CONWAY CASTLE.

CONWAY is an ancient fortified town, seated on the western bank of the

noble river from which it takes its name, and formerly called

Aber-Conway, i.e. the mouth or embouchure of the chief river. The

position is happily chosen, both as a strong post of defence and a key to

those parts of Denbigh and Caernarvon which lie remote from the sea. In

the arrangement and decorations of the interior the town of Conway has

little to attract a mere spectator, the streets being few, narrow, and

irregular: but the historian and the antiquary will view with much

interest the old Plas Mawr, erected in the year 1585, by Robert Wynne, of

Gwydyr, Esq., uncle of Sir John Wynne the historian. Over the principal

entrance, in Greek characters, are inscribed the words ανεχθ απεχθ, i.e.

bear and forbear; and above may be observed, in Roman capitals, J. H. S.

X. P. S. supposed to be the initials of the words “Jesus Hominum Salvator

et populi salus;” the interpretation of the three first letters is

probably correct, but of the latter three extremely questionable. The

old college, which stands in Castle Street, is adorned with armorial

bearings of the Stanleys, and was possibly an alms-house or charitable

institution of some sort, founded or endowed by that noble family. Of

the old Cistercian Abbey, founded by Llewellyn ap Jorwerth in the year

1185, no traces are now visible; Edward the First transformed the

building into a parish church, removed the monks to Maenan Abbey, on the

Denbighshire side of the river, three miles distant from Llanrwst, and

obliterated all traces of the monkish establishment as far as it was

practicable.

The church is a low unarchitectural structure, built and repaired from

time to time from the mouldering walls of the ancient abbey, without

having borrowed one happy thought from the symmetry of its proportions.

Here is a fine baptismal font, supported by a clustered pillar of gothic

design; and a tablet to the memory of Nicholas Hookes, of Conway, Gent.,

who was the forty-first child of William and Alice Hookes, and himself

the father of twenty-seven. He died on the 20th of March, 1637.

The town was incorporated and made a free borough by Edward the First,

the charter constituting the mayor to be governor of the castle also.

This politic prince erected the castles of Caernarvon, Beaumaris, and

Conway, to awe the turbulent spirit of his dearly acquired subjects; and

whatever merit may be due to the policy of the plan, sufficient

admiration can hardly be awarded to the choice of position and beauty of

design. If he had not been the prince who commanded those walls to be

erected, he might well have wished to have been their architect. The

picturesque features of these fine ruins are quite distinct; Caernarvon

boasts magnitude, Conway a most romantic position, and the great hall of

Beaumaris brings back the spectator immediately into the society of other

days.

The embattled walls which surround the town are coeval with the castle,

and drawn in the form of a British harp, like those encompassing

Caernarvon. The design and style of the castle however are wholly

different, and most happily suited to its bold position. The ground plan

is nearly in form a parallelogram. Two sides of the castle rise from a

steep rock, washed by the tide water of a little creek that runs up along

the town walls, and by the flood of the Conway river. The exterior

presents to view eight noble circular towers, from the walls of which

issue slender machiolated turrets, giving a singular lightness to the

whole design, and connected by massive embattled curtains. A long wall

formerly extended from the southern angle of the castle into the river,

terminated by a little water tower, used to obstruct the passage of

enemies, and facilitate the landing of their friends. The principal

entrance, which is tolerably perfect, was by a drawbridge thrown across a

deep fosse, concealed within a barbacan. The interior is divided into

two distinct parts, an outer and an inner court, the entrance to the

latter impassable by more than one person at a time, and that by the

permission of those within. Around the outer courtyard were the

apartments of the garrison, the chapel, great hall, &c.: the inner area

was encompassed by the apartments of the royal founder and his household.

The walls of a small chamber, still entire, with an open ornamented

casement, bear the name of the Queen’s Oriel, and appear, from a poem of

the age in which it was erected, to have been the ladies’ dressing-room.

At the south-western extremity, beyond the royal apartments, a broad

terrace is raised above the river upon a ledge of solid rock; from this,

as from the oriel, a view of the adjacent country is enjoyed, intersected

by cultivated hills, between which and the castle the Conway is seen to

roll his flood, passing beneath the broad waterway afforded by a

beautiful suspension bridge, which, from the appropriateness of style,

seems an appendage of the ancient pile. A curious proof is here afforded

of the excellence of masonry in the early ages. Although the castle

appears identified with the rock from which it springs, a separation has

taken place in one instance; neither has this occurred from the

disintegration of the walls, which hang out beyond the base of the broken

tower, it is the rock itself that has crumbled away.

There are many historic events of deep interest connected with the story

of this warrior pile. Like the artist of the brazen bull, Edward was the

first who was necessitated to make trial of the sufficiency of his new

state prison. Here he was besieged and nearly reduced by famine, and

only rescued from such a critical situation by the providential arrival

of a fleet with supplies. This was also the appointed rendezvous of

forty thousand loyalists who attached themselves to the fortunes of King

Richard the Second, and were destined to check the career of Bolingbroke.

Here Percy and King Richard held an interview, from which it would appear

that the unhappy prince mistrusted his faithful friends; for, secretly

withdrawing from Conway, he put himself into the hands of Northumberland,

at Flint, by whom he was betrayed into the power of his rival. Amongst

its different vicissitudes Conway Castle was once converted into a public

treasury, and discharged its trust with honour and good fortune. In the

civil wars of King Charles’s time, being held by Dr. Williams, archbishop

of York, for the king, the country gentlemen entrusted to his Grace’s

keeping their title deeds, plate, and most valuable moveables. This

trust he cheerfully undertook and made himself entirely responsible for

their value by giving to each depositor a personal receipt. In the May

of 1645, Prince Rupert was appointed governor of the castle, and by his

order Sir John Owen was substituted for the archbishop in the

guardianship of the valuables lodged within. Sir John constantly evading

the archbishop’s applications on the subject of the deposit, the prelate,

to avoid his own ruin, and seeing no prospect of a return to regal

government, joined the Parliamentarians, assisted Mytton in the reduction

of the castle, and having again got into possession of those treasures

for which he had pledged himself, restored them uninjured to the

respective owners. For these services parliament granted him a free

pardon and a release from all his sequestrations. The singular beauty of

this fortress appears to have obtained for it not only the admiration but

the respect of the ruin-making conquerors of the seventeenth century; but

being at last granted by Charles the Second to Lord Conway, while it was

still roofed and perfect, that gothic personage dismantled the entire

structure, and sold the lead, iron, timber, and all other disposable

materials which could be easily separated.

The suspension bridge at Conway is thrown from the foot of the southern

tower to a small island in the river, the suspension piers corresponding

in design with the rounders of the castle occasion little interruption to

the harmony of the whole, and reduce it to a mere question of taste,

whether the bridge be not an appropriate accession to the scene, and the

very drawbridge of the castle.

Scenes in North Wales With Historical Illustrations, Legends, and Biographical Notices · 第 13 / 47 题