CHAPTER IV

1776-1790

_Patriotic Printers and the American Newbery_

When John Mein was forced to close his London Book-Store in Boston and

to return to England in 1770, the children of that vicinity had need to

cherish their six-penny books with increased care. The shadow of

impending conflict was already deep upon the country when Mein departed;

and the events of the decade following seventeen hundred and

seventy-three--the year of the Boston Tea-Party--were too absorbing and

distressing for such trifling publications as toy-books to be more than

occasionally printed. Indeed, the history of the American Revolution is

so interwoven with tales of privation of the necessities of life that it

is astonishing that any printer was able to find ink or paper to produce

even the nursery classic "Goody Two-Shoes," printed by Robert Bell of

Philadelphia in seventeen hundred and seventy-six.

In New York the conditions were different. The Loyalists, as long as the

town was held by the British, continued to receive importations of goods

of all descriptions. Among the booksellers, Valentine Nutter from time

to time advertised children's as well as adults' books. Hugh Gaine

apparently continued to reprint Newbery's duodecimos; and, in a rather

newer shop, Roger and Berry's, in Hanover Square, near Gaine's, could be

had "Gilt Books, together with Stationary, Jewelry, a Collection of the

most books, bibles, prayer-books and patent medicines warranted

genuine."

Elsewhere in the colonies, as in Boston, the children went without new

books, although very occasionally such notices as the following were

inserted in the newspapers:

_Just imported and to be Sold by Thomas Bradford_

At his Book-Store in Market-Street, adjoining the Coffee-house

_The following Books_ ...

Little Histories for Children,

Among which are, Book of Knowledge, Joe Miller's Jests, Jenny

Twitchells' ditto, the Linnet, The Lark (being collections of best

Songs), Robin Redbreast, Choice Spirits, Argalus & Parthenia,

Valentine and Orson, Seven Wise Masters, Seven Wise Mistresses,

Russell's seven Sermons, Death of Abel, French Convert, Art's

Treasury, Complete Letter-Writer, Winter Evening Entertainment,

Stories and Tales, Triumphs of Love, being a Collection of Short

Stories, Joseph Andrews, Aesop's Fables, Scotch Rogue, Moll

Flanders, Lives of Highwaymen, Lives of Pirates, Buccaneers of

America, Robinson Crusoe, Twelve Caesars.

Such was the assortment of penny-dreadfuls and religious tracts offered

in seventeen hundred and eighty-one to the Philadelphia public for

juvenile reading. It is typical of the chapmen's library peddled about

the colonies long after they had become states. "Valentine and Orson,"

"The Seven Wise Masters," "The Seven Wise Mistresses," and "Winter

Evening Entertainment" are found in publishers' lists for many years,

and, in spite of frequent vulgarities, there was often no discrimination

between them and Newbery's far superior stories; but by eighteen hundred

and thirty almost all of these undesirable reprints had disappeared,

being buried under the quantities of Sunday-school tales held in high

favor at that date.

Meanwhile, the six years of struggle for liberty had rendered the

necessaries of life in many cases luxuries. As early as seventeen

hundred and seventy-five, during the siege of Boston, provisions and

articles of dress had reached such prices that we find thrifty Mrs. John

Adams, in Braintree, Massachusetts, foreseeing a worse condition,

writing her husband, who was one of the Council assembled in

Philadelphia, to send her, if possible, six thousand pins, even if they

should cost five pounds. Prices continued to rise and currency to

depreciate. In seventeen hundred and seventy-nine Mrs. Adams reported in

her letters to her husband that potatoes were ten dollars a bushel, and

writing-paper brought the same price per pound.

Yet family life went on in spite of these increasing difficulties. The

diaries and letters of such remarkable women as the patriotic Abigail

Adams, the Quakeress, Mrs. Eliza Drinker, the letters of the Loyalist

and exile, James Murray, the correspondence of Eliza Pinckney of

Charleston, and the reminiscences of a Whig family who were obliged to

leave New York upon the occupation of the town by British forces, abound

in those details of domestic life that give a many sided picture. Joys

derived from good news of dear ones, and family reunions; anxieties

occasioned by illness, or the armies' depredations; courageous efforts

on the part of mothers not to allow their children's education and

occupations to suffer unnecessarily; tragedies of death and ruined

homes--all are recorded with a "particularity" for which we are now

grateful to the writers.

It is through these writings, also, that we are allowed glimpses of the

enthusiasm for the cause of Liberty, or King, which was imbibed from the

parents by the smallest children. On the Whig side, patriotic mothers in

New England filled their sons with zeal for the cause of freedom and

with hatred of the tyranny of the Crown; while in the more southern

colonies the partisanship of the little ones was no less intense. "From

the constant topic of the present conversation," wrote the Rev. John J.

Zubly (a Swiss clergyman settled in South Carolina and Georgia), in an

address to the Earl of Dartmouth in seventeen hundred and

seventy-five,--"from the constant topic of the present conversation,

every child unborn will be impressed with the notion--it is slavery to

be bound at the will of another 'in all things whatsoever.' Every

mother's milk will convey a detestation of this maxim. Were your

lordship in America, you might see little ones acquainted with the word

of command before they can distinctly speak, and shouldering of a gun

before they are well able to walk."[92-A]

The children of the Tories had also their part in the struggle. To some

the property of parents was made over, to save it from confiscation in

the event of the success of the American cause. To others came the

bitterness of separation from parents, when they were sent across the

sea to unknown relatives; while again some faint manuscript record tells

of a motherless child brought from a comfortable home, no longer

tenable, to whatever quarters could be found within the British lines.

Fortunately, children usually adapt themselves easily to changed

conditions, and in the novelty and excitement of the life around them,

it is probable they soon forgot the luxuries of dolls and hobby-horses,

toy-books and drums, of former days.

In the Commonwealth of Pennsylvania the sentiment of the period was

expressed in two or three editions of "The New England Primer." Already

in 1770 one had appeared containing as frontispiece a poor wood-cut of

John Hancock. In 1775 the enthusiasm over the appointment of George

Washington as commander-in-chief brought out another edition of the A B

C book with the same picture labelled "General Washington." The custom

of making one cut do duty in several representations was so well

understood that this method of introducing George Washington to the

infant reader naturally escaped remark.

Another primer appeared four years later, which was advertised by

Walters and Norman in the "Pennsylvania Evening Post" as "adorned with a

beautiful head of George Washington and other copper-plates." According

to Mr. Hildeburn, this small book had the honor of containing the first

portrait of Washington engraved in America. While such facts are of

trifling importance, they are, nevertheless, indications of the state of

intense feeling that existed at the time, and point the way by which the

children's books became nationalized.

In New England the very games of children centred in the events which

thrilled the country. Josiah Quincy remembered very well in after life,

how "at the age of five or six, astride my grandfather's cane and with

my little whip, I performed prodigies of valor, and more than once came

to my mother's knees declaring that I had driven the British out of

Boston." Afterwards at Phillips Academy, in Andover, between seventeen

hundred and seventy-eight and seventeen hundred and eighty-six, Josiah

and his schoolfellows "established it as a principle that every hoop,

sled, etc., should in some way bear _Thirteen_ marks as evidence of the

political character of the owner,--if which were wanting the articles

became fair prize and were condemned and forfeited without judge, jury,

or decree of admiralty."[94-A]

Other boys, such as John Quincy Adams, had tutors at home as a less

expensive means of education than the wartime price of forty dollars a

week for each child that good boarding-schools demanded. But at their

homes the children had plenty of opportunity to show their intense

enthusiasm for the cause of liberty. Years later, Mr. Adams wrote to a

Quaker friend:

"For the space of twelve months my mother with her infant children dwelt,

liable every hour of the day and of the night to be butchered in cold

blood, or taken and carried to Boston as hostages. My mother lived in

uninterrupted danger of being consumed with them all in a conflagration

kindled by a torch in the same hands which on the Seventeenth of June

[1775] lighted the fires of Charlestown."[94-B]

He was, of course, only one of many boys who saw from some height near

their homes the signs of battle, the fires of the enemy's camps, the

smoke rising from some farm fired by the British, or burned by its owner

to prevent their occupation of it. With hearts made to beat quickly by

the news that filtered through the lines, and heads made old by the

responsibility thrust upon them,--in the absence of fathers and older

brothers,--such boys as John Quincy Adams saw active service in the

capacity of post-riders bearing in their several districts the anxiously

awaited tidings from Congress or battlefield.

Fortunate indeed were the families whose homes were not disturbed by the

military operations. From Boston, New York, and Philadelphia, families

were sent hastily to the country until the progress of the war made it

possible to return to such comforts as had not been destroyed by the

British soldiers. The "Memoirs of Eliza Morton," afterward Mrs. Josiah

Quincy, but a child eight years of age in seventeen hundred and

seventy-six, gives a realistic account of the life of such Whig

refugees. Upon the occupation of New York by the British, her father, a

merchant of wealth, as riches were then reckoned, was obliged to burn

his warehouse to save it from English hands. Mr. Morton then gathered

together in the little country village of Basking Ridge, seven miles

from Morristown, New Jersey, such of his possessions as could be hastily

transported from the city. Among the books saved in this way were the

works of Thurston, Thomson, Lyttleton, and Goldsmith, and for the

children's benefit, "Dodsley's Collection of Poems," and "Pilgrim's

Progress." "This," wrote Mrs. Quincy, "was a great favorite; Mr.

Greatheart was in my opinion a hero, well able to help us all on our

way." During the exile from New York, as Eliza Morton grew up, she read

all these books, and years afterward told her grandchildren that while

she admired the works of Thurston, Thomson, and Lyttleton, "those of

Goldsmith were my chief delight. When my reading became afterward more

extensive I instinctively disliked the extravagant fiction which often

injures the youthful mind."

The war, however, was not allowed to interfere with the children's

education in this family. In company with other little exiles, they were

taught by a venerable old man until the evacuation of Philadelphia made

it possible to send the older children to Germantown, where a Mr. Leslie

had what was considered a fine school. The schoolroom walls were hung

with lists of texts of Scripture beginning with the same letter, and for

globes were substituted the schoolmaster's snuffbox and balls of yarn.

If these failed to impress a child with the correct notions concerning

the solar system, the children themselves were made to whirl around the

teacher.

In Basking Ridge the children had much excitement with the passing of

soldiers to Washington's headquarters in Morristown, and with watching

for "The Post" who carried the news between Philadelphia, Princeton, and

Morristown. "'The Post,' Mr. Martin," wrote Mrs. Quincy, "was an old man

who carried the mail, ... he was our constant medium of communication;

and always stopped at our house to refresh himself and horse, tell the

news, and bring packets. He used to wear a blue coat with yellow

buttons, a scarlet waistcoat, leathern small-clothes, blue yarn

stockings, and a red wig and cocked hat, which gave him a sort of

military appearance. He usually traveled in a sulky, but sometimes in a

chaise, or on horseback.... Mr. Martin also contrived to employ himself

in knitting coarse yarn stockings while driving or rather jogging along

the road, or when seated on his saddle-bags on horseback. He certainly

did not ride _post_, according to the present [1821] meaning of that

term."

Deprived like many other children of Newbery's peaceful biographies and

stories, the little Mortons' lives were too full of an intense daily

interest to feel the lack of new literature of this sort. Tales of the

campaigns told in letters to friends and neighbors were reëchoed in the

ballads and songs that formed part of the literary warfare waged by Whig

or Loyal partisans. Children of to-day sing so zestfully the popular

tunes of the moment, that it requires very little imagination to picture

the schoolboy of Revolutionary days shouting lustily verses from "The

Battle of the Kegs," and other rhymed stories of military incidents.

Such a ballad was "A Song for the Red Coats," written after the

successful campaign against Burgoyne, and beginning:

"Come unto me, ye heroes,

Whose hearts are true and bold,

Who value more your honor,

Than others do their gold!

Give ear unto my story,

And I the truth will tell,

Concerning many a soldier,

Who for his country fell."

Children, it has been said, are good haters. To the patriot boy and

girl, the opportunity to execrate Benedict Arnold was found in these

lines of a patriotic "ditty" concerning the fate of Major André:

"When he was executed

He looked both meek and mild;

He looked upon the people,

And pleasantly he smiled.

It moved each eye to pity,

Caused every heart to bleed;

And every one wished him released--

And _Arnold_ in his stead."[98-A]

Loyalist children had an almost equal supply of satirical verse to fling

back at neighbors' families, where in country districts some farms were

still occupied by sympathizers with Great Britain. A vigorous example of

this style of warfare is quoted by Mr. Tyler in his "Literature of the

American Revolution," and which, written in seventeen hundred and

seventy-six, is entitled "The Congress." It begins:

"These hardy knaves and stupid fools,

Some apish and pragmatic mules,

Some servile acquiescing tools,--

These, these compose the Congress!"[98-B]

Or, again, such taunts over the general poverty of the land and

character of the army as were made in a ballad called "The Rebels" by a

Loyalist officer:

"With loud peals of laughter, your sides,

Sirs, would crack,

To see General Convict and Colonel Shoe-black,

With their hunting-shirts and rifle-guns,

See Cobblers and quacks, rebel priests and the like,

Pettifoggers and barbers, with sword and with pike."

Those Loyalists who lived through this exciting period in America's

history bore their full share in the heavy personal misfortunes of their

political party. The hatred felt toward such colonials as were true to

the king has until recently hardly subsided sufficiently to permit any

sympathy with the hardships they suffered. Driven from their homes,

crowded together in those places occupied by the English, or exiled to

England or Halifax, these faithful subjects had also to undergo

separation of families perhaps never again united.

Such a Loyalist was James Murray. Forced to leave his daughter and

grandchildren in Boston with a sister, he took ship for Halifax to seek

a living. There, amid the pressing anxieties occasioned by this

separation, he strove to reëstablish himself, and sent from time to time

such articles as he felt were necessary for their welfare. Thus he

writes a memorandum of articles sent in seventeen hundred and eighty by

"Mr. Bean's Cartel to Miss Betsy Murray:--viz: Everlasting 4 yards;

binding 1 piece, Nankeen 4-7/8 yards. Of Gingham 2 gown patterns; 2

pairs red shoes from A.E.C. for boys, Jack and Ralph, a parcel--to Mrs.

Brigden, 1 pair silk shoes and some flowers--Arthur's Geographical

Grammar,--Locke on Education,--5 children's books," etc. And in return

he is informed that "Charlotte goes to dancing and writing school,

improves apace and grows tall. Betsy and Charles are much better but not

well. The rest of the children are in good health, desiring their duty

to their Uncle and Aunt Inman, and thanks for their cake and gloves."

To such families the end of the war meant either the necessity for

making permanent their residence in the British dominion, or of bearing

both outspoken and silent scorn in the new Republic.

For the Americans the peace of Yorktown brought joy, but new beginnings

had also to be made. Farms had been laid waste, or had suffered from

lack of men to cultivate them; industries were almost at a standstill

from want of material and laborers. Still the people had the splendid

compensation of freedom with victory, and men went sturdily back to

their homes to take up as far as possible their various occupations.

An example of the way in which business undertaken before the war was

rapidly resumed, or increased, is afforded by the revival of prosperity

for the booksellers in Boston, New York, and Philadelphia. Renewals of

orders to London agents were speedily made, for the Americans still looked

to England for their intellectual needs. In Philadelphia--a town of forty

thousand inhabitants in seventeen hundred and eighty-three--among the

principal booksellers and printers were Thomas Bradford, Mr. Woodhouse,

Mr. Oswald, Mr. Pritchard,--who had established a circulating

library,--Robert Aitkin, Mr. Liddon, Mr. Dunlap, Mr. Rice, William and

David Hall, Benjamin Bache, J. Crukshank, and Robert Bell. Bell had

undoubtedly the largest bookstore, but seems not to have been altogether

popular, if an allusion in "The Philadelphiad" is to be credited. This

"New Picture of the City" was anonymously published in seventeen hundred

and eighty-four, and described, among other well-known places, Robert

Bell's book-shop:

BELL'S BOOK STORE

Just by St. Paul's where dry divines rehearse,

Bell keeps his store for vending prose and verse,

And books that's neither ... for no age nor clime,

Lame languid prose begot on hobb'ling rhyme.

Here authors meet who ne'er a spring have got,

The poet, player, doctor, wit and sot,

Smart politicians wrangling here are seen,

Condemning Jeffries or indulging spleen.

In 1776 Bell's facilities for printing had enabled him to produce an

edition of "Little Goody Two-Shoes," which seems likely to have been the

only story-book printed during the troubled years of the Revolution.

Besides this, Bell printed in 1777 "Aesop's Fables," as did also Robert

Aitkin; and J. Crukshank had issued during the war an A B C book,

written by the old schoolmaster, A. Benezet, who had drilled many a

Philadelphian in his letters. After the Revolution Benjamin Bache

apparently printed children's books in considerable quantities, and

orders were sent by other firms to England for juvenile reading-matter.

New England also has records of the sale of these small books in several

towns soon after peace was established. John Carter, "at Shakespeare's

Head," in Providence, announced by a broadside issued in November,

seventeen hundred and eighty-three, that he had a large assortment of

stationers' wares, and included in his list "Gilt Books for _Children_,"

among which were most of Newbery's publications. In Hartford,

Connecticut, where there had been a good press since seventeen hundred

and sixty-four, "The Children's Magazine" was reprinted in seventeen

hundred and eighty-nine. Its preposterous titles are noteworthy, since

it is probable that this was the first attempt at periodical literature

made for young people in America. One number contains:

An easy Introduction to Geography.

The Schoolboy addressed to the Editors.

Moral Tales continued.

Tale VIII. The Jealous Wife.

The Affectionate Sisters.

Familiar Letters on Various Subjects,--Continued....

Letter V from _Phillis Flowerdale_ to _Miss Truelove_.

Letter VI from _Miss Truelove_ to _Phillis Flowerdale_.

Poetry.--The Sweets of May.

The Cottage Retirement.

Advice to the Fair.

The Contented Cottager.

The Tear.

The Honest Heart.

The autograph of Eben Holt makes the contents of the magazine ludicrous

as subjects of interest to a boy But having nothing better, Eben most

surely read it from cover to cover.

In Charleston, South Carolina, Robert Wells imported the books read by

the members of the various branches of the Ravenel, Pinckney, Prioleau,

Drayton, and other families. Boston supplied the juvenile public largely

through E. Battelle and Thomas Andrews, who were the agents for Isaiah

Thomas, the American Newbery.

An account of the work of this remarkable printer of Worcester,

Massachusetts, has been given in Dr. Charles L. Nichols's "Bibliography

of Worcester." Thomas's publications ranked as among the very best of

the last quarter of the eighteenth century, and were sought by

book-dealers in the various states. At one time he had sixteen presses,

seven of which were in Worcester. He had also four bookstores in various

towns of Massachusetts, one in Concord, New Hampshire, one in Baltimore,

and one in Albany.

In 1761, at the age of ten, Thomas had set up as his "'Prentice's

Token," a primer issued by A. Barclay in Cornhill, Boston, entitled "Tom

Thumb's Play-Book, To Teach Children their letters as soon as they can

speak." Although this primer was issued by Barclay, Thomas had already

served four years in a printer's office, for according to his own

statement he had been sent at the age of six to learn his trade of

Zechariah Fowle. Here, as 'prentice, he may have helped to set up the

stories of the "Holy Jesus" and the "New Gift," and upon the cutting of

their rude illustrations perhaps took his first lessons in engraving.

For we know that by seventeen hundred and sixty-four he did fairly good

work upon the "Book of Knowledge" from the press of the old printer.

Upon the fly-leaf of a copy of this owned by the American Antiquarian

Society, founded by Thomas, is the statement in the Worcester printer's

handwriting, "Printed and cuts engraved by I. Thomas then 13 years of

age for Z. Fowle when I.T. was his Apprentice: bad as the cuts are

executed, there was not at that time an artist in Boston who could have

done them much better. Some time before, and soon after there were

better engravers in Boston." These cuts, especially the frontispiece

representing a boy with a spy-glass and globe, and with a sextant at his

feet, are far from poor work for a lad of thirteen. "The battered

dictionary," says Dr. Nichols, "and the ink-stained Bible which he found

in Fowle's office started him in his career, and the printing-press,

together with an invincible determination to excel in his calling,

carried him onward, until he stands to-day with Franklin and

Baskerville, a type of the man who with few educational advantages

succeeds because he loves his art for his art's sake."

In supplying to American children a home-made library, Thomas, although

he did no really original work for children, such as his English

prototype, Newbery, had accomplished, yet had a motive which was not

altogether selfish and pecuniary. The prejudice against anything of

British manufacture was especially strong in the vicinity of Boston; and

it was an altogether natural expression of this spirit that impelled the

Worcester printer, as soon as his business was well established, to

begin to reprint the various little histories. These reprints were all

pirated from Newbery and his successors, Newbery and Carnan; but they

compare most favorably with them, and so far surpassed the work of any

other American printer of children's books (except possibly those of

Bache in Philadelphia) that his work demands more than a passing

mention.

Beginning, like most printers, with the production of a primer in

seventeen hundred and eighty-four, by seventeen hundred and eighty-six

Thomas was well under way in his work for children. In that year at

least eleven little books bore his imprint and were sent to his Boston

agents to be sold. In the "Worcester Magazine" for June, 1786, Thomas

addressed an "Advertisement to Booksellers," as follows: "A large

assortment of all the various sizes of CHILDREN'S Books, known

by the name of Newbery's Little Books for Children, are now republished

by I. Thomas in Worcester, Massachusetts. They are all done excellently

in his English Method, and it is supposed the paper, printing, cuts, and

binding are in every way equal to those imported from England. As the

Subscriber has been at great expense to carry on this particular branch

of Printing extensively, he hopes to meet with encouragement from the

Booksellers in the United States."

Evidently he did meet with great encouragement from parents as well as

booksellers; and it is suspected that the best printed books bearing

imprints of other booksellers were often printed in Worcester and bound

according to the taste and facilities of the dealer. That this practice

of reprinting the title-page and rebinding was customary, a letter from

Franklin to his nephew in Boston gives indisputable evidence:

Philada. Nov. 26, 1788.

LOVING COUSIN:

I have lately set up one of my grand-children, Benja. F. Bache, as a

Printer here, and he has printed some very pretty little Books for

Children. By the Sloop Friendship, Capt. Stutson, I have sent a Box

address'd to you, containing 150 of each volume, in Sheets, which I

request you would, according to your wonted Goodness, put in a way

of being dispos'd of for the Benefit of my dear Sister. They are

sold here, bound in marbled Paper at 1 S. a Volume; but I should

suppose it best, if it may be done, to sell the whole to some

Stationer, at once, unbound as they are; in which case I imagine

that half a Dollar a Quire may be thought a reasonable Price,

allowing usual Credit if necessary.

My Love to your Family, & believe me ever,

Your affectionate Uncle

B. FRANKLIN.

JONA. WILLIAMS, ESQ.

Franklin's reference to the Philadelphia manner of binding toy-books in

marbled paper indicates that this home-made product was already

displacing the attractive imported gilt embossed and parti-colored

covers used by Thomas, who seems never to have adopted this ugly dress

for his juvenile publications. As the demand for his wares increased,

Thomas set up other volumes from Newbery's stock, until by seventeen

hundred and eighty-seven he had reproduced practically every item for

his increasing trade. It was his custom to include in many of these

books a Catalogue of the various tales for sale, and in "The Picture

Exhibition" we find a list of fifty-two stories to be sold for prices

varying from six pence to a shilling and a half.

These books may be divided into several classes, all imitations of the

English adult literature then in vogue. The alphabets and primers, such

as the "Little Lottery Book," "Christmas Box," and "Tom Thumb's

Play-thing," are outside the limits of the present subject, since they

were written primarily to instruct; and while it is often difficult to

draw the line where amusement begins and instruction sinks to the

background, the title-pages can usually be taken as evidence at least of

the author's intention. These other books, however, fall naturally under

the heads of jest and puzzle books, nature stories, fables, rhymes,

novels, and stories--all prototypes of the nursery literature of to-day.

The jest and joke books published by Thomas numbered, as far as is known

to the writer, only five. Their titles seem to offer a feast of fun

unfulfilled by the contents. "Be Merry & Wise, or the Cream of the Jests

and the Marrow of Maxims," by Tommy Trapwit, contained concentrated

extracts of wisdom, and jokes such as were current among adults. The

children for whom they were meant were accustomed to nothing more

facetious than the following jest: "An arch wag said, _Taylors_ were

like _Woodcocks_ for they got their substance by their long bills."

Perhaps they understood also the point in this: "A certain lord had a

termagant wife, and at the same time a chaplain that was a tolerable

poet, whom his lordship desired to write a copy of verses upon a shrew.

I can't imagine, said the chaplain, why your lordship should want a

copy, who has so good an original." Other witticisms are not quotable.

[Illustration: _A page from a Catalogue of Children's Books printed by

Isaiah Thomas_]

Conundrums played their part in the eighteenth century juvenile life,

much as they do to-day. These were to be found in "A Bag of Nuts ready

Cracked," and "The Big and Little Puzzling Caps." "Food for the Mind"

was the solemn title of another riddle-book, whose conundrums are very

serious matters. Riddle XIV of the "Puzzling Cap" is typical of its

rather dreary contents:

"There was a man bespoke a thing,

Which when the maker home did bring,

This same maker did refuse it;

He who bespoke it did not use it

And he who had it did not know

Whether he had it, yea or no."

This was a nut also "ready cracked" by the answer reproduced in the

illustration.

Nature stories were attempted under the titles of "The Natural History

of Four Footed Beasts," "Jacky Dandy's Delight; or the History of Birds

and Beasts in Verse and Prose," "Mr. Telltruth's Natural History of

Birds," and "Tommy Trip's History of Beasts and Birds." All these were

written after Oliver Goldsmith's "Animated Nature" had won its way into

great popularity. As a consequence of the favorable impression this book

had made, Goldsmith is supposed to have been asked by Newbery to try his

hand upon a juvenile natural history.

Possibly it was as a result of Newbery's request that we have the

anonymous "Jacky Dandy's Delight" and "Tommy Trip's History of Beasts

and Birds." The former appears to be a good example of Goldsmith's

facility for amusing himself when doing hack-work for Newbery. How like

Goldsmith's manner is this description of a monkey:

"The monkey mischievous

Like a naughty boy looks;

Who plagues all his friends,

And regards not his books.

"He is an active, pert, busy animal, who mimicks human actions so

well that some think him rational. The Indians say, he can speak if

he pleases, but will not lest he should be set to work. Herein he

resembles those naughty little boys who will not learn A, lest they

should be obliged to learn B, too. He is a native of warm countries,

and a useless beast in this part of the world; so I shall leave him

to speak of another that is more bulky, and comes from cold

countries: I mean the Bear."

To poke fun in an offhand manner at little boys and girls seemed to have

been the only conception of humor to be found in the children's books of

the period, if we except the "Jests" and the attempts made in a

ponderous manner on the title-pages. The title of "The Picture

Exhibition; containing the Original Drawings of Eighteen Disciples....

Published under the Inspection of Mr. Peter Paul Rubens,..." is

evidently one of Newbery's efforts to be facetious. To the author, the

pretence that the pictures were by "Disciples of Peter Paul Rubens"

evidently conveyed the same idea of wit that "Punch" has at times

represented to others of a later century.

Fables have always been a mine of interest to young folks, and were

interspersed liberally with all moral tales, but "Entertaining Fables"

bears upon its title-page a suggestion that the children's old friend,

"Aesop," appeared in a new dress.

Another series of books contained the much abridged novels written for

the older people. "Peregrine Pickle" and "Roderick Random" were both

reprinted by Isaiah Thomas as early as seventeen hundred and

eighty-eight. These tales of adventure seem to have had their small

reflections in such stories as "The Adventures of a Pincushion," and

"The Adventures of a Peg-top," by Dorothy Kilner, an Englishwoman.

Mention has already been made of "Pamela" and "Clarissa" in condensed

form. These were books of over two hundred pages; but most of the

toy-books were limited to less than one hundred. A remarkable instance

of the pith of a long plot put into small compass was "The History of

Tom Jones." A dog-eared copy of such an edition of "Tom Jones" is still

in existence. Its flowery Dutch binding covers only thirty-one pages,

four inches long, with a frontispiece and five wood-cut illustrations.

In so small a space no detailed account of the life of the hero is to be

expected; nevertheless, the first paragraph introduces Tom as no

ordinary foundling. Mr. Allworthy finds the infant in his bed one

evening and rings up his housekeeper Mrs. Deborah Wilkins. "She being a

strict observer of decency was exceedingly alarmed, on entering her

master's room, to find him undressed, but more so on his presenting her

with the child, which he ordered immediately to be taken care of." The

story proceeds--with little punctuation to enable the reader to take

breath--to tell how the infant is named, and how Mr. Allworthy's nephew,

Master Bilfil, is also brought under that generous and respectable

gentleman's protection. Tommy turned out "good," as Mr. Allworthy had

hoped when he assumed charge of him; and therefore eventually inherited

riches and gained the hand of Miss Sophia Western, with whom he rode

about the country in their "Coach and Six."

Of the stories in this juvenile library, the names, at least, of "Giles

Gingerbread," "Little King Pippin," and "Goody Two-Shoes" have been

handed down through various generations. One hundred years ago every

child knew that "Little King Pippin" attained his glorious end by

attention to his books in the beginning of his career; that "Giles

Gingerbread" first learned his alphabet from gingerbread letters, and

later obtained the patronage of a fine gentleman by spelling "apple-pye"

correctly. Thus did his digestion prove of material assistance in mental

gymnastics.

[Illustration: _Illustration of Riddle XIV in "The Puzzling-Cap"_]

But the nursery favorite was undoubtedly "Margery, or Little Goody

Two-Shoes." She was introduced to the reader in her "state of rags and

care," from which she gradually emerged in the chapters entitled, "How

and about Little Margery and her Brother;" "How Little Margery

obtained the name of Goody Two-Shoes;" "How she became a Tutoress" to

the farmers' families in which she taught spelling by a game; and how

they all sang the "Cuz's Chorus" in the intervals between the spelling

lesson and the composition of sentences like this: "I pray God to bless

the whole country, and all our friends and all our enemies." Like the

usual heroine of eighteenth century fiction, she married a title, and as

Lady Jones was the Lady Bountiful of the district. From these tales it

is clear that piety as the chief end of the story-book child has been

succeeded by learning as the desideratum; yet morality is still pushed

into evidence, and the American mother undoubtedly translated the

ethical sign-boards along the progress of the tale into Biblical

admonitions.

All the books were didactic in the extreme. A series of four, called

"The Mother's," "Father's," "Sister's," and "Brother's Gifts," is a good

example of this didactic method of story-telling. "The Father's Gift"

has lessons in spelling preceded by these lines:

"Let me not join with those in Play,

Who fibs and stories tell,

I with my Book will spend the Day,

And not with such Boys dwell.

For one rude Boy will spoil a score

As I have oft been told;

And one bad sheep, in Time, is sure

To injure all the Fold."

"The Mother's Gift" was confined largely to the same instructive field,

but had one or two stories which conformed to the sentiment of the

author of "The Adventures of a Pincushion," who stated her motive to be

"That of providing the young reader with a few pages which should be

innocent of corrupting if they did not amuse."

"The Brother's" and "Sister's Gifts," however, adopt a different plan of

instruction. In "The Brother's Gift" we find a brother solicitous

concerning his sister's education: "Miss Kitty Bland was apt, forward and

headstrong; and had it not been for the care of her brother, Billy, would

have probably witnessed all the disadvantages of a modern education"!

Upon Kitty's return from boarding-school, "she could neither read, nor

sew, nor write grammatically, dancing stiff and awkward, her musick

inelegant, and everything she did bordered strongly on affectation." Here

was a large field for reformation for Billy to effect. He had no doubts

as to what method to pursue. She was desired to make him twelve shirts,

and when the first one was presented to him, "he was astonished to find

her lacking in so useful a female accomplishment." Exemplary conversation

produced such results that the rest of the garments were satisfactory to

the critical Billy, who, "as a mark of approbation made her a present of

a fine pair of stays."

"The Sister's Gift" presents an opposite picture. In this case it is

Master Courtley who, a "youth of Folly and Idleness," received large

doses of advice from his sister. This counsel was so efficient with

Billy's sensitive nature that before the story ends, "he wept bitterly,

and declared to his sister that she had painted the enormity of his

vices in such striking colors, that they shocked him in the greatest

degree; and promised ever after to be as remarkable for generosity,

compassion and every other virtue as he had hitherto been for cruelty,

forwardness and ill-nature." Virtue in this instance was its own reward,

as Billy received no gift in recognition of his changed habits.

To the modern lover of children such tales seem strangely ill-suited to

the childish mind, losing, as they do, all tenderness in the effort of

the authors (so often confided to parents in the preface) "to express

their sentiments with propriety." Such criticism of the style and matter

of these early attempts to write for little people was probably not made

by either infant or adult readers of that old-time public. The children

read what was placed before them as intellectual food, plain and

sweetened, as unconcernedly as they ate the food upon their plates at

meal-time. That their own language was the formal one of the period is

shown by such letters as the following one from Mary Wilder, who had

just read "The Mother's Gift:"

Lancaster, October 9th, 1789.

HOND. MADM:

Your goodness to me I cannot express. My mind is continually crowded

with your kindness. If your goodness could be rewarded, I hope God

will repay you. If you remember, some time ago I read a story in

"The Mother's Gift," but I hope I shall never resemble Miss Gonson.

O Dear! What a thing it is to disobey one's parents. I have one of

the best Masters. He gave me a sheet of paper this morning. I hope

Uncle Flagg will come up. I am quite tired of looking for Betsy, but

I hope she will come. When school is done keeping, I shall come to

Sudbury. What a fine book Mrs. Chapone's Letters is: My time grows

short and I must make my letter short.

Your dutiful daughter,

P.W.

Nursery rhymes and jingles of these present days have all descended from

song-books of the eighteenth century, entitled "Little Robin Red

Breast," "A Poetical Description of Song Birds," "Tommy Thumb's

Song-Book," and the famous "Melodies of Mother Goose," whose name is

happily not yet relegated to the days of long ago. Two extracts from the

"Poetical Description of Song Birds" will be sufficient to show how

foreign to the birds familiar to American children were the

descriptions:

THE BULLFINCH

This lovely bird is charming to the sight:

The back is glossy blue, the belly white,

A jetty black shines on his neck and head;

His breast is flaming with a beauteous red.

THE TWITE

Green like the Linnet it appears to sight,

And like the Linnet sings from morn till night.

A reddish spot upon his rump is seen,

Short is his bill, his feathers always clean:

When other singing birds are dull or nice,

To sing again the merry Twites entice.

Reflections of the prevailing taste of grown people for biography are

suggested in three little books, of two of which the author was Mrs.

Pilkington, who had already written several successful stories for young

ladies. Her "Biography for Girls" contains various novelettes, in each

of which the heroine lives the conventional life and dies the

conventional death of the period, and receives a laudatory epitaph. They

are remarkable only as being devoid of any interest. Her "Biography for

Boys" does not appear to have attained the same popularity as that for

girls. A third book, "The Juvenile Biographers," containing the "Lives

of Little Masters and Misses," is representative of the changes made in

many books by the printer to cater to that pride in the young Republic

so manifest in all local literary productions. In one biography we note

a Representative to the Massachusetts Assembly:

"As Master Sammy had always been a very sober and careful child, and

very attentive to his Books, it is no wonder that he proved, in the End,

to be an excellent Scholar.

"Accordingly, when he had reached the age of fourteen, Mr. William

Goodall, a wealthy merchant in the city of Boston, took him into his

counting house, in order to bring him up in the merchantile Way, and

thereby make his Fortune.

"This was a sad Stroke to his poor Sister Nancy, who having lost both

her Papa and Mama, was now likely to lose her Brother likewise; but

Sammy did all he could to appease her, and assured her, that he would

spend all his leisure Time with her. This he most punctually performed,

and never were Brother and Sister as happy in each other's company as

they were.

"Mr. William Goodall was highly satisfied with Sammy's Behaviour, and

dying much about the Time that Miss Nancy was married to the Gentleman,

he left all his business to Sammy, together with a large Capital to

carry it on. So much is Mr. Careful esteemed (for we must now no longer

call him Master Sammy) that he was chosen in the late General Election,

Representative in the General Court, for one of the first Towns in New

England, without the least expense to himself. We here see what are the

Effects of Good Behaviour."

This adaptation of the English tale to the surroundings of the American

child is often found in Thomas's reprints, and naturally, owing to his

enthusiasm over the recent change in the form of government, is made

wholly by political references. Therefore while the lark and the linnet

still sang in songs and the cowslips were scattered throughout the

nature descriptions, Master Friendly no longer rode in the Lord Mayor's

coach, but was seated as a Congressman in a sedan chair, "and he

looked--he looked--I do not know what he looked like, but everybody was

in love with him." The engraver as well as the biographer of the

recently made Representative was evidently at a loss as to his

appearance, as the four dots indicating the young gentleman's features

give but a blank look perhaps intended to denote amazement at his

election.

The illustrations of Thomas's toy reprints should not be overlooked. The

Worcester printer seems to have rewritten the "Introduction" to "Goody

Two-Shoes," and at the end he affixed a "Letter from the Printer which

he desires may be inserted.

SIR: I have come with your copy, and so you may return it

to the Vatican, if you please; and pray tell Mr. Angelo to brush up

his cuts; that in the next edition they may give us a good

impression."

This apology for the character of the illustrations serves as an

introduction to a most interesting subject of conjecture as to the

making of the cuts, and particularly as to the engraving of the

frontispiece in "Goody Two-Shoes."

[Illustration: _Goody Twoshoes._]

It will be remembered that Isaiah Thomas in his advertisement to

booksellers had expressly mentioned the great expense he had incurred in

bringing out the juvenile books in "the English method." But Mr. Edwin

Pearson, in his delightful discussion of "Banbury Chap-Books," has also

stated that the wood-cut frontispiece in the first American edition of

"Goody Two-Shoes," printed by Thomas, was engraved by Bewick, the famous

English illustrator. A comparison of the reproduction of the Bewick

engraving in Mr. Pearson's book with the frontispiece in Thomas's

edition shows so much difference that it is a matter of regret that Mr.

Pearson withheld his authority for attributing to Bewick the

representation of Margery Two-Shoes. Besides the inference from Thomas's

letter that the poor cuts would be improved before another edition

should be printed, there are several points to be observed in comparing

the cuts. In the first place, the execution in the Thomas cut suggests a

different hand in the use of the tools; again, the reversed position of

the figure of "Goody" indicates a copy of the English original. Also the

expression of Thomas's heroine, although slightly mincing, is less

distressed than the British dame's, to say nothing of the variation in

the fashion of the gowns. And such details as the replacing of the

English landscape by the spire of a meeting-house in the distance seem

to confirm the impression that the drawing was made after, but not by

Bewick. In the cuts scattered throughout the text the same difference in

execution and portrayal of the little schoolmistress is noticeable.

Margery, upon her rounds to teach the farmers' children to spell such

words as "plumb-pudding" "(and who can suppose a better?)," presents her

full face in the Newbery edition, and but a three-quarter view to her

American admirers.

These facts, together with the knowledge that Isaiah Thomas was a fair

engraver himself, make it possible that his apology for the first

impression of the tiny classic was for his own engraving, which he

thought to better.

Thomas not only copied and pirated Newbery's juvenile histories, but he

adopted his method of advertising by insertions in the text of these

tales. For example, in "The Travels of Robinson Crusoe, Written by

Himself," the little reader was told, "If you learn this Book well and

are good, you can buy a larger and more complete History of Mr. Crusoe

at your friend the Bookseller's in Worcester near the Court House." In

"The Mother's Gift," there is described well-brought-up Miss Nugent

displaying to ill-bred Miss Jones, "a pretty large collection of books

neatly bound and nicely kept," all to be had of Mr. Thomas; and again

Mr. Careful, in "Virtue and Vice," "presented at Christmas time to the

sons and daughters of his friends, little Gilt Books to read, such as

are sold at Mr. Thomas' near the Court House in Worcester."

Thomas and his son continued to send out these toy-books until their gay

bindings faded away before the novelty of the printed paper covers of

the nineteenth century.

FOOTNOTES:

[92-A] Tyler, _Literary History of the American Revolution_, vol. i, p.

485.

[94-A] _Life of Josiah Quincy_, p. 27. Boston, 1866.

[94-B] Earle, _Child Life in Colonial Days_, p. 171.

[98-A] Tyler, _Literature of the American Revolution_, vol. ii, p. 182.

[98-B] _Ibid._, p. 156.

Forgotten Books of the American Nursery A History of the Development of the American Story-Book · 第 8 / 14 章