The Parthenon at Athens

The Parthenon was built on the Acropolis, a hill two hundred feet above

the streets of Athens, in the year 438 B.C. Not yet had the blight of

decay laid its hand upon an outstanding civilization and Athens was at

the zenith of her glory and power. The nations she had conquered

contributed to her wealth and her slaves furnished the labor for her

every great undertaking. It is no wonder that at this time she should

turn her heart toward her beloved Athena and honor her with a shrine.

Athena Parthenos was her name, hence the word Parthenon. She was the

wisest and most beautiful of the Grecian deities and the Parthenon was

her temple.

It is thought that the earliest Greeks worshiped their goddess with

crude altars of uncut stone and unhewn wood. Gradually, as the Greeks

became more intelligent, they began building temples, each lovelier than

the one before and all on the same foundation, as attested by

excavations at Athens. It is not known just how many temples there were

in this series, but it is known that the last one was destroyed by the

Persian Xerxes in the year 480 B.C. Then came the Parthenon, begun in

447 and dedicated to the goddess Athena in 438 B.C. Here for a thousand

years the Greeks worshiped their goddess, and it was during this period

that Greece produced the greatest of her philosophers, warriors,

artists, and writers.

The Parthenon was built under the supervision of Phidias, the greatest

artist of form the world has ever known. He was a close friend of

Pericles, archon of Athens, who, appreciating Phidias' great executive

ability as well as his genius, commissioned him to build the temple. He

had built a number of other temples for Pericles, notably the temple of

Zeus at Olympia, but the Parthenon was the most ambitious of all his

undertakings, as indeed it was the most ambitious of all the Greek

temples.

The Greeks were somewhat slow in embracing Christianity but by 426 A.D.

they had become a Christian nation. In the meantime Greece had fallen

under the dominion of the Roman Empire and the Emperor Theodosius II

changed the Parthenon into a Christian church. For a little more than a

thousand years the Greeks worshiped Jehovah in the Parthenon. After the

conquest by the Turks in 1458 the Parthenon was changed into a

Mohammedan mosque.

Except for the minor changes to the interior in the fifth century by the

Christians and those to the exterior in the fifteenth century by the

Turks, the Parthenon was almost in as good condition at the time of its

destruction in 1687 as it was in the beginning. In that year the Turks

were driven out of Athens by the Venetians, representing a Christian

nation. In this war the Turks temporarily stored gunpowder in the

Parthenon for safekeeping, thinking the Greek gods which adorned its

pediments would give them good luck. However, a Venetian shot, not so

respectful of the gods of the Greeks, struck the Parthenon and rendered

it the interesting ruin that, for the most part, remains today.

As a result of the explosion the entire interior was destroyed. The

columns, the architrave, the ceiling, the roof, nothing remained except

the floor and fragments of the walls. Fortunately the explosive agent

was gunpowder, whose power acts upward and outward only; consequently,

the floor was not materially injured and the markings on the floor

disclose the order of architecture, location, and diameter of the

columns.

The exterior did not suffer as much from the force of the explosion as

did the interior. Of the fifty-eight columns on the outside, forty-four

were left standing. Eight on the northeast corner and six on the south

side were entirely blown away. A few of the end columns were damaged

slightly. Almost all of the pedimental sculptures were blown off and

greatly injured. Only two fragmentary groups of the pedimental

sculptures are left on the old ruin.

In 1929 the Greek Government, with the assistance of American capital,

began a restoration of the Parthenon. It is to be hoped that the Greeks

will not allow anything to prevent the completion of this work.

[Illustration: The Parthenon at Nashville at Night]

The Parthenon at Athens, Greece and at Nashville, Tennessee · 第 2 / 11 题