Foreword

In the summer of 1887, after having been three years in Boston, and six

years absent from my old home in northern Iowa, I found myself with

money enough to pay my railway fare to Ordway, South Dakota, where my

father and mother were living, and as it cost very little extra to go by

way of Dubuque and Charles City, I planned to visit Osage, Iowa, and the

farm we had opened on Dry Run prairie in 1871.

Up to this time I had written only a few poems, and some articles

descriptive of boy life on the prairie, although I was doing a good deal

of thinking and lecturing on land reform, and was regarded as a very

intense disciple of Herbert Spencer and Henry George--a singular

combination, as I see it now. On my way westward, that summer day in

1887, rural life presented itself from an entirely new angle. The

ugliness, the endless drudgery, and the loneliness of the farmer's lot

smote me with stern insistence. I was the militant reformer.

The farther I got from Chicago the more depressing the landscape became.

It was bad enough in our former home in Mitchell County, but my pity

grew more intense as I passed from northwest Iowa into southern Dakota.

The houses, bare as boxes, dropped on the treeless plains, the

barbed-wire fences running at right angles, and the towns mere

assemblages of flimsy wooden sheds with painted-pine battlement,

produced on me the effect of an almost helpless and sterile poverty.

My dark mood was deepened into bitterness by my father's farm, where I

found my mother imprisoned in a small cabin on the enormous sunburned,

treeless plain, with no expectation of ever living anywhere else.

Deserted by her sons and failing in health, she endured the discomforts

of her life uncomplainingly--but my resentment of "things as they are"

deepened during my talks with her neighbors who were all housed in the

same unshaded cabins in equal poverty and loneliness. The fact that at

twenty-seven I was without power to aid my mother in any substantial way

added to my despairing mood.

My savings for the two years of my teaching in Boston were not

sufficient to enable me to purchase my return ticket, and when my father

offered me a stacker's wages in the harvest field I accepted and for two

weeks or more proved my worth with the fork, which was still

mightier--with me--than the pen.

However, I did not entirely neglect the pen. In spite of the dust and

heat of the wheat ricks I dreamed of poems and stories. My mind teemed

with subjects for fiction, and one Sunday morning I set to work on a

story which had been suggested to me by a talk with my mother, and a few

hours later I read to her (seated on the low sill of that treeless

cottage) the first two thousand words of Mrs. Ripley's Trip, the first

of the series of sketches which became Main Travelled Roads.

I did not succeed in finishing it, however, till after my return to

Boston in September. During the fall and winter of '87 and the winter

and spring of '88, I wrote the most of the stories in Main Travelled

Roads, a novelette for the Century Magazine, and a play called "Under

the Wheel." The actual work of the composition was carried on in the

south attic room of Doctor Cross's house at 21 Seaverns Avenue, Jamaica

Plain.

The mood of bitterness in which these books were written was renewed and

augmented by a second visit to my parents in 1889, for during my stay my

mother suffered a stroke of paralysis due to overwork and the dreadful

heat of the summer. She grew better before the time came for me to

return to my teaching in Boston, but I felt like a sneak as I took my

way to the train leaving my mother and sister on that bleak and

sun-baked plain.

"Old Paps Flaxen," "Jason Edwards," "A Spoil of Office," and most of the

stories gathered into the second volume of Main Travelled Roads were

written in the shadow of these defeats. If they seem unduly austere, let

the reader remember the times in which they were composed. That they

were true of the farms of that day no one can know better than I, for I

was there--a farmer.

Life on the farms of Iowa and Wisconsin--even on the farms of

Dakota--has gained in beauty and security, I will admit, but there are

still wide stretches of territory in Kansas and Nebraska where the

farmhouse is a lonely shelter. Groves and lawns, better roads, the rural

free delivery, the telephone, and the motor car have done much to bring

the farmer into a frame of mind where he is contented with his lot, but

much remains to be done before the stream of young life from the country

to the city can be checked.

The two volumes of Main Travelled Roads can now be taken to be what

William Dean Howells called them, "historical fiction," for they form a

record of the farmer's life as I lived it and studied it. In these two

books is a record of the privations and hardships of the men and women

who subdued the midland wilderness and prepared the way for the present

golden age of agriculture.

Main-Travelled Roads · 第 10 / 78 题