General Jesup told the chiefs that he would urge the United States

authorities to let them and their people stay in southern Florida if

they would agree to keep their tribes at peace, guard the frontier, and

themselves accompany him to Washington. Micanopy showed a little

distrust when he heard the proposition, but Osceola took off his proud

head dress and removing one of the beautiful plumes from it handed it to

the man who had betrayed him, saying simply: "Give this to my white

father to show him that Osceola will do as you have said."

The suggestion made by General Jesup was not considered favorably by the

government, but he was instructed to carry out the Jackson policy of

transportation. He had collected so many captives at St. Augustine that

he feared trouble and decided to separate them. He sent all the negroes

to Tampa and the Indians to Charleston, S. C. Late in December the

Indians were shipped on the steamer Poinsett. Among them were Osceola,

Micanopy, Alligator and Cloud. Besides the chiefs one hundred and

sixteen warriors and eighty-two women and children were sent to Fort

Moultrie. Osceola's two wives and little daughters were in the company.

They arrived at Charleston on the first day of January, 1838, after a

quiet voyage.

At Fort Moultrie, Osceola was treated with much consideration; he was

allowed to walk about the enclosure and to receive visitors in his room.

Still he ate little and every day grew more wan and thin. All the chiefs

were so low-spirited that great efforts were made to cheer them. A very

popular actress was then playing at the Charleston theater, and knowing

the Indian's love of whatever is gay and spectacular, the authorities at

the fort decided to take the chiefs to the theater on the sixth of

January.

Public sympathy had been excited by reports of the capture,

imprisonment, and failing health of the once terrible Osceola. The

theater was crowded with Charleston people more anxious to see the chief

than the beautiful actress. The Indians were led into the brilliantly

lighted hall filled with staring men and women. They looked neither to

the right nor to the left, but took their places in quiet and watched

with steady eyes and unsmiling faces the entertainment provided for

them. Osceola had made no objection to coming, but he sat amidst the

mirth and glamor, so sad and stern that those who had brought him there

and those who had come to see him felt rebuked. His trouble was too real

to be easily comforted, too deep to be an amusing spectacle. The papers

of the day recorded the strange scene of the captive Osceola at the play

in poetry and prose.

Later an incident happened in which Osceola took some interest. George

Catlin, who had traveled for several years among the Indians and was

regarded by them as a friend, came to the fort to paint the portraits of

the chiefs for the United States government. When Mr. Catlin asked

Osceola if he might paint his portrait the latter seemed greatly

pleased. He arrayed himself in his gayest calico hunting shirt, his

splendid plumed turban, and all his ornaments, and stood patiently while

the artist worked. Mr. Catlin enjoyed painting the fine head, with its

high forehead and clear eye. He made two portraits of Osceola, both of

which are now in the collection of Indian portraits at the Smithsonian

Institution, in Washington.

Mr. Catlin came to be well acquainted with the chiefs whose portraits he

painted, and used to have them come to his room in the evenings, where

they all talked with great freedom. He felt deep sympathy for Osceola,

who told him all the details of his capture. When Osceola learned that

Mr. Catlin had been west of the Mississippi he asked him many questions

about the country and the Indians living there.

But every day Osceola's health grew more feeble and, on the day when the

second portrait was finished, he became so ill that he was thought to be

dying. He rallied, however, and when Mr. Catlin left a few days later,

it was with the hope that Osceola would regain his health and strength.

He requested the fort doctor to keep him informed about the chief's

condition.

XII. THE END

The day after George Catlin left Fort Moultrie, Osceola had a severe

attack of throat trouble. He refused to take the doctor's medicine. A

Seminole medicine man came and gave the sick man Indian remedies.

Osceola's wives nursed him tenderly, but in spite of all they could do

he grew rapidly worse and died on the thirtieth of January, 1838, after

three months of captivity.

Dr. Wheedon sent the following interesting account of his death to Mr.

Catlin:

[Illustration: "MEDICINE MAN"]

"About half an hour before he died, he seemed to be sensible that he was

dying; and, although he could not speak, he signified by signs that he

wished me to send for the chiefs and for the officers of the post, whom

I called in. He made signs to his wives by his side, to go and bring his

full dress which he wore in time of war; which having been brought in,

he rose up in his bed, which was on the floor, and put on his shirt, his

leggings and his moccasins, girded on his war belt, bullet-pouch and

powder-horn, and laid his knife by the side of him on the floor.

"He then called for his red paint and looking-glass, which latter was

held before him. Then he deliberately painted one half of his face, his

neck, and his throat with vermilion, a custom practised when the

irrevocable oath of war and destruction is taken. His knife he then

placed in its sheath under his belt, and he carefully arranged his

turban on his head and his three ostrich plumes that he was in the habit

of wearing in it.

"Being thus prepared in full dress, he lay down a few moments to recover

strength sufficient, when he rose up as before, and with most benignant

and pleasing smiles, extended his hand to me and to all of the officers

and chiefs that were around him, and shook hands with us all in dead

silence, and with his wives and little children.

"He made a signal for them to lower him down upon his bed, which was

done, and he then slowly drew from his war-belt his scalping-knife,

which he firmly grasped in his right hand, laying it across the other on

his breast, and in a moment smiled away his last breath without a

struggle or a groan."

Osceola was buried with some ceremony near the fort. Officers attended

his funeral and a military salute was fired over his grave. This show of

respect comforted a little the grief-stricken friends of the chief.

It is said that Osceola was not allowed to rest in peace, even in death.

A few nights after his burial men of the race that despised him as a

barbarian came by night, opened his grave and cut his head from his

body. But openly only respect was shown to the remains of the greatest

chief of the Seminoles. His grave was inclosed with an iron railing and

marked with a stone bearing the following inscription:

Osceola,

Patriot and Warrior,

Died at Fort Moultrie,

January 30, 1838.

[Illustration: REMOVAL OF SOUTHERN INDIANS]

The war did not close with the death of Osceola. Wild Cat took command

and the trouble continued till 1842. During the war the Seminoles lost

many brave warriors; several thousand Indians and five hundred of their

allies were driven from their homes in Florida to a strange land which

they were obliged to share with their old enemies, the Creeks.

The white men gained the lands of the Indians, a vast and rich new

territory for settlement, removed a refuge for runaway slaves, and

established peace on the Southern frontier. For these gains, however,

they had paid a heavy price in treasure, in human lives, and in honor.

END

Four American Indians: King Philip, Pontiac, Tecumseh, Osceola · 第 12 / 12 段