CHAPTER XI

Patricia Wharton stood a moment on the edge of the terrace after the

dance, slipped her hand into Mortimer Crabb's arm and came down upon the

path, drawing a drapery across her white shoulders.

"What is it?" asked Crabb. "You are not cold?"

"Oh, no," she said quietly. "I think I am a little tired."

"Come," he said. "There's a beautiful spot--just here." He led her

across the lawn and through an opening in the trees to a garden-bench in

the shadow, a spot which none of the other maskers had discovered.

Through the leafy screen they could see the gay figures floating like

will-o'-the-wisps across the golden lawn, but here they were quiet and

unobserved. Patricia sank upon the bench with a sigh, while Crabb sat

beside her.

"Are you happy?" he asked after awhile.

"Perfectly," she murmured. "What a beautiful party!" She placed her hand

in his and moved a little closer to him, then sat listlessly, her eyes

seeking the spaces between the branches where the people were. "I don't

want to grow old too soon," she was saying. "The whole world is in short

clothes to-night. Wouldn't it be good to be young forever?"

Crabb smiled indulgently.

"Yes," he said. "It is good to be young. But isn't it anything to take

your place in the world? I want you to know all a man can do for the

woman he loves. Won't you let me? Soon?" He bent over her and took the

rounded arm in his strong hand. She did not withdraw it, but something

told him a link of sympathy was lacking in the chain. As she did not

reply he straightened and sat moodily looking before him.

"Don't think me capricious, please," she began. "You're everything I

can hope for--and yet----"

"And yet?" he repeated.

She paused a moment, then broke in, "Forgive me, won't you? I don't know

what it is. Something has affected me strangely." She leaned against the

back of the bench, rested her head in her hand, away from him, and Crabb

turned jealously toward her.

"You were thinking--of him--of the other."

"Why shouldn't I be honest with you? I can't help it. Something has

suddenly brought him into my mind. I was wondering----"

"Yes."

"I was wondering where he is now--to-night. It is so beautiful here.

Everything has been done to make us happy. I was thinking that perhaps

if I had written him a line I might have saved him some terrible trial.

It was only a boy-and-girl affair, of course, but----"

Patricia suddenly stopped speaking, and both of them turned their heads

toward the dark bank of bushes behind them.

"What was it?" she asked.

"A dead branch falling," he replied.

They listened again, but all they heard was the sound of the orchestra

and the voices of the dancers.

"You're teaching me a lesson in patience," Crabb began again soberly. "I

can wait, of course. I'm not jealous of _him_," he said. "I was only

wondering how you could think of him at all."

"I don't think of him--not in _that_ way. I believe I haven't thought of

him at all--until to-night. To-night, I can't help thinking of others

less fortunate than ourselves. I suppose it's only the natural thing

that he should suffer. He never seemed to get things right, somehow; his

point of view was always askew. He was a wild boy--but he was human."

She paused and clasped her hands before her. Crabb sat silent beside

her, but his brow was clouded. When he spoke it was in a voice low and

constrained.

"Do you think it kind--wise to speak of this now?"

"I was thinking that perhaps if he'd had a little luck----"

"He might have come back to you?"

Patricia turned toward him and with a swift movement took one of his

hands in both of hers.

"Don't speak in that way," she pleaded. "You mustn't."

But his fingers still refused to respond to her pressure.

"If I think of him at all, it is because I have learned how great a

thing is love and how much the greater must be its loss. You know," she

whispered, timidly, "you know I--I love you."

"God bless you for that," he murmured.

They were so absorbed that they did not hear the sound behind them--a

suppressed moan like that of an animal in pain.

"Will you forgive me?" asked the girl, at last. "It is all over now. I

shall never speak of it again. I've spoiled your evening. You don't

regret?"

Crabb laughed happily.

"I'll promise to be good," she said, softly. "I'll do whatever you ask

me----"

"Will you marry me next month?"

"Yes," she murmured, "whenever you wish."

He took her in his arms and kissed her. They stood for some time deaf to

all voices but those in their hearts. There was a breaking of tiny twigs

under the trees behind them and a drab figure came out into the open on

the other side and vanished into the darkness by the garden wall. And as

they walked back into the house neither guessed just what had happened

except that some new miracle, which, really, is very old, had happened

to them.

As a matter of fact, when Patricia announced the miracle in the form

of her engagement to Mortimer Crabb a prayer of thanksgiving went up

from at least three young women of her acquaintance. And though these

feminine petitioners were left as much to their own devices as before

the announcement, there was a certain comfort in knowing that she was

out of the way--at least, that she was as much out of the way as it was

possible for Patricia to be, bound or untrammeled. Jack Masters went

abroad, Steve Ventnor actually went to work, and various other swains

sought pastures new.

Ross Burnett was best man and, when the ceremony and breakfast were

over, saw the happy couple off upon the _Blue Wing_, for their long

Southern cruise. They offered him conduct as far as Washington, whither

he was bound, but he knew from the look in their eyes that he was not

wanted, and with a promise to meet them in New York when they returned,

he waved them a good-by from the pier and took up the thread of his

Government business where it had been dropped. It is not often that

good comes out of villainy, and the memory of the adventure in which

Crabb had involved him, often troubled his conscience. What if some day

he should meet Baron Arnim or Baron Arnim's man and be recognized? At

the State Department Crowthers had asked him no questions and he had

thought it wise not to offer explanations. But certain it was that to

that adventure alone was his present prosperity directly due. His South

American mission successfully concluded, he had returned to Washington

with the assurance that other and even more important work awaited him.

His point of view had changed. All he had needed was initiative, and,

Crabb having supplied that deficiency, he had learned to face the world

again with the squared shoulders of the man who had at last found

himself. The world was his oyster and he would open it how and when he

liked.

It was this new attitude perhaps which enabled him to take note of the

taming of Mortimer Crabb, for when he visited the bride and groom in

their sumptuous house in New York, he discovered that Crabb had formed

the habit of the easy-chair after dinner, and that the married life,

which all his days he had professed to abhor, was the life for him. It

took the combined efforts of Burnett and Patricia to dislodge him.

"He's absolutely impossible," said Patricia. "He says that he has solved

the problem of happiness--that he has done with the world. It's so like

a man," and she stamped her small foot, "to think that marriage is the

end of everything when--as everyone knows--it's only the beginning. He's

getting stout already, and I know, I'm positive that he is going to be

bald. Won't you help me, Mr. Burnett?"

"That's a dreadful prospect--Benedick, the married man. You only need

carpet slippers and a cribbage-board, Mort, to make the picture

complete. Have you stopped seeking opportunities?"

"Ah, yes," drawled Crabb, "Patty is the only opportunity I ever had--at

least--er--the only one worth embracing----"

"Mortimer!"

"And don't you ever go to the Club?" laughed Ross.

"Oh, no. I'm taboo there since I lived in Philadelphia. Besides, I'm not

a bachelor any more, you know. If Patty only wouldn't insist on dragging

me out----"

Patricia laughed.

"Twice, Ross, already this winter," Crabb continued. "It's cruelty,

nothing less." But the perpetrator of the outrage was smiling, and she

leaned forward just then and laid her hand in that of her husband,

saying with a laugh, "Mort, you know we'll have to get Ross married at

once."

"Me?" said Burnett, in alarm.

"Of course. A bachelor only sneers at a Benedick when he has given up

hoping----"

"Oh, I say now--I'm not so old."

"Then you do hope?"

"Oh, no, I only wait--for a miracle."

"This isn't the age of miracles," remarked Patty thoughtfully, "at least

not miracles of that kind. How can you expect anyone to fall in love

with you if you go on leaping from one end of the earth to the other. No

girl wants to marry a kangaroo--even a diplomatic kangaroo." She paused

and examined him with her head on one side. "And yet you know you're

passably decent looking----"

"Oh, thanks!"

"Even distinguished--that foreign way of wearing your mustache is really

quite fetching. You'll do, I think, with some coaching."

"Will you coach me?"

"I object," interrupted Crabb, lazily.

"I will. You're quite worth marrying--I'm at least sure you wouldn't

condemn your wife to her own lares and penates."

"Not I. She'd get the wanderlust--or a divorce."

"Don't boast, worse vagabonds than you have been tamed--come now, what

shall she be--blonde or brunette?"

Burnett shrugged his shoulders. "I'm quite indifferent--pigment is cheap

nowadays."

"Now you're scoffing."

Ross Burnett leaned back in his chair and smiled at the chandelier.

Women had long ago been omitted from his list of possibilities. But

Patricia was not to be denied.

"Married you shall be," she said with the air of an oracle, "and before

the year is out. I swear it."

"But why do you want me to----"

"Revenge!" she said tragically. "You helped marry me to Mort."

And the young matron was as good as her word, though her method may have

been unusual.

It came about in the following manner, and Burnett's brother and Miss

Millicent Darrow were her unconscious agents. Miss Darrow had gone to

the Academy Exhibit. The rooms were comfortably crowded. She entered

conscious of a certain dignity and repose in the character of her

surroundings. She brought forth her catalogue, resolutely opened it to

the first page and in a moment was oblivious to the people about her.

She did not belong to the great army "who know what they like." She had

an instinctive perception of the good, and found herself not a little

amazed at the amount of masterly work by younger men whose names she had

never heard. It was an unpleasant commentary upon the mentality and

taste of the set in which she moved, and she was conscious of a sense of

guilt; for was she not a reflection of the shortcomings of those she was

so ready to condemn? "The Plain--Evening--William Hazelton"--a direct

rendering of an upland field at dusk, between portraits by well-known

men; "Sylvia--Henry Marlow"--a girl in a green bodice painted with

knowledge and assurance.

In another room were the things in a higher key--she knew them at a

glance; and on the opposite wall a full-length portrait that looked

like a Sargent. She was puzzled at the color, which was different from

that of any man she remembered. The Sargents she knew were grouped in

another room--and yet there was here the force and breadth of the

master. She experienced the same perplexity--"Agatha--Philip Burnett,"

said the catalogue. She sank upon a bench before it and gave herself up

to quiet rapture.

"If I were a man," she said at last, "that is how I should wish to

paint, the drawing of Sargent, the poetry of Whistler, the grace of

Alexander, the color of Benson. Philip Burnett," she apostrophized,

"I'm a Philistine. Forgive me."

The Maker of Opportunities · 第 11 / 21 章