaze and the squeeze. He could not for the life of him understand

what had come over him at that moment; for he had by no means satisfied

himself that Miss Burney was the young woman who would make him

comfortable as his wife. He still thought highly of her on account of

her modesty and her dainty shyness, but marriage was a serious matter,

and he was not sure that he should take her for his wife.

On the whole, he felt that he had had a very trying evening--between the

Lieutenant who had so nearly qualified to practise as a murderer, and

the father and daughter who seemed ready to strum their duets until

midnight, to say nothing of the foolish gentleman who tried to play

the trumpet with his ear; and Thomas made up his mind that he would not

trust himself into the midst of so unusual a circle until he was certain

that he wanted to marry the young woman whose hand he had, for some

reason or other, pressed at parting.

But Mrs. Burney had noticed much more clearly than Fanny had done the

expression that the face of Thomas Barlowe had worn when he had looked

into the girl's eyes; she had measured to the fraction of a second the

duration of his holding of her hand beyond the time essential for

the discharge of the ordinary courtesy of a hand-shake; and she was

satisfied that Thomas was progressing in his wooing of the least

attractive and certainly the least accomplished member of the family.

The good woman thought, however, that it was rather a pity that her

husband and Susan had persisted in the practice of their duets; for by

doing so they had not given a chance to Thomas and Fanny of being alone

together.

But, looking back upon the incidents of the evening, she came to the

conclusion that, on the whole, she had no reason to complain of the

progress that was being made in the young man's wooing. She was no

believer in undue haste in this respect; and had not Thomas looked into

Fanny's eyes at the close of the evening? Yes, at the close; and that

proved to her satisfaction that he had not suffered discouragement by

the maladroit conversation about Mr. Eugene Aram. The unhappy episode

upon which her husband had dwelt with far too great attention to its

details, was one to which she herself had never alluded; for at Lynn,

where she had lived all her life previous to being married to Dr.

Burney, the Eugene Aram episode was regarded as a scandal to be ignored

by those of the inhabitants whose children had attended the school where

he had been usher. It was a distinctly favourable sign of the impression

made upon young Mr. Barlowe by Fanny, that he had gazed into her eyes in

spite of his having been made aware of the connection of the family with

the tragedy of that wretched schoolmaster. Mrs. Burney took no account

of the effect of Bach's marvellous music upon a young man who was a

lover in the rough. In this respect, as has been indicated, she did not

differ from the young man himself.

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