EXPERIMENTAL COLOURING.

The great experimental colourist of the fifteenth century, Van Eyck, has

left unfading proofs of his skill as well as his genius; whilst the

experimental colourist of the eighteenth century, Sir Joshua Reynolds,

has already lost so much of his tone and brightness. The painters of our

own time throughout Europe, notwithstanding the recent discoveries in

chemistry and natural science, are unable to reproduce the rich hues of

Titian, or of the early Germans.

Yet, Van Eyck met with many disappointments. He had just applied a

newly-invented combination, (probably of lime-water and some other

ingredients,) to a large and highly-finished picture. This mixture

required to be rapidly dried; and for that purpose the picture was left

for a short time in the sun. When the artist returned to witness the

result of his experiment, he found that the action of the heat on the

composition had split the canvas, and that his work was utterly ruined!

Happily for the arts, their best votaries have possessed the genius of

perseverance, as well as the genius of enterprise.

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