They found themselves looking into a long dark hall, its gloom

inadequately relieved by high barred windows. Straw littered the floor

and was collected into little heaps along the walls. Dimly discerned in

the shadows was a throng of people, men and women--some promenading up

and down in solitary dejection, some in groups seated upon the straw

at a game of cards, some leaning propped against the wall in listless

despair. He gazed into that Hades-like abode of misery with a curious

anxiety at his heart, an anxiety whose cause for the moment eluded

him. He watched, waiting in a vague expectation of some event that

approached and was yet unseen.

A door in the foreground opened and, with a little intimate shock, he

saw enter that mysterious duplication of his personality that was he

and yet was not he--the sternly ascetic young _répreséntant en mission_

whose plumed hat and sash of office proclaimed his authority in this

dreadful place. A subservient turnkey followed at his heels, called a

name.

A young girl--_she_--she of the bare room overlooking the square, she

of--of--he failed to identify another appearance he knew ought to be

familiar--started up from a bed of straw where she had been sitting in

company with an old man. She approached, in quiet command of herself,

neither hastily nor reluctantly. Obviously, she was indifferent to

whatever might be required of her. Only when she perceived the identity

of her visitor did she start back in a sudden little hesitation,

vanquished as soon as felt. She came coolly up to him, regarded him

with contemptuously hostile eyes, awaited his business with her.

He was trembling with emotions that almost overpowered him--the soul

that watched felt itself gripped in an agony of remorse, of fear,

of--something else that he would not acknowledge. He stammered

evidently as he spoke.

“_Citoyenne_, come with me--you are free!”

She looked at him in blank surprise.

“Free?”

The inaudible words were plain to those two watching souls who had long

ago forgotten the crystal that they held. Both thrilled with a sense of

crisis in which they were intimately involved.

The young man reiterated his assertion eagerly.

“And my father?” The girl turned her head toward the melancholy figure

bowed in dejection on its heap of straw.

He shrugged his shoulders.

“Your father is guilty of a crime against the Republic. I can do

nothing for him. But you have committed no crime, _citoyenne_”

Her eyes looked into his, probed him.

“Nor have many here. Why do you release me?”

He lost control of himself in his eagerness to withdraw her from the

danger into which he had himself wantonly plunged her.

“Because--because I love you! Because I cannot let you die!--Because--I

cannot help it--you are all of life to me, _citoyenne_!”

She looked at him, her face like a carven sphinx, her eyes inscrutable.

“I go--wherever my father goes!”

He stood, deathly pale, wrestling with a terrible temptation. She

watched his agony, without malice, without sympathy, cold like a slave

in the market who may be bought--for a price. All of him that was human

yearned for her, yearned for her unutterably in a surge of desire that

all but overcame him--and yet an austere inner self, that self which

had vowed itself to the idealized service of the Republic in youthful

fanaticism, stood firm although it agonized. He felt himself a worthy

spiritual successor of that Scaevola who stood with his hand in the

fire, as he answered, cold sweat upon his brow.

“_Citoyenne_, it is impossible. I cannot buy even your love with my

dishonour. Your father has committed a crime against the Republic--but

you have committed none.”

She shrugged her shoulders in calm indifference. An insulting smile

came into her face.

“Then I will do so!” She turned toward the prisonful of victims with

the exultant gesture of a martyr who demands the stake, and cried,

evidently with full lungs: “_Vive le Roi! À bas la République!_”

“_Vive le Roi!--À bas la République!_” came like a murmured echo from

somewhere beyond defined space, in defiant mockery of all that he

craved.

He watched her turn away from him, an immense despair submerging him,

and went slowly, head down, toward the door as though himself condemned.

She turned for one last look at him as he disappeared, a strange wild

ecstasy in her face--and then flung herself face downward upon the

straw in a paroxysm of hysteric sobs.

Whence came those murmured words, charged with unutterable passion,

with the intensity of a soul that gathers its essence for its leap into

the infinite dark?

“Now--now I can love him! Death, death! come quickly!--now I have the

right to love!”

There was a glimpse of a face suddenly radiant through its tears--and

then again blackness, a suspense of thought.

He stood with his back to the room, looking out upon the square filled

with a surging mob. In the middle, upon a raised scaffold, stood the

terrible red-painted uprights with the gleaming knife under the linking

beam, poised ready for the swift fall of its diagonal edge. The mob

swirled in a sudden turbulence under the windows. He knew what it meant.

There, forcing its slow passage through the maddened crowd, came the

fatal cart--a rough vehicle filled with hatless men and women whose

necks were bare and whose hands were bound, men and women who seemed

deaf to the vociferations of the bloodthirsty mob that raved about

them. He shuddered--slipped his right hand into his pocket, held it

there, his gaze fastened in horrible fascination upon that slowly

moving cartload of already almost lifeless human beings. He saw,

clearly, only one figure, a girl in white, and he waited--in an agony

which held him rigid.

The cart lurched its slow way to the scaffold, stopped. The victims

began to descend. He saw the figure in white mount the steps to

the machine, saw it turn its head at the last moment toward his

window--and, as though it were the signal expected, he whipped the

pistol from his pocket, glimpsed the dark hole of its barrel, and fired.

The man and woman in the chair stared into a crystal ball whose depths

were suffused with a milky cloud.

“Oh, Jim!” she murmured. “_The last time----!_”

“Shh!” he said, with a squeeze of her hand. “Look! It’s coming again!”

Once more the cloud parted--they peered, breath held for further

revelations, into a crude contrast of bright light and intense shadow,

upon a striped awning at an angle from a wall glaring in the sun, upon

a narrow street where dust rose yellow like an illumined cloud above a

dark throng of Asiatics, their white robes almost blue in the shadow,

who gesticulated and pushed each other as they packed themselves into a

semicircle of eager faces. Their vision adjusting itself to the violent

juxtaposition of high light and deep shadow, they stared into the

comparative sombreness under the awning, to the object which held the

interest of the crowd.

In a cleared space, in front of a trio of barbaric musicians who

squatted cross-legged upon the ground in serious management of pipe and

tom-toms, a dancing-girl postured in fluidic attitudes of her lithe,

slim body. Arms and legs covered with bracelets, she turned, stretched,

and twisted herself in accompaniment to a rhythm which escaped them.

Indefatigably she danced, heedless of the eager, appreciative eyes upon

her, her face expressionless in a rapt absorption where consciousness

of her environment seemed lost. The crowd shouted inaudible

encouragements in flashes of gleaming teeth, flung flowers and small

coins on to the mat whereon she danced, swayed with contagious waves

of enthusiasm. The girl danced on, indifferent to the applause,

ecstatically absorbed in the perfection of her art. Only one or other

of the serious musicians lifted an occasional bright, sharp glance to

the increasing spread of coins upon the mat.

Suddenly there was a commotion in the rear of the crowd, a jostling and

elbowing which propagated itself to the front rank. The throng parted,

with alarmed turns of the head to some disturbance behind them. A huge

elephant appeared, gliding forward with slow and stately motion to

the rhythmic wave of its sensitive trunk. Upon the gorgeous cloth of

its back was poised a richly carved and gilt _howdah_ surmounted by a

gigantic umbrella in scarlet and gold. Beneath that umbrella reposed a

languid young man, handsome with aquiline nose and splendid eyes under

the magnificent turban which crowned his dark head. He lifted his hand

in a gesture to the mahout perched on the neck of the elephant, and the

great animal stopped, left in a clear space by the crowd which fell

back reverently from its neighbourhood.

Still the girl danced on, heedless, unperceiving perhaps, of the

prince who watched her from his lofty seat. The musicians, after one

quick glance upward of apprehension, risked boldly and played on with

undisturbed solemnity. She danced with a sinuous grace that held the

eye in fascination, with an intensity of restrained movement, daringly

provocative though were her postures, which thrilled the watcher with

a sense of suppressed and concentrated passion whose potentialities

might not be measured. She danced, the incarnation of the fierce pulse

of life that beats beneath the fallacious languor of the East, her body

charged with vitality as it bent and straightened with lithe precision

to another curve, her face carven, expressionless, as though her soul

were withdrawn to its mysterious centre. The prince clapped his hands

in irrepressible enthusiasm. She stopped dead, stood rigidly upright

facing him, arms close to her sides, arabesqued breastlets thrust

forward, a slim statue that quivered with magically arrested life, in a

motionless effrontery that challenged his regard, his very power. Their

eyes met, looked into each other while the musicians ceased to play.

What was that of intense communion which sped between them? With a

sudden gesture the prince flung a handful of golden coins into the mat,

made a grave inclination of his head.

The elephant moved onward. With a smile of triumph, with a breath

long-drawn through her nostrils, and eyes that closed ecstatically for

a moment as in a dream realized, the girl followed in the train of his

gorgeously attired retinue....

_They knew_--those watchers who gazed as through the rent veils

of eternity, apprehending with minds that had ceased to be

corporeal--recognizing themselves once more, though in an incarnation

immeasurably remote, an incarnation whose transient language was long

ago forgotten.

The vision changed abruptly. They gazed into the hall of an Oriental

palace, arabesqued arches in a colonnade on either side, tessellated

marble in cool colours patterning the floor, ebony-black slaves waving

peacock fans above a cushioned divan on which the prince reclined. An

indulgent smile played over his handsome features as he toyed with the

unbraided hair of the beautiful girl who sat at his feet, in confident

lassitude against his knee, and turned her head back to gaze up into

his face with eyes voluptuously fond. She sighed with happiness--her

face no longer expressionless as in the public dance, but charged with

a yearning intensity of love. He, too, yearned over her with his grave

smile, bent his head down for the kiss her lips put up to him....

Again the scene changed. It was night in the colonnaded hall, moonbeams

patching the tessellated floor, flickering points of yellow flame

swinging slightly with the hanging lamps in the gloom under the

intricacy of the arches. A shadow moved out of the darkness, stood in

the moonlight, waited for a moment, then dropped a veil from its face.

It was the dancing-girl. She turned questing eyes about her as though,

at risk to herself, she was fulfilling an appointment that was not yet

met.

Another shadow slid out of the gloom under the arches, approached

her--another woman, young also and also beautiful, but with a

beauty--its character was startlingly vivid to those watchers--that

was insinuatingly treacherous, the beauty that smiles as it betrays.

She stood now with the erstwhile dancing-girl in the moonlight, spoke

to her with an assumption of gravely concerned and pitying friendship,

shook her head dolefully as though in distress at her own message.

The dancing-girl revolted with a vehement gesture of denial, of

impossibility--but her dark eyes flashed and her nostrils quivered. The

other persisted, in emphatic asseveration, her face a study in subtle

malice. She pointed to the heavy curtains which draped the just-seen

extremity of the hall, a fiercely assertive significance in her gesture.

The girl shrank back, shuddered. Then, with a slow turn of her body

from the tempter, she relapsed into herself, into a fierce meditation

where her eyes swept the shadows about her, where her lips uncovered

her teeth in a quick-caught breath and her clenched fist went slowly,

tensely, up to the side of her head in an agony that was beyond

words. The other woman contemplated her, just restraining a smile,

diabolically malicious--appealed once more to those hanging curtains

for proof of her sincerity. The girl, forlorn, gripped in some immense

unhappiness, nodded sombrely, with set teeth. With one last unobserved

smile of evil triumph, the other woman vanished.

For a long moment the girl hesitated. Then, with stealthy, feline

step, her shoulders crouched, she commenced to move along the hall.

Her gaze, a gaze of wide-open eyes set in the horror of some torture

of the soul, was fixed as though fascinated upon those heavy curtains

which she approached. She attained them, stopped, stood with one hand

in a final hesitation upon the folds, her bosom heaving with fiercely

primitive emotions. Then, in a violent determination, she flung them

aside.

Beyond, in a small torch-lit apartment, the prince reclined in company

with another woman. His head turned in sudden anger to the intruder.

Before he could make a movement of defence or escape, the dancing-girl

had sprung upon him, with a bound like a tigress, a long knife flashing

in her hand....

Even as they gasped their horror, they found themselves once more

staring at the milky cloud suffusing the depths of the crystal globe.

“Oh, Jim!” she breathed, in an awe-stricken recognition, “that was _my_

crime--the crime for which you punished me----”

“Look!” he murmured. “Look! It is not finished yet.”

In fact, the cloud was parting once more, parting this time over a

scene in ancient Egypt. Once more they recognized themselves, princess

and priest of a temple, in a drama that passed vaguely, too quickly in

its remoteness to be fully grasped, before their sight.

Scene after scene unfolded itself in the depths of the crystal, in a

succession of varying settings, in an ever-briefer duration, an ever

more vague drama of relationship, whose blurred outlines were perhaps

the effect of their fatigued attention, no longer able to follow in

their details visions possibly as minutely exhibited as the first.

Always their two personalities, in ever-changing incarnations, met

and reacted in wild passions that claimed them fully. In the eternal

history of their lives, all was possible, all had happened, every

variation of experience--save only indifference to each other. An

unseen link held them always, tightened into contact from the moment

of propinquity. On islands in a blue sea furrowed by long-oared and

primitive galleys; in cities of Cyclopean masonry that glittered,

as if vitrified, in a burning sun; in dark forests where skin-clad

savages went furtively with stone-barbed spears and knelt in worship

of the animal that they had just slain; by the side of reedy lakes

where hairy, scarce-human creatures crouched and gnawed the bones they

plucked from the embers--always they two met and always they were

lovers, fortunate sometimes, tragic sometimes, but always lovers.

Beyond humanity, far into the mists of time where strange shapes bodied

themselves, unrecognizable, and were dissipated into others yet more

strange, the visions continued in ever-increasing recession--leading

back into a distance where they lost all sense of personal

participation among vague and formless shadows.

They watched, in a breathless fascination.

Still farther back, beyond those shadows, something began to glow in

the depths of a night that cleared to transparent blackness, a ball

of fire, of living light that pulsed with intense incandescence in an

uttermost remoteness. And, as they watched, it divided itself, split

into two smaller spheres that circled about each other, throwing

out flames that reached like clutching arms in vain endeavour to

reëstablish unity. For an incomputable period--it seemed æons to those

souls who watched--they circled, held in mutual attraction and yet

still apart despite the reaching streamers. And then slowly, slowly,

they approached--their light heightening to a yet more vivid brightness

as they drew near....

The crystal globe slipped from numbed fingers into the fireplace. As

though roused from a dream by the crash of its contact with the brass

curb, the girl started and turned to her companion. He picked up the

crystal, starred and fissured with its fall--henceforth useless.

“Oh, Jim!” she cried in poignant regret. “We shall not see---- What is

going to happen _this_ time?”

She held his hand between her two, gazed up into his face in fond

anxiety, yearned out to him.

He put down the crystal, drew her close, enfolded her.

“Love!” he answered. “Love--once more and for always! And, to us, dear,

nothing else matters. It is the one reality.”

In each other’s eyes they saw, with a perception transcending physical

vision, the divine light of those sundered spheres that drew together.

HELD IN BONDAGE

Two French officers, wearing the red velvet bands of the medical

service upon their caps, followed an old woman down the staircase of a

pleasant villa-residence on the outskirts of Mainz.

“The bedrooms will suit perfectly,” said the elder of the two officers,

a major, in German. “And now a sitting-room?”

The old woman led them along a passage and, without a word, threw open

the door of a room lined with books. The two officers entered, looked

about them.

They were startled by a man’s voice behind them.

“Good day, messieurs!”

They turned to see a tall civilian, pince-nez gleaming over

exceptionally blue eyes, fair moustache, fair hair cut short and

brushed up straight from a square forehead, smiling at them from the

doorway.

“I am Doctor Breidenbach--at your service,” he said courteously in

accentless French.

The major stepped forward.

“I am Major Chassaigne, monsieur. I--and my assistant, Lieutenant

Vincent here--have been allotted quarters in your house. Here is the

_billet de logement_.” He held out a piece of paper. “It is issued

with the authority of the Army of Occupation and countersigned by your

municipality. I regret to put you to inconvenience----”

“Not at all! not at all!” interposed the German, affably, taking

the billeting order. As his face went serious in a scrutiny of the

document, the two officers had an impression of extreme intelligence

and ruthless will-power. He looked up again with a nod of assent,

his smile masking everything behind its gleam of blue eyes and white

teeth. “Perfectly correct, monsieur! Please consider my house at your

disposition. I am charmed to be of assistance to any of my confrères.”

He smiled recognition of their red cap-bands. “Although you wear

another uniform than that which I myself have but recently quitted, we

serve in a common cause--the cause of humanity, _n’est-ce pas_? which

knows no national animosities.”

“We desired a sitting-room,” said Major Chassaigne, ignoring this

somewhat unctuous profession of altruism.

The German waved his hand about the room.

“If this will suit you----?”

“Your library, monsieur?” queried the lieutenant.

“My work-room,” replied the doctor. “Before this deplorable war

interrupted my studies, I had some little reputation in my special

branch of mental therapeutics. If you are interested in psychology,

normal and abnormal, you will find here a very complete collection of

works upon the subject. Use them freely, by all means. Well, if you are

satisfied, gentlemen, I will leave you, for I am a busy man. I was just

about to visit some patients when you arrived. _Auf wiedersehen!_” He

smiled and left them.

Vincent turned to his senior, with a puzzled expression.

“What is it about that man I do not like?”

The older man shrugged his shoulders.

“Too friendly by far. They are all the same, these _boches_--they would

do anything to make us forget,” he said, divesting himself of his belt.

“I am going to have a rest and a cigarette before we walk back into the

town.”

The young man wandered around the room, scanning the titles of the

books on the shelves, picking up the various bibelots scattered about.

Suddenly he uttered a startled cry.

“_Mon Dieu!_ Look at this!”

The major turned to him. In his hand he held a small snapshot

photograph. He stared at it, trembling violently.

“What is the matter?”

“Look!--_It is she!_” The young man’s face was a study in horrified

astonishment.

Chassaigne looked over his comrade’s shoulder at the photograph. It

represented their host arm in arm with a good-looking young woman.

“_She?_” he queried, with a tolerant smile. “Be a little more explicit,

my dear Vincent.”

The young man turned on him.

“You remember the deportations from Lille? The women and girls the

_boche_ snatched from their homes?--My fiancée was among them.” His

voice checked at the painful memory. “Other women have been traced,

returned to their relatives. She has never been heard of again.”

“My poor friend!” murmured the major, sympathetically.

Vincent stared once more, as if fascinated, at the photograph in his

hand.

“It is she--in every detail! Yet----” his tone was puzzled. “No!

I cannot believe it! It is some chance resemblance. This woman is

obviously happy--content, at least.” He looked up, passed over the

photograph. “Chassaigne, you are an analyst of the human mind. What

relationship do you diagnose between those two people?”

The major took the print, scrutinized it critically.

“Friends, certainly--lovers, possibly,” was his sententious verdict.

“Then it cannot be!” cried the young man. “My fiancée was--is, I am

sure of it--incapable of a faithless acquiescence in the wrong done to

her.”

“Can one ever be sure about a woman?” said the major, with a gentle

cynicism. “However, I agree with you that it is improbable that the

person in the photograph is your lost friend. It is, as you say, a

chance resemblance.”

“If I could only be certain of it!” The young man was obviously

stirred to the depths. “I _must_ make sure, Chassaigne.--I must get to

know this woman--find out who she is!”

Both men turned at the sound of the door opening behind them. A

young woman, tall, dark, strikingly handsome, stood timidly upon the

threshold. It was the woman of the photograph.

“Doctor--Doctor Breidenbach?” she faltered, as though disconcerted by

an unexpected meeting with strangers.

Vincent stared at her, held in a suspense of the faculties where he

seemed not to breathe. At last he found his voice.

“_Hélène!_” he cried. “Hélène! It _is_ you!” He sprang to her, clutched

her arm. “What are you doing here?”

With a frightened gesture of repulsion, the young woman disengaged

herself from his grasp. She drew herself up, looked at him without the

faintest recognition in her eyes.

“_Ich spreche nicht französisch, mein Herr!_” she said in a tone of

cold rebuff.

“Hélène!”

She shrank back in obviously offended dignity, and, without another

word, haughtily left the room.

Vincent reeled away from the closed door, his hands to his head.

“My God!” he groaned. “Am I going mad?”

Then, ceding to a sudden impulse, he eluded his friend’s restraining

grasp, dashed to the door.

“Hélène!”

He found himself confronted by the smiling figure of Doctor Breidenbach.

On the Borderland · 第 13 / 20 段