Krao, the "missing link," as she was called, was simply a hairy child,
and almost exactly like Annie Jones, who was exhibited by Barnum as the
"Esau Child." A great card for museums at one time was the "human-faced
chicken." The first one placed on exhibition was purchased in good
faith by an acquaintance of mine, and proved a good attraction. A
visiting farmer, however, declared that it was nothing but an ordinary
chicken which had had its bill frozen off, and so it proved.
Dancing turkeys were then introduced and caused great amusement. The
awkward birds would walk onto their exhibition stage and go through a
decidedly grotesque dance, their mode of lifting their feet being
highly laughable. The truth was that the stage on which they danced was
a piece of sheet-iron covered with a cloth. The iron was heated to an
uncomfortable degree by gas jets underneath. What the public accepted
as dancing was really the efforts made by the birds to prevent their
feet from being burned.