We talk much of utilities,--but 'tis our manners that associate us. In

hours of business, we go to him who knows, or has, or does this or that

which we want, and we do not let our taste or feeling stand in the way.

But this activity over, we return to the indolent state, and wish for

those we can be at ease with; those who will go where we go, whose

manners do not offend us, whose social tone chimes with ours. When we

reflect on their persuasive and cheering force; how they recommend,

prepare, and draw people together; how, in all clubs, manners make the

members; how manners make the fortune of the ambitious youth; that, for

the most part, his manners marry him, and, for the most part, he marries

manners; when we think what keys they are, and to what secrets; what

high lessons and inspiring tokens of character they convey; and what

divination is required in us, for the reading of this fine telegraph; we

see what range the subject has, and what relations to convenience,

power, and beauty.

Their first service is very low,--when they are the minor morals; but

'tis the beginning of civility,--to make us, I mean, endurable to each

other. We prize them for their rough-plastic, abstergent force; to get

people out of the quadruped state; to get them washed, clothed, and set

up on end; to slough their animal husks and habits; compel them to be

clean; overawe their spite and meanness, teach them to stifle the base,

and choose the generous expression, and make them know how much happier

the generous behaviors are.

Bad behavior the laws cannot reach. Society is invested with rude,

cynical, restless, and frivolous persons who prey upon the rest, and

whom a public opinion concentrated into good manners, forms accepted by

the sense of all, can reach;--the contradictors and railers at public

and private tables, who are like terriers, who conceive it the duty of a

dog of honor to growl at any passer-by, and do the honors of the house

by barking him out of sight;--I have seen men who neigh like a horse

when you contradict them, or say something which they do not

understand;--then the overbold, who make their own invitation to your

hearth; the persevering talker, who gives you his society in large,

saturating doses; the pitiers of themselves,--a perilous class; the

frivolous Asmodeus, who relies on you to find him in ropes of sand to

twist; the monotones; in short, every stripe of absurdity;--these are

social inflictions which the magistrate cannot cure or defend you from,

and which must be intrusted to the restraining force of custom, and

proverbs, and familiar rules of behavior impressed on young people in

their school-days.

In the hotels on the banks of the Mississippi, they print, or used to

print, among the rules of the house, that "No gentleman can be permitted

to come to the public table without his coat;" and in the same country,

in the pews of the churches, little placards plead with the worshipper

against the fury of expectoration. Charles Dickens self-sacrificingly

undertook the reformation of our American manners in unspeakable

particulars. I think the lesson was not quite lost; that it held bad

manners up, so that the churls could see the deformity. Unhappily, the

book had its own deformities. It ought not to need to print in a reading

room a caution to strangers not to speak loud; nor to persons who look

over fine engravings, that they should be handled like cobwebs and

butterflies' wings; nor to persons who look at marble statues, that they

shall not smite them with canes. But, even in the perfect civilization

of this city, such cautions are not quite needless in the Athenaeum and

City Library.

Manners are factitious, and grow out of circumstances as well as out of

character. If you look at the pictures of patricians and of peasants, of

different periods and countries, you will see how well they match the

same classes in our towns. The modern aristocrat not only is well drawn

in Titian's Venetian doges, and in Roman coins and statues, but also in

the pictures which Commodore Perry brought home of dignitaries in Japan.

Broad lands and great interests not only arrive to such heads as can

manage them, but form manners of power. A keen eye, too, will see nice

gradations of rank, or see in the manners the degree of homage the party

is wont to receive. A prince who is accustomed every day to be courted

and deferred to by the highest grandees, acquires a corresponding

expectation, and a becoming mode of receiving and replying to this

homage.

There are always exceptional people and modes. English grandees affect

to be farmers. Claverhouse is a fop, and, under the finish of dress, and

levity of behavior, hides the terror of his war. But Nature and Destiny

are honest, and never fail to leave their mark, to hang out a sign for

each and for every quality. It is much to conquer one's face, and

perhaps the ambitious youth thinks he has got the whole secret when he

has learned that disengaged manners are commanding. Don't be deceived by

a facile exterior. Tender men sometimes have strong wills. We had, in

Massachusetts, an old statesman, who had sat all his life in courts and

in chairs of state, without overcoming an extreme irritability of face,

voice, and bearing: when he spoke, his voice would not serve him; it

cracked, it broke, it wheezed, it piped;--little cared he; he knew that

it had got to pipe, or wheeze, or screech his argument and his

indignation. When he sat down, after speaking, he seemed in a sort of

fit, and held on to his chair with both hands: but underneath all this

irritability was a puissant will, firm and advancing, and a memory in

which lay in order and method, like geologic strata, every fact of his

history, and under the control of his will.

Manners are partly factitious, but, mainly, there must be capacity for

culture in the blood. Else all culture is vain. The obstinate prejudice

in favor of blood, which lies at the base of the feudal and monarchical

fabrics of the old world, has some reason in common experience. Every

man,--mathematician, artist, soldier, or merchant,--looks with

confidence for some traits and talents in his own child, which he would

not dare to presume in the child of a stranger. The Orientalists are

very orthodox on this point. "Take a thorn-bush," said the emir

Abdel-Kader, "and sprinkle it for a whole year with water, it will yield

nothing but thorns. Take a date-tree, leave it without culture, and it

will always produce dates. Nobility is the date-tree, and the Arab

populace is a bush of thorns."

A main fact in the history of manners is the wonderful expressiveness of

the human body. If it were made of glass, or of air, and the thoughts

were written on steel tablets within, it could not publish more truly

its meaning than now. Wise men read very sharply all your private

history in your look and gait and behavior. The whole economy of nature

is bent on expression. The tell-tale body is all tongues. Men are like

Geneva watches with crystal faces which expose the whole movement. They

carry the liquor of life flowing up and down in these beautiful bottles,

and announcing to the curious how it is with them. The face and eyes

reveal what the spirit is doing, how old it is, what aims it has. The

eyes indicate the antiquity of the soul, or through how many forms it

has already ascended. It almost violates the proprieties, if we say

above the breath here what the confessing eyes do not hesitate to utter

to every street passenger.

Man cannot fix his eye on the sun, and so far seems imperfect. In

Siberia, a late traveller found men who could see the satellites of

Jupiter with their unarmed eye. In some respects the animals excel us.

The birds have a longer sight, beside the advantage by their wings of a

higher observatory. A cow can bid her calf, by secret signal, probably

of the eye, to run away, or to lie down and hide itself. The jockeys say

of certain horses, that "they look over the whole ground." The outdoor

life, and hunting, and labor, give equal vigor to the human eye. A

farmer looks out at you as strong as the horse; his eye-beam is like the

stroke of a staff. An eye can threaten like a loaded and levelled gun,

or can insult like hissing or kicking; or, in its altered mood, by beams

of kindness, it can make the heart dance with joy.

The eye obeys exactly the action of the mind. When a thought strikes us,

the eyes fix, and remain gazing at a distance; in enumerating the names

of persons or of countries, as France, Germany, Spain, Turkey, the eyes

wink at each new name. There is no nicety of learning sought by the

mind, which the eyes do not vie in acquiring. "An artist," said Michael

Angelo, "must have his measuring tools not in the hand, but in the eye;"

and there is no end to the catalogue of its performances, whether in

indolent vision (that of health and beauty) or in strained vision (that

of art and labor).

Eyes are bold as lions,--roving, running, leaping, here and there, far

and near. They speak all languages. They wait for no introduction; they

are no Englishmen; ask no leave of age or rank; they respect neither

poverty nor riches, neither learning nor power, nor virtue, nor sex, but

intrude, and come again, and go through and through you, in a moment of

time. What inundation of life and thought is discharged from one soul

into another through them! The glance is natural magic. The mysterious

communication established across a house between two entire strangers

moves all the springs of wonder. The communication by the glance is in

the greatest part not subject to the control of the will. It is the

bodily symbol of identity of nature. We look into the eyes to know if

this other form is another self, and the eyes will not lie, but make a

faithful confession what inhabitant is there. The revelations are

sometimes terrific. The confession of a low, usurping devil is there

made, and the observer shall seem to feel the stirring of owls, and

bats, and horned hoofs, where he looked for innocence and simplicity.

'Tis remarkable, too, that the spirit that appears at the windows of the

house does at once invest himself in a new form of his own to the mind

of the beholder.

The eyes of men converse as much as their tongues, with the advantage,

that the ocular dialect needs no dictionary, but is understood all the

world over. When the eyes say one thing, and the tongue another, a

practised man relies on the language of the first. If the man is off his

center, the eyes show it. You can read in the eyes of your companion,

whether your argument hits him, though his tongue will not confess it.

There is a look by which a man shows he is going to say a good thing,

and a look when he has said it. Vain and forgotten are all the fine

offers and offices of hospitality, if there is no holiday in the eye.

How many furtive inclinations avowed by the eye, though dissembled by

the lips! One comes away from a company, in which, it may easily happen,

he has said nothing, and no important remark has been addressed to him,

and yet, if in sympathy with the society he shall not have a sense of

this fact, such a stream of life has been flowing into him, and out from

him, through the eyes. There are eyes, to be sure, that give no more

admission into the man than blue-berries. Others are liquid and

deep,--wells that a man might fall into;--others are aggressive and

devouring, seem to call out the police, take all too much notice, and

require crowded Broadways, and the security of millions, to protect

individuals against them. The military eye I meet, now darkly sparkling

under clerical, now under rustic brows. 'Tis the city of Lacedaemon;

'tis a stack of bayonets. There are asking eyes, asserting eyes,

prowling eyes; and eyes full of fate,--some of good, and some of

sinister omen. The alleged power to charm down insanity, or ferocity in

beasts, is a power behind the eye. It must be a victory achieved in the

will before it can be signified in the eye. 'Tis very certain that each

man carries in his eye the exact indication of his rank in the immense

scale of men, and we are always learning to read it. A complete man

should need no auxiliaries to his personal presence. Whoever looked on

him would consent to his will, being certified that his aims were

generous and universal. The reason why men do not obey us, is because

they see the mud at the bottom of our eye.

If the organ of sight is such a vehicle of power, the other features

have their own. A man finds room in the few square inches of the face

for the traits of all his ancestors; for the expression of all his

history, and his wants. The sculptor, and Winckelmann, and Lavater, will

tell you how significant a feature is the nose; how its forms express

strength or weakness of will, and good or bad temper. The nose of Julius

Caesar, of Dante, and of Pitt, suggest "the terrors of the beak." What

refinement, and what limitations, the teeth betray! "Beware you don't

laugh," said the wise mother, "for then you show all your faults."

Balzac left in manuscript a chapter, which he called "_Théorie de la

démarche_,"[35] in which he says: "The look, the voice, the respiration,

and the attitude or walk, are identical. But, as it has not been given

to man, the power to stand guard, at once, over these four different

simultaneous expressions of his thought, watch that one which speaks out

the truth, and you will know the whole man."

Palaces interest us mainly in the exhibition of manners, which, in the

idle and expensive society dwelling in them, are raised to a high art.

The maxim of courts is, that manner is power. A calm and resolute

bearing, a polished speech, an embellishment of trifles, and the art of

hiding all uncomfortable feeling, are essential to the courtier: and

Saint Simon, and Cardinal de Retz, and Roederer, and an encyclopaedia of

_Mémoires_, will instruct you, if you wish, in those potent secrets.

Thus, it is a point of pride with kings to remember faces and names. It

is reported of one prince, that his head had the air of leaning

downwards, in order not to humble the crowd. There are people who come

in ever like a child with a piece of good news. It was said of the late

Lord Holland, that he always came down to breakfast with the air of a

man who had just met with some signal good-fortune. In _Notre Dame_, the

grandee took his place on the dais, with the look of one who is thinking

of something else. But we must not peep and eavesdrop at palace-doors.

Fine manners need the support of fine manners in others. A scholar may

be a well-bred man, or he may not. The enthusiast is introduced to

polished scholars in society, and is chilled and silenced by finding

himself not in their element. They all have somewhat which he has not,

and, it seems, ought to have. But if he finds the scholar apart from his

companions, it is then the enthusiast's turn, and the scholar has no

defence, but must deal on his terms. Now they must fight the battle out

on their private strengths. What is the talent of that character so

common,--the successful man of the world,--in all marts, senates, and

drawing-rooms? Manners: mariners of power; sense to see his advantage,

and manners up to it. See him approach his man. He knows that troops

behave as they are handled at first;--that is his cheap secret; just

what happens to every two persons who meet on any affair,--one

instantly perceives that he has the key of the situation, that his will

comprehends the other's will, as the cat does the mouse; and he has only

to use courtesy, and furnish good-natured reasons to his victim to cover

up the chain, lest he be shamed into resistance.

The theater in which this science of manners has a formal importance is

not with us a court, but dress-circles, wherein, after the close of the

day's business, men and women meet at leisure, for mutual entertainment,

in ornamented drawing-rooms. Of course, it has every variety of

attraction and merit; but, to earnest persons, to youths or maidens who

have great objects at heart, we cannot extol it highly. A well-dressed,

talkative company, where each is bent to amuse the other,--yet the

high-born Turk who came hither fancied that every woman seemed to be

suffering for a chair; that all the talkers were brained and exhausted

by the deoxygenated air; it spoiled the best persons: it put all on

stilts. Yet here are the secret biographies written and read. The aspect

of that man is repulsive; I do not wish to deal with him. The other is

irritable, shy, and on his guard. The youth looks humble and manly: I

choose him. Look on this woman. There is not beauty, nor brilliant

sayings, nor distinguished power, to serve you; but all see her gladly;

her whole air and impression are healthful. Here come the

sentimentalists, and the invalids. Here is Elise, who caught cold in

coming into the world, and has always increased it since. Here are

creep-mouse manners, and thievish manners. "Look at Northcote," said

Fuseli; "he looks like a rat that has seen a cat." In the shallow

company, easily excited, easily tired, here is the columnar Bernard: the

Alleghanies do not express more repose than his behavior. Here are the

sweet following eyes of Cecile: it seemed always that she demanded the

heart. Nothing can be more excellent in kind than the Corinthian grace

of Gertrude's manners, and yet Blanche, who has no manners, has better

manners than she; for the movements of Blanche are the sallies of a

spirit which is sufficient for the moment, and she can afford to

express every thought by instant action.

Manners have been somewhat cynically defined to be a contrivance of wise

men to keep fools at a distance. Fashion is shrewd to detect those who

do not belong to her train, and seldom wastes her attentions. Society is

very swift in its instincts, and, if you do not belong to it, resists

and sneers at you; or quietly drops you. The first weapon enrages the

party attacked; the second is still more effective, but is not to be

resisted, as the date of the transaction is not easily found. People

grow up and grow old under this infliction, and never suspect the truth,

ascribing the solitude which acts on them very injuriously to any cause

but the right one.

The basis of good manners is self-reliance. Necessity is the law of all

who are not self-possessed. Those who are not self-possessed, obtrude,

and pain us. Some men appear to feel that they belong to a Pariah caste.

They fear to offend, they bend and apologize, and walk through life with

a timid step. As we sometimes dream that we are in a well-dressed

company without any coat, so Godfrey acts ever as if he suffered from

some mortifying circumstance. The hero should find himself at home,

wherever he is; should impart comfort by his own security and

good-nature to all beholders. The hero is suffered to be himself. A

person of strong mind comes to perceive that for him an immunity is

secured so long as he renders to society that service which is native

and proper to him,--an immunity from all the observances, yea, and

duties, which society so tyrannically imposes on the rank and file of

its members. "Euripides," says Aspasia, "has not the fine manners of

Sophocles; but,"--she adds good-humoredly, "the movers and masters of

our souls have surely a right to throw out their limbs as carelessly as

they please on the world that belongs to them, and before the creatures

they have animated."[36]

Manners require time, as nothing is more vulgar than haste. Friendship

should be surrounded with ceremonies and respects, and not crushed into

corners. Friendship requires more time than poor busy men can usually

command. Here comes to me Roland, with a delicacy of sentiment leading

and inwrapping him like a divine cloud or holy ghost. Tis a great

destitution to both that this should not be entertained with large

leisures, but, contrariwise, should be balked by importunate affairs.

But through this lustrous varnish the reality is ever shining. 'Tis hard

to keep the _what_ from breaking through this pretty painting of the

_how_. The core will come to the surface. Strong will and keen

perception overpower old manners and create new; and the thought of the

present moment has a greater value than all the past. In persons of

character, we do not remark manners, because of their instantaneousness.

We are surprised by the thing done, out of all power to watch the way of

it. Yet nothing is more charming than to recognize the great style which

runs through the actions of such. People masquerade before us in their

fortunes, titles, offices, and connections, as academic or civil

presidents, or senators, or professors, or great lawyers, and impose on

the frivolous, and a good deal on each other, by these fames. At least,

it is a point of prudent good manners to treat these reputations

tenderly, as if they were merited. But the sad realist knows these

fellows at a glance, and they know him; as when in Paris the chief of

the police enters a ballroom, so many diamonded pretenders shrink and

make themselves as inconspicuous as they can, or give him a supplicating

look as they pass. "I had received," said a sybil, "I had received at

birth the fatal gift of penetration:"--and these Cassandras are always

born.

Manners impress as they indicate real power. A man who is sure of his

point, carries a broad and contented expression, which everybody reads.

And you cannot rightly train one to an air and manner, except by making

him the kind of man of whom that manner is the natural expression.

Nature for ever puts a premium on reality. What is done for effect, is

seen to be done for effect; what is done for love, is felt to be done

for love. A man inspires affection and honor, because he was not lying

in wait for these. The things of a man for which we visit him, were done

in the dark and the cold. A little integrity is better than any career.

So deep are the sources of this surface-action, that even the size of

your companion seems to vary with his freedom of thought. Not only is he

larger, when at ease, and his thoughts generous, but everything around

him becomes variable with expression. No carpenter's rule, no rod and

chain, will measure the dimensions of any house or house-lot: go into

the house: if the proprietor is constrained and deferring, 'tis of no

importance how large his house, how beautiful his grounds,--you quickly

come to the end of all; but if the man is self-possessed, happy, and at

home, his house is deep-founded, indefinitely large and interesting, the

roof and dome buoyant as the sky. Under the humblest roof, the commonest

person in plain clothes sits there massive, cheerful, yet formidable,

like the Egyptian colossi.

Neither Aristotle, nor Leibnitz, nor Junius, nor Champollion has set

down the grammar-rules of this dialect, older than Sanscrit; but they

who cannot yet read English, can read this. Men take each other's

measure when they meet for the first time,--and every time they meet.

How do they get this rapid knowledge, even before they speak, of each

other's power and dispositions? One would say, that the persuasion of

their speech is not in what they say,--or, that men do not convince by

their argument,--but by their personality, by who they are, and what

they said and did heretofore. A man already strong is listened to, and

everything he says is applauded. Another opposes him with sound

argument, but the argument is scouted, until by-and-by it gets into the

mind of some weighty person; then it begins to tell on the community.

Self-reliance is the basis of behavior, as it is the guaranty that the

powers are not squandered in too much demonstration. In this country,

where school education is universal, we have a superficial culture, and

a profusion of reading and writing and expression. We parade our

nobilities in poems and orations, instead of working them up into

happiness. There is a whisper out of the ages to him who can understand

it,--"Whatever is known to thyself alone, has always very great value."

There is some reason to believe, that, when a man does not write his

poetry, it escapes by other vents through him, instead of the one vent

of writing; clings to his form and manners, whilst poets have often

nothing poetical about them except their verses. Jacobi said that, "when

a man has fully expressed his thought, he has somewhat less possession

of it." One would say, the rule is,--What a man is irresistibly urged to

say, helps him and us. In explaining his thought to others, he explains

it to himself: but when he opens it for show, it corrupts him.

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