He leaned across the empty seat and said, "What's the trouble?"

"Nothing. I mean I was overheating. I thought I'd let it cool off. Is

it far to a gas station?"

"Mile or so. It'll cool off quicker if you open the hood."

"Will it? Thanks."

"And get it a little farther off the road, doc."

He went on. I moved the car farther off the road. I opened the hood. I

wondered if he would be bothered by the way I had acted and come back

to check my license and look the car over. I wondered if I should make

a U-turn and get as far away from him as I could. But it made some

sense to risk the outside chance of his coming back and stay right

there until I could plan what to do with the body.

The noon sun was warm. There was a subtle, sour odor in the car that

sickened me. A dark-red tractor moved back and forth across a distant

hillside. Drainage water bubbled in the ditch beside the shoulder. A

truck went by at high speed, the blast of its passage shaking my car.

I found that a two-day drunk gives your mind a flavor of unreliability.

Memory is shaky and dreams become mixed with reality. I began to wonder

if I had imagined the body. When there was no traffic I looked into

the back seat again. The tarp was there. The body was covered. It was

not covered very well. I saw a thick ankle, a dark green sock, a brown

scuffed shoe, cracked across the instep, with laces tied in a double

knot, the way my mother used to tie my shoelaces when I was very small

to keep them from coming untied. It made Grassman more believable as a

person, as the person who had sat on the edge of a bed and tied those

laces and then had gone out and become a body, and the laces would

eventually be untied by somebody else, somebody with a professional

coolness and an unthinking competence. I whirled around when I heard

traffic coming. When the road was clear again I pulled the tarp to

cover the ankle and shoe, but it pulled clear of his head and my

stomach spasmed and I could not look at him.

After a while I fixed the tarp properly. I got out of the car. I did

not want to look in again. But I found myself staring in at the side

window.

I had to get rid of it somewhere. I had to get rid of it soon. The very

nearness of the body kept me from thinking clearly.

The lake? I could find it again. But I could be seen there as readily

as Ruth saw Grassman. I could hunt for obscure roads at random and

dump the body out when I came to what seemed to be a good place. But

the body was going to be found and it was going to be identified and it

was going to be in the paper with the right name. And Ruth was going to

remember the odd question I had asked the man and remember his telltale

response to that question.

The minutes were ticking by and I was getting nowhere. Fitzmartin's

trap was wide and deep, lined with sharp stakes. I wished I could put

the body back on his doorstep. Give it right back to him. Let him sweat.

At first glance the idea seemed absurd. But the more I thought about

it the better it seemed. I would be seen driving into the yard. But if

questioned I could say that I was going to see Fitzmartin. And I would

see Fitzmartin. I would leave the body in the yard somewhere between

the piles of stacked lumber.

No. That would do no good. No man would be so stupid as to kill another

man and leave the body at the place where he worked. Yet if some

attempt was made to conceal the body--Perhaps then they would assume

it was a temporary hiding place until Fitzmartin could think of another.

On the other hand, would any man be so stupid as to kill another man

and then drive the body to the police station in his car and claim

he didn't do it? Maybe that was my best out. Maybe that was the best

innocent reaction.

My hands were icy cold and sweaty. They left wet marks where I touched

the steering wheel. I was trying to think of every alternative, every

possible plan of action. I could go back and check out and head west

and try to leave the body where it would never be found. Buy a shovel.

Dig a desert grave. I could put the body in the seat beside me and run

into something. My ideas were getting worse instead of better. The

very presence of the body made thinking as laborious as trying to run

through waist-deep water. I did not want to panic, but I knew I had to

get rid of it as soon as possible. And I could not see myself going to

Prine for tender mercy. There had been a reason why Grassman had been

killed. Hiding the body would give me a grace period. I would have to

assume it would be traced to me eventually. By the time they caught up

with me, I would have to know why he had been killed. Knowing why would

mean knowing who. I knew it was Fitz. Why did Fitz kill Grassman?

I shut the hood and started the car and drove. I was five miles from

the court and about nine miles from town when I found a promising

looking road that turned left. It was potholed asphalt, ravaged by

winter, torn by tractor lugs. It climbed mild hills and dipped into

forgotten valleys. It came out of a heavy wooded area, and ahead on the

left, set well back from the road, I saw a tall stone chimney where a

house had burned long ago. The weathered gray barn had half collapsed.

It looked like a great gray animal with a broken back, its hind legs

dragging. The road was empty. I turned in where the farm road had once

been. Small trees bent over under my front bumper, dragged along the

underside of the car, and half rose again behind me. I circled the

foundation of the house and parked behind the barn near a wild tangle

of berry bushes. I could not be seen from the road. I had to risk being

seen from distant hillsides. It seemed very quiet with the motor off. A

crow went over, hoarse and derisive.

I opened the rear door of the car. I made myself grasp his heavy

ankles. Rigor had begun to set in. It took all my strength to pull the

bulky body free of the cramped space between the back seat and the back

of the front seat. It came free suddenly, thudding to the ground. I

released the ankles and staggered back. There had been something under

the body. Friction had pulled it toward me. It rested on the car floor,

half in and half out of the car--a short, bright length of galvanized

pipe with a dark brown smear at one end. I left the body there and went

to see where I would put it. There was a great splintered hole in the

back of the barn. I stepped up and through the hole. The floor felt

solid. Daylight came brightly through the holes in the roof.

I went back to the body again. It was not hard to drag it to the hole.

But getting it inside the barn was difficult. I had to lift it about

three feet. I puzzled over how to do it. Finally I turned him around

and propped him up in a sitting position, his back to the hole. I

climbed up over him, then reached down and got his wrists. I pulled him

up over the edge and then dragged him back into the darkness. There was

some hay on the floor, musty and matted. I covered the body with it. I

went out and got the piece of pipe, using a dry leaf to pick it up. I

dropped it into the hay that covered the body. I went back out into the

sunlight.

I wondered about Grassman. I wondered what compulsion had made him

choose his line of work. Dirty, monotonous, and sometimes dangerous

work. From the look of the man as he talked to us up at the lake, I

guessed that he had no idea it would end like this. He had looked

tough and confident. This body under the straw was a far cry from the

fictional private eyes, the smart ones and the suave ones and the gamy

ones. His story had ended. He would not sit up, brush the straw out of

his eyes and reach for either blonde or bottle. Leaving him there had

about it the faint flavor of burial, as though solemn words should be

said.

I inspected the car. The floor rug was stained and spotted in four

places. I couldn't see any on the seat, or on the insides of the doors.

I took the floor rug out and rolled it up. I put it beside me in the

front seat. I sat and listened to the quietness, straining to hear any

sound of car motor laboring on the hills. I heard only the birds and

the sound of wind.

I drove back out and I did not head back the way I had come. A car

seen going and returning was more likely to be remembered on a country

road than a car that went on through. In about three miles I came to a

crossroads. I turned north. I thought the road was paralleling the main

highway, but in five miles it joined the main highway, coming into it

at a shallow angle. I took the next secondary road that turned right.

I was closer to the city. Soon, as I had hoped and expected, I came to

a place where a lot of trash had been dumped. I put the rolled rug in

with the bed springs and broken scooters and kicked some cans over it.

By the time I passed the motel, heading toward the city, I was

surprised to find that it was only quarter after one. I ate at a small

restaurant on Delaware Street. When I left I met Mrs. Pat Rorick on the

sidewalk. She had an armful of bundles. She smiled and said "Hello, Mr.

Howard."

"Did you remember anything, Mrs. Rorick?"

"I don't know if this is any use to you, but I did remember one little

thing. It was a skit the eighth grade did and Timmy was in it. It was

based on Cinderella. I can't remember the girl who played the part,

but I remember how funny it sounded the way it was written, with Timmy

calling the girl Cindy. It probably doesn't mean anything."

"It might. Thanks."

"I'm glad I met you. I was wondering whether to call you about anything

that sounds so stupid. I've got to run. There comes my bus."

"I'll drive you home."

"No. Don't bother."

I convinced her I had nothing to do. We got into the car. She had her

packages piled on her lap. I wondered how she'd feel if she'd known

about my last passenger.

"How should I go about finding out who that girl was?"

"Gee, I don't know. It was a long time ago. I don't know if anybody

would remember. The eighth-grade home-room teacher was Miss Major. I

had her too, later. She was real cute. I think she wrote that skit they

did. I don't know what happened to her. I think she got married and

moved away. They might know at the school. It's John L. Davis School.

On Holly Street, near the bridge."

A Bullet for Cinderella · 第 36 / 72 题