CHAPTER XX

The immaculately dressed young man in the office turned Field's card

over doubtfully. He had every desire to oblige, he said, but really the

house was packed to its utmost capacity. Also the well-dressed young man

hoped that there would be nothing to disturb the harmony of the

proceedings.

"You may make your mind quite easy on that score," said Field with a

reassuring smile. "There will be no disturbance as far as I am

concerned. I want to identify somebody whom I believe is in the house,

and when that is done my work is finished. Never mind about a seat--let

me stand by the side of the stalls so that I can pass for an official."

There was no difficulty whatever about this, and therefore Field stepped

into the house as the curtain was going up on the last of the brilliant

trifles of the evening. The house was packed to its utmost capacity with

an audience that seemed decidedly to appreciate the bill of fare that

had been prepared for their delectation.

Field glanced round the house with his usual blank way that nevertheless

took in everything. Most of the people in the stalls were known by sight

to him. In an upper box on the prompt side he saw the dark face and

eager eyes of the Rajah of Ahbad. He seemed to be looking for somebody,

for his glasses were constantly in use. There was a restless air, too,

about the Rajah, that showed that he was not altogether at his ease.

"We live and learn," Field told himself. "I wonder what yonder wily

oriental would think if he knew all that I have discovered lately. I

suppose one of his favourite ballet girls is in the piece. Pretty piece,

too, and pretty music."

Field laid himself out for enjoyment for the next quarter of an hour.

The heroine of the piece in the form of Miss Adela Vane was late in

appearing. The thing was dragging, too, or so it seemed to Field. All at

once there were voices at the back of the stage as if somebody was

quarrelling. Suddenly the bright tuneful chorus broke off altogether and

a female voice screamed. A little puff of smoke came from the stage.

In the twinkling of an eye the whole house rose and shuddered. There was

a sharp crack-crackle, followed by smoke, and forked tongues of flame

licked the imitation forest, and with a swish all the chorus fled from

the stage. Far away up in the gallery somebody was roaring "Fire!" A

rush to the doors was already taking place.

From the stalls rose a tall man with a military air, who commanded

everybody to wait. There was no danger, he cried, if the audience only

kept their heads. On the stage a manager, with a white face and a

perspiring forehead, announced the fact that the appliances for dealing

with the fire were of the finest possible description, and that there

was no danger at all.

But it was all too late. The panic had already gripped the audience, and

a yelling, frightened crowd pressed to the exits. The smoke was getting

thicker and blacker; the flames were making the place unpleasantly

warm. Field could feel the heat on his face. He had been close to the

stalls exit, and might have slipped away at once, but he had held his

ground. It was he who stood with his back to the door now.

"I'll knock down the first man who tries to pass me," he cried. "There

is plenty of time. For God's sake, control yourselves. Come quietly.

Don't you know that the whole theatre can be emptied in three minutes if

people will only go quietly? Now come along and don't press." The stern,

hard tones were not without their effect. Field looked so calm and

collected and confident himself, that the feeling spread quickly all

over the stalls. The fireproof curtain had not been dropped for the

simple reason that it would not work, as is often the case with

appliances of the kind. The stage was burning furiously.

But in the pit and dress circles and in the higher parts of the house

other cool and collected men had risen to the occasion. Women were

crying and sobbing, and more than one had fainted, but the mad panic was

over, and something like order had been restored. The stalls were moving

quietly along now, and it was marvellous to see how quickly the place

was being deserted. In the vestibule a long queue of police had gathered

and stood to prevent people huddling together. In less time than it

takes to tell, everybody was outside. Like magic an engine had appeared,

and men in helmets were jumping nimbly over the stalls laying their hose

down. As Field turned to go a little cry from the stage attracted his

attention.

A girl stood there, dressed as a Watteau shepherdess. She seemed

absolutely dazed and frightened, a pretty and pathetic little figure in

her great golden wig.

"Go back," Field yelled. "You'll have that blazing scenery on top of

you. Why don't you go back to the stage door?"

The actress turned at last and shook her head. Tears were rolling down

her face.

"I can't," she said. "The fire is too great. I was in my dressing-room,

and I did not know. Oh, why doesn't somebody save me?"

It was quite clear that the little girl was too dazed and frightened to

do anything. Without any further loss of time Field jumped into the

orchestra and scrambled onto the stage. The hot flames drove him back

for the moment; he could see already that the wig of the pretty little

shepherdess was being scorched by the hot fiery breath. He lifted the

girl in his arms and made a bold leap over the orchestra into the

stalls. Then he carried her out into the street and called for a cab.

The air of the night was not without effect on the frightened actress.

"Where shall I tell the man to drive?" Field asked.

"I shall remember presently," the girl said. "I am altogether dazed and

stupid for the moment. I can see nothing but fire and smoke. Let me

think. Oh, yes, it is coming back to me. Yes, Mrs. Marsh, 124, Copeland

Avenue, Regent's Park. Oh, it is very good and kind of you. Will you let

me tender my thanks when I am better?"

"I have done nothing," Field said modestly. A sudden idea occurred to

him, accustomed as he was to think matters out quickly and in all kinds

of startling surroundings. "If I may, I will call upon you to-morrow

morning. Good-night."

The cab was whirled away, and Field went thoughtfully down the Strand.

It seemed to him that he had seen the pretty little actress before, but

then such queer sensations are frequent in times of danger and

excitement, Field reflected. At the same time he could not quite rid

himself of the idea that he had seen the girl before. He pondered over

the matter until another idea filled his mind.

"By Jove," he exclaimed, "I had quite forgotten the Colonel's message. I

was to go to Edward Street near the Borough and wait to see what I

should see. I'll just go and hang about there for half an hour or so on

the off chance, though I am as tired as a dog already. It seems to me

that I can't do better than take a cab."

A cab accordingly whirled Inspector Field to the upper end of Edward

Street, which is by no means a bad type of street for the Borough. The

houses are of a respectable class for the most part, the class of houses

that let lodgings to medical students and the like. It is not the sort

of thoroughfare that is generally given over to adventures, and Field

loitered about there for a long time before his search was rewarded.

He was chatting to a policeman on the beat, seeing that he could not

loaf there without arousing the suspicions of the intelligent officer on

duty, without disclosing his identity, when a couple passed him. The man

wore a long fawn overcoat and a silk hat; he was a well-dressed man, as

Field could see by his smartly cut trousers and patent leather boots. He

was not alone, for he had a lady with him, a lady with a handsome wrap.

There was a genuine West End air about these people that did not tally

at all with Edward Street, as Field did not fail to notice. People of

that stamp generally had a cab when there was any outing to be done at

that time of night.

"Pull those people up and ask them some question," Field whispered to

the officer. "I want to get a good look at their faces."

The matter was managed quite easily, though the man in the fawn coat was

short and inclined to be curt in his replies. But it sufficed for Field,

who expressed no astonishment as he recognized the features of the man

called "Reggie," and the woman called "Cora," whom he had seen the night

before at No. 100, Audley Place. In other words, he was once more hot

upon the scent of Countess de la Moray and General Gastang.

"Very good, indeed, Watson," he said. "That's a bit of luck I hardly

expected. I'll just follow these people and make certain. Good night."

Field had not far to go, seeing that the man in the fawn coat produced a

latchkey and let himself into a house a little farther down the road.

The house was an ordinary looking one enough, with plain green venetian

blinds and muslin curtains below. In the drawing-room window there was a

card to the effect that lodgings were to be let there. It was pretty

late still, but a light in the basement testified to the fact that the

housekeeper, or landlady, or whoever she was, had not yet gone to bed.

"It's late, but I'll try it," Field said to himself. "So here goes."

The inspector walked up the steps and rang the bell. After a little time

a tall slatternly woman came to the door and looked sleepily out. She

seemed by no means pleased to be disturbed, and the way she wiped her

mouth with the back of her hand suggested the fact that she had been

taking some of a pleasing and not altogether unintoxicating fluid with

her supper.

"And what may you want at this time of night?" she asked suspiciously.

"Lodgings," Field said promptly. "I've just come to London, and I find

the hotels so expensive. I'm prepared to pay an advance--a matter of

five and twenty shillings a week or a little more, as it's only for so

short a time. You see I am at the hospital."

"Well, if you are at the hospital you'd better stay there," the woman

said with a laugh. "We don't let lodgings at this time of night, and

besides, I settled with a party to-day. I'm not going to stand gossiping

here all night. Be off with you."

The door closed, but not before Field had got a glimpse of the inside.

The house was most beautifully furnished, as he could see. There was an

atmosphere of hothouse flowers and fruit, and the like; a suggestion of

exquisite cigars. A man in evening dress, with a diamond flashing in his

shirt, crossed the hall; somebody was laughing in a well-bred voice. All

of this Field did not omit to note as the door closed on him.

"That card about lodgings is a blind," he said. "That place must be

watched. I'll get to bed, for I'm dead tired. In the morning I'll go and

see my actress friend. Probably she can tell me all about Miss Adela

Vane."

It was a little after eleven the next day before Field found time to

visit the little actress. He had stupidly forgotten to ask her name, but

he seemed to be expected. He waited for some time in a small prettily

furnished room till the lady of the last night's adventure came down.

She arrived presently, bright and pretty and smiling, her hand

outstretched--words of gratitude on her lips.

"But I shall never be able to thank you properly," she said. "The public

came very near last night to losing their dear, dear Adela Vane."

"You are Adela Vane?" Field gasped. "Really you are Adela Vane?"

For Adela Vane was the girl who had been closeted the night before with

Carl Sartoris!

The Slave of Silence · 第 20 / 40 章