CHAPTER VIII

"I fancy you are about to speak of _him_" said the princess, moving the

lights, to get a better view of the speaker, and placing her elbows on

the table.

"While going down the Moldau, on the Bavarian frontier, we were seized

by the recruiting parties of the king, your brother, and were flattered

with the smiling hope of becoming, both Haydn and myself, fifer and

drummer in the glorious armies of his Majesty."

"You, a drummer!" said the princess with surprise. "Ah! had Von Kleist

seen you thus I venture to swear she would have lost her senses. My

brother would have made you his page; and heaven knows what ravage you

would have made in the hearts of our Court ladies. But what is it you

say of Haydn? I know the name, and have recently received music of his,

and, I remember, excellent music. He is not the lad you speak of?"

"Excuse me. He is about twenty years old, and does not seem fifteen. He

was my travelling companion, and was a sincere and faithful friend. On

the edge of a little wood, where our captors halted to breakfast, we

escaped. They pursued us, and we ran like hares, until we had the good

fortune to overtake a travelling carriage, in which was the handsome and

noble Frederick Von Trenck and the _ci-devant_ conqueror, Count Hoditz

de Roswald."

"The husband of my aunt, the Margravine of Culmbach?" said the princess.

"Another love match, Von Kleist. By the by, that is the only honest and

prudent thing my aunt ever did in her life. What kind of a man is this

Count Hoditz?"

Consuelo was about to give a minute account of the lord of Roswald, but

the princess interrupted her by countless questions about Trenck, the

dress he wore, and the minutest details. When Consuelo told her how

Trenck had hurried to her defence, how he came near being shot, and had

put the brigands to flight, and rescued an unfortunate deserter who was

borne in the wagon with his hands and feet bound, she had to begin again

to repeat the most trifling words and detail the merest circumstances.

The joy and emotion of the princess were intense when she heard that

Trenck and Count Hoditz, having taken the two travellers into their

coach, the baron had taken no notice of Consuelo, but seemed wrapped in

the examination of a portrait he concealed in his bosom--that he sighed,

and talked to the count of a mysterious love for an exalted person, who

was the origin of the happiness and despair of his life.

When Consuelo was permitted to continue, she said that Count Hoditz,

having discovered her sex at Passau, sought to presume on the protection

he had granted her, and that she had fled with Haydn and resumed her

adventurous travels in a boat which went down the Danube.

At last she told how, playing on the pipe, while Haydn played the

violin, they paid for their dinners by making music for the peasants to

dance, and at length reached a pleasant priory still disguised, and

represented herself as a wandering musician, a Zingara, called Bertoni.

"The prior," said she, "was passionately fond of music, and was besides

a man of heart and mind. He conceived for us, for myself especially, a

great friendship, and wished even to adopt me, promising me an excellent

benefice, if I would but take the minor orders. I began to be tired of

manhood, and the _tonsure_ was no more to my taste than the drum. A

strange adventure forced me to prolong my abode with my excellent host.

A woman travelling by post, was seized with the pains of labor, and gave

birth to a daughter, which she abandoned and I persuaded the good canon

to adopt it in my place. She was called Angela, from her father's name

Anzoleto, and the mother, Corilla, went to Vienna to procure an

engagement at the Court Theatre. She did so, and with greater success

than I had. The Prince Von Kaunitz presented her to the Empress Maria

Theresa as a respectable widow, and I was rejected, as being accused and

suspected of being the mistress of Joseph Haydn, who received lessons

from Porpora, and lived in the same house with us."

Consuelo described her interview with the great Empress. The princess

was anxious to hear of this wonderful woman, the virtue of whom no one

at Berlin believed in, and who was said to have as lovers the Prince Von

Kaunitz, Doctor Von Switzer and Metastasio.

Consuelo told at length of her reconciliation on account of Angela, with

La Corilla, of her _début_ in the principal parts at the Imperial

Theatre, on account of the remorse and a generous impulse of her

impetuous rival. She then told of the friendship that existed at Vienna

between Trenck and herself at the abode of the Ambassador of Venice; and

told how she had arranged a method of communicating with him, if the

persecution of the King of Prussia made it necessary. She spoke of the

piece of music, the sheets of which were to serve as a wrapper and

signature to the letters he might send her, as occasion required, for

her whom he loved: and told how she had recently been informed, by one

of the sheets, of the importance of the cabalistic scroll she had given

to the princess. It may be imagined these explanations occupied more

time than the rest of the story.

Porporina having told of her departure with the maestro from Venice, and

how, in the uniform of a company, and as the Baron Von Kreutz, she had

met the King of Prussia at the wonderful Castle of Roswald, she was

obliged also to mention the important service she had rendered the

monarch before she knew him.

"That I was very curious to know," said the Baroness Von Kleist.

"Poelnitz, who loves to talk, told me that his majesty at supper said

that his friendship for the beautiful Porporina had more serious causes

than a mere love affair."

"What I did was very simple. I used the ascendancy I had over an

unfortunate fanatic to keep him from murdering the king. Karl, the poor

Bohemian giant, whom Trenck had rescued from the recruiting party when

he liberated me, had entered the service of Count Hoditz. He had known

the king, and wished to be revenged for the death of his wife and child,

who died of want and sorrow, just after his second arrest. Fortunately,

he had not forgotten that I had been a party to his rescue, and had

contributed something to his wife's assistance. He let me persuade and

take the gun from him. The king, who was concealed hard by, as he

afterwards told me, heard all, and, lest the assassin should have a

return of fury, took a different road from the one he had intended. The

king was on horseback, with no one but Bruddenbrock. It is, then, very

possible that a good shot like Karl, whom I had thrice seen shoot a

pigeon from the top of a mast, during the entertainment given by Count

Hoditz, would not have missed."

"God knows," said the princess in a dreamy manner, "what changes this

misfortune would have effected in European politics, and in individual

destinies. Now, dear Rudolstadt, I think I know the rest of your story,

until the death of Count Albert. At Prague you met his uncle, the baron,

who took you to the Giant's Castle, to see him die of phthisis, and to

marry him just before he breathed his last. You had not made up your

mind to love him?"

"Alas! madame, I loved him too late, and have been cruelly punished for

hesitation, and passion for the stage. Forced by my master, Porpora, to

appear at Vienna, deceived in relation to Albert's indisposition, for

his last letters had been intercepted, I suffered myself to be led

astray by the glitter of the stage; and, in conclusion, while waiting

for an engagement at Berlin, appeared with perfect madness at Vienna."

"And with glory" said the princess. "We know that."

"Miserable and fatal glory," said Consuelo. "One thing your highness

does not know; it is that Albert came secretly to Vienna and saw me

play. Following every step like a mysterious shadow, he heard me say,

behind the scenes to Joseph Haydn, that I could not abandon my art

without serious regret, yet I loved Albert. I swear before God, that

within my heart, I knew that it was more impossible to renounce him than

my profession, and wrote to him to say so. Porpora, who looked on this

love as a chimera and madness, had intercepted and burned my letters. I

found Albert in a rapid consumption; I gave him my hand, but could not

restore him to life. I saw him lying in state, clad as a noble of yore,

beautiful in the embrace of death, with his brow pure as that of the

pardoning angel--but I could not follow him to the grave. I left him in

the lighted chapel of the Giants' Castle, watched over by Zdenko, the

poor mad prophet, who gave me his hand with a smile, and rejoiced at the

tranquil slumber of his friend. He, at least, more pious and respectful

than I, placed him in the tomb of his fathers, without being aware that

he would never again leave that bed of repose. I was hurried away by

Porpora, a devoted, yet stern friend, with a paternal yet inflexible

heart, who shouted to me over the very tomb of my husband--'On Saturday

next, you will make your _début_ in _Les Virtuoses Ridicules._'"

"Strange, indeed, are the vicissitudes of an artist's life," said the

princess, wiping away a tear. Porporina, as she concluded her story,

sobbed aloud. "You do not tell me, my dear Consuelo, the greatest honor

of your life, and which, when Supperville mentioned, filled me with

admiration. Not to distress the old canoness, and not to forfeit your

romantic disinterestedness, you abandoned your title, your dower, and

your name. You requested Supperville and Porpora, the only witnesses of

your marriage, to keep it a secret, and came hither poor as before, and

remained a Zingarella."

"And an artiste," said Consuelo, "that is to say independent, virgin and

dead to all sentiment of love, such as Porpora always represented the

ideal type of the muses. My terrible master carried his point, and at

last I consented to what he struggled for. I do not think that I am

happier, nor that I am better. Since I love no longer, and feel no

longer capable of loving, I feel no longer the fire and inspiration of

the stage. This icy atmosphere, and this courtly air precipitates me

into the deepest distress. The absence of Porpora, the despair in which

I am, and the will of the king, who prolongs my engagement, contrary to

my wishes. May I not confess this, madame, to you?"

"I might have guessed it, poor thing--all thought you proud of the kind

of preference with which the king honors you; but like myself, you are

his slave and prisoner,--in the same condition as his family favorites,

soldiers, pages and puppies. Alas! for the glitter of royalty, the

glories of the princely crown; how nauseous are they, to those whose

life is exhausted in furnishing them with rays of light. But, dear

Consuelo, you have yet other things to tell me, which are not those that

interest me least. I expect from your sincerity, that you will tell me

on what terms you are with my brother, and I will induce you to do so by

my own frankness. Thinking that you were his mistress, and flattering

myself that you could obtain Trenck's pardon from him, I sought you out,

to place the matter in your hands. Now, thank heaven! we have no need of

that, and I shall be pleased to love you for yourself. I think you can

tell me all without compromising yourself, especially as the affairs of

my brother do not seem far advanced from me."

"The manner in which you speak of this matter, madame, makes me

shudder," replied Consuelo, growing pale. "Eight days ago I heard it

whispered around me, that the king, our master, entertained a serious

passion for me, his sad and trembling subject. Up to that time I had

never conceived anything possible between him and me, but a pleasant

conversation, benevolent on his side, and respectful on mine, he

exhibits a friendship and gratitude which was too great for the simple

part I had played at Roswald. There is a gulf, though, between that and

love, which I hope he will never pass."

"I think differently. He is impetuous, talkative and familiar with you;

he talks to you as to a boy, and passes your hand to his brow and to his

lips. He effects in the presence of his friends--and for some days this

has been the case--to be less in love with you than he is. This all

proves that he is likely to become so. I know it, and warn you, that ere

long you will be called on to decide. What will you do? If you resist,

you are lost; if you yield that will still be the case. If this be so,

what will you do?"

"Neither, madame. Like his recruits, I will desert."

"That is not easy, and I do not wish you to do so, having become very

fond of you; and I think I would put the recruiters on your tracks

rather than you should escape. Well, we will find a way. The case is

grave, and demands consideration. Tell me all that has passed since

Albert's death."

"Some strange and inexplicable things amid a monotonous and moody life.

I will tell you what they are, and your highness perhaps will aid me in

understanding them."

"I will try, on condition that you will call me Amelia, as you did just

now. It is not yet midnight, and I do not wish to be _highnessed_ until

day."

Porporina resumed her story thus:

"I have already told to Madame Von Kleist, when she first did me the

honor of coming to my house, that I was separated from Porpora on the

frontier of Prussia, as I was coming from Bohemia. Even now, I am

ignorant, whether his passport was not regular, or if the king had

caused us to be preceded by one of those orders, the rapidity of which

is a prodigy, to exclude Porpora from his territories. This idea,

perhaps wrong, at first suggested itself to me, for I remembered the

brusque lightness and scowling sincerity with which the maestro defended

Trenck, and blamed the king, when Frederick, at supper at Count

Hoditz's, where he had represented himself as the Baron Von Kreutz, and

told us himself of Trenck's _treason_ and confinement at Glatz."

"Indeed! then the Maestro Porpora displeased the king in talking of

Trenck?"

"The king never mentioned it to me, and I feared to remind him of it. It

is certain, that in spite of my prayers, and his majesty's promises,

Porpora has not been recalled."

"And he never will be," said Amelia, "for the king forgets nothing, and

never pardons frankness when it wounds his self-love. The Solomon of the

north hates and persecutes whoever doubts the infallibility of his

opinions; his arrest is but a gross feint, and an odious pretext to get

rid of an enemy. Weep, then, if you wish, my dear, for you will never

see Porpora at Berlin."

"In spite of my chagrin at his absence, I do not wish, madame, to see

him here, and I will take no steps to induce the king to pardon him. I

received a letter from him this morning, in which he announces that an

opera of his had been received at the imperial theatre at Vienna. After

a thousand disappointments he has attained his purpose, and his pieces

are about to be studied: I prefer, therefore, to go to him, than to

bring him hither. I am afraid, though, I shall not be at more liberty to

go hence, than I was to come."

"What say you?"

"At the frontier, when I saw that my master was forced to return I

wished to accompany him and give up my engagement at Berlin. I was so

indignant at the brutality and apparent bad faith of such a reception,

that to pay the penalty I would have lived by the sweat of my brow

rather than enter a country so despotically ruled. At the first

exhibition of my intentions I was ordered by the officer to get into the

post-chaise, which was ready in the twinkling of an eye; and as I saw

myself surrounded by soldiers determined to use constraint, I embraced

my master with tears, and resolved to suffer myself to be taken to

Berlin, which, crushed with grief and fatigue, I reached at midnight. I

was set down near the palace, not far from the opera in a handsome house

belonging to the king, in which I was absolutely alone. I found servants

at my orders, and supper all ready. I have learned that Von Poelnitz had

been directed to prepare every thing for my arrival. I was scarcely

installed when the Baron Von Kreutz sent to know if I was visible. I

hastened to receive him, being anxious to complain of Porpora's

treatment, and to ask reparation. I pretended not to know that Frederick

II. was the Baron Von Kreutz. I appeared to be ignorant of it. The

deserter, Karl, in confiding his plan to murder him, to me, had not

mentioned his name, but had spoken of him as a superior Prussian

officer, and I had learned who it was from the lips of Count Hoditz,

after the king had left Roswald. He came in with a smiling and affable

air, which I had not seen during his incognito. Under his false name,

and in a foreign country, he had been much annoyed. At Berlin he seemed

to have regained all the majesty of his character--that is, the

benevolent kindness and generous mildness which sometimes decks his

omnipotence. He came to me with his hand extended, and asked if I

remembered to have met him.

"'Yes, baron,' said I, 'and I remember that you offered and promised me

your good offices at Berlin, should I need them.' I then told him with

vivacity what had taken place on the frontier, and asked if he could not

forward to the king, his illustrious master, a demand for reparation for

the outrage and the constraint to which I had been subjected.

"'Reparation?' said the king, smiling maliciously, 'that all! Would

Signor Porpora call the King of Prussia out? Signorina Porporina,

perhaps, would require him to kneel to her.'

"This jeer increased my ill-humor. 'Your majesty may add irony to what I

have already suffered, but I had rather thank than fear you.'

"The king shook his arm rudely. 'Ah!' said he, 'you play a sharp game.'

As he spoke he fixed his penetrating eyes on mine: 'I thought you simple

and full of honesty; yet you know me at Roswald.'"

"'No, sire, I did not know you then. Would that I did not know you now.'

"'I cannot say so much,' said he, mildly, 'for had it not been for you,

I would have remained in some ditch at Roswald. Victories furnish no

ægis against assassination, and I will never forget that if the fate of

Prussia yet be in my hands, I owe it to a kind heart, opposed to all

plots. Your ill temper, then, dear Porporina, will not make me

ungrateful. Be calm, I beg you, and tell me what you complain of, for,

as yet, I know nothing about it.'

"Whether the king really knew nothing, or the police had discovered

something informal in the passport of Porpora, I know not. He listened

with great attention to my story, and told me afterwards, with the

calmness of a judge, who is unwilling to speak unadvisedly, 'I will

examine all this, and tell you about it. I shall be much surprised, if,

without good cause, my officers have annoyed a traveller. There must be

some mistake; I will find out, and if any one has exceeded his orders he

shall be punished.'

"'Sire, that is not what I ask; I wish Porpora recalled.'

"'I promise you he shall be. Now be less sombre, and tell me frankly how

you discovered my incognito.'

"I then spoke freely with the king, and found him so kind and amiable,

so agreeable, that I forgot all the prejudices I entertained against

him. I admired his brilliant and judicious mind, his easy and benevolent

manners, which I had not remarked in Maria Theresa, and finally the

delicacy of his sentiments about all things on which his conversation

touched. 'Hear me,' said he, taking up his hat to go, 'I have a piece of

friendly advice to give you on this, the very day of your arrival here.

It is, not to speak of the service you have rendered me, nor of this

visit. Though it be very honorable and natural that I should hasten to

thank you, the fact would give rise to a very false idea of the friendly

relations I wish to maintain with you. All would think you anxious of

that position, known in court language as the king's favorite. Some

would distrust, and others be jealous of you. The least inconvenience

would be to attract to you all who had petitions, the channel of which

they would expect you to be. As you would certainly have the good sense

not to play this part, you would be the complete object of their

enmity.'

"'I promise your majesty to act as you have ordered me.'

"'I give you no orders, Consuelo,' said he, 'but rely on your prudence

and correctness. At the first glance I saw you had a pure and noble

soul, and because I wished to make you the fine pearl of my department

of the arts, I ordered from the remotest part of Siberia that a carriage

should be provided for you as soon as you came to my frontier. It was

not my fault that you were placed in a kind of travelling prison, and

separated from your protector. Until he be restored to you I will

replace him, if you find me worthy of the confidence and attachment you

bore him.'

"I own, my dear Amelia, that I was keenly sensible of this paternal

language and delicate attention. Something of pride, perhaps, mingled

with it, and tears came to my eyes when the king, as he left me gave me

his hand. I had to kiss it, as doubtless duty required; but as I am

making a confession, I will say at the time I felt terrified and

paralyzed. It seemed to me that his majesty flattered and cajoled my

self-esteem, to prevent my telling what had passed at Roswald, as likely

to produce in some minds an impression injurious to his policy. It also

occurred to me that he was afraid of being ridiculed for feeling

grateful for my services. At once, too, I recalled the terrible military

_régime_ of Prussia, of which Trenck had minutely informed me--the

ferocity of the recruiters--the misfortunes of Karl--the captivity of

the noble Trenck, which I attributed to his having rescued the poor

soldier--the cries of another soldier I had seen beaten that morning, as

I passed through a village--and all that despotism which was the force

and glory of Frederick the Great. I could not hate him personally--but

I saw in him an absolute master, the natural enemy of those pure minds

which do not see the necessity of inhuman laws, and cannot penetrate the

secrets of empires."

The Countess of Rudolstadt A Sequel to "Consuelo" · 第 8 / 42 章