MARVELLOUS DISCOVERY!

Approved by the Institute of France.

“For many years a paste for the hands and a lotion for the face

offering superior results to those obtained from Eau-de-Cologne in

the domain of the toilet, has been widely sought by both sexes in

Europe. Devoting long vigils to the study of the skin and cuticle

of the two sexes, each of whom, one as much as the other, attach

the utmost importance to the softness, suppleness, brilliancy, and

velvet texture of the complexion, the Sieur Birotteau, perfumer,

favorably known in this metropolis and abroad, has discovered a

Paste and a Lotion justly hailed as marvellous by the fashion and

elegance of Paris. In point of fact, this Paste and this Lotion

possess amazing properties which act upon the skin without

prematurely wrinkling it,--the inevitable result of drugs

thoughtlessly employed, and sold in these days by ignorance and

cupidity. This discovery rests upon diversities of temperament,

which divide themselves into two great classes, indicated by the

color of the Paste and the Lotion, which will be found _pink_ for

the skin and cuticle of persons of lymphatic habit, and _white_

for those possessed of a sanguine temperament.

“This Paste is named the ‘Paste of Sultans,’ because the discovery

was originally made for the Seraglio by an Arabian physician. It

has been approved by the Institute on the recommendation of our

illustrious chemist, Vauquelin; together with the Lotion,

fabricated on the same principles which govern the composition of

the Paste.

“This precious Paste, exhaling as it does the sweetest perfumes,

removes all blotches, even those that are obstinately rebellious,

whitens the most recalcitrant epidermis, and dissipates the

perspirations of the hand, of which both sexes equally complain.

“The Carminative Balm will disperse the little pimples which

appear inopportunely at certain times, and interfere with a lady’s

projects for a ball; it refreshes and revives the color by opening

or shutting the pores of the skin according to the exigencies of

the individual temperament. It is so well known already for its

effect in arresting the ravages of time that many, out of

gratitude, have called it the ‘Friend of Beauty.’

“Eau-de-Cologne is, purely and simply, a trivial perfume without

special efficacy of any kind; while the Double Paste of Sultans

and the Carminative Balm are two operative compounds, of a motive

power which acts without risk upon the internal energies and

seconds them. Their perfumes (essentially balsamic, and of a

stimulating character which admirably revives the heart and brain)

awake ideas and vivify them; they are as wonderful for their

simplicity as for their merits. In short, they offer one

attraction the more to women, and to men a means of seduction

which it is within their power to secure.

“The daily use of the Balm will relieve the smart occasioned by

the heat of the razor; it will protect the lips from chapping, and

restore their color; it dispels in time all discolorations, and

revives the natural tones of the skin. Such results demonstrate in

man a perfect equilibrium of the juices of life, which tends to

relieve all persons subject to headache from the sufferings of

that horrible malady. Finally, the Carminative Balm, which can be

employed by women in all stages of their toilet, will prevent

cutaneous diseases by facilitating the transpiration of the

tissues, and communicating to them a permanent texture like that

of velvet.

“Address, post-paid, Monsieur Cesar Birotteau, successor to Ragon,

former perfumer to the Queen Marie Antoinette, at The Queen of

Roses, Rue Saint-Honore, Paris, near the Place Vendome.

“The price of a cake of Paste is three francs; that of the bottle

six francs.

“Monsieur Cesar Birotteau, to avoid counterfeits, informs the

public that the Paste is wrapped in paper bearing his signature,

and that the bottles have a stamp blown in the glass.”

The success was owing, without Cesar’s suspecting it, to Constance,

who advised him to send cases of the Carminative Balm and the Paste of

Sultans to all perfumers in France and in foreign cities, offering them

at the same time a discount of thirty per cent if they would buy the two

articles by the gross. The Paste and the Balm were, in reality, worth

more than other cosmetics of the sort; and they captivated ignorant

people by the distinctions they set up among the temperaments. The

five hundred perfumers of France, allured by the discount, each bought

annually from Birotteau more than three hundred gross of the Paste and

the Lotion,--a consumption which, if it gave only a limited profit on

each article, became enormous considered in bulk. Cesar was then able

to buy the huts and the land in the Faubourg du Temple; he built large

manufactories, and decorated his shop at “The Queen of Roses” with

much magnificence; his household began to taste the little joys of

competence, and his wife no longer trembled as before.

In 1810 Madame Cesar, foreseeing a rise in rents, pushed her husband

into becoming chief tenant of the house where they had hitherto occupied

only the shop and the _entresol_, and advised him to remove their own

appartement to the first floor. A fortunate event induced Constance to

shut her eyes to the follies which Birotteau committed for her sake in

fitting up the new appartement. The perfumer had just been elected judge

in the commercial courts: his integrity, his well-known sense of honor,

and the respect he enjoyed, earned for him this dignity, which ranked

him henceforth among the leading merchants of Paris. To improve his

knowledge, he rose daily at five o’clock, and read law-reports and books

treating of commercial litigation. His sense of justice, his rectitude,

his conscientious intentions,--qualities essential to the understanding

of questions submitted for consular decision,--soon made him highly

esteemed among the judges. His defects contributed not a little to his

reputation. Conscious of his inferiority, Cesar subordinated his own

views to those of his colleagues, who were flattered in being thus

deferred to. Some sought the silent approbation of a man held to be

sagacious, in his capacity of listener; others, charmed with his modesty

and gentleness, praised him publicly. Plaintiffs and defendants extolled

his kindness, his conciliatory spirit; and he was often chosen umpire in

contests where his own good sense would have suggested the swift justice

of a Turkish cadi. During his whole period in office he contrived to

use language which was a medley of commonplaces mixed with maxims

and computations served up in flowing phrases mildly put forth, which

sounded to the ears of superficial people like eloquence. Thus he

pleased that great majority, mediocre by nature, who are condemned

to perpetual labor and to views which are of the earth earthy. Cesar,

however, lost so much time in court that his wife obliged him finally to

resign the expensive dignity.

Towards 1813, the Birotteau household, thanks to its constant harmony,

and after steadily plodding on through life, saw the dawn of an era of

prosperity which nothing seemed likely to interrupt. Monsieur and Madame

Ragon, their predecessors, the uncle Pillerault, Roguin the notary, the

Messrs. Matifat, druggists in the Rue des Lombards and purveyors to

“The Queen of Roses,” Joseph Lebas, woollen draper and successor to

the Messrs. Guillaume at the Maison du Chat-qui-pelote (one of the

luminaries of the Rue Saint-Denis), Popinot the judge, brother of Madame

Ragon, Chiffreville of the firm of Protez & Chiffreville, Monsieur and

Madame Cochin, employed in the treasury department and sleeping partners

in the house of Matifat, the Abbe Loraux, confessor and director of the

pious members of this coterie, with a few other persons, made up

the circle of their friends. In spite of the royalist sentiments of

Birotteau, public opinion was in his favor; he was considered very rich,

though in fact he possessed only a hundred thousand francs over and

above his business. The regularity of his affairs, his punctuality, his

habit of making no debts, of never discounting his paper, and of taking,

on the contrary, safe securities from those whom he could thus oblige,

together with his general amiability, won him enormous credit. His

household cost him nearly twenty thousand francs a year, and the

education of Cesarine, an only daughter, idolized by Constance as well

as by himself, necessitated heavy expenses. Neither husband nor wife

considered money when it was a question of giving pleasure to their

child, from whom they had never been willing to separate. Imagine the

happiness of the poor parvenu peasant as he listened to his charming

Cesarine playing a sonata of Steibelt’s on the piano, and singing a

ballad; or when he found her writing the French language correctly,

or reading Racine, father and son, and explaining their beauties, or

sketching a landscape, or painting in sepia! What joy to live again in

a flower so pure, so lovely, which had never left the maternal stem;

an angel whose budding graces and whose earliest developments he had

passionately watched; an only daughter, incapable of despising her

father, or of ridiculing his defective education, so truly was she an

ingenuous young girl.

When he first came to Paris, Cesar had known how to read, write, and

cipher, but his education stopped there; his laborious life had kept him

from acquiring ideas and knowledge outside the business of perfumery.

Mixing wholly with people to whom science and letters were of no

importance, and whose information did not go beyond their specialty,

having no time to give to higher studies, the perfumer had become a

merely practical man. He adopted necessarily the language, blunders, and

opinions of the bourgeois of Paris, who admires Moliere, Voltaire, and

Rousseau on faith, and buys their books without ever reading them; who

maintains that people should say _ormoires_, because women put away

their gold and their dresses and moire in those articles of furniture,

and that it is only a corruption of the language to say _armoires_.

Potier, Talma, and Mademoiselle Mars were ten times millionaires, and

did not live like other human beings; the great tragedian ate raw meat,

and Mademoiselle Mars sometimes drank dissolved pearls, in imitation of

a celebrated Egyptian actress. The Emperor had leather pockets in his

waistcoat, so that he could take his snuff by the handful; he rode on

horseback at full gallop up the stairway of the orangery at Versailles.

Writers and artists died in the hospital, as a natural consequence of

their eccentricities; they were, moreover, all atheists, and people

should be very careful not to admit them into their households. Joseph

Lebas cited with horror the history of his step-sister Augustine’s

marriage with the painter Sommervieux. Astronomers lived on spiders.

These striking points of information on the French language, on dramatic

art, politics, literature, and science, will explain the bearings of

the bourgeois intellect. A poet passing through the Rue des Lombards

may dream of Araby as he inhales certain perfumes. He may admire the

_danseuses_ in a _chauderie_, as he breathes the odors of an Indian

root. Dazzled by the blaze of cochineal, he recalls the poems of the

Veda, the religion of Brahma and its castes; brushing against piles of

ivory in the rough, he mounts the backs of elephants; seated in a muslin

cage, he makes love like the King of Lahore. But the little retail

merchant is ignorant from whence have come, or where may grow, the

products in which he deals. Birotteau, perfumer, did not know an iota of

natural history, nor of chemistry. Though regarding Vauquelin as a great

man, he thought him an exception,--of about the same capacity as the

retired grocer who summed up a discussion on the method of importing

teas, by remarking with a knowing air, “There are but two ways: tea

comes either by caravan, or by Havre.” According to Birotteau aloes and

opium were only to be found in the Rue des Lombards. Rosewater, said to

be brought from Constantinople, was made in Paris like eau-de-cologne.

The names of these places were shams, invented to please Frenchmen who

could not endure the things of their own country. A French merchant

must call his discoveries English to make them fashionable, just as in

England the druggists attribute theirs to France.

Nevertheless, Cesar was incapable of being wholly stupid or a fool.

Honesty and goodness cast upon all the acts of his life a light which

made them creditable; for noble conduct makes even ignorance seem

worthy. Success gave him confidence. In Paris confidence is accepted as

power, of which it is the outward sign. As for Madame Birotteau, having

measured Cesar during the first three years of their married life,

she was a prey to continual terror. She represented in their union the

sagacious and fore-casting side,--doubt, opposition, and fear; while

Cesar, on the other hand, was the embodiment of audacity, energy,

and the inexpressible delights of fatalism. Yet in spite of these

appearances the husband often quaked, while the wife, in reality, was

possessed of patience and true courage.

Thus it happened that a man who was both mediocre and pusillanimous,

without education, without ideas, without knowledge, without force of

character, and who might be expected not to succeed in the slipperiest

city in the world, came by his principles of conduct, by his sense

of justice, by the goodness of a heart that was truly Christian, and

through his love for the only woman he had really won, to be considered

as a remarkable man, courageous, and full of resolution. The public saw

results only. Excepting Pillerault and Popinot the judge, all the people

of his own circle knew him superficially, and were unable to judge him.

Moreover, the twenty or thirty friends he had collected about him talked

the same nonsense, repeated the same commonplaces, and all thought

themselves superior in their own line. The women vied with each other

in dress and good dinners; each had said her all when she dropped a

contemptuous word about her husband. Madame Birotteau alone had the good

sense to treat hers with honor and respect in public; she knew him to

be a man who, in spite of his secret disabilities, had earned their

fortune, and whose good name she shared. It is true that she sometimes

asked herself what sort of world this could be, if all the men who were

thought superior were like her husband. Such conduct contributed not a

little to maintain the respectful esteem bestowed upon the perfumer in

a community where women are much inclined to complain of their husbands

and bring them into discredit.

* * * * *

The first days of the year 1814, so fatal to imperial France, were

marked at the Birotteaus by two events, not especially remarkable in

other households, but of a nature to impress such simple souls as Cesar

and his wife, who casting their eyes along the past could find nothing

but tender memories. They had taken as head-clerk a young man twenty-two

years of age, named Ferdinand du Tillet. This lad--who had just left

a perfumery where he was refused a share in the business, and who was

reckoned a genius--had made great efforts to get employed at “The Queen

of Roses,” whose methods, facilities, and customs were well known to

him. Birotteau took him, and gave him a salary of a thousand francs,

intending to make him eventually his successor.

Ferdinand had so great an influence on the destinies of this family that

it is necessary to say a few words about him. In the first place he was

named simply Ferdinand, without surname. This anonymous condition seemed

to him an immense advantage at the time when Napoleon conscripted all

families to fill the ranks. He was, however, born somewhere, as the

result of some cruel and voluptuous caprice. The following are the

only facts preserved about his civil condition. In 1793 a poor girl of

Tillet, a village near Andelys, came by night and gave birth to a child

in the garden of the curate of the church at Tillet, and after rapping

on the window-shutters went away and drowned herself. The good priest

took the child, gave him the name of the saint inscribed on the calendar

for that day, and fed and brought him up as his own son. The curate died

in 1804, without leaving enough property to carry on the education he

had begun. Ferdinand, thrown upon Paris, led a filibustering life whose

chances might bring him to the scaffold, to fortune, the bar, the army,

commerce, or domestic life. Obliged to live like a Figaro, he was first

a commercial traveller, then a perfumer’s clerk in Paris, where he

turned up after traversing all France, having studied the world and made

up his mind to succeed at any price.

In 1813 Ferdinand thought it necessary to register his age, and obtain

a civil standing by applying to the courts at Andelys for a judgment,

which should enable his baptismal record to be transferred from the

registry of the parish to that of the mayor’s office; and he obtained

permission to rectify the document by inserting the name of du Tillet,

under which he was known, and which legally belonged to him through the

fact of his exposure and abandonment in that township. Without father,

mother, or other guardian than the _procureur imperial_, alone in the

world and owing no duty to any man, he found society a hard stepmother,

and he handled it, in his turn, without gloves,--as the Turks the Moors;

he knew no guide but his own interests, and any means to fortune he

considered good. This young Norman, gifted with dangerous abilities,

coupled his desires for success with the harsh defects which, justly

or unjustly, are attributed to the natives of his province. A wheedling

manner cloaked a quibbling mind, for he was in truth a hard judicial

wrangler. But if he boldly contested the rights of others, he certainly

yielded none of his own; he attacked his adversary at the right moment,

and wearied him out with his inflexible persistency. His merits were

those of the Scapins of ancient comedy; he had their fertility of

resource, their cleverness in skirting evil, their itching to lay hold

of all that was good to keep. In short, he applied to his own poverty a

saying which the Abbe Terray uttered in the name of the State,--he

kept a loophole to become in after years an honest man. Gifted with

passionate energy, with a boldness that was almost military in requiring

good as well as evil actions from those about him, and justifying such

demands on the theory of personal interest, he despised men too much,

believing them all corruptible, he was too unscrupulous in the choice of

means, thinking all equally good, he was too thoroughly convinced that

the success of money was the absolution of all moral mechanism, not to

attain his ends sooner or later.

Such a man, standing between the hulks and a vast fortune, was

necessarily vindictive, domineering, quick in decisions, yet as

dissimulating as a Cromwell planning to decapitate the head of

integrity. His real depth was hidden under a light and jesting

mind. Mere clerk as he was, his ambition knew no bounds. With one

comprehensive glance of hatred he had taken in the whole of society,

saying boldly to himself, “Thou shalt be mine!” He had vowed not to

marry till he was forty, and kept his word. Physically, Ferdinand was a

tall, slender young man, with a good figure and adaptive manners, which

enabled him to take, on occasion, the key-note of the various societies

in which he found himself. His ignoble face was rather pleasant at first

sight; but later, on closer acquaintance, expressions were caught such

as come to the surface of those who are ill at ease in their own minds,

and whose consciences groan at certain times. His complexion, which was

sanguine under the soft skin of a Norman, had a crude or acrid color.

The glance of his eye, whose iris was circled with a whitish rim as if

it were lined with silver, was evasive yet terrible when he fixed it

straight upon his victim. His voice had a hollow sound, like that of

a man worn out with much speaking. His thin lips were not wanting in

charm, but his pointed nose and slightly projecting forehead showed

defects of race; and his hair, of a tint like hair that has been dyed

black, indicated a mongrel descent, through which he derived his mental

qualities from some libertine lord, his low instincts from a seduced

peasant-girl, his knowledge from an incomplete education, and his vices

from his deserted and abandoned condition.

Birotteau discovered with much amazement that his clerk went out in

the evening very elegantly dressed, came home late, and was seen at the

balls of bankers and notaries. Such habits displeased Cesar, according

to whose ideas clerks should study the books of the firm and think only

of their business. The worthy man was shocked by trifles, and reproached

du Tillet gently for wearing linen that was too fine, for leaving cards

on which his name was inscribed, F. du Tillet,--a fashion, according

to commercial jurisprudence, which belonged only to the great world.

Ferdinand had entered the employ of this Orgon with the intentions of a

Tartuffe. He paid court to Madame Cesar, tried to seduce her, and

judged his master very much as the wife judged him herself, and all with

alarming rapidity. Though discreet, reserved, and accustomed to say only

what he meant to say, du Tillet unbosomed his opinions on men and life

in a way to shock a scrupulous woman who shared the religious feelings

of her husband, and who thought it a crime to do the least harm to a

neighbor. In spite of Madame Birotteau’s caution, du Tillet suspected

the contempt in which she held him. Constance, to whom Ferdinand had

written a few love-letters, soon noticed a change in his manners, which

grew presuming, as if intended to convey the idea of a mutual good

understanding. Without giving the secret reason to her husband, she

advised him to send Ferdinand away. Birotteau agreed with his wife, and

the dismissal was determined upon.

Two days before it was carried into effect, on a Saturday night when

Birotteau was making up his monthly accounts, three thousand francs were

found to be missing. His consternation was dreadful, less for the

loss than for the suspicions which fell upon three clerks, one cook, a

shop-boy, and several habitual workmen. On whom should he lay the blame?

Madame Birotteau never left her counter. The clerk who had charge of the

desk was a nephew of Monsieur Ragon named Popinot, a young man nineteen

years old, who lived with the Birotteaus and was integrity itself.

His figures, which disagreed with the money in the desk, revealed the

deficit, and showed that the abstraction had been made after the balance

had been added up. Husband and wife resolved to keep silence and watch

the house. On the following day, Sunday, they received their friends.

The families who made up their coterie met at each other’s houses for

little festivities, turn and turn about. While playing at _bouillote_,

Roguin the notary placed on the card-table some old louis d’or which

Madame Cesar had taken only a few days before from a bride, Madame

d’Espart.

“Have you been robbing the poor-box?” asked the perfumer, laughing.

Roguin replied that he had won the money, at the house of a banker,

from du Tillet, who confirmed the answer without blushing. Cesar, on

the other hand, grew scarlet. When the evening was over, and just

as Ferdinand was going to bed, Birotteau took him into the shop on a

pretext of business.

“Du Tillet,” said the worthy man, “three thousand francs are missing

from the desk. I suspect no one; but the circumstance of the old louis

seems too much against you not to oblige me to speak of it. We will not

go to bed till we have found where the error lies,--for, after all,

it may be only an error. Perhaps you took something on account of your

salary?”

Du Tillet said at once that he had taken the louis. The perfumer opened

his ledger and found that his clerk’s account had not been debited.

“I was in a hurry; but I ought to have made Popinot enter the sum,” said

Ferdinand.

“That is true,” said Birotteau, bewildered by the cool unconcern of the

Norman, who well knew the worthy people among whom he had come meaning

to make his fortune. The perfumer and his clerk passed the whole night

in examining accounts, a labor which the good man knew to be useless. In

coming and going about the desk Cesar slipped three bills of a thousand

francs each into the money-drawer, catching them against the top of it;

then he pretended to be much fatigued and to fall asleep and snore.

Du Tillet awoke him triumphantly, with an excessive show of joy at

discovering the error. The next day Birotteau scolded Popinot and his

little wife publicly, as if very angry with them for their negligence.

Fifteen days later Ferdinand du Tillet got a situation with a

stockbroker. He said perfumery did not suit him, and he wished to learn

banking. In leaving Birotteau, he spoke of Madame Cesar in a way to make

people suppose that his master had dismissed him out of jealousy. A few

months later, however, du Tillet went to see Birotteau and asked his

endorsement for twenty thousand francs, to enable him to make up the

securities he needed in an enterprise which was to put him on the

high-road to fortune. Observing the surprise which Cesar showed at this

impudence, du Tillet frowned, and asked if he had no confidence in

him. Matifat and two other merchants, who were present on business with

Birotteau, also observed the indignation of the perfumer, who repressed

his anger in their presence. Du Tillet, he thought, might have become

an honest man; his previous fault might have been committed for some

mistress in distress or from losses at cards; the public reprobation of

an honest man might drive one still young, and possibly repentant,

into a career of crime. So this angel took up his pen and endorsed du

Tillet’s notes, telling him that he was heartily willing thus to oblige

a lad who had been very useful to him. The blood rushed to his face as

he uttered the falsehood. Du Tillet could not meet his eye, and no doubt

vowed to him at that moment the undying hatred which the spirits of

darkness feel towards the angels of light.

From this time du Tillet held his balance-pole so well as he danced the

tight-rope of financial speculation, that he was rich and elegant in

appearance before he became so in reality. As soon as he got hold of

a cabriolet he was always in it; he kept himself in the high sphere

of those who mingle business with pleasure, and make the foyer of the

opera-house a branch of the Bourse,--in short, the Turcarets of the

period. Thanks to Madame Roguin, whom he had known at the Birotteau’s,

he was received at once among people of the highest standing in finance;

and, at the moment of which we write, he had reached a prosperity in

which there was nothing fictitious. He was on the best terms with

the house of Nucingen, to which Roguin had introduced him, and he had

promptly become connected with the brothers Keller and with several

other great banking-houses. No one knew from whence this youth had

derived the immense capital which he handled, but every one attributed

his success to his intelligence and his integrity.

* * * * *

The Restoration made Cesar a personage, and the turmoil of political

crises naturally lessened his recollection of these domestic

misadventures. The constancy of his royalist opinions (to which he

had become exceedingly indifferent since his wound, though he remained

faithful to them out of decency) and the memory of his devotion in

Vendemiaire won him very high patronage, precisely because he had asked

for none. He was appointed major in the National Guard, although he

was utterly incapable of giving the word of command. In 1815 Napoleon,

always his enemy, dismissed him. During the Hundred Days Birotteau was

the bugbear of the liberals of his quarter; for it was not until 1815

that differences of political opinion grew up among merchants, who had

hitherto been unanimous in their desires for public tranquillity, of

which, as they knew, business affairs stood much in need.

At the second Restoration the royal government was obliged to remodel

the municipality of Paris. The prefect wished to nominate Birotteau as

mayor. Thanks to his wife, the perfumer would only accept the place of

deputy-mayor, which brought him less before the public. Such modesty

increased the respect generally felt for him, and won him the friendship

of the new mayor, Monsieur Flamet de la Billardiere. Birotteau, who

had seen him in the shop in the days when “The Queen of Roses” was the

headquarters of royalist conspiracy, mentioned him to the prefect of

the Seine when that official consulted Cesar on the choice to be made.

Monsieur and Madame Birotteau were therefore never forgotten in the

invitations of the mayor. Madame Birotteau frequently took up the

collections at Saint-Roch in the best of good company. La Billardiere

warmly supported Birotteau when the question of bestowing the crosses

given to the municipality came up, and dwelt upon his wound at

Saint-Roch, his attachment to the Bourbons, and the respect which he

enjoyed. The government, wishing on the one hand to cheapen Napoleon’s

order by lavishing the cross of the Legion of honor, and on the other

to win adherents and rally to the Bourbons the various trades and men

of arts and sciences, included Birotteau in the coming promotion.

This honor, which suited well with the show that Cesar made in

his arrondissement, put him in a position where the ideas of a man

accustomed to succeed naturally enlarged themselves. The news which the

mayor had just given him of his preferment was the determining reason

that decided him to plunge into the scheme which he now for the first

time revealed to his wife; he believed it would enable him to give up

perfumery all the more quickly, and rise into the regions of the higher

bourgeoisie of Paris.

Cesar was now forty years old. The work he had undertaken in his

manufactories had given him a few premature wrinkles, and had slightly

silvered the thick tufts of hair on which the pressure of his hat left a

shining circle. His forehead, where the hair grew in a way to mark five

distinct points, showed the simplicity of his life. The heavy eyebrows

were not alarming because the limpid glance of his frank blue eyes

harmonized with the open forehead of an honest man. His nose, broken at

the bridge and thick at the end, gave him the wondering look of a gaby

in the streets of Paris. His lips were very thick, and his large chin

fell in a straight line below them. His face, high-colored and square

in outline, revealed, by the lines of its wrinkles and by the general

character of its expression, the ingenuous craftiness of a peasant. The

strength of his body, the stoutness of his limbs, the squareness of his

shoulders, the width of his feet,--all denoted the villager transplanted

to Paris. His powerful hairy hands, with their large square nails, would

alone have attested his origin if other vestiges had not remained in

various parts of his person. His lips wore the cordial smile which

shopkeepers put on when a customer enters; but this commercial sunshine

was really the image of his inward content, and pictured the state

of his kindly soul. His distrust never went beyond the lines of his

business, his craftiness left him on the steps of the Bourse, or when he

closed the pages of his ledger. Suspicion was to him very much what

his printed bill-heads were,--a necessity of the sale itself. His

countenance presented a sort of comical assurance and conceit mingled

with good nature, which gave it originality and saved it from too close

a resemblance to the insipid face of a Parisian bourgeois. Without this

air of naive self-admiration and faith in his own person, he would have

won too much respect; he drew nearer to his fellows by thus contributing

his quota of absurdity. When speaking, he habitually crossed his hands

behind his back. When he thought he had said something striking or

gallant, he rose imperceptibly on the points of his toes twice, and

dropped back heavily on his heels, as if to emphasize what he said. In

the midst of an argument he might be seen turning round upon himself and

walking off a few steps, as if he had gone to find objections with which

he returned upon his adversary brusquely. He never interrupted, and was

sometimes a victim to this careful observance of civility; for others

would take the words out of his mouth, and the good man had to yield

his ground without opening his lips. His great experience in commercial

matters had given him a few fixed habits, which some people called

eccentricities. If a note were overdue he sent for the bailiff, and

thought only of recovering capital, interest, and costs; and the bailiff

was ordered to pursue the matter until the debtor went into bankruptcy.

Cesar then stopped all proceedings, never appeared at any meeting of

creditors, and held on to his securities. He adopted this system and his

implacable contempt for bankrupts from Monsieur Ragon, who in the course

of his commercial life had seen such loss of time in litigation that

he had come to look upon the meagre and uncertain dividends obtained by

such compromises as fully counterbalanced by a better employment of the

time spent in coming and going, in making proposals, or in listening to

excuses for dishonesty.

“If the bankrupt is an honest man, and recovers himself, he will pay

you,” Ragon would say. “If he is without means and simply unfortunate,

why torment him? If he is a scoundrel, you will never get anything. Your

known severity will make you seem uncompromising; it will be impossible

to negotiate with you; consequently you are the one who will get paid as

long as there is anything to pay with.”

Cesar came to all appointments at the expected hour; but if he were kept

waiting, he left ten minutes later with an inflexibility which nothing

ever changed. Thus his punctuality compelled all persons who had

dealings with him to be punctual themselves.

The dress adopted by the worthy man was in keeping with his manners and

his countenance. No power could have made him give up the white muslin

cravats, with ends embroidered by his wife or daughter, which hung down

beneath his chin. His waistcoat of white pique, squarely buttoned, came

down low over his stomach, which was rather protuberant, for he was

somewhat fat. He wore blue trousers, black silk stockings, and shoes

with ribbon ties, which were often unfastened. His surtout coat,

olive-green and always too large, and his broad-brimmed hat gave him the

air of a Quaker. When he dressed for the Sunday evening festivities he

put on silk breeches, shoes with gold buckles, and the inevitable square

waistcoat, whose front edges opened sufficiently to show a pleated

shirt-frill. His coat, of maroon cloth, had wide flaps and long skirts.

Up to the year 1819 he kept up the habit of wearing two watch-chains,

which hung down in parallel lines; but he only put on the second when he

dressed for the evening.

* * * * *

Such was Cesar Birotteau; a worthy man, to whom the fates presiding at

the birth of men had denied the faculty of judging politics and life

in their entirety, and of rising above the social level of the middle

classes; who followed ignorantly the track of routine, whose opinions

were all imposed upon him from the outside and applied by him without

examination. Blind but good, not spiritual but deeply religious, he had

a pure heart. In that heart there shone one love, the light and strength

of his life; for his desire to rise in life, and the limited knowledge

he had gained of the world, both came from his affection for his wife

and for his daughter.

As for Madame Cesar, then thirty-seven years old, she bore so close a

resemblance to the Venus of Milo that all who knew her recognized the

likeness when the Duc de Riviere sent the beautiful statue to Paris.

In a few months sorrows were to dim with yellowing tints that dazzling

fairness, to hollow and blacken the bluish circle round the lovely

greenish-gray eyes so cruelly that she then wore the look of an old

Madonna; for amid the coming ruin she retained her gentle sincerity,

her pure though saddened glance; and no one ever thought her less than a

beautiful woman, whose bearing was virtuous and full of dignity. At the

ball now planned by Cesar she was to shine with a last lustre of beauty,

remarked upon at the time and long remembered.

Every life has its climax,--a period when causes are at work, and are in

exact relation to results. This mid-day of life, when living forces

find their equilibrium and put forth their productive powers with full

effect, is common not only to organized beings but to cities, nations,

ideas, institutions, commerce, and commercial enterprises, all of which,

like noble races and dynasties, are born and rise and fall. From whence

comes the vigor with which this law of growth and decay applies itself

to all organized things in this lower world? Death itself, in times

of scourge, has periods when it advances, slackens, sinks back, and

slumbers. Our globe is perhaps only a rocket a little more continuing

than the rest. History, recording the causes of the rise and fall of all

things here below, could enlighten man as to the moment when he might

arrest the play of all his faculties; but neither the conquerors, nor

the actors, nor the women, nor the writers in the great drama will

listen to the salutary voice.

Cesar Birotteau, who might with reason think himself at the apogee of

his fortunes, used this crucial pause as the point of a new departure.

He did not know, moreover neither nations nor kings have attempted to

make known in characters ineffaceable, the cause of the vast overthrows

with which history teems, and of which so many royal and commercial

houses offer signal examples. Why are there no modern pyramids to recall

ceaselessly the one principle which dominates the common-weal of nations

and of individual life? _When the effect produced is no longer in direct

relation nor in equal proportion to the cause, disorganization has

begun._ And yet such monuments stand everywhere; it is tradition and the

stones of the earth which tell us of the past, which set a seal upon the

caprices of indomitable destiny, whose hand wipes out our dreams, and

shows us that all great events are summed up in one idea. Troy and

Napoleon are but poems. May this present history be the poem of

middle-class vicissitudes, to which no voice has given utterance because

they have seemed poor in dignity, enormous as they are in volume. It is

not one man with whom we are now to deal, but a whole people, or world,

of sorrows.

Rise and Fall of Cesar Birotteau · 第 9 / 27 题