Stagnant waters become noisome after a while. And stagnant values?

Certainly within these eternal pools not a few repulsive things have

been born: in Perfection, Sin; in Justice, Guilt. It was when human

judgments were apotheosized and became Eternal Justice that guilt was

insinuated into the core of Life. A falsehood, a presumption! What man

found necessary at one moment in his history for his preservation,

that, forsooth, was a law governing the spheres, the everlasting edict

of God Himself. And when Life did not operate in conformity with this

law, it was Life that must needs be guilty--a very ingenious method

of world-vilification! It was human vanity that created the eternal

verities. And how much have we suffered from them! For the deification

of Things meant the diabolization of Man, nay, of Life itself. The

metaphysician who created Heaven created Hell at the self-same

moment; but, ever since, it has been Hell that has given birth to the

metaphysicians. Being _condemns_ Becoming, and pollutes all Life with

sin. So in the pools of Being we can no longer cleanse ourselves, and

our preference for a doctrine of Becoming may be at bottom a hygienic

preference.

159

_The God of Becoming_

Love is the God of Becoming. All the other gods are static gods,

changeless for yesterday, today and tomorrow. But Love belongs

altogether to the future. It is the deity of those who would create a

future.

160

_Utopias_

It is sympathy that has built the Utopias. On every one of them is

written, "Conflict and suffering are bad." Utopia is nothing but

a place where men are happy, like how many heavens, an ideal of

exhaustion. The thing that is omitted from it is always Love, for

Love would shatter all Utopias and leave them behind. In Nowhere Man

no longer creates, but enjoys. But creation and pain go hand in hand;

for what is creation? The dissolution of the outworn, the birth of the

new; a continuous fury in which the throes of death and of life are

mingled. And Love calls Man to that fate.

What we need is an ideal of energy. But that must needs be an ideal

of Man, not of Society; for Man is the dynamic, Society the static.

Utopia is a goal, but the Superman is a goal beyond a goal; for, once

attained, he is naught but the arrow to shoot into _his_ future. To

attain the Superman is to surpass the Superman. Only ideals of this

kind are unassailable by Love.

161

_"Primacy of Things"_

If we aim at a state of society in which static values, as far as we

can know them, are conformed with, we aim at a state in which the

creative impulse will not only be needless, but harmful. For does not

belief in absolute values necessarily imply belief in a Utopia? And

therefore in something antagonistic to Love? The metaphor of static

Perfection, lovely as it is, has perhaps ruled us too long, and it is

time we superseded it by another. Or is it still, as it has always

been, a crime to substitute one metaphor for another? Even if it is

Love that drives us on?

Progress conceived as a discovery of the unknown instead of as

a pursuit of Perfection--might not that take us a long way? Did

Nietzsche, perhaps, create his Superman, and give him his hardness and

lightness for no other purpose than to carry out that task? Perfection

is something that we have yet to discover! In this conception of

progress all Utopias are transcended, all goals renounced, yet a set

of values, a morality, is retained. The morality might be judged by

the criterion, Does it aid us in our quest? A future of discovery, of

creation and change, not of enjoyment: what a task for energetic Love

does that open out! The Superman is a goal, but what is the Superman's

goal? The Superman is something that must be surpassed!

162

_Perfection_

When men write largely of Perfection, as if it were a concept every

one could understand, we are entitled to ask what exactly they mean.

Do they mean a sort of synthesis or hotchpotch of the virtues in which

they believe? Does X believe in a Christian and Y in a Nietzschean

perfection? As a rule, conceptions of Perfection are offshoots of

the morality prevalent at any given time. And, for action, people's

conception of Perfection is much more important than Perfection itself.

Therefore, let us ceaselessly repeat, Perfection is something still to

be discovered! As for the current conception, is conflict an ingredient

in it, or rest? Is it an ideal of Life, or a thing impossible,

self-contradictory, static, an eternal stick with which to chastise

existence? The first question to be asked.

163

_Goals_

When people speak of the unthinkableness of eternal Becoming which has

no goal in Being, what they express is their longing for rest. It is

unendurable, they feel, that Life, creation, change, should travel on

their way forever: at the very thought their minds become tired, and

Being is conjured up. Hitherto, our goals have not been resting stages,

but eternal termini. But a true goal should not be a cul-de-sac, but

the peak from which to descry our next goal. And so on eternally? Well,

why not? Finality was born when the mind became weary at the thought

of eternal ascent and found refuge in that of eternal rest. We have not

fully learned yet how to live: struggle is still with us an argument

against Life. What we need is perhaps a few re-incarnations! When we

have learned to live, however, we shall welcome struggle as a necessary

part of Life, and Becoming will be as desirable to us as Being now. And

not till then shall we be _fit_ for immortality.

164

_Love and Sympathy_

Love and Hatred are not the true opposites, but Love and Sympathy. Love

is creation, that is to say, strife: a battle between the inanimate

not yet dead, and the living still unborn. And it is also, therefore,

the hatred of the one for the other. True, this hatred may not be of

individuals but of things; but does that make it any more harmless? It

is naïve democratic prejudice to think that hatred of things is less

_wicked_ than hatred of individuals; the very opposite is the case!

The former is a thousand times more dangerous and destructive than the

latter, which, indeed, is little more than an idiosyncrasy. Hatred is

contained in and is an aspect of Love; it is Love seen as destruction.

Well, only Love has a right to Hatred, for only Love can create.

Sympathy, however, would maintain in existence what should be dead, and

would bid what should be living remain forever unborn. For in death and

in birth alike there is pain. Sympathy--that is, Sympathy with the

_necessary_ suffering of existence--is a far greater danger than Hatred.

165

_The Humanitarians_

Hatred only to things, not to men; Love only to men, not to things: the

formula of the half-and-half.

166

Love and the Virtues

Love is the mother of all the harder virtues, and that because she

requires them. For how without them could she suffer to create, and

endure the pain of Becoming? Everything dynamic must become virtuous.

The soft, hedonistic, and degenerate in morality, however, arise from

Sympathy. Sympathy needs the comfortable virtues; it seeks the static,

for movement is pain, and pain, of the devil--if Sympathy will admit a

devil! Its virtues are all in bad training.

167

_The Other Side_

He ceaselessly groaned that he was weary of life and wished to be rid

of it; but all the time it was life that wished to be rid of him.

168

_Love and Danger_

The fear that danger might perish--the immortal fear of Nietzsche--need

cause us no anxiety, could we but believe that creative Love will

continue to exist. For Love is the great source of danger, and of the

heroic in action and thought. If military wars were to disappear from

the earth, danger need not be diminished; it might become emancipated

and voluntary: it might be raised from a common necessity to an

individual task. Perhaps in the distant future nations will become more

pacific, men more war-like; peace will be maintained among nations

_in order_ that individuals may have a free arena in which to carry

on their great contests--"without powder," as Nietzsche said. The

battles, born of Love, of the Brands and Zarathustras, not those of

the Napoleons: that is what creative Love would envisage! But this

prophecy has not sufficient foundation as yet, alas, to be called even

a conjecture!

169

_Fellowship and Love_

Fellowship is of two kinds: that which is inspired by Sympathy,

and that which is an expression of Love. Men unite for the mere

satisfaction which union brings, or for that which is found in the

struggle for more remote things--an aspiration or a vision. This latter

thing, impractical and paradoxical, which lends Man what nobility

he has--it was Love that gave it to him. Fellowship is the sublime

attempt to complete the figure of Man. My friend is he who possesses

the qualities which I lack and most need: in that sense, he creates me.

Fellowship should enrich _all_ who partake of it, make their highest

qualities productive, and throw bridges over the chasms of their

defects. But the association of men for mere enjoyment is not worthy

the name of Friendship. Sympathy is its parent.

170

_The Paradox_

It is possible to live nobly without Happiness, but not without Love.

Love, however, confers the highest happiness. Is it because Love

is indifferent to Happiness that Happiness flutters around it, and

caresses it with its wings?

171

_Moral Indignation_

We should altogether eschew moral censoriousness in our contemplation

of Life, for it is merely destructive. To destroy that which we cannot

re-create in a better form is a crime. Only Love should condemn, for

only Love can create. To bring the good into existence, or prepare the

way of those who can create the good--that should be our only form

of condemnation. In what consists the passion of the moral fanatic?

In respect for the law, that it should not be violated. So he would

extirpate whatever does not conform, even though thus he should destroy

all life, and have no power to create it anew. No wonder he is gloomy:

the vulture is not a bird of cheerful mien.

172

_Morality and Love_

Into what a dilemma falls the poor lover of life who goes to make

the choice of morality! He sees that both great types of morality,

the humanitarian and the military, the Hedonistic and the Spartan,

lead in the end to Nihilism, the one by liquefying, the other by

hardening. The former becomes too sensitive to endure Life; the

latter, too insensible to feel it. Yet they were to serve Life; but

they soon forgot the purpose for which they were formed; they exalted

themselves as something higher than Life; they become "absolute," and

a stumbling-block to existence. And this was because they were not

founded in the beginning upon the very principle of Life, which is

Love, but upon accidentals. The conflict between Morality and Love

has accordingly been a conflict between the forces of Death and of

Life: for "works" without Love are dead. Morality should be but the

discipline which Love imposes upon itself in order to create. It

should crown all the virtues which oppose a gallant and affirmative

countenance to suffering and change, such as heroism, fortitude,

joy, temperance. This morality is the antithesis of the humanitarian

morality sprung from Sympathy.

173

_Paradise Regained_

If Life is but an expression of creative Love, then a morality founded

upon Love must be the only true morality. And, moreover, in it ethics

and the instincts are reconciled; innocence is grasped.

174

_Love and Knowledge_

If in all Life there is change, creation, Becoming, and if in our

lives we know these things only in the interpretation of them which we

call Love, must not Love be a necessary part of our knowledge of Life?

Observation, investigation and the weighing of results may tell us much

_about_ Life, and show it to us in many aspects, but it does not give

us immediate knowledge. Is it possible to know Life? If Life be the

expression of Love----! Upon that "if" depends everything. For if it is

justified, then we have within us the clue to the riddle of existence.

Perhaps here we discern the faint struggling for birth of that

undiscovered faculty of the mind of which men speak. The comprehension

of Life through Love! The profoundest of intuitions? The maddest of

dreams?

175

_Proverb and Commentary_

Love is blind, but it is with excess of light.

176

_Bad Thoughts_

She was as perfect as a drop of dew or a beam of light; a pure thought

of God, delicate, spontaneous and finished. There was nothing misshapen

in body or soul; Love did well to create such a being. But the others,

the crooked, blind and defiled! Are these the bad thoughts of God? From

whence do they come? Whither do they go? Conceived in darkness, born

for destruction?

177

_Love and Sympathy_

We must not think of Love as a mere concept. For it is something

more real than Life itself: the very Life of Life, the very soul of

Becoming. It is a force both spiritual and physical, but transcending

the distinction of spiritual and physical. We must not conceive Love

as a thing akin to Sympathy. It is not humanitarian or even human; it

is a force as unsullied by humanity as the mountain winds or the tides

of the ocean. Nevertheless, it is within Man, just as it is within

the stars and seas; a great creative, destructive, transforming and

purifying force; beyond Good and Evil as the dew and the lightning are.

This is the power that is known by Man in his moments of love. He is

then free to create and enjoy, as if he were re-born, with a will new,

joyful and innocent. But seldom does he attain this knowledge: his

moments of exultation are brief. Yet Love has not on that account lost

any of its potence. Man may decay and become corrupt; but Love remains

unalterable, forever pure, incapable of corruption.

178

_Multum in Parvo_

You are but a drop in the ocean of Life. True: but it is in the ocean

_of Life!_

179

_Love and the Senses_

When one loves, the distinction between soul and body is passed. In

Love alone is the dream of Goethe, Heine, and the moderns realized:

here the reconciliation of the spirit and the senses is celebrated in

perfect innocence. For Love irradiates and makes fragrant the body in

which it dwells, and raises it aloft to sit by its brother the soul.

180

_Love and Innocence_

Life takes us back to its bosom when we love. The heavens, the

earth and the race of men no longer appear things external and

hostile, against which we must arm ourselves. We return from exile

in personality; our thought sweeps to the farthest horizons, and

plunges into the deepest gulfs of existence, at home in all places.

The "external" is no longer external: we contemplate it from the

inside, we gaze through its eyes. For the very principle of Life, of

which all living things are the expression, has been apprehended by

us. Our personality has been emancipated. This feeling of universal

comprehension is called Innocence.

181

_Love and the Fall_

Has the fable of the Fall still another interpretation for us? Was

the Fall of Man the fall from Love? When the feeling of universal

comprehension was lost, personality in the individualistic sense

arose. And Sin was the child of this Individualism. To the first man

bereft of Love, the earth assumed a terrible mien; nature glared at

him with a million baleful eyes: he became an outcast in his home.

No longer knowing the earth or other men, he experienced terror,

hatred and despair. To protect himself against existence, he created

Love's substitute, morality. And with morality arose sin, and perished

innocence.

182

_Love and its Object_

Nietzsche's psychology was wrong when he spoke of Love as a narrowly

egoistic thing isolating two people and making them indifferent to

every one else. There is too much of the philosopher and too little of

the psychologist in this observation. For mankind cannot be loved, Life

cannot be loved, until One has been loved. Only lovers can generate

such wealth of life that it overflows, enriching their friends, their

enemies, all the world. To love one is to love all.

183

_Freedom in Love_

In true love there is a feeling of entire freedom. Is it because the

lovers have by a divine chance found their true path, have become a

pulse in the very heart of Life? If Love is the principle of Life, then

in Love alone is perfect freedom. Ethics and instinct become one. This

is the road that leads beyond good and evil: Man must learn to love.

184

_Love and the Sensualists_

On those who affirm Life as innocent and holy, there is an obligation

laid. Their lives must be innocent: Life must be to them a sustained

act of worship. How many of them have been lacking just here! Heine

failed, in spite of his real nobility. Goethe, however, attained unity

and sincerity; and Nietzsche was a figure of beautiful integrity and

innocence. They were neither of them mere "writers." Nor must we be:

there is upon us the compulsion to prove that a life of innocence is

possible. And as a first step, we must separate ourselves from those

who, before they have sought innocence, praise the senses. For they

confuse and defile everything.

185

_Free Will_

Only those who have knowledge of Becoming can know what the freedom of

the will is. Freedom--that is to will Becoming with all its suffering,

voluntarily to go on the way which Fate and the highest Life direct

us. Slavery--that is to deny Becoming, to cling to the static, and to

be dragged along the stream of change. To be dragged, not to remain

stationary; for men by taking thought cannot gain immunity from change.

Their will and their desires avail them nothing. For the stream of

Becoming is unchangeable in its power. It is Man that changes. When he

affirms Becoming, he is enlarged; when he denies it, he is straitened.

186

_Tragedy, Life and Love_

In the highest Life two qualities are always to be found together,

exuberance and suffering. Life is founded on this paradox, which is

fundamental; for in the emotion of Love we are most conscious of

it. Love is the most joyful and most suffering thing: its plenitude

of joy is so great that it can endure gladly the worst griefs. And

tragedy is the truest expression in art of Life and of Love; for its

characteristic, too, is a Joy triumphing over Fate.

VI

THE TRAGIC VIEW

187

_Life as Expression_

Schopenhauer interpreted life as the expression of a Will to Live.

Nietzsche showed with profound truth that beneath this will there was

something more fundamental, the Will to Power. Have we here got to the

foundation, or shall we find that underlying the Will to Power there is

something more fundamental still? _Why_ do all living things strive for

power? Is it, indeed, power that they desire in their striving, power

for the sake of power? That which everything by a law of its being

searches for is _expression:_ the Will to Power is merely an outcome of

that search. For seeing that the sun of created Life is split up into

individuals, related and yet diverse, the expression of one unit is

bound to collide with that of another, and the outcome is a conflict.

Life, therefore, is essentially something that injures itself, and

injures itself the more the more powerful it is; in a word, Life is

essentially tragic. Most people, however, live in illusion, knowing

nothing of this. The philosophers, and, before them, the priests, were

those who perceived that Life was of this nature; but, alas, from the

truth they drew the immediate and not the more profound conclusion.

They sought, unconscious Hedonists, a palliative for Life, and

contemned expression, which they saw was the cause of suffering. These

were the creators of that morality which has prevailed to our own day;

a morality antagonistic to Life, anti-tragic, negative. All the systems

which have been created in this way are colossal panaceas and remedies:

they are not fundamental.

There were others, however, who saw as the priests did that Life was

tragic, but who at the same time affirmed it. These were the tragic

poets. They were more deeply versed in Life than the priests: tragic

art is more profound than morality. For morality is based on the belief

that man desires above everything else Happiness. But Tragedy has

perceived that this is not so. Man will express himself, it proclaims,

whatever the outcome, whether it be joy or suffering.

Since then morality has sunk deep into Life, and there is now almost a

second instinct in man striving against expression. Consequently there

are many existences passed without expression; sometimes even in a

resolute struggle against it, as in the case of innumerable religious

men and ascetics. To some men it seems that their spirit has been lying

frozen and dead within them, until one day an influence touches them,

and they feel an imperious desire to express themselves, to create.

This influence is nothing else than Love, which is the desire for

expression itself. When its rule is recognized and obeyed Life reaches

its highest degree of joy and of pain, and becomes creative. This is

the state which is glorified by the tragic poets. To those who affirm,

it is the highest condition of Life.

188

_"Self-Expression"_

Self-expression is something infinitely more subtle than the moderns

conceive. This man studied to express himself: he investigated his

ego, and thereby cut himself off from Life more completely than

any anchorite, for the anchorite had at least heaven in addition to

himself. This neo-anchorite, however, turned his eyes deliberately

inward and strove to find expression for what he discovered there, but

for nothing more. Thus he became his own prison. Eventually he turned

out an æsthete.

This other man found that his thoughts and desires flew away from him

as irrevocably as a flock of wild birds and became lost or strangers.

He seemed constrained to express everything _not_ himself, everything

foreign, remote and as exalted; but in the end he discovered that it

was himself he had expressed. "Thy true being," said Nietzsche, "lies

not deeply hidden in thee, but an infinite height above thee, or at

least above that which thou dost commonly take to be thyself."

189

_Life as a Value_

Those who say that the belief in Life as a value is not a belief which

will arouse the heroic passions and make men die for it, use a form

of reasoning, at any rate, which is erroneous. They first confuse the

ideal of more complete existence with the more complete existence

of an individual, and then demonstrate that this individual will not

lay down his life for the sake of _his_ more complete existence! But

Life as an ideal is just as impersonal as any other ideal, whether it

be Justice or Perfection or Renunciation. True, it has not yet become

static, but on that account its attraction is only the stronger; it

arouses our very love. And men will die for what they love: they will

die for Life.

190

_Hebbel's Theory of Tragedy_

Hebbel's theory of Tragedy is noble and profound. Not in the

misdirection of wills does he find the source of the tragic, but in the

core of the will itself, in the inexorable expression and collision

of wills. This conception raises Tragedy from a mere consequence and

punishment of sin to an expression of Life itself, to the most profound

and essential expression of Life. And this is just and worthy of

Tragedy. For the character of Tragedy is not negative and condemnatory,

but deeply affirmative and joyous. How shallow then must be the

theories which would deny Tragedy to the good, to those whose wills

are highly directed! Tragedy is not a punishment. The more noble man

becomes the more tragic he will also become.

191

_Tragic Philosophy_

The belief, against which Nietzsche declaimed, that Reason brings

Happiness has become to the modern man second nature, so that now the

notions of Reason and Happiness are indissolubly connected in his mind.

Any argument for a tragic view of Life must therefore appear, first of

all, unreasonable; for Happiness as an end is the only reason that will

be acknowledged. It remains for us to show that Happiness is itself

unreasonable, an impossibility, a chimera. There is no Happiness as

an end. Reason does not bring Happiness, nor does virtue, nor does

asceticism, nor does comfort. Happiness is an accident. And not even a

modern can make accidents happen!

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