A SILENT PARADE FROM ALBANY TO THE STATE LINE

I am glad to know that the circus man who speaks of his patrons as

"gillies," and who endeavors to obtain his wealth by fair or foul

means, is becoming more and more rare. I recall an illiterate circus

man of this description who employed every "privilege" known to the

circus world. For example: when traveling by wagon the whole caravan

would pass through a toll-gate, stating that the "boss" was behind and

would pay the toll. The last vehicle to go through would contain this

dignitary and his treasurer, who, when confronted with the long list of

vehicles on which he ought to pay toll, would declare that the

toll-keeper had been imposed upon, and that half of those vehicles

belonged to a gang of gypsies having no connection whatever with the

show. He would then cut the bill down according to the easy or hard

nature of the custodian of the toll-gate, and in this manner evade

payment of what, in a whole season, would aggregate a large sum of

money.

On one occasion, when about to exhibit in Albany, and knowing that his

whole outfit would that day be attached for debt, he ordered the parade

to start early, as he intended to give them a "long ride." The

procession accordingly started on what has passed into circus history

as the "silent parade," for, leaving the city in all the glory of

spangle and tinsel, the showmen never rested until they had reached the

State line, while the sheriffs, waiting at the tents in Albany for the

parade to return, had the poor satisfaction of attaching the almost

worn-out and quite worthless canvas.

I have often been asked what it costs to start a circus and menagerie.

This is a most difficult question to answer, since it depends entirely

upon the size and pretensions of the enterprise in question. Shows vary

in size from cheap affairs, capable of being carried in three railroad

cars, to the elaborate institutions which require two long special

trains for their transportation. The expense of running a large show is

enormous, although in advertising this expense is usually exaggerated.

There are a great many traveling tented exhibitions which "bill," or

advertise, like a circus, and in the eyes of the general public pass

for circuses, but which, in reality, are variety exhibitions given

under canvas.

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