THIRTEEN

I thought I heard him call, the sound mingling with the noise of the

river. I followed Antoinette. She led the way down a curving path

toward the south end of the island. The path dipped into a flat place.

Rock walls were high on either side of us. It was a hollow where people

had built fires.

She paused uncertainly. "It's so overgrown," she said.

"What are you looking for?"

She moved to one side and looked at the sloping wall. She nodded to

herself, and went up, nimble as a cat, using the tough vines to pull

herself up. She stopped and spread the vines. She was above a ledge.

She turned and motioned to me. My leather soles gave me trouble. I

slipped and scrambled, but I made it to the ledge beside her. She

pushed tough weeds and vines aside. She sat down and put her feet in

the dark hole and wormed her way forward. When she was in up to her

hips she lay back and, using her hands on the upper edge of the small

slit in the rocks, pulled herself in the rest of the way.

I made hard work of it. It was narrow. She pulled at my ankles. Finally

I was inside. She leaned across me, her weight on me, and pulled the

weeds and vines back to cover the hole. At first I could not see, and

then my eyes became used to the light. Daylight came weakly through

the hole. The hole itself, the slit in the rocks, was not over thirty

inches long and fourteen inches high at its widest point. Inside it

widened out to about five feet, and the ceiling was about three feet

high. It was perhaps seven feet deep.

She said, in a low voice, "Timmy found it. He was climbing on the rocks

one day and he found it. It's always dry and clean in here. See, the

sand is dry, and feel how fine it is. It became our place. It became

my favorite place in the whole world. I used to come here alone, too.

When things got too--rugged. We used to keep things here. A box with

candles and cigarettes and things. Nobody in the world could ever find

us here. We kept blankets here and pillows. We called it our house. Kid

stuff, I guess. But it was nice. I never thought I'd come back here."

"Then this is the place he meant."

"Let's look."

It was easy to dig in the sand. She found the first one. She gave a

little gasp of pleasure when she found it. She dug it out of the soft

sand. We held it close to the weak daylight and opened it. The wire

clamp slid off easily. The rubber ring was stuck to the glass. I pulled

the top off. The bills were tightly packed. I pulled some of them out,

two tens and a twenty.

We both dug in the place where she had found it. We found three more

jars. That was all. We lined them up against the wall. I could see

the money through the glass. I looked at the money. I remembered how

I had thought it would be. I had thought it would be an answer. But I

had found the answer before I found the money. Now it meant only that

perhaps it could still be traded for a life.

"Now he's coming this way," she whispered.

I heard him when he called again. "Howard! Tal Howard!" We lay prone,

propped up on our elbows, our heads near the small entrance, her cheek

inches from mine.

"Tal Howard!" he called, alarmingly close. He was passing just below

us, his head about six or seven feet below the ledge.

He called again at a greater distance, and then all we could hear was

the sound of the river.

"What will we do?" she whispered.

"All we can do is outwait him. We can't deal with him. He won't make

any deals. He's way beyond that. We'll have to wait until night. I

don't think he'll leave. We'll have to try to get to the water at

night. Can you swim?"

"Of course."

"We can make it to shore then, with the money."

There was no point in telling her the deal I had planned. There was no

chance of making the deal. I was certain that if he found us, he'd kill

both of us. When he had talked to me, I had sensed the pleasure he took

in killing. The way he had talked of George, and the way he had talked

about holding the knife at Ruth's throat. That can happen to a man.

There are men who hunt who do not take their greatest pleasure in the

skill of the hunt, but rather in the moment of seeing the deer stumble

and fall, or the ragged bird come rocketing down. From animal to man is

a difference in degree, not in kind. The lust to kill is in some men.

It has sexual overtones. I had sensed that in Fitzmartin. I could even

sense it in the tone of his voice as he had called to me when he had

passed the cave. A warm, almost jocular tone. He knew we were on the

island. He knew he would find us. He felt warm toward us because we

would give him pleasure. _Come out and be killed, Tal Howard._ A warm

and confident voice. It was not so much as though he had stepped beyond

sanity, but as though he had stepped outside the race, had become

another creature. It was the same way we all might one day be hunted

down by the alien creatures of some far planet. When the day comes, how

do we bargain for life? What can the rabbit say to the barrel of a gun?

I lay on my side. She lay facing me. I saw the sheen of her eyes and

the whiteness of her teeth in the half light of the cave. I could sense

the soft tempo of her breathing.

"So we wait," she said.

"And we'll have to be very careful. He likes the night."

"We'll be careful. It's worth being careful. You know, Tal, I thought

all along this would get messed up. Now I don't think so any more.

Isn't that strange? Now that it is as bad as it can get, I think we're

going to make it."

"I hope so."

She rolled onto her back. Her voice was soft. "We're going to make it.

We'll get to the car. There's enough money here. It isn't worth the

risk of going back after my things. We'll drive through the night, Tal.

We'll drive all night. We'll take turns. I'm a good driver. I know

just how it's going to be. We'll go to New Orleans. We can be there

late tomorrow. I know a man there. He'll help us. We'll sell the car

there. We'll catch our plane there. We'll have everything new. All

new clothes. Mexico City first, I think. Then over to Havana. I was

in Havana once. With--a friend. No, not Havana. Where will we go from

there, Tal?"

"Rio, Buenos Aires. Then Paris."

"Paris, of course. It's funny. I've always been looking. Like that

game where you come into the room and they've named something but you

don't know what it is and you have to find out. I've been looking for

something I don't know the name of. Ever feel like that?"

"Yes."

"You don't know what it is, but you want it. You look in a lot of

places for it. You try a lot of things, but they aren't it. This time I

know I'm going to find it."

We were quiet for a long time. She turned toward me again. I put

my hand on the curve of her waist, let it rest there, and felt the

quickening tempo of her breathing.

I do not try to excuse it. Until then she had had no special appeal

to me. I can try to explain it. It is an urgency that comes at times

of danger. It is something deep in the blood, that urgency. It is a

message from the blood. You may die. Live this once more, this last

time. Or it may be more complicated. There may be defiance in it. Your

answer to the blackness that wants to swallow you. To leave this one

thing behind you. To perform this act which may leave a life behind

you, the only possible guarantee of immortality in any form.

When catastrophe strikes cities, people learn of this basal urge. Men

and women in war know it. It is present in great intensity in many

kinds of sickness. Men and women are triggered by danger, and they lie

together in a hungry quickness in the cellars of bombed houses, behind

the brush of mountain trails, in lifeboats, on forgotten beaches, on

the grounds of sanitariums.

By the time it happened I knew that I was hopelessly in love with Ruth

Stamm. And I knew this woman in the cave with me was hard as stone. But

she was there. I took from her the stubborn slacks and the bulky sweat

shirt and the satin white bra. Her flesh gleamed dusky in the cave

light. We did not speak. It was very complete for us.

It was enough that she was woman. But with her first words she turned

back into Antoinette Rasi, and destroyed any possible emotional

overtones. "Well, aren't we the ones," she said, her voice a bit nasal.

She bumped her head on the roof as she was getting her shirt back on,

and commented on it with a very basic vocabulary. I turned so that I

did not have to look at her. I lay and looked out the entrance, through

the gaps between the vines and leaves. I could see the rock wall on the

other side of the hollow, thirty feet away. By lowering my head and

looking up, I could see a wedge of yellow sky above the rock.

As I watched I saw Fitzmartin's head and then his shoulders above

the rock wall. Behind me Antoinette started to say something in a

complaining voice. I reached back quickly and caught her arm and

grasped it warningly. She stopped talking immediately. She moved

forward and leaned her warm weight against the back of my left shoulder

so that she too could see. It was instinctive to want to pull back into

the cave, but I knew he could not see my face or hers behind the dense

screen.

He stood on the rock against the sky, feet spread, balancing easily. He

held a gun in his hand. His big hand masked the gun, but it looked like

a Luger. The strange sky made a dull glint on the barrel. When he moved

his head he moved it quickly, as an animal does. His mouth was slack,

lips parted. His khaki pants were soaked to the knees. He studied the

rock wall where the cave was, foot by foot. I flinched involuntarily

when his gaze moved across the cave mouth. He turned and moved out of

sight.

She put her lips close to my ear. "My God, I can see what you mean.

Dear Jesus, I'm glad I didn't wait to have a chat with _that_! He's a

damn monster. How come he was running around loose?"

"He looked all right before. It was on the inside. Now it's showing."

"Frankly, he scares the hell out of me. I tell you they ought to shoot

him on sight, like a crazy dog."

"He's getting worse."

"You can't get any worse than that. What was he looking over here for?"

"I think he's eliminating places where we could be, one by one. He's

got a lot of daylight. I hope he eliminated this place."

"You can't see much from over there. Just a sort of shadow. And the

hole looks too little, even if it didn't have the stuff in front of it."

"I hope you're right."

"He gives me the creeps."

I kept a careful watch. The next time I saw him, he was climbing down

the wall on the far side. Antoinette saw him, too. Her hand tightened

on my shoulder. Her breath was warm against my ear.

"What's he doing down there?" she whispered.

"I think he's trying to track us. I don't know how good he is at it. If

he's good, he'll find that our tracks end somewhere in the hollow."

"The ground was soft," she whispered. "Dear God, I hope he doesn't know

how."

He was out of sight. We heard one rock clatter against another, audible

above the soft roar of the river. We moved as far back in the little

cave as we could get. Nothing happened for a long time. We gradually

relaxed again, moved up to where we could watch.

It must have been a full half hour later when I saw him on the far

side, clambering up. He sat on the rim at the top. He aimed carefully,

somewhere off to our right, and pulled the trigger. The sound was flat,

torn away by the wind. He aimed and fired again, this time closer.

I realized too late what he was doing. I tried to scramble back. He

fired again. Antoinette gave a great raw scream of agony. Blood burst

from her face. The slug had furrowed down her face, smashed her teeth

and her jaw, striking at an angle just under her cheekbone. She

screamed again, the ruined mouth hanging open. I saw the next shot take

her just above the left collarbone, angling down through her body.

She dug her fingers down into the sand, arched her body, then settled

into death as the next bullet slapped damply into her flesh. I was

pressed hard against the rocks at the side. He shot twice more into her

body and then there was silence. I tried to compress myself into the

smallest possible target.

When he fired again, it was from a different angle. The slug hammered

off rock, ricocheting inside the small cave, hitting two walls so

quickly the sound was almost simultaneous before it buried itself in

the sand. The next one ricocheted and from the sharp pain in my face I

thought it had hit me. But it had filled my right cheek with sharp rock

fragments. I could move no farther to the side. If he found the proper

angle he would hit me directly. If he did not, a ricochet could kill

me. I grasped her body and pulled it over me. He fired several more

shots. One broke one of the jars. Another hit her body. My hands were

sticky with her blood. I shielded my head against her heavy breast, my

legs pulled up. I tried to adjust the body so it would give me maximum

cover. A ricocheting slug rapped the heel of my shoe with such force

that it numbed my foot.

I gave a harsh, loud cry of pain. The shooting stopped. After a few

minutes he spoke in an almost conversational tone. He was close under

the cave.

"Howard! Howard! Come on out of there."

I did not answer. He had thought of caves, had fired into the shadowy

places, had hit the right one. I hoped he would believe us both dead.

It was my only chance, that he should believe us both dead. I wormed

my way out from under her body. There was no loose stone in the cave.

There were only the jars of money.

I took one jar and crouched off to the left of the entrance. I heard

the rattle of the rocks and knew he was climbing. I saw the vines

tremble. I was poised and ready to hurl the jar at his face. But his

face did not appear. His strong hand appeared, moving slowly into the

cave, inviting me to try to grasp it. It was a clever move. I knew

that he was probably braced there, gun in the other hand, waiting

for such a try. More of his arm came into the cave. I could see his

shoulder, blocking off the light. But I could not see his head.

His brown hand crept across the sand. It touched Antoinette's dark

hair, paused for a moment, felt its way to her face, touched lightly

her dead eyes. She lay curled where I had pushed the body in crawling

out from under it. The hand moved across the sand again. It came to

her flexed knee, touched the knee, felt the material of the jeans. In

that moment I realized that he thought it was my knee. He had only seen

her from the waist up when he had approached the island in the boat.

She was curled in such a way he did not relate the knee to the face he

had touched. His powerful fingers bit through the blue jean material,

caught the flesh underneath and twisted it cruelly.

I heard his soft grunt of satisfaction. I readied myself. He put both

arms in, and wormed his way in head first. I knew he would not be

able to see immediately. The gun was in his hand. As soon as his head

appeared in the opening, inside the vines, I smashed the glass jar full

into his face.

The jar smashed, cutting my hand. I tried to snatch at the gun, but I

was too slow. He was gone. I heard the thud as he fell. I knew that I

could not afford to give him time to recover. I scraped myself badly

as I slid through the entrance. I grasped the vines and stood up,

teetering on the ledge. I saw him below me. He was on his hands and

knees, gun still in his hand, shaking his head in a slow, heavy way. It

was a twelve foot drop, perhaps a little more. I dropped onto him. I

landed on the small of his back, heels together, legs stiff.

My weight smashed him to the ground. The fall jolted me. I rolled to my

feet with agonizing slowness and turned to face the expected shot. He

lay quite still. His finger tips touched the gun. I picked it up and

moved back away from him and watched him. By watching closely I could

see the movement of his back as he breathed. I aimed at his head. But I

could not make myself fire. Then I saw that the breathing had stopped.

I wondered if it was a trick. I picked up a stone and threw it at him.

It hit his back and bounded away.

Finally I approached him and rolled him over. And I knew that he was

dead. He died in a curious way. He had fallen back off the narrow

ledge, fallen with the broken pieces of the heavy glass jar. Stunned,

he had gotten to his hands and knees. He was trying to clear his head.

When I had smashed him back to the ground, a large piece of the broken

jar had been under his throat. As I had watched him his blood had

soaked into the sandy soil. His blood had soaked a thick wad of the

money that had been in the jar. A wind blew through the hollow. There

were some loose bills. The wind swirled them around. One blew toward

me. I picked it up and looked at it stupidly. It was a ten-dollar bill.

I went up to the cave again. I think I had the idea of carrying her

down. I knew I could not make it. I looked at her. Paris was out. It

was done. I looked at her and wondered if this, after all, had been

what she was looking for. It could have been. It could have been the

nameless thing she sought. But I guessed that had she been given her

choice, she would have wanted it in a different form. Not so ugly. Not

with ruined face and cheap clothes.

I climbed back down. I was exhausted. A few feet from the bottom I

slipped and fell again. I gathered up all the money. I put it in the

cave with her. They could come and find it there when I told them where

it was. I went back to where we had left the boat. The river seemed a

little quieter. I took the line and walked the boat down to the south

end of the island. The current tugged at it. Below the island the river

was quieter. I got into the boat. Just as I started to row toward the

shore, it began to rain again, rain that fell out of a yellow sky. The

rain whispered on the gray river. It diluted the blood on my hands. The

rain was on my face like tears.

The banks were high. I found a place to beach the boat about a thousand

yards below the Rasi place. I walked through wet grass to the road. I

walked to the Rasi place.

Anita came out. I asked if she had a phone I could use.

"We've got no phone. Where's the boat? What did you do with the boat?

Where's Antoinette? What's all the blood on your clothes? What's

happened?"

She was still screaming questions at me when I fitted the key into the

ignition, started the car, and drove away.

Heavy clouds had darkened the afternoon. I had never seen it rain as

hard. Traffic crept through the charcoal streets of Hillston, their

lights yellow and feeble in the rain.

I turned through the arch and parked beside the police cars in the

courtyard of the station. A man yelled at me from a doorway, telling

me I couldn't park there. I paid no attention to him. I found Prine.

Captain Marion wasn't in. He'd gone home to sleep.

Prine stared at me in a funny way. He took my arm when he led me to a

chair. "Are you drunk?"

"No. I'm not drunk."

"What's the matter with you?"

"I know where to look for the girl, for Ruth. North of town. Near the

river. If she's alive. If she's dead I don't know where to look. She

wouldn't be far from where he got the boat."

"What boat?"

"Will you have people look for her? Right now?"

"What boat, damn it?"

"I'll tell you the whole thing after you look. I want to come, too. I

want to come with you."

They sent cars out. They called Captain Marion and the Chief of Police.

They sent people out to look in the rain. Scores of people searched. I

rode with Prine. In the end it was a contingent of Boy Scouts who found

her. They found the black coupé. The trunk compartment was open a half

inch. We sped through the rain when word came over the radio. But the

ambulance got there first. They were loading her onto the ambulance

when we arrived. They closed the doors and drove away before I could

get to the ambulance.

The car was parked behind a roadside sign. It had been covered with

roofing paper. Some of the paper had shifted in the wind. One of the

Scouts had seen the gleam of metal.

Two policemen in black rain-wet rubber capes were there.

"What shape was she in?" Prine demanded.

One of the men spat. "I don't think she'll make it. I think she was

about gone. She looked about gone to me. You know, the way they all

look. Just about breathing. Color of putty. Pretty banged up."

Prine whirled toward me. "All right. We've got her now. How about

Fitzmartin? Start talking."

"He's dead."

"How do you know he's dead?"

"I killed him. I'll tell you the rest later. I want to go to the

hospital."

A Bullet for Cinderella · 第 61 / 72 题