I looked askance at Lil, who considered for a moment, then nodded.

"Sure, pal, sure," I said. I clapped him on the shoulder. "You look

beat."

"Beat doesn't begin to cover it," he said.

"Good night, then," I said.

========= CHAPTER 2 =========

Ad-hocracy works well, for the most part. Lil's folks had taken over the

running of Liberty Square with a group of other interested, compatible

souls. They did a fine job, racked up gobs of Whuffie, and anyone who

came around and tried to take it over would be so reviled by the guests

they wouldn't find a pot to piss in. Or they'd have such a wicked,

radical approach that they'd ouster Lil's parents and their pals, and do

a better job.

It can break down, though. There were pretenders to the throne -- a

group who'd worked with the original ad-hocracy and then had moved off

to other pursuits -- some of them had gone to school, some of them had

made movies, written books, or gone off to Disneyland Beijing to help

start things up. A few had deadheaded for a couple decades.

They came back to Liberty Square with a message: update the attractions.

The Liberty Square ad-hocs were the staunchest conservatives in the

Magic Kingdom, preserving the wheezing technology in the face of a Park

that changed almost daily. The newcomer/old-timers were on-side with the

rest of the Park, had their support, and looked like they might make a

successful go of it.

So it fell to Lil to make sure that there were no bugs in the meager

attractions of Liberty Square: the Hall of the Presidents, the Liberty

Belle riverboat, and the glorious Haunted Mansion, arguably the coolest

attraction to come from the fevered minds of the old-time Disney

Imagineers.

I caught her backstage at the Hall of the Presidents, tinkering with

Lincoln II, the backup animatronic. Lil tried to keep two of everything

running at speed, just in case. She could swap out a dead bot for a

backup in five minutes flat, which is all that crowd-control would

permit.

It had been two weeks since Dan's arrival, and though I'd barely seen

him in that time, his presence was vivid in our lives. Our little ranch-

house had a new smell, not unpleasant, of rejuve and hope and loss,

something barely noticeable over the tropical flowers nodding in front

of our porch. My phone rang three or four times a day, Dan checking in

from his rounds of the Park, seeking out some way to accumulate personal

capital. His excitement and dedication to the task were inspiring,

pulling me into his over-the-top-and-damn-the-torpedoes mode of being.

"You just missed Dan," she said. She had her head in Lincoln's chest,

working with an autosolder and a magnifier. Bent over, red hair tied

back in a neat bun, sweat sheening her wiry freckled arms, smelling of

girl-sweat and machine lubricant, she made me wish there were a mattress

somewhere backstage. I settled for patting her behind affectionately,

and she wriggled appreciatively. "He's looking better."

His rejuve had taken him back to apparent 25, the way I remembered him.

He was rawboned and leathery, but still had the defeated stoop that had

startled me when I saw him at the Adventurer's Club. "What did he want?"

"He's been hanging out with Debra -- he wanted to make sure I knew what

she's up to."

Debra was one of the old guard, a former comrade of Lil's parents. She'd

spent a decade in Disneyland Beijing, coding sim-rides. If she had her

way, we'd tear down every marvelous rube goldberg in the Park and

replace them with pristine white sim boxes on giant, articulated servos.

The problem was that she was _really good_ at coding sims. Her Great

Movie Ride rehab at MGM was breathtaking -- the Star Wars sequence had

already inspired a hundred fan-sites that fielded millions of hits.

She'd leveraged her success into a deal with the Adventureland ad-hocs

to rehab the Pirates of the Caribbean, and their backstage areas were

piled high with reference: treasure chests and cutlasses and bowsprits.

It was terrifying to walk through; the Pirates was the last ride Walt

personally supervised, and we'd thought it was sacrosanct. But Debra had

built a Pirates sim in Beijing, based on Chend I Sao, the XIXth century

Chinese pirate queen, which was credited with rescuing the Park from

obscurity and ruin. The Florida iteration would incorporate the best

aspects of its Chinese cousin -- the AI-driven sims that communicated

with each other and with the guests, greeting them by name each time

they rode and spinning age-appropriate tales of piracy on the high seas;

the spectacular fly-through of the aquatic necropolis of rotting junks

on the sea-floor; the thrilling pitch and yaw of the sim as it weathered

a violent, breath-taking storm -- but with Western themes: wafts of

Jamaican pepper sauce crackling through the air; liquid Afro-Caribbean

accents; and swordfights conducted in the manner of the pirates who

plied the blue waters of the New World. Identical sims would stack like

cordwood in the space currently occupied by the bulky ride-apparatus and

dioramas, quintupling capacity and halving load-time.

"So, what's she up to?"

Lil extracted herself from the Rail-Splitter's mechanical guts and made

a comical moue of worry. "She's rehabbing the Pirates -- and doing an

incredible job. They're ahead of schedule, they've got good net-buzz,

the focus groups are cumming themselves." The comedy went out of her

expression, baring genuine worry.

She turned away and closed up Honest Abe, then fired her finger at him.

Smoothly, he began to run through his spiel, silent but for the soft hum

and whine of his servos. Lil mimed twiddling a knob and his audiotrack

kicked in low: "All the armies of Europe, Asia, and Africa _combined_

could not, by force, make a track on the Blue Ridge, nor take a drink

from the Ohio. If destruction be our lot, then we ourselves must be its

author -- and its finisher." She mimed turning down the gain and he fell

silent again.

"You said it, Mr. President," she said, and fired her finger at him

again, powering him down. She bent and adjusted his hand-sewn period

topcoat, then carefully wound and set the turnip-watch in his vest-

pocket.

I put my arm around her shoulders. "You're doing all you can -- and it's

good work," I said. I'd fallen into the easy castmember mode of

speaking, voicing bland affirmations. Hearing the words, I felt a flush

of embarrassment. I pulled her into a long, hard hug and fumbled for

better reassurance. Finding no words that would do, I gave her a final

squeeze and let her go.

She looked at me sidelong and nodded her head. "It'll be fine, of

course," she said. "I mean, the worst possible scenario is that Debra

will do her job very, very well, and make things even better than they

are now. That's not so bad."

This was a 180-degree reversal of her position on the subject the last

time we'd talked, but you don't live more than a century without

learning when to point out that sort of thing and when not to.

My cochlea struck twelve noon and a HUD appeared with my weekly backup

reminder. Lil was maneuvering Ben Franklin II out of his niche. I waved

good-bye at her back and walked away, to an uplink terminal. Once I was

close enough for secure broadband communications, I got ready to back

up. My cochlea chimed again and I answered it.

"Yes," I subvocalized, impatiently. I hated getting distracted from a

backup -- one of my enduring fears was that I'd forget the backup

altogether and leave myself vulnerable for an entire week until the next

reminder. I'd lost the knack of getting into habits in my adolescence,

giving in completely to machine-generated reminders over conscious

choice.

"It's Dan." I heard the sound of the Park in full swing behind him --

children's laughter; bright, recorded animatronic spiels; the tromp of

thousands of feet. "Can you meet me at the Tiki Room? It's pretty

important."

"Can it wait for fifteen?" I asked.

"Sure -- see you in fifteen."

I rung off and initiated the backup. A status-bar zipped across a HUD,

dumping the parts of my memory that were purely digital; then it

finished and started in on organic memory. My eyes rolled back in my

head and my life flashed before my eyes.

========= CHAPTER 3 =========

The Bitchun Society has had much experience with restores from backup --

in the era of the cure for death, people live pretty recklessly. Some

people get refreshed a couple dozen times a year.

Not me. I hate the process. Not so much that I won't participate in it.

Everyone who had serious philosophical conundra on that subject just,

you know, _died_, a generation before. The Bitchun Society didn't need

to convert its detractors, just outlive them.

The first time I died, it was not long after my sixtieth birthday. I was

SCUBA diving at Playa Coral, near Veradero, Cuba. Of course, I don't

remember the incident, but knowing my habits at that particular dive-

site and having read the dive-logs of my SCUBA-buddies, I've

reconstructed the events.

I was eeling my way through the lobster-caves, with a borrowed bottle

and mask. I'd also borrowed a wetsuit, but I wasn't wearing it -- the

blood-temp salt water was balm, and I hated erecting barriers between it

and my skin. The caves were made of coral and rocks, and they coiled and

twisted like intestines. Through each hole and around each corner, there

was a hollow, rough sphere of surpassing, alien beauty. Giant lobsters

skittered over the walls and through the holes. Schools of fish as

bright as jewels darted and executed breath-taking precision maneuvers

as I disturbed their busy days. I do some of my best thinking under

water, and I'm often slipping off into dangerous reverie at depth.

Normally, my diving buddies ensure that I don't hurt myself, but this

time I got away from them, spidering forward into a tiny hole.

Where I got stuck.

My diving buddies were behind me, and I rapped on my bottle with the

hilt of my knife until one of them put a hand on my shoulder. My buddies

saw what was up, and attempted to pull me loose, but my bottle and

buoyancy-control vest were firmly wedged. The others exchanged hand

signals, silently debating the best way to get me loose. Suddenly, I was

thrashing and kicking, and then I disappeared into the cave, minus my

vest and bottle. I'd apparently attempted to cut through my vest's

straps and managed to sever the tube of my regulator. After inhaling a

jolt of sea water, I'd thrashed free into the cave, rolling into a

monstrous patch of spindly fire-coral. I'd inhaled another lungful of

water and kicked madly for a tiny hole in the cave's ceiling, whence my

buddies retrieved me shortly thereafter, drowned-blue except for the

patchy red welts from the stinging coral.

In those days, making a backup was a lot more complicated; the procedure

took most of a day, and had to be undertaken at a special clinic.

Luckily, I'd had one made just before I left for Cuba, a few weeks

earlier. My next-most-recent backup was three years old, dating from the

completion of my second symphony.

They recovered me from backup and into a force-grown clone at Toronto

General. As far as I knew, I'd laid down in the backup clinic one moment

and arisen the next. It took most of a year to get over the feeling that

the whole world was putting a monstrous joke over on me, that the

drowned corpse I'd seen was indeed my own. In my mind, the rebirth was

figurative as well as literal -- the missing time was enough that I

found myself hard-pressed to socialize with my pre-death friends.

I told Dan the story during our first friendship, and he immediately

pounced on the fact that I'd gone to Disney World to spend a week

sorting out my feelings, reinventing myself, moving to space, marrying a

crazy lady. He found it very curious that I always rebooted myself at

Disney World. When I told him that I was going to live there someday, he

asked me if that would mean that I was done reinventing myself.

Sometimes, as I ran my fingers through Lil's sweet red curls, I thought

of that remark and sighed great gusts of contentment and marveled that

my friend Dan had been so prescient.

The next time I died, they'd improved the technology somewhat. I'd had a

massive stroke in my seventy-third year, collapsing on the ice in the

middle of a house-league hockey game. By the time they cut my helmet

away, the hematomae had crushed my brain into a pulpy, blood-sotted

mess. I'd been lax in backing up, and I lost most of a year. But they

woke me gently, with a computer-generated precis of the events of the

missing interval, and a counselor contacted me daily for a year until I

felt at home again in my skin. Again, my life rebooted, and I found

myself in Disney World, methodically flensing away the relationships I'd

built and starting afresh in Boston, living on the ocean floor and

working the heavy-metal harvesters, a project that led, eventually, to

my Chem thesis at U of T.

After I was shot dead at the Tiki Room, I had the opportunity to

appreciate the great leaps that restores had made in the intervening ten

years. I woke in my own bed, instantly aware of the events that led up

to my third death as seen from various third-party POVs: security

footage from the Adventureland cameras, synthesized memories extracted

from Dan's own backup, and a computer-generated fly-through of the

scene. I woke feeling preternaturally calm and cheerful, and knowing

that I felt that way because of certain temporary neurotransmitter

presets that had been put in place when I was restored.

Dan and Lil sat at my bedside. Lil's tired, smiling face was limned with

hairs that had snuck loose of her ponytail. She took my hand and kissed

the smooth knuckles. Dan smiled beneficently at me and I was seized with

a warm, comforting feeling of being surrounded by people who really

loved me. I dug for words appropriate to the scene, decided to wing it,

opened my mouth and said, to my surprise, "I have to pee."

Dan and Lil smiled at each other. I lurched out of the bed, naked, and

thumped to the bathroom. My muscles were wonderfully limber, with a

brand-new spring to them. After I flushed I leaned over and took hold of

my ankles, then pulled my head right to the floor, feeling the marvelous

flexibility of my back and legs and buttocks. A scar on my knee was

missing, as were the many lines that had crisscrossed my fingers. When I

looked in the mirror, I saw that my nose and earlobes were smaller and

perkier. The familiar crow's-feet and the frown-lines between my

eyebrows were gone. I had a day's beard all over -- head, face, pubis,

arms, legs. I ran my hands over my body and chuckled at the ticklish

newness of it all. I was briefly tempted to depilate all over, just to

keep this feeling of newness forever, but the neurotransmitter presets

were evaporating and a sense of urgency over my murder was creeping up

on me.

I tied a towel around my waist and made my way back to the bedroom. The

smells of tile-cleaner and flowers and rejuve were bright in my nose,

effervescent as camphor. Dan and Lil stood when I came into the room and

helped me to the bed. "Well, this _sucks_," I said.

I'd gone straight from the uplink through the utilidors -- three quick

cuts of security cam footage, one at the uplink, one in the corridor,

and one at the exit in the underpass between Liberty Square and

Adventureland. I seemed bemused and a little sad as I emerged from the

door, and began to weave my way through the crowd, using a kind of

sinuous, darting shuffle that I'd developed when I was doing field-work

on my crowd-control thesis. I cut rapidly through the lunchtime crowd

toward the long roof of the Tiki Room, thatched with strips of

shimmering aluminum cut and painted to look like long grass.

Fuzzy shots now, from Dan's POV, of me moving closer to him, passing

close to a group of teenaged girls with extra elbows and knees, wearing

environmentally controlled cloaks and cowls covered with Epcot Center

logomarks. One of them is wearing a pith helmet, from the Jungle Traders

shop outside of the Jungle Cruise. Dan's gaze flicks away, to the Tiki

Room's entrance, where there is a short queue of older men, then back,

just as the girl with the pith helmet draws a stylish little organic

pistol, like a penis with a tail that coils around her arm. Casually,

grinning, she raises her arm and gestures with the pistol, exactly like

Lil does with her finger when she's uploading, and the pistol lunges

forward. Dan's gaze flicks back to me. I'm pitching over, my lungs

bursting out of my chest and spreading before me like wings, spinal

gristle and viscera showering the guests before me. A piece of my

nametag, now shrapnel, strikes Dan in the forehead, causing him to

blink. When he looks again, the group of girls is still there, but the

girl with the pistol is long gone.

The fly-through is far less confused. Everyone except me, Dan and the

girl is grayed-out. We're limned in highlighter yellow, moving in slow-

motion. I emerge from the underpass and the girl moves from the Swiss

Family Robinson Treehouse to the group of her friends. Dan starts to

move towards me. The girl raises, arms and fires her pistol. The self-

guiding smart-slug, keyed to my body chemistry, flies low, near ground

level, weaving between the feet of the crowd, moving just below the

speed of sound. When it reaches me, it screams upwards and into my

spine, detonating once it's entered my chest cavity.

The girl has already made a lot of ground, back toward the

Adventureland/Main Street, USA gateway. The fly-through speeds up,

following her as she merges with the crowds on the street, ducking and

weaving between them, moving toward the breezeway at Sleeping Beauty

Castle. She vanishes, then reappears, forty minutes later, in

Tomorrowland, near the new Space Mountain complex, then disappears

again.

"Has anyone ID'd the girl?" I asked, once I'd finished reliving the

events. The anger was starting to boil within me now. My new fists

clenched for the first time, soft palms and uncallused fingertips.

Dan shook his head. "None of the girls she was with had ever seen her

before. The face was one of the Seven Sisters -- Hope." The Seven

Sisters were a trendy collection of designer faces. Every second teenage

girl wore one of them.

"How about Jungle Traders?" I asked. "Did they have a record of the pith

helmet purchase?"

Lil frowned. "We ran the Jungle Traders purchases back for six months:

only three matched the girl's apparent age; all three have alibis.

Chances are she stole it."

"Why?" I asked, finally. In my mind's eye, I saw my lungs bursting out

of my chest, like wings, like jellyfish, vertebrae spraying like

shrapnel. I saw the girl's smile, an almost sexual smirk as she pulled

the trigger on me.

"It wasn't random," Lil said. "The slug was definitely keyed to you --

that means that she'd gotten close to you at some point."

Right -- which meant that she'd been to Disney World in the last ten

years. That narrowed it down, all right.

"What happened to her after Tomorrowland?" I said.

"We don't know," Lil said. "Something wrong with the cameras. We lost

her and she never reappeared." She sounded hot and angry -- she took

equipment failures in the Magic Kingdom personally.

"Who'd want to do this?" I asked, hating the self-pity in my voice. It

was the first time I'd been murdered, but I didn't need to be a drama-

queen about it.

Dan's eyes got a far-away look. "Sometimes, people do things for reasons

that seem perfectly reasonable to them, that the rest of the world

couldn't hope to understand. I've seen a few assassinations, and they

never made sense afterwards." He stroked his chin. "Sometimes, it's

better to look for temperament, rather than motivation: who _could_ do

something like this?"

Right. All we needed to do was investigate all the psychopaths who'd

visited the Magic Kingdom in ten years. That narrowed it down

considerably. I pulled up a HUD and checked the time. It had been four

days since my murder. I had a shift coming up, working the turnstiles at

the Haunted Mansion. I liked to pull a couple of those shifts a month,

just to keep myself grounded; it helped to take a reality check while I

was churning away in the rarified climate of my crowd-control

simulations.

Down and Out in the Magic Kingdom · 第 22 / 63 题