This singular species of painting resists, it is said, every influence of

climate; and may be securely used as an external coating for buildings in

any part of the globe. Neither is the artist confined to any particular

time in executing it, leaving off when he pleases and for any length of

time. In these points it is a most important recommendation, which cannot

by any means apply to fresco work, nor, except within certain limits, to

oil painting. The highest advantage of all, however, is that the same part

may be painted over as often as the artist please, which is impossible in

fresco; and consequently the most perfect harmony may, by this new mode be

preserved throughout the largest possible painting. In fresco the artist

is the slave of his materials; here, he is the arbitrary master and to the

fullest extent.--_Banner of the Union, Pa._

* * * * *

WATER.

Water intended to aid in conducting chemical experiments, should, so far

as possible, be free from all foreign substances. As the Daguerreotype

process is one of the most difficult in the range of chemical science, the

Daguerreian should have at hand the best that circumstances will admit.

We have learned, from experience, the disadvantages attendant on those

who travel in the country, from village to village in the practice of the

Daguerreotype art.

When _Distilled Water_ can be obtained, it should be used. It must have no

smell, taste, or color; it must evaporate without leaving a residue; it

must give no precipitates with solutions of nitrate of silver, chloride

of barium, superoxalate of potash, caustic alkalies, carbonated alkalies,

sulphurated hydrogen, or hydrosulphate of ammonia.

_Rain Water_ generally contains carbonic acid, carbonate of lime, and

chloride of calcium.

_Spring Water_ contains the same impurities as rain water, superadded to

chloride of sodium, sulphate of lime, carbonate of iron, &c.

_River Water._--More free from salts than spring water, but often contains

a large quantity of decomposing vegetable and animal matter. This is

particularly the case with water taken from the Hudson, from Troy to its

mouth; also, the Mississippi, and, in fact, almost all large streams which

are navigated.

_Lake Water._--All descriptions of stagnant water abound in half-putrified

organic remains, as all well know, that the smaller the bulk of liquid,

as in the case of the swamp or marsh, the more impure and the more

unwholesome it is.

_To purify Water._--Much has been said about purifying water for

Daguerreotype use. We look upon this, so far as chemical agents are

employed, in most instances a loss of both time and money; let every one

_filter_ the water for use _often_ and freely and we will guarantee that

_success_ will be his reward. We will class water in the following order:--

1, Distilled water; 2, rain water; 3, brook water; 4, well water; 5,

spring water; 6, river water: yet the water from some of our Western

lakes would, we think be fully equal to rain water. We have used the water

from Seneca lake, and have found it possessing less animal and vegetable

matter, than found in the water from any well which we have been compelled

to use.

* * * * *

Isinglass, as it is generally called fish glue, is prepared from the

air-bladders of the sturgeon. It is found in commerce under various forms,

such as large strings, small strings, and leaves. It is always white,

semi-transparent, dry, fibrous, horny, of a faint odor and insipid taste.

When a very thin leaf is moved between the eye and the light of the sun, a

species of chatoyance is perceived. If macerated in cold water, Isinglass

swells and softens; if boiled in water, it dissolves almost without

any residue and forms a solution, which, on becoming cool produces a

semi-transparent jelly. There are several counterfeits, but all are easily

detected.

* * * * *

PAPIER-MACHE.

Papier-Mache.--Pulped paper moulded into forms. It possesses great

strength and is a valuable article in the manufacturing of cases for

Daguerreotypes. It may be rendered partially water-proof by the addition

of sulphate of iron, quicklime, and glue, or white of eggs, to the

pulp; and incumbustible by the addition of borax and phosphate of soda.

The papier-mache Daguerreotype cases, tea-trays, waiters, snuff-boxes,

&c., are prepared by pasting or glueing sheets of paper together, and

submitting them to powerful pressure, by which the composition acquires

the hardness of a board when dry. Such articles are often inlaid with

mother of pearl, and japanned, and are then perfectly water-proof.

* * * * *

CHLORIDE OF CALCIUM.

Chloride of Calcium.--This is so easily manufactured that any

Daguerreotypist can make it with but little difficulty. Saturate dilated

muriatic acid, say three pints of water to one of acid; this should be

filtered through a sponge and then allowed to stand until all the aquus

solution has evaporated and the calcium crystallized. This may be improved

by it being placed in a crucible; and fused with a quick fire, then poured

out on a flat stone. When cold, it should be broken and put in close

bottles. This is much used by Daguerreotypists as it possesses a strong

affinity for water; consequently, it is a valuable auxiliary in keeping

the iodine dry. It is also much used for drying gases and absorbing water

from ethereal and oily liquids, in organic analyses.

* * * * *

MURIATE OF AMMONIA.

Muriate of Ammonia--_sal-ammoniac._--This is used by _few_ to bleach

Daguerreotype impressions, and relieve them of the "_blues_;" should,

however, the plates be _well_ cleaned and the mercury at a proper

temperature, there will be no need of this preparation: yet, as a number

have requested, we give the following combination, knowing that all

Daguerreotypists are troubled more or less with solarized impressions,

they may be more particularly with the _blues_. Make a saturated solution

of muriate of ammonia, in pure water, and filter through paper. This

reduced with an equal quantity of water before used; when the linen or any

portion of the impression is badly solarized, after removing the coating

with the hyposulphite solution, thoroughly rinse the plate with water,

then pour the bleaching solution over the surface of the impression in the

same manner as in gilding.

If the solarization be very deep, apply the lamp beneath and slightly

warm the plate, pour suddenly off, and without rinsing, quickly apply the

gilding and gild in the usual way. The whole operation must be quickly

performed, or the chlorine soon attracts the shade of the picture.

There may be instances when this solution may prove of advantage, as,

for instance, when black velvet and milk white are wanted in the same

impression. We have seen it operate with pleasing success; but repeat

that _few_ only use it, yet as in a single instance it might be of value,

we have given it. As much of the muriate of ammonia, in common, is

adulterated, we will give a few tests which all can try.

When pure, this salt is totally volatilizable by heat; if a small portion

on being heated on a piece of platinum foil over a spirit lamp leaves any

fixed residue, it is adulterated. It should dissolve entirely in water;

if it leaves an _insoluble residue_ it is adulterated. The impurities

generally found in sal-ammoniac, are sulphate of ammonia, sulphate of

soda, chloride of sodium, and chloride of potassium; neither of these

are considered injurious in the _bleaching solution_. Occasionally it

contains lead, iron, and copper. The presence of sulphuric acid may be

detected by means of a diluted solution of _chloride_ of barium, added to

a weak solution of muriate of ammonia, in water, this will produce a white

precipitate, which is the more copious and dense, the less the liquor

is diluted. If it contains lead add to a small portion of it, contained

in a test tube, a little diluted _sulphuric acid_, or a few drops of a

solution of _sulphate of soda_ (glauber's salt), if the liquid contains

lead there will be prevalent a white powder, or precipitate, this powder

scarcely dissolves at all in diluted acids, but it dissolves in a solution

of caustic of potash: _iron_, mix a solution of the yellow prussiate of

potash with a solution of red prussiate, a few drops of this added to

a weak solution of muriate of ammonia will produce a blue precipitate;

_copper_, pour about half an ounce of the liquid in a test tube, and add

to it a few drops of liquid ammonia, if copper is present, the liquid

will assume a blue color. Sal-ammonia is known by giving out the odor of

ammonia when mixed with caustic of potash: when sal-ammonia possesses a

_brownish_ color, it indicates the presence of charcoal, or empyreumatic

oil; such sal-ammoniac is good for some purposes, but wholly unfit for

_chemical purposes_.

When sal-ammoniac leaves a non-volatile residue, it may contain _sulphate

of soda_. This is the principal cause of failures with the bleaching

solution, as the sulphate of soda has a tendency to blacken rather than

bleach Daguerreian impressions. The sulphate of soda as well as the

chloride of sodium, is often found in unpurified sal-ammoniac to the

amount of ten per cent.

When sal-ammoniac contains much sulphate of ammonia, it fuses and sputters

before it sublimes; whereas it otherwise sublimes without fusing. When

sal-ammoniac, sublimes without residue, but gives a precipitate when its

solution is tested with a solution of chloride of barium, it contains

sulphate of ammonia; but when it leaves a non-volatile residue, the

precipitate indicates sulphate of soda or sulphate of magnesia.

* * * * *

BROMIDE OF SILVER.

NATIVE BROMIDE OF SILVER AND ANALYSES.

M. Berthier says, that in the district of Plateros, seventeen leagues from

Zacatecas in Mexico, silver ore is found in two different states; first,

native silver; and secondly and principally in a state of combination in

small olive-green or yellowish crystals, supposed to be chloride, but

which he found to be bromide of silver. According to M. Duport, from

whom M. Berthier received these specimens, this substance is not rare in

Mexico, but occurs frequently in fine cubic and octahedral crystals.

The specimen examined by M. Berthier was from San Onofe. It was compact,

of a slightly reddish gray color; fracture uneven; splendent; penetrated

with small cavities, some of which were partially filled with a substance

of a dull pale yellow color, and which the miners call oxide of lead;

other cavities contain very small imperfect crystals; which are brilliant,

and of a pale olive green-color, and have the appearance of chloride of

silver. This specimen was very rich, for it yielded 0.0688 of silver, and

contained 0.45 of carbonate of lead, which, intimately mixed with quartz

and a little oxide of iron, formed the principal portion of the mass.

M. Berthier has also found this mineral among the silver ores of

Huelgoeth, department of Finistère in France. Two specimens were obtained

by him: the first of these is described as being porous or scoriform,

containing white quartz imbedded in foliated hydrate of iron. On the edges

of the foliated iron ore the naked eye could distinguish small cubic

grains of a pearl-white color, which had all the characters of chloride of

silver.

The second specimen had the appearance of compact oxide of iron,

containing here and there milk-white quartz; it was throughout impregnated

with chloride of silver, which occasionally appeared in the form of very

small brilliant crystals. To analyze this mineral, 10 grammes were first

treated with ammonia, and heat to dissolve the chloride of silver, and

afterwards by boiling hydrochloric acid to dissolve the oxide of iron;

this acid also dissolved a certain portion of lead, which probably was

in the state of phosphate. The quartzose residue weighed 32.6 grammes:

it contained 0.17 gramme of silver, which must have been in the metallic

state: the ammoniacal solution gave by boiling and saturation with nitric

acid, 1.84 gramme of chloride of silver, which, supposing it to be pure,

contained 1.40 gramme of silver, which, added to 0.17 gramme remaining

in the quartz, gives a total of 1.57 gramme; a result which differed so

very little from that obtained by essaying, as to prove the absence of

bromide of silver, and that this was the case was confirmed by additional

experiments.

After this a third specimen was received from Huelgoeth; it was very

small, but as rich as the foregoing, and in it there were distinguishable,

besides granular cubic crystals of chloride of silver, other grains of an

olive-green color, which had exactly the same appearance as the bromide

had. Plateros and the following experiments proved the presence of the

substance.

Five grammes of the pulverized mineral were boiled in a solution of oxalic

acid, until the oxide of iron was perfectly dissolved: the residue weighed

about a gramme, and it evidently contained a mixture of canary-yellow and

white grains. It was digested in hot solution of ammonia until all the

yellow powder disappeared; it required a large quantity of the alkali

for this purpose, which would not have been the case to dissolve pure

chloride. The solution was gradually saturated with nitric acid, and it

was observed that the successive deposits formed had an evident yellow

tint, but gradually diminishing in intensity, except the last, which were

white. The yellow deposits were collected and examined in the following

manner:--A portion was treated with chlorine and æther; the æther became

of a yellow color. Another portion was dissolved in ammonia, hydrosulphate

of ammonia was added to the solution, and the black precipitate formed was

separated, and was found to be pure sulphuret of silver. The liquor was

concentrated by exposure to the air, and filtered to separate the sulphur

which was deposited; a little potash was then added, and it was evaporated

to dryness; acetic acid was added to saturate the excess of potash, and it

was again dried.

To determine whether the saline residue contained a bromide, a small

portion of it was treated in a tube with pure nitric acid, and a yellow

liquid was immediately obtained. Another portion was mixed with peroxide

of manganese, and the mixture was placed in a glass tube; a few drops of

concentrated sulphuric acid were added, and when gently heated, red vapors

were immediately disengaged, and alter some lime there were deposited

on the sides of the tube small drops of a red liquid. The existence of

bromine was therefore evident, and it was proved that the bromide was

unmixed with iodide. Bromide of silver appears to be rare at Huelgoeth;

but it may be readily distinguished from the chloride by its greenish or

canary-yellow color, which is characteristic of it. It is remarkable that

it occurs with the chloride in the same specimens, but without there being

an intimate mixture of the two substances.

* * * * *

=The Daguerreian Journal.=

=NEW YORK, MARCH 1, 1851.=

=HILLOTYPE.=

Since the announcement of the Hillotype, in the last number of the

Daguerreian Journal, quite an excitement has prevailed, both in the

Daguerreotype and scientific world. The great question has fairly been

solved and "_natural colors_" can be produced and rendered indelible upon

the metallic plate. America can safely say she has presented to the world

one of the most invaluable discoveries that has ever been imprinted upon

the pages of history.

Men profound in their scientific skill and learning, have long and in

vain sought for the discovery or invention of some means of securing

to the future, the colors of the present. All Europe has been alive to

this great desideratum, and many have presumed it an impossibility,

while some few persisted, flattered by hope and encouraged by the almost

daily announcement of some new discovery or invention, that heretofore

had been deemed only as having existence in the dreamy imagination or a

perspective future. We hail the discovery of the Hillotype as an epoch

bright in the history of science, as well as impregnated with interest to

aid in unfolding a volume of investigation which has so long commanded the

attention of learned and philosophical minds, as the "_colored rays of

light_."

The subject of reflected light and its colors has long agitated the

scientific mind. Much has been said and written; elaborate and laborious

"Essays," "Researches" and "Treatises" have penetrated our libraries and

proved valuable auxiliaries in pushing the interest of those engaged in

furthering agricultural and chemical pursuits. This branch of natural

science is regarded as one of the most important, and, at the present

moment, it is rendered doubly interesting from the fact of Mr. Hill's

discovery. We may look forward for new developments, which will prove no

less surprising than that of rendering permanent, on a metallic plate, the

variegated beauties of the solar spectrum.

We are, as it were, standing upon an eminence from which we can survey

the present, retrospect the past, and almost sketch the bright outline

of a coming future. Here lies a field for animated speculation, in which

nature's student can satiate his appetite in the study of nature, in a

province hitherto unknown and unexplored; he may here realize truths

purely sublime, painted in the glowing "colors of nature," and rendered

prominent upon the tablet of his memory.

We present the following communication from Mr. Hill, which our readers

will peruse with pleasure:

* * * * *

For the Daguerreian Journal.

S. D. Humphrey, Esq.;--Being detained here a day on my way from your city,

I relieve myself a little from the tedium of delay, by a few scribblings

to your valuable Journal. I will give a few particulars respecting my

pictures, &c.

I have now fifty-five specimens. They are all equally perfect. It is quite

remarkable that I have never yet made a partial failure. Those impressions

which have had too much light, are nearly as strong, sound, brilliant and

beautiful as those correctly timed in the camera, being inferior only in

having the colors less deep. Even the whites retain their strength. The

folds of the linen are always well defined. Blue or solarized linen is

unknown in my process, and there is always a strength and clearness in the

whites, unattainable by mercury. During the past winter I have several

times taken a view in which there is a deep red house, while the ground

was covered with snow. For experiment I exposed the plate so long as to

reduce the bright red of the house to a _very light red_, while at the

same time, the white snow was developed with a beautiful whiteness.

I have copied several very highly colored French prints. The copies are

far superior to the originals, in that, while they have _every_ tint of

color, they are exceedingly brilliant. This is a characteristic in which

I never fail, even with the plates merely cleaned with rotten stone--the

brilliancy depending on _other causes_. Well polished plates, however, are

preferable for other reasons. It is _essential_ that the plates should be

very pure, free from scum? dampness, and organic matter of every kind,

and I am experimenting with different substances, in hopes of finding

something that will more perfectly cleanse, while it thoroughly polishes.

I would be very thankful to any person who might furnish me with valuable

hints on this point, as I am convinced that here lies one great cause of

uncertainty.

My trouble with the _yellow_, which you mentioned in the last number of

the "Daguerreian Journal," relates only to the homogeneous rays, orange,

buff, and all the various shades of yellow come out true except the

_chrome yellow_ which appears less brilliant. This, however, is thought by

distinguished artists, no serious objection.

My late visit to your city was much shorter than I could have wished.

I called on a number of Artists, and the cordial manner in which

they congratulated me has added much to my kindly feelings towards

the fraternity, and strengthened my resolution to give all worthy

Daguerreotypists and Artists, my process on terms which I believe

will be satisfactory. As far as this is concerned, please say to such

their interests are safe in my hands. I met with but one person anyway

sceptical, and he is willing to be more fully satisfied when he "sees the

pictures," which is very fair I am sure. While it is very cheering to

me, in my truly arduous duties, to review the kind congratulations of my

brother Artists, the most I am entitled to _claim_ in an age when almost

every announcement is regarded as humbug, is that the Daguerreian world

will give me a fair chance to perfect my discovery. A few have seen my

pictures, and their expressed opinions agree with mine, viz., that these

pictures will astonish the world. I saw in your city, in the hands of

Mr. Hite, Artist, some exquisite ivory miniatures. It astonished me that

the human hand could paint "the form of the human face divine," in such

a mode; but I pleasantly said to the Artist, what I now repeat in all

seriousness, that the pictures by my process necessarily exceed in beauty

the finest productions of the painter, they being drawn by light and

painted by sun-beams.

I have heard several rumors while in the city, in respect to my designs in

the disposition of my discovery. Allow me to say, for the information of

all concerned, that my purpose is _unalterably_ fixed to avoid _monopoly_,

and to take a course which will put the process into general use.

To-morrow I start for my "mountain home," and with my invigorated health

and spirit, I hope to resume my toils with a prospect of bringing out my

process at an early day.

I remain,

fraternally yours,

L. L. Hill.

Woodstock, Ulster Co,, N. Y.,

March 12, 1851.

* * * * *

[Hand] We are highly gratified to find many of our fellow Daguerreotypists

are cordially welcoming us on by manfully and numerously sending us their

names for the Daguerreian Journal for one year. When we commenced our

editorial labors we launched our hark upon a sea never before thought safe

for regular navigation, but we find only few snags in the way, and these

are every day lessened by our close application and the assistance of kind

friends. No man knows his friends until they have an opportunity to prove

themselves.

With but few exceptions, all who subscribed for the Journal for the first

four months have sent us two dollars worth of the "root of all evil," for

their subscription for the balance of the year. We _bow_, and _thank you!_

May you never get in a "Fog."

* * * * *

[Hand] T. Antisell, M. D., has been appointed Professor of Chemistry in

the Vermont Medical College, at Woodstock, Vt. He is now fulfilling his

professional duties at the above named institution.

* * * * *

[Hand] Mr. J. E. Mayall of London, has promised us an article on

"Photographing on Glass." This will appear as soon as received.

* * * * *

[Hand] Our old and learned friend Mr. Finley of Canandaigua, promised us a

communication. Where is it?

* * * * *

[Hand] Removal.--In our last we noticed our removal to No. 252 Broadway;

this was the case, but we found on consulting a carpenter in relation

to putting in a sky-light, he declared it unsafe. The consequence was,

that we at once abandoned the idea, and soon made very satisfactory

arrangements with Mr. Insley, the well and favorably known proprietor of

the _Insley Gallery_. Once again we are settled and would be happy to see

all who feel an interest in the Daguerreian and Photogenic arts.

_The Office of the Daguerreian Journal is at No. 311 Broadway._

* * * * *

Our Daguerreotypes.

We are assured by one in whom we have all confidence, and withal! capable

of judging, that there is now in progress a machine for cleaning and

buffing plates. This machine is an ingenious and valuable contrivance, and

it is said will polish a plate in one-sixth of the time required by any

other process. The whole done without handling the plate. _We hope so._

* * * * *

Gurney has recently taken some of the finest large size Daguerreotypes

ever produced. These wonderful specimens are on plates eleven by thirteen

inches, called mammoth plates. Such pictures four or five years ago would

have filled the world with admiration and surprise. The chemical effect is

clear and well worked, thus proving well prepared plates can present large

as well as small impressions. It is well worth while for every Daguerreian

visiting this city, to look upon these proud specimens of the art.

* * * * *

Thompson of this city, has just taken the whole of the upper floor of the

building occupied by him, and has built two fine sky-lights.

* * * * *

We understand that Mr. H. McBride, operator for Meade & Brother of this

city, is about to establish himself in Albany. We wish Mr. B. success.

* * * * *

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