CHAPTER VIII.

THE DEMONIACS OF LOUVIERS--MADELINE BAVENT: 1633-1647.

Had Richelieu allowed the inquiry demanded by Father Joseph into the

doings of the Illuminate Confessors, some strange light would have

been thrown into the depth of the cloisters, on the daily life of the

nuns. Failing that, we may still learn from the Louviers story, which

is far more instructive than those of Aix and Loudun, that,

notwithstanding the new means of corruption furnished by Illuminism,

the director still resorted to the old trickeries of witchcraft, of

apparitions, heavenly or infernal, and so forth.[103]

[103] It was very easy to cheat those who wished to be

cheated. By this time celibacy was harder to practise than in

the Middle Ages, the number of fasts and bloodlettings being

greatly reduced. Many died from the nervous plethora of a

life so cruelly sluggish. They made no secret of their

torments, owning them to their sisters, to their confessor,

to the Virgin herself. A pitiful thing, a thing to sorrow

for, not to ridicule. In Italy, a nun besought the Virgin for

pity's sake to grant her a lover.

Of the three directors successively appointed to the Convent of

Louviers in the space of thirty years, David, the first, was an

Illuminate, who forestalled Molinos; the second, Picart, was a wizard

dealing with the Devil; and Boullé, the third, was a wizard working

in the guise of an angel.

There is an excellent book about this business; it is called _The

History of Magdalen Bavent_, a nun of Louviers; with her Examination,

&c., 1652: Rouen.[104] The date of this book accounts for the thorough

freedom with which it was written. During the wars of the Fronde, a

bold Oratorian priest, who discovered the nun in one of the Rouen

prisons, took courage from her dictation to write down the story of

her life.

[104] I know of no book more important, more dreadful, or

worthier of being reprinted. It is the most powerful

narrative of its class. _Piety Afflicted_, by the Capuchin

Esprit de Bosroger, is a work immortal in the annals of

tomfoolery. The two excellent pamphlets by the doughty

surgeon, Yvelin, the _Inquiry_ and the _Apology_, are in the

Library of Ste. Genevieve.

Born at Rouen in 1607, Madeline was left an orphan at nine years old.

At twelve she was apprenticed to a milliner. The confessor, a

Franciscan, held absolute sway in the house of this milliner, who as

maker of clothes for the nuns, was dependent on the Church. The monk

caused the apprentices, whom he doubtless made drunk with belladonna

and other magical drinks, to believe that they had been taken to the

Sabbath and there married to the devil Dagon. Three were already

possessed by him, and Madeline at fourteen became the fourth.

She was a devout worshipper, especially of St. Francis. A Franciscan

monastery had just been founded at Louviers, by a lady of Rouen, widow

of lawyer Hennequin, who was hanged for cheating. She hoped by this

good deed of hers to help in saving her husband's soul. To that end

she sought counsel of a holy man, the old priest David, who became

director to the new foundation. Standing at the entrance of the town,

with a wood surrounding it, this convent, born of so tragical a

source, seemed quite gloomy and poor enough for a place of stern

devotion. David was known as author of a _Scourge for Rakes_, an odd

and violent book against the abuses that defiled the Cloister.[105]

All of a sudden this austere person took up some very strange ideas

concerning purity. He became an Adamite, preached up the nakedness of

Adam in his days of innocence. The docile nuns of Louviers sought to

subdue and abase the novices, to break them into obedience, by

insisting--of course in summer-time--that these young Eves should

return to the plight of their common mother. In this state they were

sent out for exercise in some secluded gardens, and were taken into

the chapel itself. Madeline, who at sixteen had come to be received as

a novice, was too proud, perhaps in those days too pure also, to

submit to so strange a way of life. She got an angry scolding for

having tried at communion to hide her bosom with the altar-cloth.

[105] See Floquet; _Parliament of Normandy_, vol. v. p. 636.

Not less unwilling was she to uncover her soul, to confess to the Lady

Superior, after the usual monastic custom of which the abbesses were

particularly fond. She would rather trust herself with old David, who

kept her apart from the rest. He himself confided his own ailments

into her ear. Nor did he hide from her his inner teaching, the

Illuminism, which governed the convent: "You must kill sin by being

made humble and lost to all sense of pride through sin." Madeline was

frightened at the depths of depravity reached by the nuns, who quietly

carried out the teaching with which they had been imbued. She avoided

their company, kept to herself, and succeeded in getting made one of

the doorkeepers.

* * * * *

David died when she was eighteen. Old age prevented his going far with

the girl. But the vicar Picart, who succeeded him, was furious in his

pursuit of her; at the confessional spoke to her only of his love. He

made her his sextoness, that he might meet her alone in chapel. She

liked him not; but the nuns forbade her to have another confessor,

lest she might divulge their little secrets. And thus she was given

over to Picart. He beset her when she was sick almost to death;

seeking to frighten her by insisting that from David he had received

some infernal prescriptions. He sought to win her compassion by

feigning illness and begging her to come and see him. Thenceforth he

became her master, upset her mind with magic potions, and worked her

into believing that she had gone with him to the Sabbath, there to

officiate as altar and victim. At length, exceeding even the Sabbath

usages and daring the scandal that would follow, he made her to be

with child.

The nuns were afraid of one who knew the state of their morals; and

their interest also bound them to him. The convent was enriched by his

energy, his good repute, the alms and gifts he attracted towards it

from every quarter. He was building them a large church. We saw in the

Loudun business by what rivalries and ambitions these houses were led

away, how jealously they strove each to outdo the others. Through the

trust reposed in him by the wealthy, Picart saw himself raised into

the lofty part of benefactor and second founder of the convent.

"Sweetheart," he said to Madeline, "that noble church is all my

building! After my death you will see wonders wrought there. Do you

not agree to that?"

This fine gentleman did not put himself out at all regarding Madeline.

He paid a dowry for her, and made a nun of her who was already a

lay-sister. Thus, being no longer a doorkeeper, she could live in one

of the inner rooms, and there be brought to bed at her convenience. By

means of certain drugs, and practices of their own, the convents could

do without the help of doctors. Madeline said that she was delivered

several times. She never said what became of the newly-born.

Picart being now an old man, feared lest Madeline might in her

fickleness fly off some day, and utter words of remorse to another

confessor. So he took a detestable way of binding her to himself

beyond recall, by forcing her to make a will in which she promised "to

die when he died, and to be wherever he was." This was a dreadful

thought for the poor soul. Must she be drawn along with him into the

bottomless pit? Must she go down with him, even into hell? She deemed

herself for ever lost. Become his property, his mere tool, she was

used and misused by him for all kinds of purposes. He made her do the

most shameful things. He employed her as a magical charm to gain over

the rest of the nuns. A holy wafer steeped in Madeline's blood, and

buried in the garden, would be sure to disturb their senses and their

minds.

This was the very year in which Urban Grandier was burnt. Throughout

France, men spoke of nothing but the devils of Loudun. The

Penitentiary of Evreux, who had been one of the actors on that stage,

carried the dreadful tale back with him to Normandy. Madeline fancied

herself bewitched and knocked about by devils; followed about by a

lewd cat with eyes of fire. By degrees, other nuns caught the

disorder, which showed itself in odd supernatural jerks and writhings.

Madeline had besought aid of a Capuchin, afterwards of the Bishop of

Evreux. The prioress was not sorry for a step of which she must have

been aware, for she saw what wealth and fame a like business had

brought to the Convent of Loudun. But for six years the bishop turned

a deaf ear to the prayer, doubtless through fear of Richelieu, who was

then at work on a reform of the cloisters.

Richelieu wanted to bring these scandals to an end. It was not till

his own death, and that of Louis XIII., during the break-up which

followed on the rule of the Queen and Mazarin, that the priests again

betook themselves to working wonders, and waging war with the Devil.

Picart being dead, they were less shy of a matter in which so

dangerous a man might have accused others in his turn. They met the

visions of Madeline, by looking out a visionary for themselves. They

got admission into the convent for a certain Sister Anne of the

Nativity, a girl of sanguine, hysteric temperament, frantic at need

and half-mad, so far at least as to believe in her own lies. A kind of

dogfight was got up between the two. They besmeared each other with

false charges. Anne saw the Devil quite naked, by Madeline's side.

Madeline swore to seeing Anne at the Sabbath, along with the Lady

Superior, the Mother-Assistant, and the Mother of the Novices. Besides

this, there was nothing new; merely a hashing up of the two great

trials at Aix and Loudun. They read and followed the printed

narratives only. No wit, no invention, was shown by either.

Anne, the accuser, and her devil Leviathan, were backed by the

Penitentiary of Evreux, one of the chief actors in the Loudun affair.

By his advice, the Bishop of Evreux gave orders to disinter the body

of Picart, so that the devils might leave the convent when Picart

himself was taken away from the neighbourhood. Madeline was condemned,

without a hearing, to be disgraced, to have her body examined for the

marks of the Devil. They tore off her veil and gown, and made her the

wretched sport of a vile curiosity, that would have pierced her till

she bled again, in order to win the right of sending her to the stake.

Leaving to no one else the care of a scrutiny which was in itself a

torture, these virgins acting as matrons, ascertained if she was with

child or no, shaved all her body, and dug their needles into her

quivering flesh, to find out the insensible spots that betrayed the

mark of the Devil. At every dig they discovered signs of pain: if they

had not the luck to prove her a Witch, at any rate, they could revel

in her tears and cries.

* * * * *

But Sister Anne was not satisfied, until, on the mere word of her own

devil, Madeline, though acquitted by the results of this examination,

was condemned for the rest of her life to an _In pace_. It was said

that the convent would be quieted by her departure; but such was not

the case. The Devil was more violent than ever; some twenty nuns began

to cry out, to prophesy, to beat themselves.

Such a sight drew thither a curious crowd from Rouen, and even from

Paris. Yvelin, a young Parisian surgeon, who had already seen the

farce at Loudun, came to see that of Louviers. He brought with him a

very clear-headed magistrate, the Commissioner of Taxes at Rouen. They

devoted unwearying attention to the matter, settled themselves at

Louviers, and carried on their researches for seventeen days.

From the first day they saw into the plot. A conversation they had had

with the Penitentiary of Evreux on their entrance into the town, was

repeated back to them by Sister Anne's demon, as if it had been a

revelation. The scenic arrangements were very bewitching. The shades

of night, the torches, the flickering and smoking lights, produced

effects which had not been seen at Loudun. The rest of the process was

simple enough. One of the bewitched said that in a certain part of the

garden they would find a charm. They dug for it, and it was found.

Unluckily, Yvelin's friend, the sceptical magistrate, never budged

from the side of the leading actress, Sister Anne. At the very edge of

a hole they had just opened he grasped her hand, and on opening it,

found the charm, a bit of black thread, which she was about to throw

into the ground.

The exorcisers, the penitentiary, priests, and Capuchins, about the

spot, were overwhelmed with confusion. The dauntless Yvelin, on his

own authority, began a scrutiny, and saw to the uttermost depth of the

affair.

Among the fifty-two nuns, said he, there were six _possessed_, but

deserving of chastisement. Seventeen more were victims under a spell,

a pack of girls upset by the disease of the cloisters. He describes

it with great precision: the girls are regular but hysterical, blown

out with certain inward storms, lunatics mainly, and disordered in

mind. A nervous contagion has ruined them; and the first thing to do

is to keep them apart.

He then, with the liveliness of Voltaire, examines the tokens by which

the priests were wont to recognize the supernatural character of the

bewitched. They foretel, he allows, but only what never happens. They

translate, indeed, but without understanding; as when, for instance,

they render "_ex parte virginis_," by "the departure of the Virgin."

They know Greek before the people of Louviers, but cannot speak it

before the doctors of Paris. They cut capers, take leaps of the

easiest kind, climb up the trunk of a tree which a child three years

old might climb. In short, the only thing they do that is really

dreadful and unnatural, is to use dirtier language than men would ever

do.

* * * * *

In tearing off the mask from these people, the surgeon rendered a

great service to humanity. For the matter was being pushed further;

other victims were about to be made. Besides the charms were found

some papers, ascribed to David or Picart, in which this and that

person were called witches, and marked out for death. Each one

shuddered lest his name should be found there. Little by little the

fear of the priesthood made its way among the people.

The rotten age of Mazarin, the first days of the weak Anne of Austria,

were already come. Order and government were no more. "But one phrase

was left in the language: _The Queen is so good._" Her goodness gave

the clergy a chance of getting the upper hand. The power of the laity

entombed with Richelieu, bishops, priests, and monks, were about to

reign. The bold impiety of the magistrate and his friend Yvelin

imperilled so sweet a hope. Groans and wailings went forth to the Good

Queen, not from the victims, but from the knaves thus caught in the

midst of their offences. Up to the Court they went, weeping for the

outrage to their religion.

Yvelin was not prepared for this stroke: he deemed himself firm at

Court, having for ten years borne the title of Surgeon to the Queen.

Before he returned from Louviers to Paris, the weakness of Anne of

Austria had been tempted into granting another commission named by his

opponents, consisting of an old fool in his dotage, one Diafoirus of

Rouen, and his nephew, both attached to the priesthood. These did not

fail to discover that the Louviers affair was supernatural,

transcending all art of man.

Any other than Yvelin would have been discouraged. The Rouen

physicians treated with utter scorn this surgeon, this barber fellow,

this mere sawbones. The Court gave him no encouragement. Still, he

held on his way in a treatise which will live yet. He accepts this

battle of science against priestcraft, declaring, as Wyer did in the

sixteenth century, that "in all such matters the right judge is not

the priest but the man of science." With great difficulty he found

some one bold enough to print, but no one willing to sell his little

work. So in broad daylight the heroic young man set about distributing

it with his own hands. Placing himself on the Pont Neuf, the most

frequented spot in Paris, at the foot of Henry the Fourth's statue, he

gave out copies of his memoir to the passers by. At the end of it they

found a formal statement of the shameful fraud, how in the hand of the

female demons the magistrate had caught the unanswerable evidence of

their dishonour.

* * * * *

Return we to the wretched Madeline. Her enemy, the Penitentiary of

Evreux, by whose influence she had been searched with needles, carried

her off as his prey to the heart of the episcopal dungeons in that

town. Below an underground passage dipped a cave, below the cave a

cell, where the poor human creature lay buried in damps and darkness.

Reckoning upon her speedy death, her dread companions had not even the

kindness to give her a piece of linen for the dressing of her ulcer.

There, as she lay in her own filth, she suffered alike from pain and

want of cleanliness. The whole night long she was disturbed by the

running to and fro of ravenous rats, those terrors of every prison,

who were wont to nibble men's ears and noses.

But all these horrors fell short of those which her tyrant, the

Penitentiary, dealt out to her himself. Day after day he would come

into the upper vault and speak to her through the mouth of her pit,

threatening her, commanding her, and making her, whether she would or

no, confess to this or that crime as having been wrought by others. At

length she ceased to eat. Fearing that she might die at once, he drew

her for a while out of her _In Pace_, and laid her in the upper vault.

Then, in his rage against Yvelin's memoir, he cast her back into her

sewer below.

That glimpse of light, that short renewal and sudden death of hope,

gave the crowning impulse to her despair. Her wound was closing, so

that her strength was greater. She was seized with a deep and violent

thirst for death. She swallowed spiders, but instead of dying, only

brought them up again. Pounded glass she swallowed, but in vain.

Finding an old bit of sharp iron, she tried to cut her throat, but

could not. Then, as an easier way, she dug the iron into her belly.

For four hours she worked and bled, but without success. Even this

wound shortly began to close. To crown all, the life she hated so

returned to her stronger than before. Her heart's death was of no

avail.

She became once more a woman; still, alas! an object of desire, of

temptation for her jailers, those brutish varlets of the bishopric,

who, notwithstanding the horror of the place, and the unhappy

creature's own sad and filthy plight, would come to make sport of

her, believing that they might do all their pleasure against a Witch.

But an angel succoured her, so she said. From men and rats alike she

defended herself. But against herself, herself she could not protect.

Her prison corrupted her mind. She dreamed of the Devil, besought him

to come and see her, to restore to her the shameful pleasures in which

she had wallowed at Louviers. He never deigned to come back. Once more

amidst this corruption of her senses, she fell back on her old desire

for death. One of the jailers had given her a drug to kill the rats.

She was just going to swallow it herself, when an angel--an angel, was

it, or a devil?--stayed her hand, reserving her for other crimes.

Thenceforward--sunk into the lowest depths of vileness, become an

unspeakable cipher of cowardice and servility--she signed endless

lists of crimes which she had never committed. Was she worth the

trouble of burning? Many had given up that idea, but the ruthless

Penitentiary clung to it still. He offered money to a Wizard of

Evreux, then in prison, if he would bear such witness as might bring

about the death of Madeline.

For the future, however, they could use her for other purposes--to

bear false witness, to become a tool for any slander. Whenever they

sought the ruin of any man, they had only to drag down to Louviers or

to Evreux this accursed ghost of a dead woman, living only to make

others die. In this way she was brought out to kill with her words a

poor man named Duval. What the Penitentiary dictated to her, she

repeated readily: when he told her by what marks she should know

Duval, whom she had never seen, she pointed him out and said she had

seen him at the Sabbath. Through her it fell out that he was burnt!

She owned her dreadful crime, and shuddered to think what answer she

could make before God. She was fallen into such contempt that no one

now deigned to look after her. The doors stood wide open: sometimes

she had the keys herself. But where now should she go, object as she

was of so much dread? Thenceforth the world repelled her--cast her

out: the only world she had left was her dungeon.

During the anarchy of Mazarin and his Good Lady the chief authority

remained with the Parliaments. That of Rouen, hitherto the friendliest

to the clergy, grew wroth at last at their arrogant way of examining,

ordering, and burning people. A mere decree of the Bishop had caused

Picart's body to be disinterred and thrown into the common sewer. And

now they were passing on to the trial of Boullé, the curate, and

supposed abettor of Picart. Listening to the plaint of Picart's

family, the Parliament sentenced the Bishop of Evreux to replace him

at his own expense in his tomb at Louviers. They called up Boullé,

undertook his trial themselves, and at the same time sent for the

wretched Madeline from Evreux to Rouen.

People were afraid that Yvelin and the magistrate who had caught the

nuns in the very act of cheating, would be made to appear. Hieing away

to Paris, they found the knave Mazarin ready to protect their knavish

selves. The whole matter was appealed to the King's Council--an

indulgent court, without eyes or ears--whose care it was to bury, hush

up, bedarken everything connected with justice.

Meanwhile, some honey-tongued priests had comforted Madeline in her

Rouen dungeon; they heard her confessions, and enjoined her, by way of

penance, to ask forgiveness of her persecutors, the nuns of Louviers.

Thenceforth, happen what might, Madeline could never more be brought

in evidence against those who had thus bound her fast. It was a

triumph indeed for the clergy, and the victory was sung by a knave of

an exorciser, the Capuchin Esprit de Bosroger, in his _Piety

Afflicted_, a farcical monument of stupidity, in which he accuses,

unawares, the very people he fancies himself defending.

The Fronde, as I said before, was a revolution for honest ends. Fools

saw only its outer form--its laughable aspects; but at bottom it was a

serious business, a moral reaction. In August, 1647, with the first

breath of freedom, Parliament stepped forward and cut the knot. It

ordered, in the first place, the destruction of the Louviers Sodom;

the girls were to be dispersed and sent back to their kinsfolk. In the

next, it decreed that thenceforth the bishops of the province should,

four times a-year, send special confessors to the nunneries, to

ascertain that such foul abuses were not renewed.

One comfort, however, the clergy were to receive. They were allowed to

burn the bones of Picart and the living body of Boullé, who, after

making public confession in the cathedral, was drawn on a hurdle to

the Fish Market, and there, on the 21st August, 1647, devoured by the

flames. Madeline, or rather her corpse, remained in the prisons of

Rouen.

La Sorcière: The Witch of the Middle Ages · 第 8 / 12 章