ON WORKS OF REFERENCE

Lalage, who lives with me, is occasionally moved to bitter

lamentations. Anyone who lived with me would lament bitterly

on occasion. As a philosopher I can realize this without undue

heartburning. But I claim that Lalage is unreasonable in doing this,

because she does not lament those things that are really lamentable.

Her chief cause of complaint is that my library contains no works of

reference. In vain I tell her that I have a dictionary, the finest

of all dictionaries. She only asks me coldly to produce it, and I--I

cannot. And she will not accept my unsupported word. I am unable to

produce the evidence because of all my books that dictionary is the

most butterfly-like. It settles now here, now there, and remains so

short a time in each place that Lalage, who has lived with me for eight

months, claims with apparent sincerity that she has never seen it. When

I have seen it myself I cannot say that I have paid much attention to

it except to experience a pleasantly possessive thrill. I never consult

it. I never need to. Usually I can grasp the meaning of an unfamiliar

word by the context and as for spelling--well, I am a good speller.

On those rare occasions when I really need to look up a word, my

dictionary being so much the will-o’-the-wisp, I have a better and more

informative way of looking it up. I take some book that I feel sure

will somewhere or other contain the word and I read through it until

my search is rewarded. In this way I refresh my memory of books that I

have read and even sometimes read books that otherwise I never should

have read.

Recently I have been informed that this practice of mine is one of the

many admirable methods of the Chinese. To find the proper use of a word

they search the classics. If that word does not appear in the classics,

so much the worse for the word. It dies.

From the actual use I have made of my dictionary I have got little but

sorrow. Many excellent words are ruined by too definite a knowledge

of their meaning. There is the tragic case of “hectic”. I had always

considered it a highly expressive word. I had used it joyously for

years to mean a convenient combination of “nervous”, “excitable”,

“feverish”. One ill-starred day I looked it up and I have never been

able to use it since. Its actual meaning is so far removed from its

meaning as used by me and the vulgar generally that I cannot even

remember what it was. No one could be expected to remember it. It

simply has nothing to do with the case.

But it is not only a dictionary that Lalage would have me possess. She

thinks I should have an encyclopædia. Now this is really the height of

folly. She knows that I have not sufficient room for those books that

I already own. An encyclopædia is ugly and cumbersome. Also it is an

expensive thing.

And to an encyclopædia there is the same serious objection that applies

to most works of reference. It is too practical and too detailed. What

information the average human mind might conceivably be able to grasp

is smothered under a mass of technicalities and so lost.

I have, for instance, read the article on navigation in an

encyclopædia. It was, doubtless, sound and, as such articles go, well

constructed. Far be it from me to offer any impertinent, half baked

criticism upon it. But the fact remains that not one shred of it clung

in my mind. What knowledge I have of seamanship, and it is ample for

my needs, I got from “The Hunting of the Snark”. From a work like that

you learn indelibly. You learn with the Bellman. In company with that

intelligent but untrained gentleman, I never knew whether an east wind

blew from the east or to the east. It is not a thing one can easily

inquire about. One might safely guess at it if it were not for the

technical terms. The phrase “due east” is certainly confusing if not

deliberately misleading. But after one reading of “The Hunting of the

Snark” the truth is fixed in your mind.

I do not think I am peculiar in this. Is there anyone who has not

learned more history from historical romances than from the pages of

histories themselves? I believe not.

It might be possible, with a little research, to draw up a list of

such substitutes to fill the places of all dull reference books on

library shelves. Dozens of delectable ones flash into my mind. But I

hold my hand because if I presented this list I should then be in the

despicable position of having perpetrated a work of reference. This I

have vowed I shall never do.

So I claim that Lalage is unreasonable. But I think privately that

it is better so. Unreason never annoys me. I have with it unfailing

patience. If Lalage came to me and complained that my housekeeping

compared unfavorably with that of Mrs. Jellyby--if in these benighted

days there are many who do not recognize Mrs. Jellyby I am glad of

that, because they won’t know what I mean--if she pointed out that I

begin a thousand things that I never finish, if she showed me that

though I am potentially a capable person I never accomplish anything,

she would be perfectly right. Reason would be all on her side. But then

I should be very angry.

_Floyd Dell_

Floyd Dell was born in Barry, Illinois; but literary Chicago claims

him as her own. He is a slight, shy, sensitive man, essentially the

poet in temperament; but turned irrevocably novelist. His education,

which was never formal after early high school days, is broad, and

in some respects, deep. A voracious reader, he has taught himself

what many academicians do not know how to teach: the ability to think

constructively. His training as a writer began with reporting days in

Davenport, Iowa. Later, in Chicago, he became associate, then editor of

the Literary Page of the Chicago “Evening Post.” Since then he has been

connected in one way or another with “The Masses” and “The Liberator”

but he likes to feel that his active editorial days are past, and that

practically all of his time can now be devoted to work on his novels.

His critical viewpoint is well shown by the essay I use here. As a

novelist he is more emotional. Any one of his three stories displays

that. He is a conservative by nature, I believe, but intellectually

a radical. He believes, however, that “politics have nothing to do

with letters”. For that reason he has turned his political ideas into

channels of literary criticism. Dell is keen, fearless and just. For a

time he was somewhat biased by his great interest in psychoanalysis;

but even this is wearing off and he has again become the thoroughly

tolerant and wise young man. He is a born parent, and though he has his

own son to instruct, he still enjoys the rôle of preceptor. To this

position, however, he does not elect himself, and those who seek his

advice are fortunate.

The Bookman anthology of essays [1923] · 第 25 / 47 题