ORIGIN OF THE AMERICAN CIRCUS

The first circus in America was started by Nathan A. Howes and Aaron

Turner under a top canvas in 1826. Previous to that time others had

shows in frame buildings and some simply with side canvas in hotel

yards, and in theaters in New York City. The full tent circus

originated in the towns of Somers and North Salem, Westchester County,

New York, and Southeast and Carmel, Putnam County, New York. The

original showmen were Raymond, Titus, June, Quick, Angevine, Crane,

Smith and Nathans, and so far as I have been able to ascertain, June,

Titus and Angevine were the first to import wild animals on their own

account.

Previous to this the Raymond and Titus companies were in the habit of

purchasing wild animals from sea captains who, in a spirit of

speculation, would bring them to our shores. There existed a great

rivalry between these companies and they soon became possessed of more

animals than they needed. They toured the East during the period from

about 1826 to 1834, with but indifferent success, and then Titus &

Company took their show to England, where John June had preceded them.

The circus and menagerie in those days were separate and distinct

attractions and, while the menagerie had the greater drawing power, it

was only exhibited in the daytime. In the case of an opposition circus

the attendance would generally split up, but would result in a benefit

to each attraction, for the same crowd which gazed at the menagerie

during the day would also be able to enjoy the circus which exhibited

at night. It was not until 1851 that a circus and a menagerie were

exhibited together, at one price of admission and owned by the same

proprietors.

At that time George F. Bailey induced Turner, who was his

father-in-law, to purchase an elephant and some other animals from

Titus & Company, and others from incoming vessels at New York, Boston

and Charleston. Mr. Bailey had six cages built, and these, together

with the elephants, he added to the circus in order to reach the

church-going element which would go to see the "menagerie only," but

invariably remained, when the band commenced to play, "because the

children wanted to see the circus."

To Mr. George F. Bailey must also be given the credit of devising a

tank on wheels in which could be exhibited the hippopotamus. This

animal proved a wonderful drawing card, and was then advertised as it

sometimes is to-day as "the blood-sweating Behemoth of Holy Writ." This

animal made several men wealthy. L. B. Lent, the well-known circus man,

afterwards hired it and paid for its use no less than twenty-five per

cent of the gross receipts of his show. From the death of this

hippopotamus until 1873 there was none in the country; but in that year

Mr. Barnum and I secured one from Reiche Brothers, whose men had

captured it from a school on the river Nile. It cost us $10,000, and we

had previously spent several thousand dollars in sending our own men to

Egypt on a similar errand that proved fruitless.

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