LANDOR'S POETRY.--BEAUTY.--CHRONOLOGICAL ARRANGEMENT OF WORKS.

What is it that Mr. Landor wants, to make him a poet? His powers are

certainly very considerable, but he seems to be totally deficient in that

modifying faculty, which compresses several units into one whole. The truth

is, he does not possess imagination in its highest form,--that of stamping

_il più nell' uno_. Hence his poems, taken as wholes, are unintelligible;

you have eminences excessively bright, and all the ground around and

between them in darkness. Besides which, he has never learned, with all his

energy, how to write simple and lucid English.

* * * * *

The useful, the agreeable, the beautiful, and the good, are

distinguishable. You are wrong in resolving beauty into expression or

interest; it is quite distinct; indeed it is opposite, although not

contrary. Beauty is an immediate presence, between (_inter_) which and the

beholder _nihil est_. It is always one and tranquil; whereas the

interesting always disturbs and is disturbed. I exceedingly regret the loss

of those essays on beauty, which I wrote in a Bristol newspaper. I would

give much to recover them.

* * * * *

After all you can say, I still think the chronological order the best for

arranging a poet's works. All your divisions are in particular instances

inadequate, and they destroy the interest which arises from watching the

progress, maturity, and even the decay of genius.

_January_ 3. 1834.

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