Gardner Dozois Editor, Asimov's SF

#

Cory Doctorow's "Down and Out in the Magic Kingdom" tells a gripping,

fast-paced story that hinges on thought-provoking extrapolation from

today's technical realities. This is the sort of book that captures and

defines the spirit of a turning point in human history when our tools

remake ourselves and our world.

Mitch Kapor Founder, Lotus, Inc., co-founder Electronic Frontier

Foundation

--

======================= A note about this book: =======================

"Down and Out in the Magic Kingdom" is my first novel. It's an actual,

no-foolin' words-on-paper book, published by the good people at Tor

Books in New York City. You can buy this book in stores or online, by

following links like this one:

http://www.craphound.com/down/buy.php

So, what's with this file? Good question.

I'm releasing the entire text of this book as a free, freely

redistributable e-book. You can download it, put it on a P2P net, put it

on your site, email it to a friend, and, if you're addicted to dead

trees, you can even print it.

Why am I doing this thing? Well, it's a long story, but to shorten it

up: first-time novelists have a tough row to hoe. Our publishers don't

have a lot of promotional budget to throw at unknown factors like us.

Mostly, we rise and fall based on word-of-mouth. I'm not bad at word-of-

mouth. I have a blog, Boing Boing (http://boingboing.net), where I do a

*lot* of word-of-mouthing. I compulsively tell friends and strangers

about things that I like.

And telling people about stuff I like is *way*, *way* easier if I can

just send it to 'em. Way easier.

What's more, P2P nets kick all kinds of ass. Most of the books, music

and movies ever released are not available for sale, anywhere in the

world. In the brief time that P2P nets have flourished, the ad-hoc

masses of the Internet have managed to put just about *everything*

online. What's more, they've done it for cheaper than any other

archiving/revival effort ever. I'm a stone infovore and this kinda

Internet mishegas gives me a serious frisson of futurosity.

Yeah, there are legal problems. Yeah, it's hard to figure out how people

are gonna make money doing it. Yeah, there is a lot of social upheaval

and a serious threat to innovation, freedom, business, and whatnot. It's

your basic end-of-the-world-as-we-know-it scenario, and as a science

fiction writer, end-of-the-world-as-we-know-it scenaria are my stock-in-

trade.

I'm especially grateful to my publisher, Tor Books (http://www.tor.com)

and my editor, Patrick Nielsen Hayden

(http://nielsenhayden.com/electrolite) for being hep enough to let me

try out this experiment.

All that said, here's the deal: I'm releasing this book under a license

developed by the Creative Commons project (http://creativecommons.org/).

This is a project that lets people like me roll our own license

agreements for the distribution of our creative work under terms similar

to those employed by the Free/Open Source Software movement. It's a

great project, and I'm proud to be a part of it.

Here's a summary of the license:

http://creativecommons.org/licenses/by-nd-nc/1.0

Attribution. The licensor permits others to copy, distribute, display,

and perform the work. In return, licensees must give the original author

credit.

No Derivative Works. The licensor permits others to copy, distribute,

display and perform only unaltered copies of the work -- not derivative

works based on it.

Noncommercial. The licensor permits others to copy, distribute, display,

and perform the work. In return, licensees may not use the work for

commercial purposes -- unless they get the licensor's permission.

And here's the license itself:

http://creativecommons.org/licenses/by-nd-nc/1.0-legalcode

THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS CREATIVE

COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS PROTECTED BY

COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE WORK OTHER THAN AS

AUTHORIZED UNDER THIS LICENSE IS PROHIBITED.

BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND AGREE

TO BE BOUND BY THE TERMS OF THIS LICENSE. THE LICENSOR GRANTS YOU THE

RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF SUCH TERMS

AND CONDITIONS.

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