CHAPTER II.

THE REFUGEES.

Upon a bright and lovely evening, many years ago, a party of travellers

might have been seen climbing up that Cordillera of the Andes that lies

to the eastward of the ancient city of Cuzco. It was a small and

somewhat singular party of travellers; in fact, a travelling

family,--father, mother, children, and one attendant. We shall say a

word of each of them separately.

The chief of the party was a tall and handsome man, of nearly forty

years of age. His countenance bespoke him of Spanish race, and so he

was. He was not a Spaniard, however, but a Spanish-American, or

"Creole," for so Spaniards born in America are called to distinguish

them from the natives of Old Spain.

Remember--Creoles are _not_ people with negro or African blood in their

veins. There is a misconception on this head in England, and elsewhere.

The African races of America are either negroes, mulattoes, quadroons,

quinteroons, or mestizoes; but the "Creoles" are of European blood,

though born in America. Remember this. Don Pablo Romero--for that was

the name of our traveller--was a Creole, a native of Cuzco, which, as

you know, was the ancient capital of the Incas of Peru.

Don Pablo, as already stated, was nearly forty years of age. Perhaps he

looked older. His life had not been spent in idleness. Much study,

combined with a good deal of suffering and care, had made many of those

lines that rob the face of its youthful appearance. Still, although his

look was serious, and just then sad, his eye was occasionally seen to

brighten, and his light elastic step showed that he was full of vigour

and manhood. He had a moustache, very full and black, but his whiskers

were clean shaven, and his hair cut short, after the fashion of most

people in Spanish America.

He wore velvet pantaloons, trimmed at the bottoms with black stamped

leather, and upon his feet were strong boots of a reddish yellow

colour--that is, the natural colour of the tanned hide before it has

been stained. A dark jacket, closely buttoned, covered the upper-part of

his body, and a scarlet silk sash encircled his waist, the long fringed

ends hanging down over the left hip. In this sash were stuck a Spanish

knife and a pair of pistols, richly ornamented with silver mountings.

But all these things were concealed from the view by a capacious poncho,

which is a garment that in South America serves as a cloak by day and a

blanket by night. It is nearly of the size and shape of an ordinary

blanket, with a slit in the centre, through which the head is passed,

leaving the ends to hang down. Instead of being of uniform colour,

several bright colours are usually woven into the poncho, forming a

variety of patterns. In Mexico a very similar garment--the serapé--is

almost universally worn. The poncho of Don Pablo was a costly one, woven

by hand, and out of the finest wool of the vicuña, for that is the

native country of this useful and curious animal.

Such a poncho would cost 20_l._, and would not only keep out cold, but

would turn rain like a "macintosh." Don Pablo's hat was also curious and

costly. It was one of those known as "Panama," or "Guayaquil,"--hats so

called because they are manufactured by Indian tribes who dwell upon the

Pacific coast, and are made out of a rare sea-grass, which is found near

the above-mentioned places. A good Guayaquil hat will cost 20_l._; and

although, with its broad curling brim and low crown, it looks not much

better than Leghorn or even fine straw, yet it is far superior to

either, both as a protection against rain, or, what is of more

importance in southern countries, against a hot tropical sun. The best

of them will wear half a life-time. Don Pablo's "sombrero" was one of

the very best and costliest; and this, combined with the style of his

other habiliments, betokened that the wearer was one of the "ricos," or

high class of his country.

The costume of his wife, who was a dark and very beautiful Spanish

woman, would have strengthened this idea. She wore a dress of black silk

with velvet bodice and sleeves, tastefully embroidered. A mantilla of

dark cloth covered her shoulders, and on her head was a low

broad-brimmed hat, similar to those usually worn by men, for a bonnet is

a thing unknown to the ladies of Spanish America. A single glance at the

Doña Isidora would have satisfied any one that she was a lady of rank

and refinement.

There were two children, upon which, from time to time, she gazed

tenderly. They were her only ones. They were a boy and girl, nearly of

equal size and age. The boy was the elder, perhaps thirteen or more, a

handsome lad, with swarth face, coal-black eyes, and curly full-flowing

dark hair. The girl, too, who would be about twelve, was dark--that is

to say, brunette in complexion. Her eyes were large, round, and dreamy,

with long lashes that kept the sun from shining into them, and thus

deepened their expression.

Perhaps there are no children in the world so beautiful as those of the

Spanish race. There is a smoothness of skin, a richness in colour, and a

noble "hidalgo" expression in their round black eyes that is rare in

other countries. Spanish women retain this expression to a good age. The

men lose it earlier, because, as I believe, they are oftener of

corrupted morals and habits; and these, long exercised, certainly stamp

their lines upon the face. Those which are mean, and low, and vicious,

produce a similar character of countenance, while those which are high,

and holy, and virtuous, give it an aspect of beauty and nobility.

Of all beautiful Spanish children none could have been more beautiful

than our two little Creole Spaniards, Leon and Leona--for such were the

names of the brother and sister.

There yet remains one to be described, ere we complete the account of

our travelling party. This one was a grown and tall man, quite as tall

as Don Pablo himself, but thinner and more angular in his outlines. His

coppery colour, his long straight black hair, his dark and wild piercing

eye, with his somewhat odd attire, told you at once he was of a

different race from any of the others. He was an Indian--a South

American Indian; and although a descendant from the noble race of the

Peruvian Incas, he was acting in the capacity of a servant or attendant

to Don Pablo and his family.

There was a familiarity, however, between the old Indian--for he was an

old man--and Don Pablo, that bespoke the existence of some tie of a

stronger nature than that which exists between master and servant. And

such there was in reality. This Indian had been one of the patriots who

had rallied around Tupac Amaru in his revolution against the Spaniards.

He had been proscribed, captured, and sentenced to death. He would have

been executed, but for the interference of Don Pablo, who had saved his

life. Since then Guapo--such was the Indian's name--had remained not

only the retainer, but the firm and faithful friend, of his benefactor.

Guapo's feet were sandalled. His legs were naked up to the knees,

showing many an old scar received from the cactus plants and the thorny

bushes of acacia, so common in the mountain-valleys of Peru. A

tunic-like skirt of woollen cloth,--that home-made sort called

"bayeta,"--was fastened around his waist, and reached down to the knees;

but the upper part of his body was quite bare, and you could see the

naked breast and arms, corded with strong muscles, and covered with a

skin of a dark copper colour. The upper part of his body was naked only

when the sun was hot. At other times Guapo wore a species of poncho like

his master, but that of the Indian was of common stuff--woven out of the

coarse wool of the llama. His head was bare.

[Illustration: THE FLIGHT OF THE REFUGEES.]

Guapo's features were thin, sharp, and intelligent. His eye was keen and

piercing; and the gait of the old man, as he strode along the rocky

path, told that it would be many years before he would show any signs of

feebleness or tottering.

There were four animals that carried our travellers and their effects.

One was a horse ridden by the boy Leon. The second was a saddle mule, on

which rode Doña Isidora and Leona. The other two animals were not

mounted. They were beasts of burden, with "yerguas," or pack-saddles,

upon which were carried the few articles that belonged to the

travellers. They were the camels of Peru--the far-famed llamas. Don

Pablo, with his faithful retainer, travelled afoot.

You will wonder that one apparently so rich, and on so distant a

journey, was not provided with animals enough to carry his whole party.

Another horse at least, or a mule, might have been expected in the

cavalcade. It would not have been strange had Guapo only walked--as he

was the arriero, or driver, of the llamas--but to see Don Pablo afoot

and evidently tired, with neither horse nor mule to ride upon, was

something that required explanation. There was another fact that

required explanation. The countenance of Don Pablo wore an anxious

expression, as if some danger impended; so did that of the lady, and the

children were silent, with their little hearts full of fear. They knew

not _what_ danger, but they knew that their father and mother were in

trouble.

The Indian, too, had a serious look; and at each angle of the mountain

road he and Don Pablo would turn around, and with anxious eyes gaze back

in the direction that led towards Cuzco. As yet they could distinguish

the spires of the distant city, and the Catholic crosses, as they

glistened under the evening sunbeam. Why did they look back with fear

and distrust? Why? _Because Don Pablo was in flight, and feared

pursuers!_ What? Had he committed some great crime? No. On the contrary,

he was the _victim of a noble virtue_--the virtue of patriotism! For

that had he been condemned, and was now in flight--flying to save not

only his liberty but his life! yes, _his life;_ for had the sentinels on

those distant towers but recognised him, he would soon have been

followed and dragged back to an ignominious death.

Young reader, I am writing of things that occurred before the

Spanish-American colonies became free from the rule of Old Spain. You

will remember that these countries were then governed by viceroys, who

represented the King of Spain, but who in reality were quite as absolute

as that monarch himself. The great viceroys of Mexico and Peru held

court in grand state, and lived in the midst of barbaric pomp and

luxury. The power of life and death was in their hands, and in many

instances they used it in the most unjust and arbitrary manner. They

were themselves, of course, natives of Old Spain--often the pampered

favourites of that corrupt court.

All the officials by which they were surrounded and served were, like

themselves, natives of Spain, or "Gachupinos," (as the Creoles used to

call them,) while the Creoles--no matter how rich, or learned, or

accomplished in any way--were excluded from every office of honour and

profit. They were treated by the Gachupinos with contempt and insult.

Hence for long, long years before the great revolutions of Spanish

America, a strong feeling of dislike existed between Creole Spaniards

and Spaniards of Old Spain; and this feeling was quite independent of

that which either had towards the Indians--the aborigines of America.

This feeling brought about the revolution, which broke out in all the

countries of Spanish America (including Mexico) and which, after fifteen

years of cruel and sanguinary fighting, led to the independence of these

countries.

Some people will tell you that they gained nothing by this independence,

as since that time so much war and anarchy have marked their history.

There is scarcely any subject upon which mankind thinks more

superficially, and judges more wrongly, than upon this very one. It is a

mistake to suppose that a people enjoys either peace or prosperity,

simply because it is quiet. There is quiet in Russia, but to its

millions of serfs war continuous and eternal; and the same may be said

of many other countries as well as Russia.

To the poor slave, or even to the over-taxed subject, peace is no peace,

but a constant and systematised struggle, often more pernicious in its

effects than even the anarchy of open war. A war of this kind numbers

its slain by millions, for the victims of famine are victims of

_political crime_ on the part of a nation's rulers. I have no time now

to talk of these things. Perhaps, boy reader, you and I may meet on this

ground again, and at no very distant period.

Well, it was not in the general rising that Don Pablo had been

compromised, but previous to that. The influence of the European

Revolution of 1798 was felt even in distant Spanish America, and several

ebullitions occurred in different parts of that country at the same

time. They were premature; they were crushed. Those who had taken part

in them were hunted to the death. Death! death! was the war-cry of the

Spanish hirelings, and bitterly did they execute their vengeance on all

who were compromised. Don Pablo would have been a victim among others,

had he not had timely warning and escaped; but as it was, all his

property was taken by confiscation, and became the plunder of the

rapacious tyrant.

We are introduced to him just at the period of his escape. By the aid of

the faithful Guapo he had hastily collected a few things, and with his

wife and family fled in the night. Hence the incompleteness of his

travelling equipage. He had taken one of the most unfrequented paths--a

mere bridle-road--that led from Cuzco eastward over the Cordillera. His

intent was to gain the eastern slope of the Andes mountains, where he

might conceal himself for a time in the uninhabited woods of the Great

_Montaña_, and towards this point was he journeying. By a _ruse_ he had

succeeded in putting the soldiers of the despot on a false track; but it

was not certain that they might not yet fall into the true one. No

wonder then, when he gazed back towards Cuzco, that his look was one of

apprehension and anxiety.

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