Chapter XXXVI

The Symphony of Life

Human life appears to me as a great orchestra in which we are the

players. The great composition to be performed is the "Symphony of

Life," its infinitude of dissonances and melodies blending into one

colossal tone picture of harmony and grandeur. We players must study

the laws of music and the score of the Great Symphony and we must

practice diligently and persistently, until we can play our part

unerringly in harmony with the concepts of the Great Composer. At

the same time we must learn to keep our instrument, the body, in the

best possible condition; for the greatest artist, endowed with a

profound knowledge of the laws of music and possessed of the most

perfect technique, cannot produce musical and harmonious sounds from

an instrument with strings relaxed or overtense, or with its body

filled with rubbish.

The artist must learn that the instrument, its material, its

construction and its care are just as subject to law as the

harmonics of the score.

In the final analysis, everything is vibration acting in and on the

universal ethers, which are held to be the primordial substance.

Possibly the ethers themselves are modes of vibration.

That which is constructive is harmonious vibration. That which is

destructive is inharmonious or discordant vibration.

Against this it may be urged that devolution has its harmonics as

well as evolution, that every symphony is made up of dissonances as

well as of harmonies. To this I answer: "Unadulterated harmony may,

solely for lack of change, become monotonous; but discords alone

never create melody, harmony, health or happiness."

As the artist seeks vibratory harmony between his instrument and the

harmonics of the universe of sound, so the health-seeker must

endeavor to establish vibratory unison between the material elements

of his body and Nature's harmonics of health in the physical

universe.

The atoms and molecules in the wood and strings of the violin, as

well as the sounds produced from them, are modes of motion or

vibration. In order to bring forth musical and harmonious notes, the

vibratory conditions of the physical elements of the violin must be

in harmonious vibratory relationship with Nature's harmonics in the

universe of sound.

The elements and forces composing the human body are also vibratory

in their nature, the same as the material elements of the violin.

They also must be kept in a certain well-balanced chemical

combination, mechanical adjustment and physical refinement before

they can vibrate in unison with Nature's harmonics in the physical

universe and thus produce the harmonies of health and strength and

beauty.

If our instrument is out of tune, or if we ignorantly or willfully

insist on playing in our own way, regardless of the score, we create

discords not only for ourselves, but also for our fellow artists in

the great orchestra of life.

Sin, disease, suffering and evil are nothing but discords, produced

by the ignorance, indifference or malice of the players. Therefore we

cannot attribute the discords of life to the Great Composer. They

are of our own making and will last as long as we refuse to learn

our parts and to play them in tune with the Great Score. For in this

way only can we ever hope to master the art and science of right

living and to enjoy the harmonies of peace, self-content and

happiness.

Nature Cure: Philosophy & Practice Based on the Unity of Disease & Cure · 第 36 / 41 章