On that first storey, the doors stood ajar, three of them like three

ambushes, shaking his nerves like the throats of cannon. He could never

again, he felt, be sufficiently immured and fortified from men's

observing eyes; he longed to be home, girt in by walls, buried among

bedclothes, and invisible to all but God. And at that thought he

wondered a little, recollecting tales of other murderers and the fear

they were said to entertain of heavenly avengers. It was not so, at

least, with him. He feared the laws of nature, lest, in their callous

and immutable procedure, they should preserve some damning evidence of

his crime. He feared tenfold more, with a slavish, superstitious terror,

some scission in the continuity of man's experience, some wilful

illegality of nature. He played a game of skill, depending on the

rules, calculating consequence from cause; and what if nature, as the

defeated tyrant overthrew the chess-board, should break the mould of

their succession? The like had befallen Napoleon (so writers said) when

the winter changed the time of its appearance. The like might befall

Markheim: the solid walls might become transparent and reveal his doings

like those of bees in a glass hive; the stout planks might yield under

his feet like quicksands and detain him in their clutch; ay, and there

were soberer accidents that might destroy him: if, for instance, the

house should fall and imprison him beside the body of his victim; or the

house next door should fly on fire, and the firemen invade him from all

sides. These things he feared; and, in a sense, these things might be

called the hands of God reached forth against sin. But about God himself

he was at ease; his act was doubtless exceptional, but so were his

excuses, which God knew; it was there, and not among men, that he felt

sure of justice.

When he had got safe into the drawing-room, and shut the door behind

him, he was aware of a respite from alarms. The room was quite

dismantled, uncarpeted besides, and strewn with packing cases and

incongruous furniture; several great pier-glasses, in which he beheld

himself at various angles, like an actor on a stage; many pictures,

framed and unframed, standing, with their faces to the wall; a fine

Sheraton sideboard, a cabinet of marquetry, and a great old bed, with

tapestry hangings. The windows opened to the floor; but by great good

fortune the lower part of the shutters had been closed, and this

concealed him from the neighbours. Here, then, Markheim drew in a

packing case before the cabinet, and began to search among the keys. It

was a long business, for there were many; and it was irksome, besides;

for, after all, there might be nothing in the cabinet, and time was on

the wing. But the closeness of the occupation sobered him. With the tail

of his eye he saw the door--even glanced at it from time to time

directly like a besieged commander pleased to verify the good estate of

his defences. But in truth he was at peace. The rain falling in the

street sounded natural and pleasant. Presently, on the other side, the

notes of a piano were wakened to the music of a hymn, and the voices of

many children took up the air and words. How stately, how comfortable

was the melody! How fresh the youthful voices! Markheim gave ear to it

smilingly, as he sorted out the keys; and his mind was thronged with

answerable ideas and images; church-going children and the pealing of

the high organ; children afield, bathers by the brookside, ramblers on

the brambly common, kite-flyers in the windy and cloud-navigated sky;

and then, at another cadence of the hymn, back again to church, and the

somnolence of summer Sundays, and the high genteel voice of the parson

(which he smiled a little to recall) and the painted Jacobean tombs, and

the dim lettering of the Ten Commandments in the chancel.

And as he sat thus, at once busy and absent, he was startled to his

feet. A flash of ice, a flash of fire, a bursting gush of blood, went

over him, and then he stood transfixed and thrilling. A step mounted the

stair slowly and steadily, and presently a hand was laid upon the knob,

and the lock clicked, and the door opened.

Fear held Markheim in a vice. What to expect he knew not, whether the

dead man walking, or the official ministers of human justice, or some

chance witness blindly stumbling in to consign him to the gallows. But

when a face was thrust into the aperture, glanced round the room, looked

at him, nodded and smiled as if in friendly recognition, and then

withdrew again, and the door closed behind it, his fear broke loose from

his control in a hoarse cry. At the sound of this the visitant returned.

"Did you call me?" he asked pleasantly, and with that he entered the

room and closed the door behind him.

Markheim stood and gazed at him with all his eyes. Perhaps there was a

film upon his sight, but the outlines of the newcomer seemed to change

and waver like those of the idols in the wavering candle-light of the

shop; and at times he thought he knew him; and at times he thought he

bore a likeness to himself; and always like a lump of living terror,

there lay in his bosom the conviction that this thing was not of the

earth and not of God.

And yet the creature had a strange air of the commonplace, as he stood

looking on Markheim with a smile; and when he added, "You are looking

for the money, I believe?" it was in the tones of everyday politeness.

Markheim made no answer.

"I should warn you," resumed the other, "that the maid has left her

sweetheart earlier than usual and will soon be here. If Mr. Markheim be

found in this house, I need not describe to him the consequences."

"You know me?" cried the murderer.

The visitor smiled. "You have long been a favourite of mine," he said;

"and I have long observed and often sought to help you."

"What are you?" cried Markheim; "the devil?"

"What I may be," returned the other, "cannot affect the service I

propose to render you."

"It can," cried Markheim; "it does! Be helped by you? No, never; not by

you! You do not know me yet; thank God, you do not know me!"

"I know you," replied the visitant, with a sort of kind severity or

rather firmness. "I know you to the soul."

"Know me!" cried Markheim. "Who can do so? My life is but a travesty and

slander on myself. I have lived to belie my nature. All men do; all men

are better than this disguise that grows about and stifles them. You see

each dragged away by life, like one whom bravos have seized and muffled

in a cloak. If they had their own control--if you could see their faces,

they would be altogether different, they would shine out for heroes and

saints! I am worse than most; myself is more overlaid; my excuse is

known to me and God. But, had I the time, I could disclose myself."

"To me?" inquired the visitant.

"To you before all," returned the murderer. "I supposed you were

intelligent. I thought--since you exist--you would prove a reader of the

heart. And yet you would propose to judge me by my acts! Think of it; my

acts! I was born and I have lived in a land of giants; giants have

dragged me by the wrists since I was born out of my mother--the giants

of circumstance. And you would judge me by my acts! But can you not look

within? Can you not understand that evil is hateful to me? Can you not

see within me the clear writing of conscience, never blurred by any

wilful sophistry, although too often disregarded? Can you not read me

for a thing that surely must be common as humanity--the unwilling

sinner?"

"All this is very feelingly expressed," was the reply, "but it regards

me not. These points of consistency are beyond my province, and I care

not in the least by what compulsion you may have been dragged away, so

as you are but carried in the right direction. But time flies; the

servant delays, looking in the faces of the crowd and at the pictures on

the hoardings, but still she keeps moving nearer; and remember, it is as

if the gallows itself was striding towards you through the Christmas

streets! Shall I help you; I, who know all? Shall I tell you where to

find the money?"

"For what price?" asked Markheim.

"I offer you the service for a Christmas gift," returned the other.

Markheim could not refrain from smiling with a kind of bitter triumph.

"No," said he, "I will take nothing at your hands; if I were dying of

thirst, and it was your hand that put the pitcher to my lips, I should

find the courage to refuse. It may be credulous, but I will do nothing

to commit myself to evil."

"I have no objection to a death-bed repentance," observed the visitant.

"Because you disbelieve their efficacy!" Markheim cried.

"I do not say so," returned the other; "but I look on these things from

a different side, and when the life is done my interest falls. The man

has lived to serve me, to spread black looks under colour of religion,

or to sow tares in the wheat-field, as you do, in a course of weak

compliance with desire. Now that he draws so near to his deliverance, he

can add but one act of service--to repent, to die smiling, and thus to

build up in confidence and hope the more timorous of my surviving

followers. I am not so hard a master. Try me. Accept my help. Please

yourself in life as you have done hitherto; please yourself more amply,

spread your elbows at the board; and when the night begins to fall and

the curtains to be drawn, I tell you, for your greater comfort, that you

will find it even easy to compound your quarrel with your conscience,

and to make a truckling peace with God. I came but now from such a

death-bed, and the room was full of sincere mourners, listening to the

man's last words: and when I looked into that face, which had been set

as a flint against mercy, I found it smiling with hope."

"And do you, then, suppose me such a creature?" asked Markheim. "Do you

think I have no more generous aspirations than to sin, and sin, and sin,

and, at last, sneak into heaven? My heart rises at the thought. Is this,

then, your experience of mankind? or is it because you find me with red

hands that you presume such baseness? and is this crime of murder indeed

so impious as to dry up the very springs of good?"

"Murder is to me no special category," replied the other. "All sins are

murder, even as all life is war. I behold your race, like starving

mariners on a raft, plucking crusts out of the hands of famine and

feeding on each other's lives. I follow sins beyond the moment of their

acting; I find in all that the last consequence is death; and to my

eyes, the pretty maid who thwarts her mother with such taking graces on

a question of a ball, drips no less visibly with human gore than such a

murderer as yourself. Do I say that I follow sins? I follow virtues

also; they differ not by the thickness of a nail, they are both scythes

for the reaping angel of Death. Evil, for which I live, consists not in

action, but in character. The bad man is dear to me; not the bad act,

whose fruits, if we could follow them far enough down the hurtling

cataract of the ages, might yet be found more blessed than those of the

rarest virtues. And it is not because you have killed a dealer, but

because you are Markheim, that I offered to forward your escape."

"I will lay my heart open to you," answered Markheim. "This crime on

which you find me is my last. On my way to it I have learned many

lessons; itself is a lesson, a momentous lesson. Hitherto I have been

driven with revolt to what I would not; I was a bond-slave to poverty,

driven and scourged. There are robust virtues that can stand in these

temptations; mine was not so: I had a thirst of pleasure. But to-day,

and out of this deed, I pluck both warning and riches--both the power

and a fresh resolve to be myself. I become in all things a free actor in

the world; I begin to see myself all changed, these hands the agents of

good, this heart at peace. Something comes over me out of the past;

something of what I have dreamed on Sabbath evenings to the sound of the

church organ, of what I forecast when I shed tears over noble books, or

talked, an innocent child, with my mother. There lies my life; I have

wandered a few years, but now I see once more my city of destination."

"You are to use this money on the Stock Exchange, I think?" remarked the

visitor; "and there, if I mistake not, you have already lost some

thousands?"

"Ah," said Markheim, "but this time I have a sure thing."

"This time, again, you will lose," replied the visitor, quietly.

"Ah, but I keep back the half!" cried Markheim.

"That also you will lose," said the other.

The sweat started upon Markheim's brow. "Well, then, what matter?" he

exclaimed. "Say it be lost, say I am plunged again in poverty, shall one

part of me, and that the worse, continue until the end to override the

better? Evil and good run strong in me, haling me both ways. I do not

love the one thing, I love all. I can conceive great deeds,

renunciations, martyrdoms; and though I be fallen to such a crime as

murder, pity is no stranger to my thoughts. I pity the poor; who knows

their trials better than myself? I pity and help them; I prize love, I

love honest laughter; there is no good thing nor true thing on earth but

I love it from my heart. And are my vices only to direct my life, and my

virtues to lie without effect, like some passive lumber of the mind? Not

so; good, also, is a spring of acts."

But the visitant raised his finger. "For six-and-thirty years that you

have been in this world," said he, "through many changes of fortune and

varieties of humour, I have watched you steadily fall. Fifteen years ago

you would have started at a theft. Three years back you would have

blenched at the name of murder. Is there any crime, is there any cruelty

or meanness, from which you still recoil?--five years from now I shall

detect you in the fact! Downward, downward, lies your way; nor can

anything but death avail to stop you."

"It is true," Markheim said huskily, "I have in some degree complied

with evil. But it is so with all: the very saints, in the mere exercise

of living, grow less dainty, and take on the tone of their

surroundings."

"I will propound to you one simple question," said the other; "and as

you answer, I shall read to you your moral horoscope. You have grown in

many things more lax; possibly you do right to be so; and at any

account, it is the same with all men. But granting that, are you in any

one particular, however trifling, more difficult to please with your own

conduct, or do you go in all things with a looser rein?"

"In any one?" repeated Markheim, with an anguish of consideration. "No,"

he added, with despair, "in none! I have gone down in all."

"Then," said, the visitor, "content yourself with what you are, for you

will never change; and the words of your part on this stage are

irrevocably written down."

Markheim stood for a long while silent, and indeed it was the visitor

who first broke the silence. "That being so," he said, "shall I show you

the money?"

"And grace?" cried Markheim.

"Have you not tried it?" returned the other. "Two or three years ago,

did I not see you on the platform of revival meetings, and was not your

voice the loudest in the hymn?"

"It is true," said Markheim; "and I see clearly what remains for me by

way of duty. I thank you for these lessons from my soul; my eyes are

opened, and I behold myself at last for what I am."

At this moment, the sharp note of the door-bell rang through the house;

and the visitant, as though this were some concerted signal for which he

had been waiting, changed at once in his demeanour.

"The maid!" he cried. "She has returned, as I forewarned you, and there

is now before you one more difficult passage. Her master, you must say,

is ill; you must let her in, with an assured but rather serious

countenance--no smiles, no overacting, and I promise you success! Once

the girl within, and the door closed, the same dexterity that has

already rid you of the dealer will relieve you of this last danger in

your path. Thenceforward you have the whole evening--the whole night, if

needful--to ransack the treasures of the house and to make good your

safety. This is help that comes to you with the mask of danger. Up!" he

cried; "up, friend; your life hangs trembling in the scales; up, and

act!"

Markheim steadily regarded his counsellor. "If I be condemned to evil

acts," he said, "there is still one door of freedom open--I can cease

from action. If my life be an ill thing, I can lay it down. Though I be,

as you say truly, at the beck of every small temptation, I can yet, by

one decisive gesture, place myself beyond the reach of all. My love of

good is damned to barrenness; it may, and let it be! But I have still my

hatred of evil; and from that, to your galling disappointment, you shall

see that I can draw both energy and courage."

The features of the visitor began to undergo a wonderful and lovely

change: they brightened and softened with a tender triumph; and, even as

they brightened, faded and dislimned. But Markheim did not pause to

watch or understand the transformation. He opened the door and went

downstairs very slowly, thinking to himself. His past went soberly

before him; he beheld it as it was, ugly and strenuous like a dream,

random as chance-medley--a scene of defeat. Life, as he thus reviewed

it, tempted him no longer; but on the further side he perceived a quiet

haven for his bark. He paused in the passage, and looked into the shop,

where the candle still burned by the dead body. It was strangely silent.

Thoughts of the dealer swarmed into his mind, as he stood gazing. And

then the bell once more broke out into impatient clamour.

He confronted the maid upon the threshold with something like a smile.

"You had better go for the police," said he; "I have killed your

master."

FOOTNOTES:

[Footnote 90: First published in 1885.]

SUPPLEMENTARY READINGS

WITH SOME TOPICS FOR DISCUSSION AND FOR COMPOSITION

(Note.--The selections named below are as a rule short; and, since they

are contained in standard works of modern prose, they are accessible in

the average library. Page numbers in parentheses refer to the present

volume.)

I. THE PERSONAL LIFE

(_a_) William Hazlitt, _On Personal Character_, in "The Plain Speaker":

How the main thesis differs from that in Emerson's _Self-Reliance_ (page

1). (_b_) Walter Pater, _Diaphaneité_, in "Miscellaneous Studies": The

substance of the ideal personality here delineated, and how it differs

from the type suggested by Emerson. (_c_) Matthew Arnold, _Doing as One

Likes_, or _Hebraism and Hellenism_, in "Culture and Anarchy": The main

principles of personal endeavor suggested in either of these essays.

(_d_) Plutarch, _Marcus Cato,_ in "Lives," Vol. II of Clough's

translation: 1. Cato's Self-Reliance. 2. Cato's type of character in

American public life. (_e_) Walter Scott, fragment of _Autobiography_,

in Lockhart's "Life of Scott:" A comparison of Scott's early training

with Ruskin's. See also the early chapters of (_f_) Trevelyan's "Life of

Macaulay" and (_g_) Froude's "Life of Carlyle." (_h_) Charles Darwin,

_Autobiography_, in "Life and Letters:" 1. The change which came over

Darwin's attitude toward literature. 2. The contrast between Darwin's

type of mind and Lamb's as revealed in _Old China_ (page 40) and Pater's

essay (page 437).

II. EDUCATION

(_a_) R.W. Emerson, _The American Scholar_, in "Nature, Addresses,

Lectures:" The main points in the view here given of education. 2.

Certain considerations, somewhat neglected by Emerson, but developed by

Newman (page 52). (_b_) Woodrow Wilson, _The Training of Intellect_ (an

address to the Phi Beta Kappa Society of Yale University): How far your

own course of study is fulfilling the requirements here set forth, (_c_)

William Hazlitt, _On Application to Study_, in "The Plain Speaker:" 1.

Hazlitt's view of the study of composition. 2. How the principles of

application which he advocates may be applied to some other study in

which you are interested. (_d_) T.H. Huxley, _Science and Culture_, in

"Science and Education:" 1. How far the principles here set forth bear

out Huxley's definition of education (page 47). 2. The main point at

issue between Huxley and Arnold (Arnold's essay, page 75, is a reply to

Huxley), and your own view of the matter drawn from your own experience.

(_e_) J.S. Mill, _Inaugural Address at St. Andrew's,_ in

"Dissertations," Vol. IV: Mill's main contentions as to the exact

purpose and value of the study of language and literature in

universities. (_f_) H.D. Thoreau, _Reading_, in "Walden:" The author's

views in regard to reading not done in connection with school work.

(_g_) A.G. Balfour, _Pleasures of Reading_, in "Essays and Addresses"

(written as a reply to Harrison's claims, page 97): The main points at

issue between Harrison and Balfour, and your own view of the matter.

(_h_) John Lubbock, _The Choice of Books_, in "The Pleasures of Life:"

Whether this essay goes to support Harrison's or Balfour's view, and

how. (_i_) Woodrow Wilson, essays in "Mere Literature." (_j_) John

Ruskin, _Sesame and Lilies_. (_k_) Consult several biographies of great

men--for example, Morley's _Gladstone_, Froude's _Carlyle_, Darwin's

_Life_, Huxley's _Life_--and make a comparative study of their early

reading.

III. RECREATION AND TRAVELS

(_a_) George Santayana, on _Work and Play_, sections 3 and following, in

"The Sense of Beauty," Part I: 1. The distinction between working and

playing. 2. The relation between the sense of beauty and the sense of

pleasure. (_b_) William Hazlitt, _On Living to One's Self_, in "Table

Talk:" 1. The general method of enjoying life, which is developed here

and illustrated further in _On Going a Journey_ (page 116). (_c_) R.L.

Stevenson, _Walking Tours_, in "Virginibus Puerisque;" and _Roads_, in

"Essays of Travel:" 1. The several ways in which these essays reflect

Hazlitt's views; the points which are peculiar to Stevenson. 2. How far

your own methods of securing outdoor enjoyment are in accord with

Hazlitt's and Stevenson's. (_d_) W.H. Hudson, _Idle Days_, in "Idle Days

in Patagonia:" What the author's so-called idleness consisted in. (_e_)

Francis Parkman, _Hunting Indians_, in "The Oregon Trail:" The mental

experiences of the writer himself in the course of the exploit he

describes.

IV. SOCIAL LIFE AND MANNERS

(_a_) R.W. Emerson, _Culture_, in "The Conduct of Life:" The relation

which the central thought bears to that of Behavior (page 154). (_b_)

Matthew Arnold, _Sweetness and Light_, in "Culture and Anarchy:" 1. The

chief motives and characteristics of culture. 2. The relation between

culture and bodily vigor. 3. The "Social Idea." 4. A comparison of

Emerson's and Arnold's attitude toward culture. (_c_) R.W. Emerson,

_Manners_, in "Essays, Second Series." How Emerson's view of the

relation between manners and fashion supplements Spencer's contention

(page 172). (_d_) Henri Bergson, _the first part of Chapter I_ in

"Laughter:" The function of laughter in social life. (_g_) William

Hazlitt, _On the Spirit of Obligations_, in "The Plain Dealer:" The

relation between good sense and good nature. (_f_) R.L. Stevenson, _The

Truth of Intercourse_, in "Virginibus Puerisque:" The complex meaning of

truthfulness in social life. (_g_) W.M. Thackeray, _George II_, in "The

Four Georges:" The chief characteristics of Georgian society.

V. PUBLIC AFFAIRS

(_a_) Plato, _The Apology_, in the "Dialogues," translated by Jowett,

and by others: 1. The part played by Socrates in the public life of

Athens. 2. What function Socrates could fulfil in American public life.

(_b_) J.S. Mill, _Civilization_, in "Dissertations and Discussions,"

Vol. I: The ill effects of civilization, and how they may be overcome.

(_c_) Henry George, _The Persistence of Poverty amid Advancing Wealth_,

in Book V of "Progress and Poverty:" George's exposition of the problem

tested by your own experience. (_d_) J.S. Mill, _Of the Dangers to which

Representative Government is Liable,_ in "Considerations on

Representative Government:" The extent to which Mill's contentions apply

to the United States. (_e_) Josiah Royce, _Some American Problems_, in

"The Philosophy of Loyalty:" 1. The general solution proposed. 2. How

this solution might be applied to some public or college problem you

know of.

VI. SCIENCE

(_a_) Herbert Spencer, _The Genesis of Science_, in "Illustrations of

Universal Progress:" The essential nature of science. (_b_) T.H. Huxley,

_The Method of Scientific Investigation_, in "Man's Place in Nature:"

The relation between scientific and everyday modes of thinking. (_c_)

John Tyndall, _On the nature and function of the sun_, in Chapter XIV of

"Heat as a Mode of Motion:" The general relation between the facts

presented by Tyndall and those presented in _The Physical Basis of Life_

(page 240). (_d_) A.R. Wallace, _Darwinism as Applied to Man_, in

"Darwinism": A comparison of this piece, in respect to aim and method,

with Darwin's _Mental Powers of Men and Animals_ (page 263). (_e_)

Charles Darwin, _On the flower of the ladies' slipper_, in Chapter VIII

of "Fertilization of Orchids by Insects." (_f_) T.H. Huxley, _On the

Formation of Coal_, in "Discourses Biological."

VII. NATURE

English Prose A Series of Related Essays for the Discussion and Practice of the Art of Writing · 第 39 / 40 段