Goil said, "All right, Willy. Sam says you have something to tell me."

"Yes, sir," Willy said dolefully, shifting his gaze so that he did not

have to look directly at Goil or me. He hesitated for moments, then

when the silence was too thick, he continued.

"I--I took that generator and that energizer as I told you yesterday."

Again he paused, patently dreading what more he had to say.

"What did you do with such monstrous, expensive pieces of equipment?"

asked Goil. "Of what possible use could they be to you, especially out

here in space?"

"Willy," I said, "why don't you start right at the beginning so Mr.

Goil can get a complete picture?"

Willy looked behind and around me, gulped a couple of times, then

started.

"OK. Well, Martha's birthday--Martha is my wife, Mr. Goil--her

birthday is in a few days. And I missed her last birthday and she

never forgave me for that. And I almost missed this one too, except I

got an idea. And that was after reading about those private satellites

a lot of the rich people have going around Earth.

* * * * *

"It was too late for me to send any sort of a birthday present to

Martha; besides, what could I get her out here? Anyway, I got the idea

that what a wonderful birthday present it would be if I could get

Martha a private satellite. Not one of those prefabricated ones, but a

natural, real one. The more I thought about it the better the idea

sounded. Then I realized that I had everything here; a million

asteroids to choose from, and I could slip one of the gravity

generators in the middle of it. And I could hitch the drive from the

smashed tug to it, and install a sub-space energizer. Except for an

atmosphere generator it would be equipped enough for a start. I could

finish equipping it later. So I got an asteroid and took a sub-space

energizer and a gravity generator from supply--they are

expendable--and got the drive off the wrecked tug. I installed them on

the rock."

Willy ended his story abruptly.

Goil sat looking intently at Willy and drumming his fingers on the

desk top. Finally he said:

"We can recover those major items. Maybe it'll go easier with you,

Willy. If you can show us where this rock is--"

Willy hung his head again. And the silence became solid. Finally Willy

squeaked out:

"I can't. I sent it off yesterday."

"Just how and when did you determine the rock should be sent?" asked

Goil.

"I--I got a course tape," said Willy. I could almost feel his sense of

guilt as he virtually implicated one more of his friends.

"Don't you know," said Goil in an all-too-quiet, ominous voice, "that

a jury-rigged contraption like that could never get near Earth with

only a one-time course like that plotted for it? That it takes precise

computations to get something like that to a destination? _With_ a

human navigator? Just how did you figure you could do it? I'm

curious."

"Well," said Willy warming up to the subject a little, "I rigged up a

timing unit. When it left here, it was on the taped course for Earth.

Then it went into sub-space. From the computations I got, I set

another timer that will kick it back into normal space at the right

time, and in an orbit around Earth."

The room was silent for a time. Finally the silence exploded with:

"You damned fool! You dangerous idiot! You've got just enough

knowledge to be able to do something like that, but not enough sense

to know it is hopeless and idiotic! I've heard enough. Now, get out of

here!"

Willy got out in a stumbling hurry.

* * * * *

I stayed. Goil tried to glare me out of the room, but I would have

none of it. I was now ready to go into action. I was by no means

certain I would be right, but already deep in this mess, what more

could I lose by plunging?

With a lot more bravado than I really felt, I plunked down on Goil's

desk top a stack of sheets, a chart, and tapes. Then I put both palms

down on his desk and leaned over until I looked him squarely in the

face. I said:

"Do you know what is going to happen to that rock of Willy's, Mr.

Goil? It's going to come out of sub-space right smack in the path of

that freighter. It's going to knock that freighter right off course."

Of course, it sounded like a fantasy, and if I had been in Goil's

place, I would have thought it so. But Goil had been worrying over the

impending loss of his interests, and even the fantastic was something

to clutch at for the moment.

"What do you mean?" he asked.

I nodded to the stuff I had tossed on his desk. "Look at those. The

chart particularly. I got the course plotted by Artie Jones. I checked

the path and timing of both Willy's asteroid and the freighter.

Willy's asteroid is due to come out of sub-space in about six hours at

this point."--I pointed to an X I had marked on the chart--"And the

freighter will be at the same point at the same time."

Goil said nothing, but examined the chart and the computation figures,

and finally the tapes. He shook his head a number of times as if he

didn't want to believe but did not dare not to. Finally, he looked up

at me and said:

"The course and figures seem to check both ways. But I don't believe

it. That the rock and the freighter should meet in the same place at

the same time would be more than a coincidence. It would be a

miracle."

"More so than the 'coincidence' of the freighter headed straight for

Mars's only industrial area?" I asked.

Goil thought it over for a while. Then he said, "Yes. More than I can

imagine. We have the rock and the freighter, two moving bodies,

meeting in space by pure chance. Space is too vast for that sort of

thing. It can't happen."

"Mars and the freighter are two moving bodies in space that are going

to meet," I pointed out.

"Yes, but the ship was originally headed on a course to Mars. And Mars

is much bigger."

"True," I conceded. "But the asteroid is also on an interception

course with the freighter. And it is a lot bigger than the freighter."

Goil sat silent and thoughtful for quite a while. Finally, he said:

"I'm not gullible, Mr. Weston. Nor am I a fool. I have enough interest

in Mars to want a miracle to happen, aside from a natural desire to

see disaster averted. But what about you; what are you after? What are

you trying to prove?"

That was what I had been waiting for.

* * * * *

I told him about the Research Institute of Human Influences, for which

I was a field psychologist, and how they located accident prones and

safety prones, among other types of odd personalities, and how we

observers gathered data in efforts to learn ways to nullify the

accident prones' influence, and to learn the whys and hows of the

safety prones, as well as ways to expand their fields of influence.

Goil just sat there, his face indicating neither belief nor disbelief.

"Willy has no idea he does what he does, nor why. He's completely

unaware of his influence. I can't imagine how his mind works to

rationalize for his behavior. I'd do just about anything, Mr. Goil, to

keep Willy from learning all I've told you. It would make him aware,

and that might sour things, probably even nullify his influence."

Goil said, "I'm not at all convinced that this is not some sort of

lunatic hoax. But as long as there is nothing I nor you can do for the

time being, I'm going to hold any further action in abeyance. Let's

see what happens. Even if by some miraculous coincidence the rock and

the ship should meet, that's not proof that your yarn is true."

"No," I said. "But other things have happened before. Nothing this

big, though. But always, there is this synergism of Willy's; a

compulsion to do some crazy thing, or to build some silly gadget, even

if he has to steal to do it. And the inevitable end that sometimes

quite obviously prevents injury, and other times leaving the results a

mystery. Once the purpose has been accomplished, Willy loses all

interest. I have histories, documented cases of Willy's influence.

Files of tape recordings of his synergisms in action. And these files

all show a definite pattern."

"Let's hear some of your recordings, and read some of your documents,"

said Goil.

And that was how we spent the next four hours.

* * * * *

Of course, I had juggled the computations I had shown Goil a little

bit. And made the course of the asteroid look like it would coincide

with that of the freighter. If I hadn't, Goil would never have given

me the time I needed.

Art Jones had kept the news of the freighter coming in all day. It was

still on course for Mars. About a half-hour before the freighter crew

was due to leave the ship, the rec room was crowded with men waiting

to watch the escape of the crew.

There hadn't been time enough to get a ship in the area that could

blast the freighter off course. And there hadn't been any ship even on

Mars equipped for such action, not even an old slightly serviceable

derelict that could be placed in the runaway ship's path for

deflection.

The long-range scope still had the runaway ship in focus. It looked

like a little painted miniature in the trideo, with a very slowly

moving spangled background. A faint superimposed image of Mars

appeared. The announcer was talking about forces, vectors, and other

navigational terminology, plus nonsensical chatter of probability

factors. The picture faded and was replaced with an artist's animated

conception of the impending tragedy. It showed the present location of

the ship, the calculated course and trajectory of the ship through the

atmosphere to the point of impact--right in the center of the

industrial area. It ended with a big question mark before the image of

the ship returned.

During the sequence of the collision course, I was trying in my mind

to figure out just how far off Willy's asteroid would be. I could

figure it roughly in my head, remembering the original figures I'd

gotten from Artie. The asteroid would be no fewer than a million and a

half miles from the runaway ship, at its nearest point. Besides, it

wouldn't emerge from sub-space until it was near Earth, a good seventy

million miles from Mars at that time.

It had taken some belligerent persuasion to get Artie to conjure up

the figures and tapes I gave Goil.

I felt a tap on my shoulder and glanced up. Simon, one of the tug

pilots, was pointing toward the back of the room. I looked back.

Artie was there with a worried look on his face looking at me. His

eyes moved quickly toward where Goil sat, and then back at me. His

head gave a little backwards jerk.

Feeling real unhappy all of a sudden as premonition nudged my mind, I

got up quietly and went back.

Artie had stepped outside in the hall. When he saw me step out of the

rec room doorway, he motioned me down the hall farther. Gloom was all

over his face, even in his motions. He said:

"Sam, I don't know what's going on around here between Willy, Goil,

and you. But I thought you'd like to know Goil was in to see me a

little while ago. Before I had much of a chance to think about it, I

gave him the figures and tapes for that course I plotted for Willy. I

don't know how Goil knew about them, but he asked for them directly."

"Which figures, Art?" I asked anxiously.

"Why, the ones I made for you. Is there something wrong, Sam?"

My alarm must have shown in my face. I said, "No, Art. I thought maybe

you might have given him that other course I asked you to plot."

"You mean that false course? Hell, Sam. I didn't know--"

"It's all right, Art. You didn't know." And I left him standing there

puzzled. I went back to the rec room.

I wasn't feeling so good by the time I got back. My seat had been

taken, so I wriggled myself a place against the back wall.

Goil knew all about the fictitious course I gave him. Right there he

had me cold. But he was too worried to want to do anything about it

then.

The time seemed to stand still. The crew still had some fifteen

minutes before they were due to abandon ship, so I left the rec room

to sneak out to the galley for a cup of coffee. When I entered, there

was Artie and Elmer already having coffee.

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