R. Well, and so you conclude----

N. I do not conclude at all. I am in doubt, and this doubt has

tormented me inexpressibly, during the whole time I spent in reading

these letters. If it be all a fiction, it is a bad performance; but

say that these two women have really existed, and I will read their

epistles once a year to the end of my life.

R. Strange! what signifies it whether they ever existed or not? They

are no where to be found: they are no more.

N. No more? So they actually did exist.

R. The conclusion is conditional: if they ever did exist, they are now

no more.

N. Between you and I, these little subtilties are more conclusive than

perplexing.

R. They are such as you force me to use, that I may neither betray

myself nor tell an untruth.

N. In short, you may do as you think proper; your Title is sufficient

to betray you.

R. It discovers nothing relative to the matter in question; for who

can tell whether I did not find this title in the manuscript? Who

knows whether I have not the same doubts which you have? Whether all

this mystery be not a pretext to conceal my own ignorance?

N. But however you are acquainted with the scene of action. You have

been at Vevey, in the _Pays de Vaud_?

R. Often; and I declare that I never heard either of Baron D'Etange,

or his Daughter. The name of Wolmar is entirely unknown in that

country. I have been at Clarens, but never saw any house like that

which is described in these letters. I passed through it in my return

from Italy, in the very year when the sad catastrophe happened, and I

found no body in tears for the death of Eloisa Wolmar. In short, as

much as I can recollect of the country, there are, in these letters,

several transpositions of places, and topographical errors, proceeding

either from ignorance in the author, or from a design to mislead the

reader. This is all you will learn from me on this point, and you may

be assured that no one else shall draw any thing more from me.

N. All the world will be as curious as I am. If you print this work,

tell the public what you have told me. Do more, write this

conversation as a Preface: it contains all the information necessary

for the reader.

R. You are in the right. It will do better than any thing I could say

of my own accord. Though these kind of apologies seldom succeed.

N. True, where the author spares himself. But I have taken care to

remove that objection here. Only I would advise you to transpose the

parts. Pretend that I wanted to persuade you to publish, and that you

objected. This will be more modest, and will have a better effect.

R. Would that be consistent with the character for which you praised

me a while ago?

N. It would not. I spoke with a design to try you. Leave things as

they are.

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