THE TORPID AND THE ILL-BRED CAT

“_Cold eyes, sleek skin, and velvet paws,

You win my indolent applause,

You cannot win my heart._”

_They_ “_divided the time into small alternate

allotments of eating and sleeping_.”

[Illustration: Kitten by Madame Ronner]

The torpid cat is really a kitten, but it is of enormous size, and

a lively orange in colour. If it lies on the largest footstool it

completely covers it, if it occupies an armchair it occupies the whole

of it, if it honours the lap of a friend its head must be supported by

one arm, while its tail hangs down on the other side, otherwise the

centre of gravity could not be preserved and the torpid cat would slide

slowly on to the floor and fall like a soft and heavy sofa cushion.

It has been lying on a green velvet armchair all afternoon; being

temporarily displaced at tea time it fell asleep with its head on the

fender; when the chair was relinquished it went back on to it, and it

will lie there now till nightfall.

If you catch the torpid cat awake you will find that it has pleasant

and intelligent hazel eyes, and a rose-coloured mouth carried half open

to be ready for a yawn, as you carry a gun at half-cock waiting for a

shot. If you stroke the torpid cat it stretches quietly, but not too

far, for fear of waking up.

The ill-bred cat is a small neat English tabby, regularly marked. We

made its acquaintance first when it was about six inches long and had

come to take charge of the farm. It was sitting on a heap of coals

cheerlessly surveying the prospect; when it saw us it sped towards us,

crying loud for sympathy and companionship. Then it spied Taffy and

went back to the fence to sharpen its claws.

The torpid cat, who was at that time a lively young kitten, and the

ill-bred cat made great friends.

In the evening the tabby kitten left the farm to take care of itself,

and came up to play with the yellow kitten. They played at being tigers

in a jungle. The tabby kitten hid between the asparagus bed and the

yew hedge; the yellow kitten sat by the scullery door and pretended

that he wasn’t looking. Then he began a swaggering walk towards the

asparagus bed; the walk quickened as he got nearer, until he was

suddenly clawed by the tabby kitten, and the shock of surprise sent him

flying into the air like a rocket. Then in the twilight they fled about

the garden, crouched in the rough grass beyond the lawn, rushed up the

cherry-tree and peered down, all with light, agile movements, until as

the light died you could hardly catch the quick rippling of the tabby’s

stripes, and the yellow coat of the other grew wan.

One morning the tabby came limping and crying from the farm holding

out a wounded, swollen paw. She was taken into the house and

doctored, but when the paw was well she refused to go home. The two

were inconveniently fond of human companionship--the yellow kitten

for its own sake, the tabby for a variety of reasons. She grew more

emphatically affectionate at meal times.

The yellow kitten used to accompany his mistress to feed the hens; she

thought he had an eye for young chickens, but found she slandered him.

He was not looking at the chickens; his ear was open for the rustle of

mice in the grass, and from time to time he dashed in and despatched

one. He took special pleasure in doing this in company; it was always

open to him to hunt in the garden, but he used his privilege when some

one was taking the air and inhaling the breath of flowers. He seemed to

think it added a point to evening meditation to hear the squeak of the

dying shrew or to see an innocent field-mouse untimely cut off while it

was peacefully nibbling a blade of grass.

Just so both kittens, with the real self-consciousness of cats, played

their games in public; they seemed to have no thought of anything but

the mock combat, but the scene of the combat shifted so as to be always

under the eye of a spectator. The explanation is simple: the life of a

cat is a continuous drama, whether actual or imagined; and what actor

will play to an empty house? The cat hunts not for food, but for sport,

and the torpid cat, who refused yesterday to look at a mouse let out

from the trap, spent the whole of this morning waiting behind the piano

with his ear bent to listen to sundry little scratchings.

The cat eats the mouse, it is true; and the sportsman eats venison, but

he does not stalk for food.

“Animals,” says Mr. Balfour,[3] “as a rule, trouble themselves little

about anything unless they want either to eat it or to run away from

it. Interest in and wonder at the works of nature and the doings of man

are products of civilisation.”

[3] “Essays and Addresses.”

But does this explain why the yellow kitten, as it followed me about

the garden, spent some minutes in quarrelling with a pansy? The pansy

lifted an inane, purple face towards the sky, and its head waggled

helplessly on its stalk. The yellow kitten sat down beside it, and

regarded it severely for awhile. Then he slapped its silly face.

A change fell upon the kittens as they grew older. The root of the

difficulty was that one had no ancestors at all, and the other only

half the proper number. Their voices were too loud, their manners

were bad. The yellow cat never mewed, but his purr was like a

thrashing-machine; the other was clamorous in pleasure and complaint,

her appetite unquenchable, her demands for affection, for comfort, for

food, insistent and unabashed. She would try to drink from the milk-jug

while her saucer was being filled; she would run her claws into a hand

to get firm hold while she ate the scraps offered her.

If you put her out of the door she reappeared like a conjuring trick

through the window; she would jump again and again on the lap of some

one who did not want her; she would never take offence. One tithe of

the rebuffs she met with would have sent a well-bred cat stalking

with dignity from the room; the first of the refusals would have made

him turn his back on the company and fall into deep and abstracted

meditation. But when her desire was accomplished and the hand weary of

hurling her on to the floor, there was something disarming in the bliss

on the little impudent face as she nestled in utter confidence and

licked the hand that had rebuffed her.

The yellow kitten was less pressing; he had just so much refinement

of spirit as to make him refuse to stay in any place where he was

forcibly put. He kept his muscles tense, like a coiled spring, and so

soon as the grasp slackened quite slowly and deliberately he carried

out his first intention.

The two began steadily to deteriorate. Now that the pressure of

necessity was removed they were fast losing the stamina of the working

cat; and having no sensibilities, natural or cultivated, luxury

would never make them aristocratic; they had no education and little

discipline, and they gave themselves up to revel in ungraceful comfort

greedily and confidently demanded.

Yet their affection for each other, their utter confidence in human

nature, lends them a certain grace. You may come into the drawing-room

and find the farm cat and the kitchen cat (for such are their real

positions) settled in the best armchair. He is lying at luxurious

length, sunk in deep slumber. Behind him, squeezed into a corner, sits

the tabby; her anxious eyes peer out over his head, her soft little

body is crushed by his weight, one tabby paw is round his orange neck.

You rouse them and he half awakes; a long paw goes up to draw down the

kitten’s face to his own; and his rosy tongue comes out and licks her

from nose to forehead, then he subsides again into slumber, and her

eyes beam out blissful and honoured with the somewhat uncomfortable

attention.

Or the little cat has been turned out of the dining-room because of her

unceasing demands, and looks in forlornly through the window. Sandy

awakes, sees her, gets on the window sill and kisses her through the

glass.

Both kittens are entirely fearless with Taffy. Sandy’s is a mere

absence of fear, greatly due to sleep, and Taffy may wag a tail in his

face, just as a friend may flap a handkerchief in it, and yet only

induce a flutter of an eyelid. The little cat, on the other hand, is

a friend of his, will rub against his paws, and force him to take an

ashamed interest in her.

But these are surface tendernesses; the position is fundamentally

untenable. A cat must either have beauty and breeding, or it must have

a profession.

If it is well-bred it will take a hint; it cannot be disciplined, for a

cat is a wild animal, but its very aptness to take offence will bring

to it a certain self-control; if it is a working cat it has its own

profession, which occupies it very closely, it has its proper sphere

and its own apartments.

There is no help for it. Kindly but firmly the tabby kitten must be

induced to return to the farm: kindly, for the mistake is ours. We

turned its head, we set it among temptations which its nature could not

meet, and we gave it no early discipline. Therefore it must be, like

the Cornish nation, led and not driven back. At this age, to coerce is

to terrify; and there is something truly heartrending in looking at the

shrinking, furtive air that punishments produce, and thinking of the

happy, courageous little beast who sharpened its claws for an attack on

Taffy, and gave itself up to the human being in blissful confidence of

kind dealing.

Sandy is more of an enigma. One could tell his possibilities better if

he would wake up. As he sleeps he grows larger and larger, though few

have seen him eat, and he never asks for food. When a teaspoonful of

cream is offered him his nose has to be buried in it before he can

be roused to drink. He never scratches, he is never angry; when his

hazel eyes open he looks with kindness on the company and falls to

sleep again. There is only one time in the day when one can be sure of

seeing him awake, and that is at prayers. The presence of so many quiet

people makes him feel it a good opportunity of amusing them by a little

lively play with the bell-rope. If he is put out of the room he seeks

an open door or window, and finds a chance of making a fine dramatic

rush across the scene, accompanied by the stable cat. Prayers over, his

vivacity subsides.

He has a name waiting for him when he wakes, for Sandy is to be

glorified into Alexander. But what is the good of naming a cat who

cannot hear you through his dreams?

Sometimes I see visions of the future for the two. The first vision

is peaceful and prosaic: the tabby is instructing a rustic brood in

the art of mouse-catching. She thinks no more of velvet armchairs,

of porridge for breakfast and pheasant bones for lunch. Spruce and

well-favoured, the very type of an English cat, guardian of the

granary and terror of the mice, she licks her kittens’ faces and brings

them up to an honest, industrial career.

But there is something nightmare-like in the other vision: Alexander

grown to panther size suddenly waking from sleep; his coat is a

tigerish orange, his tail like a magnified fox’s brush. What will he

do? Is it torpor only that restrained the heavy paw from striking, and

sleep that made the hazel eyes seem kindly? I find myself looking with

a troubled wonder at Alexander as he fills the largest armchair. He is

but eight months old--a kitten still.

The Soul of a Cat, and Other Stories · 第 9 / 29 题