AN AUTHENTIC NARRATIVE OF THE LAST HOURS OF SIR WALTER RAWLEIGH.

The close of the life of Sir Walter Rawleigh was as extraordinary as

many parts of his varied history; the promptitude and sprightliness of

his genius, his carelessness of life, and the equanimity of this great

spirit in quitting the world, can only be paralleled by a few other

heroes and sages. Rawleigh was both! But it is not simply his dignified

yet active conduct on the scaffold, nor his admirable speech on that

occasion, circumstances by which many great men are judged, when their

energies are excited for a moment to act so great a part, before the

eyes of the world assembled at their feet; it is not these only which

claim our notice.

We may pause with admiration on the real grandeur of Rawleigh's

character, not from a single circumstance, however great, but from a

tissue of continued little incidents, which occurred from the moment of

his condemnation till he laid his head on the block. Rawleigh was a man

of such mark, that he deeply engaged the attention of his

contemporaries; and to this we owe the preservation of several

interesting particulars of what he did and what he said, which have

entered into his life; but all has not been told in the published

narratives. Contemporary writers in their letters have set down every

fresh incident, and eagerly caught up his sense, his wit, and, what is

more delightful, those marks of the natural cheerfulness of his

invariable presence of mind: nor could these have arisen from any

affectation or parade, for we shall see that they served him even in his

last tender farewell to his lady, and on many unpremeditated occasions.

I have drawn together into a short compass all the facts which my

researches have furnished, not omitting those which are known,

concerning the feelings and conduct of Rawleigh at these solemn moments

of his life; to have preserved only the new would have been to mutilate

the statue, and to injure the whole by an imperfect view.

Rawleigh one morning was taken out of his bed, in a fit of fever, and

unexpectedly hurried, not to his trial, but to a sentence of death. The

story is well known.--Yet pleading with "a voice grown weak by sickness

and an ague he had at that instant on him," he used every means to avert

his fate: he did, therefore, value the life he could so easily part

with. His judges, there, at least, respected their state criminal, and

they addressed him in a tone far different from that which he had

fifteen years before listened to from Coke. Yelverton, the

attorney-general, said--"Sir Walter Rawleigh hath been as a star at

which the world have gazed; but stars may fall, nay, they must fall,

when they trouble the sphere where they abide." And the lord

chief-justice noticed Rawleigh's great work:--"I know that you have been

valiant and wise, and I doubt not but you retain both these virtues, for

now you shall have occasion to use them. Your book is an admirable work;

I would give you counsel, but I know you can apply unto yourself far

better than I am able to give you." But the judge ended with saying,

"execution is granted." It was stifling Rawleigh with roses! the heroic

sage felt as if listening to fame from the voice of death.

He declared that now being old, sickly, and in disgrace, and "certain

were he allowed to live, to go to it again, life was wearisome to him,

and all he entreated was to have leave to speak freely at his farewell,

to satisfy the world that he was ever loyal to the king, and a true

lover of the commonwealth; for this he would seal with his blood."

Rawleigh, on his return to his prison, while some were deploring his

fate, observed that "the world itself is but a larger prison, out of

which some are daily selected for execution."

That last night of his existence was occupied by writing what the

letter-writer calls "a remembrancer to be left with his lady, to

acquaint the world with his sentiments, should he be denied their

delivery from the scaffold, as he had been at the bar of the King's

Bench." His lady visited him that night, and amidst her tears acquainted

him that she had obtained the favour of disposing of his body; to which

he answered smiling, "It is well, Bess, that thou mayst dispose of that,

dead, thou hadst not always the disposing of when it was alive." At

midnight he entreated her to leave him. It must have been then, that,

with unshaken fortitude, Rawleigh sat down to compose those verses on

his death, which being short, the most appropriate may be repeated.

Even such is Time, that takes on trust

Our youth, our joys, our all we have,

And pays us but with age and dust;

Who in the dark and silent grave,

When we have wandered all our ways,

Shuts up the story of our days!

He has added two other lines expressive of his trust in his

resurrection. Their authenticity is confirmed by the writer of the

present letter, as well as another writer, enclosing "half a dozen

verses, which Sir Walter made the night before his death, to take his

farewell of poetry, wherein he had been a scribbler even from his

youth." The enclosure is not now with the letter. Chamberlain, the

writer, was an intelligent man of the world, but not imbued with any

deep tincture of literature. On the same night Rawleigh wrote this

distich on the candle burning dimly:--

Cowards fear to die; but courage stout,

Rather than live in snuff, will be put out.

At this solemn moment, before he lay down to rest, and at the instant of

parting from his lady, with all his domestic affections still warm, to

express his feelings in verse was with him a natural effusion, and one

to which he had long been used. It is peculiar in the fate of Rawleigh,

that having before suffered a long imprisonment with an expectation of a

public death, his mind had been accustomed to its contemplation, and had

often dwelt on the event which was now passing. The soul, in its sudden

departure, and its future state, is often the subject of his few poems;

that most original one of "The Farewell,"

Go, soul! the body's guest,

Upon a thankless errand, &c.

is attributed to Rawleigh, though on uncertain evidence. But another,

entitled "The Pilgrimage," has this beautiful passage:--

Give me my scallop-shell of quiet,

My staff of truth to walk upon,

My scrip of joy immortal diet;

My bottle of salvation;

My gown of glory, Hope's true gage,

And thus I'll take my pilgrimage--

Whilst my soul, like a quiet palmer,

Travelleth towards the land of Heaven--

Rawleigh's cheerfulness was so remarkable, and his fearlessness of death

so marked, that the Dean of Westminster, who attended him, at first

wondering at the hero, reprehended the lightness of his manner, but

Rawleigh gave God thanks that he had never feared death, for it was but

an opinion and an imagination; and as for the manner of death, he would

rather die so than of a burning fever; and that some might have made

shows outwardly, but he felt the joy within. The dean says, that he made

no more of his death than if he had been to take a journey: "Not," said

he, "but that I am a great sinner, for I have been a soldier, a seaman,

and a courtier." The writer of a manuscript letter tells us, that the

dean declared he died not only religiously, but he found him to be a man

as ready and as able to give as to take instruction.

On the morning of his death he smoked, as usual, his favourite tobacco,

and when they brought him a cup of excellent sack, being asked how he

liked it, Rawleigh answered--"As the fellow, that, drinking of St.

Giles's bowl, as he went to Tyburn, said, 'that was good drink if a man

might tarry by it.'"[76] The day before, in passing from Westminster

Hall to the Gate-house, his eye had caught Sir Hugh Beeston in the

throng, and calling on him, Rawleigh requested that he would see him die

to-morrow. Sir Hugh, to secure himself a seat on the scaffold, had

provided himself with a letter to the sheriff, which was not read at the

time, and Sir Walter found his friend thrust by, lamenting that he could

not get there. "Farewell!" exclaimed Rawleigh, "I know not what shift

you will make, but I am sure to have a place." In going from the prison

to the scaffold, among others who were pressing hard to see him, one old

man, whose head was bald, came very forward, insomuch that Rawleigh

noticed him, and asked "whether he would have aught of him?" The old man

answered--"Nothing but to see him, and to pray God for him." Rawleigh

replied--"I thank thee, good friend, and I am sorry I have no better

thing to return thee for thy good will." Observing his bald head, he

continued, "but take this night-cap (which was a very rich wrought one

that he wore), for thou hast more need of it now than I."

His dress, as was usual with him, was elegant, if not rich.[77] Oldys

describes it, but mentions, that "he had a wrought nightcap under his

hat;" this we have otherwise disposed of; he wore a ruff-band, a black

wrought velvet night-gown over a hare-coloured satin doublet, and a

black wrought waistcoat; black cut taffety breeches, and ash-coloured

silk stockings.

He ascended the scaffold with the same cheerfulness as he had passed to

it; and observing the lords seated at a distance, some at windows, he

requested they would approach him, as he wished that they should all

witness what he had to say. The request was complied with by several.

His speech is well known; but some copies contain matters not in others.

When he finished, he requested Lord Arundel that the king would not

suffer any libels to defame him after death.--"And now I have a long

journey to go, and must take my leave." "He embraced all the lords and

other friends with such courtly compliments, as if he had met them at

some feast," says a letter-writer. Having taken off his gown, he called

to the headsman to show him the axe, which not being instantly done, he

repeated, "I prithee let me see it, dost thou think that I am afraid of

it?" He passed the edge lightly over his finger, and smiling, observed

to the sheriff, "This is a sharp medicine, but a sound cure for all

diseases," and kissing it laid it down. Another writer has, "This is

that that will cure all sorrows." After this he went to three several

corners of the scaffold, and kneeling down, desired all the people to

pray for him, and recited a long prayer to himself. When he began to fit

himself for the block, he first laid himself down to try how the block

fitted him; after rising up, the executioner kneeled down to ask his

forgiveness, which Rawleigh with an embrace gave, but entreated him not

to strike till he gave a token by lifting up his hand, "_and then, fear

not, but strike home!_" When he laid his head down to receive the

stroke, the executioner desired him to lay his face towards the east.

"It was no great matter which way a man's head stood, so that the heart

lay right," said Rawleigh; but these were not his last words. He was

once more to speak in this world with the same intrepidity he had lived

in it--for, having lain some minutes on the block in prayer, he gave the

signal; but the executioner, either unmindful, or in fear, failed to

strike, and Rawleigh, after once or twice putting forth his hands, was

compelled to ask him, "Why dost thou not strike? Strike! man!" In two

blows he was beheaded; but from the first his body never shrunk from the

spot by any discomposure of his posture, which, like his mind, was

immovable.

"In all the time he was upon the scaffold, and before," says one of the

manuscript letter-writers, "there appeared not the least alteration in

him, either in his voice or countenance; but he seemed as free from all

manner of apprehension as if he had been come thither rather to be a

spectator than a sufferer; nay, the beholders seemed much more sensible

than did he, so that he hath purchased here in the opinion of men such

honour and reputation, as it is thought his greatest enemies are they

that are most sorrowful for his death, which they see is like to turn so

much to his advantage."

The people were deeply affected at the sight, and so much, that one said

that "we had not such another head to cut off;" and another "wished the

head and brains to be upon Secretary Naunton's shoulders." The observer

suffered for this; he was a wealthy citizen, and great newsmonger, and

one who haunted Paul's Walk. Complaint was made, and the citizen was

summoned to the Privy Council. He pleaded that he intended no disrespect

to Mr. Secretary, but only spoke in reference to the old proverb, that

"two heads were better than one!" His excuse was allowed at the moment;

but when afterwards called on for a contribution to St. Paul's

Cathedral, and having subscribed a hundred pounds, the Secretary

observed to him, that "two are better than one, Mr. Wiemark!" Either

from fear or charity, the witty citizen doubled his subscription.[78]

Thus died this glorious and gallant cavalier, of whom Osborne says, "His

death was managed by him with so high and religious a resolution, as if

a Roman had acted a Christian, or rather a Christian a Roman."[79]

After having read the preceding article, we are astonished at the

greatness, and the variable nature of this extraordinary man and this

happy genius. With Gibbon, who once meditated to write his life, we may

pause, and pronounce "his character ambiguous;" but we shall not

hesitate to decide that Rawleigh knew better how to die than to live.

"His glorious hours," says a contemporary, "were his arraignment and

execution;" but never will be forgotten the intermediate years of his

lettered imprisonment; the imprisonment of the learned may sometimes be

their happiest leisure.

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