Alas! in the existing attitude of nations, the infidel philosopher

and the rhetorical soldier, to say nothing of the giddy general and

the French priest of Mars, find too much support for a theory which

degrades human nature and insults the goodness of God. It is true

that in us are impulses unhappily tending to strife. Propensities

possessed in common with the beast, if not subordinated to what in

man is human, almost divine, will break forth in outrage. This is

the predominance of the animal. Hence wars and fightings, with the

false glory which crowns such barbarism. But the true civilization of

nations, as of individuals, is determined by the extent to which these

evil dispositions are restrained. Nor does the teacher ever more truly

perform his high office than when, recognizing the supremacy of the

moral and intellectual, he calls upon nations, as upon individuals,

to declare independence of the bestial, to abandon practices founded

on this part of our nature, and in every way to beat down that brutal

spirit which is the Genius of War. In making this appeal, he will be

startled as he learns, that, while the municipal law of each Christian

nation, discarding the Arbitrament of Force, provides a judicial

tribunal for the determination of controversies between individuals,

International Law expressly _establishes_ the Arbitrament of War for

the determination of controversies between nations.

Here, then, in unfolding the True Grandeur of Nations, we encounter

a practice, or _custom_, sanctioned by the Law of Nations, and

constituting a part of that law, which exists in defiance of principles

such as no individuals can disown. If it is wrong and inglorious when

individuals _consent and agree_ to determine their petty controversies

by combat, it must be equally wrong and inglorious when nations

_consent and agree_ to determine their vaster controversies by

combat. Here is a positive, precise, and specific evil, of gigantic

proportions, inconsistent with what is truly honorable, making within

the sphere of its influence all true grandeur impossible, which,

instead of proceeding from some uncontrollable impulse of our nature,

is _expressly established and organized by law_.

* * * * *

As all citizens are parties to Municipal Law, and responsible for its

institutions, so are all the Christian nations parties to International

Law, and responsible for its provisions. By recognizing these

provisions, nations _consent and agree_ beforehand to the Arbitrament

of War, precisely as citizens, by recognizing Trial by Jury, _consent

and agree_ beforehand to the latter tribunal. As, to comprehend the

true nature of Trial by Jury, we first repair to the Municipal Law

by which it is established, so, to comprehend the true nature of the

Arbitrament of War, we must first repair to the Law of Nations.

Writers of genius and learning have defined this arbitrament, and laid

down the rules by which it is governed, constituting a complex code,

with innumerable subtile provisions regulating the resort to it and

the manner in which it must be conducted, called the _Laws of War_. In

these quarters we catch our first authentic glimpses of its folly and

wickedness. According to Lord Bacon, whose authority is always great,

"Wars are no massacres and confusions, but they are the highest _Trials

of Right_, when princes and states, that acknowledge no superior upon

earth, shall put themselves upon the justice of God _for the deciding

of their_ _controversies_ by such success as it shall please him to

give on either side."[8] This definition of the English philosopher is

adopted by the American jurist, Chancellor Kent, in his Commentaries on

American Law.[9] The Swiss publicist, Vattel, whose work is accepted

as an important repository of the Law of Nations, defines War as "that

state in which a nation _prosecutes its right by force_."[10] In this

he very nearly follows the eminent Dutch authority, Bynkershoek,

who says, "Bellum est eorum, qui suæ potestatis sunt, _juris sui

persequendi ergo_, concertatio per vim vel dolum."[11] Mr. Whewell, who

has done so much to illustrate philosophy in all its departments, says,

in his recent work on the Elements of Morality and Polity, "Though war

is appealed to, because there is no other ULTIMATE TRIBUNAL to which

states can have recourse, _it is appealed to for justice_."[12] And

in our country, Dr. Lieber says, in a work of learning and sagacious

thought, that war is undertaken "in order to obtain right,"[13]--a

definition which hardly differs in form from those of Vattel and

Bynkershoek.

[8] Observations upon a Libel, etc., Works, Vol. III. p. 40.

[9] Lecture III., Vol. I. p. 45.

[10] Book III. ch. 1, sec. 1.

[11] Quæst. Jur. Pub., Lib. I. cap. 1.

[12] Book VI. ch. 2. art. 1146.

[13] Political Ethics, Book VII. sec. 19, Vol. II. p. 643.

In accordance with these texts, I would now define the evil which I

arraign. _War is a public armed contest between nations, under the

sanction of International Law, to establish_ JUSTICE _between them_:

as, for instance, to determine a disputed boundary, the title to

territory, or a claim for damages.

This definition is confined to contests between nations. It is

restricted to International War, carefully excluding the question,

often agitated, concerning the right of revolution, and that other

question, on which friends of peace sometimes differ, the right

of personal self-defence. It does not in any way throw doubt on

the employment of force in the administration of justice or the

conservation of domestic quiet.

It is true that the term _defensive_ is always applied to wars in

our day. And it is creditable to the moral sense that nations are

constrained to allege this seeming excuse, although its absurdity

is apparent in the equal pretensions of the two belligerents, each

claiming to act on the defensive. It is unreasonable to suppose that

war can arise in the present age, under the sanctions of International

Law, except to determine an _asserted right_. Whatever its character

in periods of barbarism, or when invoked to repel an incursion of

robbers or pirates, "enemies of the human race," war becomes in our

day, _among all the nations parties to existing International Law_,

simply a mode of litigation, or of deciding a _lis pendens_. It is

a mere TRIAL OF RIGHT, an appeal for justice to force. The wars now

lowering from Mexico and England are of this character. On the one

side, we assert a _title_ to Texas, _which is disputed_; on the other,

we assert a _title_ to Oregon, _which is disputed_. Only according to

"martial logic," or the "flash language" of a dishonest patriotism,

can the Ordeal by Battle be regarded in these causes, on either side,

as _Defensive War_. Nor did the threatened war with France in 1834

promise to assume any different character. Its professed object was

to obtain the payment of five million dollars,--in other words, to

determine by this _Ultimate_ _Tribunal_ a simple question of justice.

And going back still farther in our history, the avowed purpose of the

war against Great Britain in 1812 was to obtain from the latter power

an abandonment of the claim to search American vessels. Unrighteous as

was this claim, it is plain that war here was invoked only as a _Trial

of Right_.

* * * * *

It forms no part of my purpose to consider individual wars in the past,

except so far as necessary by way of example. My aim is higher. I wish

to expose an irrational, cruel, and impious _custom_, sanctioned by the

Law of Nations. On this account I resort to that supreme law for the

definition on which I plant myself in the effort I now make.

After considering, in succession, _first_, the character of war,

_secondly_, the miseries it produces, and, _thirdly_, its utter and

pitiful insufficiency, as a mode of determining justice, we shall

be able to decide, strictly and logically, whether it must not be

ranked as crime, from which no true honor can spring to individuals or

nations. To appreciate this evil, and the necessity for its overthrow,

it will be our duty, _fourthly_, to consider in succession the various

prejudices by which it is sustained, ending with that prejudice, so

gigantic and all-embracing, at whose command uncounted sums are madly

diverted from purposes of peace to preparations for war. The whole

subject is infinitely practical, while the concluding division shows

how the public treasury may be relieved, and new means secured for

human advancement.

I.

First, as to the essential character and root of war, or that part of

our nature whence it proceeds. Listen to the voice from the ancient

poet of Boeotian Ascra:--

"This is the law for mortals, ordained by the Ruler of Heaven:

Fishes and beasts and birds of the air devour each other;

JUSTICE _dwells not among them: only to_ MAN _has he given_

JUSTICE _the Highest and Best_."[14]

[14] Hesiod, Works and Days, vv. 276-279. Cicero also says, "Neque ulla

re longius absumus a natura ferarum, in quibus inesse fortitudinem sæpe

dicimus, ut in equis, in leonibus; justitiam, æquitatem, bonitatem non

dicimus."--De Offic., Lib. I. cap. 16.

These words of old Hesiod exhibit the distinction between man and

beast; but this very distinction belongs to the present discussion.

The idea rises to the mind at once, that war is a resort to brute

force, where nations strive to overpower each other. Reason, and the

divine part of our nature, where alone we differ from the beast, where

alone we approach the Divinity, where alone are the elements of that

_justice_ which is the professed object of war, are rudely dethroned.

For the time men adopt the nature of beasts, emulating their ferocity,

like them rejoicing in blood, and with lion's paw clutching an asserted

right. Though in more recent days this character is somewhat disguised

by the skill and knowledge employed, war is still the same, only

more destructive from the genius and intellect which have become its

servants. The primitive poets, in the unconscious simplicity of the

world's childhood, make this boldly apparent. The heroes of Homer

are likened to animals in ungovernable fury, or to things devoid of

reason or affection. Menelaus presses his way through the crowd "like

a wild beast." Sarpedon is aroused against the Argives, "as a lion

against the crooked-horned oxen," and afterwards rushes forward "like

a lion nurtured on the mountains, for a long time famished for want of

flesh, but whose courage impels him to attack even the well-guarded

sheep-fold." In one and the same passage, the great Telamonian Ajax is

"wild beast," "tawny lion," and "dull ass"; and all the Greek chiefs,

the flower of the camp, are ranged about Diomed, "like raw-eating

lions, or wild-boars, whose strength is irresistible." Even Hector,

the model hero, with all the virtues of war, is praised as "tamer of

horses"; and one of his renowned feats in battle, indicating brute

strength only, is where he takes up and hurls a stone which two of

our strongest men could not easily lift into a wagon; and he drives

over dead bodies and shields, while the axle is defiled by gore, and

the guard about the seat is sprinkled from the horses' hoofs and the

tires of the wheels;[15] and in that most admired passage of ancient

literature, before returning his child, the young Astyanax, to the arms

of the wife he is about to leave, this hero of war invokes the gods for

a single blessing on the boy's head,--"that he may excel his father,

and bring home _bloody spoils_, his enemy being slain, and _so make

glad the heart of his mother_!"

[15] Little better than Trojan Hector was the "great" Condé ranging

over the field and exulting in the blood of the enemy, which defiled

his sword-arm to the elbow.--Mahon, Essai sur la Vie du Grand Condé, p.

60.

From early fields of modern literature, as from those of antiquity,

might be gathered similar illustrations, showing the unconscious

degradation of the soldier, in vain pursuit of _justice_, renouncing

the human character, to assume that of brute. Bayard, the exemplar of

chivalry, with a name always on the lips of its votaries, was described

by the qualities of beasts, being, according to his admirers, _ram in

attack, wild-boar in defence, and wolf in flight_. Henry the Fifth, as

represented by our own Shakespeare, in the spirit-stirring appeal to

his troops exclaims,--

"When the blast of war blows in our ears,

_Then imitate the action of the tiger_."

This is plain and frank, revealing the true character of war.

I need not dwell on the moral debasement that must ensue. Passions,

like so many bloodhounds, are unleashed and suffered to rage. Crimes

filling our prisons stalk abroad in the soldier's garb, unwhipped of

justice. Murder, robbery, rape, arson, are the sports of this fiendish

Saturnalia, when

"The gates of mercy shall be all shut up,

And the fleshed soldier, rough and hard of heart,

In liberty of bloody hand shall range

_With conscience wide as hell_."

By a bold, but truthful touch, Shakespeare thus pictures the foul

disfigurement which war produces in man, whose native capacities he

describes in those beautiful words: "How noble in reason! how infinite

in faculties! in form and moving how express and admirable! in action

how like an angel! in apprehension how like a god!" And yet this

nobility of reason, this infinitude of faculties, this marvel of form

and motion, this nature so angelic, so godlike, are all, under the

transforming power of War, lost in the action of the beast, or the

license of the fleshed soldier with bloody hand and conscience wide as

hell.

II.

The immediate effect of war is to sever all relations of friendship and

commerce between the belligerent nations, and every individual thereof,

impressing upon each citizen or subject the character of enemy.

Imagine this instant change between England and the United States. The

innumerable ships of the two countries, the white doves of commerce,

bearing the olive of peace, are driven from the sea, or turned from

peaceful purposes to be ministers of destruction; the threads of social

and business intercourse, so carefully woven into a thick web, are

suddenly snapped asunder; friend can no longer communicate with friend;

the twenty thousand letters speeded each fortnight from this port alone

are arrested, and the human affections, of which they are the precious

expression, seek in vain for utterance. Tell me, you with friends

and kindred abroad, or you bound to other lands only by relations of

commerce, are you ready for this rude separation?

This is little compared with what must follow. It is but the first

portentous shadow of disastrous eclipse, twilight usher of thick

darkness, covering the whole heavens with a pall, broken only by the

lightnings of battle and siege.

Such horrors redden the historic page, while, to the scandal of

humanity, they never want historians with feelings kindred to those by

which they are inspired. The demon that draws the sword also guides the

pen. The favorite chronicler of modern Europe, Froissart, discovers

his sympathies in his Prologue, where, with something of apostleship,

he announces his purpose, "that the honorable enterprises and noble

adventures and feats of arms which happened in the wars of France and

England be notably registered and put in perpetual memory," and then

proceeds to bestow his equal admiration upon bravery and cunning, upon

the courtesy which pardoned as upon the rage which caused the flow

of blood in torrents, dwelling with especial delight on "beautiful

incursions, beautiful rescues, beautiful feats of arms, and beautiful

prowesses"; and wantoning in pictures of cities assaulted, "which,

being soon gained by force, were robbed, and men and women and children

put to the sword without mercy, while the churches were burnt and

violated."[16] This was in a barbarous age. But popular writers in

our own day, dazzled by false ideas of greatness, at which reason and

humanity blush, do not hesitate to dwell on similar scenes even with

rapture and eulogy. The humane soul of Wilberforce, which sighed that

England's "bloody laws sent many unprepared into another world," could

hail the slaughter of Waterloo, by which thousands were hurried into

eternity on the Sabbath he held so holy, as a "splendid victory."[17]

[16] Froissart, Les Chroniques, Ch. 177, 179, Collection de Buchon,

Tom. II. pp. 87, 92.

[17] Life of William Wilberforce, by his Sons, Ch. 30, Vol. IV. pp.

256, 261.

My present purpose is less to judge the historian than to expose the

horrors on horrors which he applauds. At Tarragona, above six thousand

human beings, almost all defenceless, men and women, gray hairs and

infant innocence, attractive youth and wrinkled age, were butchered

by the infuriate troops in one night, and the morning sun rose upon a

city whose streets and houses were inundated with blood: and yet this

is called a "glorious exploit."[18] Here was a conquest by the French.

At a later day, Ciudad Rodrigo was stormed by the British, when, in

the license of victory, there ensued a savage scene of plunder and

violence, while shouts and screams on all sides mingled fearfully with

the groans of the wounded. Churches were desecrated, cellars of wine

and spirits were pillaged, fire was wantonly applied to the city, and

brutal intoxication spread in every direction. Only when the drunken

dropped from excess, or fell asleep, was any degree of order restored:

and yet the storming of Ciudad Rodrigo is pronounced "one of the most

brilliant exploits of the British army."[19] This "beautiful feat of

arms" was followed by the storming of Badajoz, where the same scenes

were enacted again, with accumulated atrocities. The story shall

be told in the words of a partial historian, who himself saw what

he eloquently describes. "Shameless rapacity, brutal intemperance,

savage lust, cruelty, and murder, shrieks and piteous lamentations,

groans, shouts, imprecations, the hissing of fires bursting from the

houses, the crashing of doors and windows, and the reports of muskets

used in violence, resounded for two days and nights in the streets of

Badajoz. On the third, when the city was sacked, when the soldiers

were exhausted by their own excesses, the tumult rather subsided than

was quelled. The wounded men were then looked to, the dead disposed

of."[20] All this is in the nature of confession, for the historian is

a partisan of battle.

[18] Alison, Hist. of Europe, Ch. 61, Vol. VIII. p. 237.

[19] Ibid., Ch. 64, Vol. VIII. p. 482.

[20] Napier, Hist. Peninsular War, Book XVI. ch. 5, Vol. IV. p. 431.

The same terrible war affords another instance of atrocities at a siege

crying to Heaven. For weeks before the surrender of Saragossa, the

deaths daily were from four to five hundred; and as the living could

not bury the increasing mass, thousands of carcasses, scattered in

streets and court-yards, or piled in heaps at the doors of churches,

were left to dissolve in their own corruption, or be licked up by

the flames of burning houses. The city was shaken to its foundations

by sixteen thousand shells, and the explosion of forty-five thousand

pounds of powder in the mines,--while the bones of forty thousand

victims, of every age and both sexes, bore dreadful testimony to the

unutterable cruelty of War.[21]

[21] Napier, Book V. ch. 3, Vol. II. p. 46.

These might seem pictures from the life of Alaric, who led the Goths

to Rome, or of Attila, general of the Huns, called the Scourge of God,

and who boasted that the grass did not grow where his horse had set

his foot; but no! they belong to our own times. They are portions of

the wonderful, but wicked, career of him who stands forth the foremost

representative of worldly grandeur. The heart aches, as we follow him

and his marshals from field to field of Satanic glory,[22] finding

everywhere, from Spain to Russia, the same carnival of woe. The picture

is various, yet the same. Suffering, wounds, and death, in every form,

fill the terrible canvas. What scene more dismal than that of Albuera,

with its horrid piles of corpses, while all night the rain pours down,

and river, hill, and forest, on each side, resound with the cries

and groans of the dying?[23] What scene more awfully monumental than

Salamanca, where, long after the great battle, the ground, strewn with

fragments of casques and cuirasses, was still white with the skeletons

of those who fell?[24] What catalogue of horrors more complete than the

Russian campaign? At every step is war, and this is enough: soldiers

black with powder; bayonets bent with the violence of the encounter;

the earth ploughed with cannon-shot; trees torn and mutilated; the dead

and dying; wounds and agony; fields covered with broken carriages,

outstretched horses, and mangled bodies; while disease, sad attendant

on military suffering, sweeps thousands from the great hospitals, and

the multitude of amputated limbs, which there is no time to destroy,

accumulate in bloody heaps, filling the air with corruption. What

tongue, what pen, can describe the bloody havoc at Borodino, where,

between rise and set of a single sun, one hundred thousand of our

fellow-men, equalling in number the whole population of this city, sank

to earth, dead or wounded?[25] Fifty days after the battle, no less

than thirty thousand are found stretched where their last convulsions

ended, and the whole plain is strewn with half-buried carcasses of

men and horses, intermingled with garments dyed in blood, and bones

gnawed by dogs and vultures.[26] Who can follow the French army in

dismal retreat, avoiding the spear of the pursuing Cossack only to

sink beneath the sharper frost and ice, in a temperature below zero,

on foot, without shelter for the body, famishing on horse-flesh and

a miserable compound of rye and snow-water? With a fresh array, the

war is upheld against new forces under the walls of Dresden; and as

the Emperor rides over the field of battle--after indulging the night

before in royal supper with the Saxon king--he sees ghastly new-made

graves, with hands and arms projecting, stark and stiff, above the

ground; and shortly afterwards, when shelter is needed for the troops,

the order to occupy the Hospitals for the Insane is given, with the

words, "Turn out the mad."[27]

[22] A living poet of Italy, who will be placed by his prose among the

great names of his country's literature, in a remarkable ode which he

has thrown on the urn of Napoleon invites posterity to judge whether

his career of battle was True Glory.

"Fu vera gloria? Ai posteri L'ardua sentenza."--MANZONI, _Il Cinque

Maggio_.

When men learn to appreciate moral grandeur, the easy sentence will be

rendered.

[23] Napier, Book XII. ch. 7, Vol. III. p. 543.

[24] Alison, Ch. 64, Vol. VIII. p. 589.

[25] Ibid., Ch. 67, Vol. VIII. p. 871.

[26] Ibid., Ch. 68, Vol. VIII. p. 930. Ségur, Hist. de Napoléon, Liv.

IX. ch. 7, Tom. II. p. 153. Labaume, Rel. de la Campagne de Russie,

Liv. VII.

[27] Alison, Ch. 72, Vol. IX. pp. 469, 553.

* * * * *

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