"Triumphs and Trophies in Cookery, to be used in Festival Times, as

Twelfth Day, &c.:--Make the likeness of a ship in pasteboard with flags

and streamers, the guns belonging to it of kickses, bind them about

with pack-thread and cover them with paste proportionable to the

fashion of a cannon with carriages; lay them in places convenient, as

you see them in ships of war, with such holes and trains of powder that

they may all take fire. Place your ships firm in a great charger; then

make a salt round about it, and stick therein egg-shells full of sweet

water; you may by a great pin take out all the meat out of the egg by

blowing, and then fill it with rose-water. Then in another charger have

the proportion of a stag made of coarse paste, with a broad arrow in

the side of him, and his body filled up with claret wine. In another

charger at the end of the stag have the proportion of a castle with

battlements, percullices, gates, and drawbridges, made of pasteboard,

the guns of kickses, and covered with coarse paste as the former; place

it at a distance from the ship to fire at each other. The stag being

placed betwixt them, with egg-shells full of sweet water (as before)

placed in salt. At each side of the charger wherein is the stag, place

a pie made of coarse paste, in one of which let there be some live

frogs, in the other live birds; make these pies of coarse paste, filled

with bran, and yellowed over saffron, or yolks of eggs: gild them over

in spots, as also the stag, the ship and castle; bake them, and place

them with gilt bay leaves on the turrets and tunnels of the castle and

pies; being baked make a hole in the bottom of your pies, take out the

bran, put in your frogs and birds, and close up the holes with the

same coarse paste; then cut the lids neatly up to be taken off by the

tunnels. Being all placed in order upon the table, before you fire the

trains of powder, order it so that some of the ladies may be persuaded

to pluck the arrow out of the stag; then will the claret wine follow,

as blood running out of a wound. This being done with admiration to

the beholders, after some short pause, fire the train of the castle,

that the pieces all of one side may go off; then fire the trains of

one side of the ship as in a battle; next turn the chargers, and by

degrees fire the trains of each other side, as before. This done, to

sweeten the stink of the powder, the ladies take the egg-shells full of

sweet waters, and throw them at each other, all dangers being seemed

over, and by this time you may suppose they will desire to see what

is in the pies; when lifting first the lid off one pie, out skip some

frogs, which makes the ladies to skip and shriek; next after the other

pie, whence comes out the birds; who by a natural instinct flying at

the light, will put out the candles; so that what with the flying

birds and skipping frogs, the one above, the other beneath, will cause

much delight and pleasure to the whole company: at length the candles

are lighted and a banquet brought in, the music sounds, and every one

with much delight and content rehearses their actions in the former

passages. These were formerly the delights of the nobility, before good

house-keeping had left England, and the sword really acted that which

was only counterfeited in such honest and laudable exercises as these."

SUSPENDED ANIMATION.

David Beck, the celebrated portrait painter, and pupil of Vandyke,

travelling through Germany, was suddenly taken ill, and to all

appearance died, and was laid out as a corpse. His servants, sitting

round the bed, grieved heartily for the loss of so good a master; and,

as grief is thirsty, drank as heartily at the same time. One of them,

becoming more fuddled than the rest, then addressed his companions

thus: "Our master when alive was fond of his glass, let us now, out of

gratitude, then give him one now he is dead." Assent was given, the

head of the dead painter was raised up, and some wine poured down or

spilt about, the fragrance or spirit of which caused Beck to open his

eyes; upon which the servant, who, being drunk, half forgetting his

master was dead, forced down the remainder of the glass. The painter

gradually revived, and thus escaped a living interment.

FUNERAL OF MARAT.

The funeral of Marat was celebrated at Paris, July 17th, 1793, with the

greatest pomp and solemnity. All the sections joined the procession.

An immense crowd of people attended it. Four women bore the bathing

machine in which Marat was standing when he was assassinated; his

shirt, stained with blood, was carried by a fury, in the shape of a

woman, at the top of a pike. After this followed a wooden bedstead,

on which the corpse of Marat was carried by citizens. His head was

uncovered, and the gash he had received could be easily distinguished.

The procession was paraded through several streets, and was saluted on

its march by several discharges of artillery.

EXECUTION OF ANNE BOLEYN.

In Houssaie's "Memoirs," Vol. I. p. 435, a little circumstance is

recorded concerning the decapitation of the unfortunate Anne Boleyn,

which illustrates an observation of Hume. Our historian notices that

her executioner was a Frenchman of Calais, who was supposed to have

uncommon skill; it is probable that the following incident might

have been preserved by tradition in France, from the account of the

executioner himself. Anne Boleyn being on the scaffold, would not

consent to have her eyes covered with a bandage, saying that she had

no fear of death. All that the divine who assisted at her execution

could obtain from her was, that she would shut her eyes. But as she

was opening them at every moment, the executioner could not bear their

tender and mild glances. Fearful of missing his aim, he was obliged to

invent an expedient to behead the queen. He drew off his shoes, and

approached her silently; while he was at her left hand, another person

advanced at her right, who made a great noise in walking, so that this

circumstance drawing the attention of Anne, she turned, her face from

the executioner, who was enabled by this artifice to strike the fatal

blow without being disarmed by that pride of affecting resignation

which shone in the eyes of the lovely Anne Boleyn.

MEXICAN TENNIS.

The Mexicans had one singular law in their play with the ball. In the

walls of the court where they played certain stones, like mill-stones

were fixed, with a hole in the middle, just large enough to let the

ball pass through; and whoever drove it through, which required great

skill, and was, of course, rarely effected, won the cloaks of the

lookers-on. They, therefore, took to their heels to save their cloaks,

and others pursued to catch them, which was a new source of amusement.

CURIOUSLY-SHAPED VESSEL.

[Illustration [++] Vessel in the Shape of a Lion.]

There is a singular class of Northern relics, of the Christian Period,

of which analogous types have been found in Scotland, which well

deserve our attention. The relics of which we speak consist of a

curious variety of vessels, presumed to have been designed for holding

liquors, but invariably made in the form of some animal or monstrous

hybrid. The annexed figure represents one of these, in the collection

of Charles Kirkpatrick Sharp, Esq., and found by him among a hoard of

long-forgotten family heirlooms, in a vault of his paternal mansion

of Hoddam Castle, Dumfriesshire. Of its previous history nothing is

known. It is made of bronze. The principal figure is a lion, without a

tail, measuring fourteen inches in length, and nearly fourteen inches

in greatest height. On the back is perched a nondescript animal, half

greyhound, half fish, apparently intended for a handle to the whole,

while from the breast projects a stag's head with large antlers. This

has a perforation in the back of the neck, as if for the insertion of

a stop-cock, and it appears probable was designed for running off the

liquid contained within the singular vessel to which it is attached. A

small square lid on the top of the lion's head, opening with a hinge,

supplies the requisite aperture for whatever liquor it was designed to

hold. A similar relic, possessed by Sir John Maxwell, Bart., was dug up

a few years since on the Pollock estate; and another, in the collection

of the late E. W. A. Drummond Hay, Esq., was also in the form of a lion.

A SENSIBLE DOG.

Professor Owen was walking with a friend, the master of the dog,

by the side of a river, near its mouth, on the coast of Cornwall,

and picked up a small piece of seaweed. It was covered with minute

animals, and Mr. Owen observed to his companion, throwing the weed

into the water,--"If this small piece afforded so many treasures, how

microscopically rich the whole plant would be! I should much like to

have one!" The gentleman walked on; but hearing a splashing in the

water, turned round and saw it violently agitated. "It is Lion!" both

exclaimed. "What can he be about? He was walking quietly enough by our

side a minute ago." At one moment they saw his tail above the water,

then his head raised for a breath of air, then the surrounding element

shook again, and at last he came ashore, panting from his exertions,

and laid a whole plant of the identical weed at Mr. Owen's feet. After

this proof of intelligence, it will not be wondered at, that when Lion

was joyfully expecting to accompany his master and his guest on an

excursion, and was told to go and take care of and comfort Mrs. Owen,

who was ill, that he should immediately return to the drawing-room, and

lay himself by her side, which he never left during the absence of his

owner; his countenance alone betraying his disappointment, and that

only for a few minutes.

THE CROWN OF CHARLEMAGNE.

As the emblem of sovereignty which once adorned the brows of one of

earth's mightiest men, and as a unique specimen of the state at which

the goldsmith's art had arrived as early as the ninth century, we here

present our readers with an engraving of the crown of Charlemagne.

[Illustration [++] Crown of Charlemagne.]

This great man was the eldest son of Pepin the Short, and grandson of

Charles Martel, and was born at the castle of Ingelheim, near Metz,

in the year 742. His father dying in 768 he succeeded to the crown in

conjunction with his brother Carloman, whose death in 771 left him sole

monarch of the Franks. By his alliances, negociations, and principally

by his numerous and glorious wars, he so enlarged his dominions, that

at length they extended from the Ebro to the mouth of the Elbe, from

the Atlantic to the mountains of Bohemia and the Saal, and from the

British Channel to the Volturno. In the year 800 he was crowned at

Rome, as Emperor of the West, by Pope Leo III., and died of a pleurisy

in 814, at Aix-la-Chapelle, in the cathedral of which city he was

buried with extraordinary magnificence. Equally illustrious in the

cabinet and in the field, a wise legislator, and a great warrior, the

patron of men of letters, and the restorer of learning, Charlemagne

has united in his favour the suffrages of statesmen and soldiers, and

of ecclesiastics, lawyers, and men of letters, who have all vied with

one another in bestowing the homage of their praise on the celebrated

founder of the Western Empire.

The crown of this illustrious man, of which our engraving is a correct

representation, is now preserved at Vienna in the Imperial Treasury.

It is composed of eight plates of gold, four large and four small,

connected by hinges. The large ones, studded with precious stones, form

the front, the back, and the intermediate points of the crown; the

small ones, placed alternately with these, are ornamented with enamels

representing Solomon, David, King Hezekiah seated on his throne,

and Christ seated between two flaming seraphim, such as the Greeks

usually represent them. The costume of the figures resembles that of

the Emperors of the Lower Empire, and although the inscriptions which

accompany the figures are in Latin, the whole bears the impress of

Greek workmanship. The ground of the figures is formed by the metal

itself, which has been hollowed out to receive the enamel; but all the

details of the design are traced out with fine fillets of gold. The

flesh-tints are in rose-coloured enamel; the colours employed in the

draperies and accessories are deep and light blue, red, and white. The

crown has unquestionably been retouched at various periods, but yet

there is nothing to invalidate the tradition which assigns the more

ancient portions to the time of Charlemagne. The enamels must belong to

the same early period.

SPENT BY THE CORPORATION OF COVENTRY AT THE ENTERTAINMENT OF KING JAMES

II. IN HIS PROGRESS THROUGH COVENTRY, 1687.

(Mr. Richard Haywood, Treasurer.)

L s. d.

Gave a gold cup 171 17 6

Mr. Septimus Butt, mayor, for sweetmeats 27 17 0

Meat 13 14 0

Wine 21 12 6

Homage fee 41 6 8

King's cook 10 0 0

City cook 9 8 6

Steward Fielding, for making a speech to his Majesty 5 7 6

For linen spoiled, borrowed of Mrs. Smith, Spon-street 2 12 6

The aldermen that went to Worcester to invite him 3 18 9

Several companies for waiting on the King 27 9 4

Alderman Webster, for meat 3 6 0

Alderman Bradney for corn 3 5 6

His Majesty's clerk of the market 1 1 6

The King's trumpeters 2 0 0

Richard Howcott, for carrying the city streamer 0 7 0

The city bailiff's bill for fish, fowl, and wine 88 18 2

-------------

L434 2 9

TRAVELLING EXPENSES IN THE THIRTEENTH CENTURY.

Of travelling expenses in the thirteenth century, a roll is in

existence, and is too interesting to be passed over. It contains

a steward's accompts of the daily expenses of a person of rank in

the reign of Edward I, on a journey from Oxford to Canterbury,

and during his sojourn in London, about the year 1289; while the

record throws much light upon the mode of our ancestors' living,

at a period concerning which we have very few similar memorials.

One day's expenses are as follow: "In bread, sixpence. Two gallons

of wine, a gift of hospitality from the rector of Berton. Item in

bread, sixpence. Two gallons of wine, a gift of hospitality from the

rector of Mistern. Beer, sixpence. Herrings, threepence. Stockfish,

fourpence. Porpoise and fish, fourpence. Perch and roach, seven-pence.

Large eels, seven-pence. Vegetables, threepence farthing. Figs and

raisins, twopence. Fuel, five-pence. A bed for two nights, twopence.

Hay for seven horses, seven-pence. A bushel of oats, twenty-pence.

Apples, a halfpenny. Sum, six shillings and eight-pence halfpenny."

The most expensive day in the roll is on a Sunday, "in expenses of

my lord at Westminster, when he held a breakfast there for knights,

clerks, and squires. Bread, two shillings. Beer, twelve-pence. Wine,

three shillings and eight-pence. Half a salmon, for the standard,

with the chine, three shillings and eight-pence. A fresh conger eel,

three shillings. Three fat pikes, five fat eels, and twenty-seven fat

roaches, twelve shillings and fourpence. Half a hundred lamprorns,

twelve-pence. Oysters, threepence. Vegetables, twopence. The hire of

a boy to prepare the breakfast, one penny. Fare to Westminster, one

penny. A basket, one penny farthing. On the same day at the inn: bread,

five-pence farthing. Beer from the store. Two gallons of beer for the

boys, twopence. Fish from the store. Candles, a halfpenny. Fuel, a

halfpenny. Hay bought, five-pence three farthings. Straw, sixpence.

Two bushels of oats, eight-pence. Two pair of shoes for my lord,

twelve-pence. Sum, thirty shillings and threepence farthing."

DUNS IN THE MAHRATTA COUNTRY.

The Mahratta mode of recovering debts is curious. When the creditor

cannot get his money, and begins to see the debt as rather desperate,

he sits _dhurna_ upon his debtor; that is, he squats down at the door

of the tent, and becomes, in a certain mysterious degree, the master

of it. No one goes in or out without his approbation. He neither eats

himself, nor suffers his debtor to eat; and this famishing contest is

carried on till the debt is paid, or till the creditor begins to _feel_

that want of food is a greater punishment than the want of money. This

curious mode of enforcing a demand is in universal practice among the

Mahrattas; Scindiah himself, the chieftain, not being exempt from it.

The man who sits the _dhurna_, goes to the house, or tent, of him

whom he wishes to bring to terms, and remains there till the affair

is settled; during which time, the one under restraint is confined to

his apartment, and not suffered to communicate with any persons but

those whom the other may approve of. The laws by which the _dhurna_

is regulated are as well defined and understood as those of any other

custom whatever. When it is meant to be very strict, the claimant

carries a number of his followers, who surround the tent, sometimes

even the bed of his adversary, and deprive him altogether of food;

in which case, however, etiquette prescribes the same abstinence to

himself: the strongest stomach, of course, carries the day. A custom of

this kind was once so prevalent in the province and city of Benares,

that Brahmins were _trained_ to remain a long time without food. They

were then sent to the door of some rich individual, where they made a

vow to remain without eating, till they should obtain a certain sum of

money. To preserve the life of a Brahmin is so absolutely a duty, that

the money was generally paid; but never till a good struggle had taken

place, to ascertain whether the man was staunch or not; for money is

the life and soul of all Hindoos.

VAUXHALL.

[Illustration [++] Vauxhall.]

The trees seen above the houses at the foot of the Surrey side of

Westminster Bridge are those of Vauxhall Gardens, the site of which

will soon be covered with buildings. These grounds were once the glory

of English pleasure-gardens, frequented by the highest in the land

from the gay days of Charles II. to those of "the Regency," and were

celebrated in musical history for talent of the highest kind here

introduced. In the old orchestra, whose towering summit may be seen

from the Thames, the greatest musical celebrities have sung. Handel,

Dr. Arne, and Hook superintended its concerts; and Hogarth decorated

its walls with paintings. It obtained its name from a very old mansion

that once stood near it. This old manor-house of Fawkes Hall, as it

existed in the reign of Charles I., is shown in our engraving; at that

time it was described as a "fair dwelling-house, strongly built, of

three stories high, and a pier staircase breaking out from it nineteen

feet square." This staircase occupied one of the towers, in accordance

with the ancient plan, and the house was a curious specimen of the old

timber houses of the gentry in the sixteenth century.

It appears to have obtained its name from Foukes de Breut, who married

the heiress of the manor, the Countess of Albemarle, sister to Baldwin,

Archbishop of Canterbury; and it was granted by the name of the manor

of Foukeshall, by Edward III. to his favourite Hugh le Despenser. In

1615 the records of the Duchy of Cornwall prove the premises known as

Vauxhall Gardens to have been the leasehold property of Jane Vaux,

widow of John Vaux, citizen and vintner of London, and a benefactor

to the parish of Lambeth. It has always remained, with the manor of

Kennington, as the property of the crown, and belongs to the Prince of

Wales as part of his Duchy of Cornwall. Vauxhall Gardens closed for

ever on July 25th, 1859, with an _al fresco fete_.

EGYPTIAN TOILET BOXES.

[Illustration [++] Egyptian Toilet Boxes.]

The ladies of ancient Egypt were very fond of having their apartments

set off with a profusion of knick-knacks, and among other articles of

that sort, they usually had several different kinds of toilet-boxes

on their dressing-tables. The above engraving represents a group of

them. They have been found in considerable numbers among the ruins

of the palaces, and they form interesting objects among the Egyptian

curiosities in many of our museums. They were made of wood, or of

ivory, often inlaid, and always elaborately carved. Sometimes they

partook of the nature of spoons, the containing part being shallow,

at the end of a long solid handle; the handle was carved into the

most fanciful forms--a grotesque human figure, a woman, a fox, or a

fish--and the spoon part was generally covered with a lid, which turned

on a pivot. In one of those in the engraving, the spoon takes the

form of a fish, the cover being carved to resemble its scales, while

another, also in the form of a fish, has two cavities, the one covered,

the other permanently open. Sometimes the body of a goose formed the

box, either trussed for the table, or in the posture of life, and other

forms were devised from the fancy of the artist. Some of these shallow

boxes are supposed to have been used for holding small quantities of

ointments and cosmetics upon the toilet-table.

SPACIOUS KITCHEN.

One of the most spacious kitchens in England is that of Raby Castle,

the magnificent seat of the Duke of Cleveland. It is a square of thirty

feet, having three chimneys, one for the grate, a second for stoves,

and the third, (now stopped up,) for the great cauldron. The roof

is arched, with a small cupola in the centre: it has likewise five

windows, from each of which steps descend, but only in one instance to

the floor; and a gallery runs round the whole interior of the building.

The ancient oven is said to have allowed a tall person to stand upright

in it, its diameter being fifteen feet. It has since been converted

into a wine cellar, the sides being divided into ten parts, and each

holding a hogshead of wine in bottles. Vast as is this kitchen, it must

have been but suitable to the hospitality of former ages: for, in one

of the apartments of Raby Castle, seven hundred knights are stated to

have been entertained at one time.

THE HAWTHORNDEN CAVES.

In almost every country on the earth there are natural or artificial

caves, which have supplied hiding-places, retreats for anchorites, and

even permanent native dwellings. Such caves abound in Scotland, and

especially along the coast, but in general their interest arises rather

from the associations of popular traditions, than from any intrinsic

peculiarity of character pertaining to them. Few such retreats are more

remarkable, either for constructive art, or historic associations,

than the well-known caves beneath the old tower of Hawthornden, near

Edinburgh. They have been hewn, with great labour and ingenuity, in

the rocky cliff which overhangs the river Esk. No tradition preserves

the history or date of their execution, but concealment was evidently

the chief design of the excavators. The original entrance is most

ingeniously made in the shaft of a very deep draw-well, sunk in the

court-yard of the castle, and from its manifest utility as the ordinary

and indispensable appendage of the fortress, it most effectually

conceals its adaptation as a means of ingress and communication with

the rock chambers beneath. These are of various forms and sizes, and

one in particular is pierced with a series of square recesses, somewhat

resembling the columbaria of a Roman tomb, but assigned by popular

tradition as the library of its later owner, Drummond, the Scottish

poet. Whatever was the purpose for which these were thus laboriously

cut, the example is not singular. A large cave in Roxburghshire, hewn

out in the lofty cliff which overhangs the Teviot, has in its sides

similar recesses, and from their supposed resemblance to the interior

of a pigeon-house, the cavern has received the name of the _Doo-cave_.

Authentic notices of the Hawthornden caves occur so early as the reign

of David II., when a daring band of Scottish adventurers made good

their head-quarters there, while Edward held the newly-fortified castle

of Edinburgh, and the whole surrounding district. In the glen of the

little river Ale, which falls into the Teviot at Ancrum, extensive

groups of caves occur, all indicating, more or less, artificial

adaptation as human dwellings; and in many other districts similar

evidences may be seen of temporary or permanent habitation, at some

remote period, in these rude recesses. Along the coast of Arran there

are several caves of various dimensions, one of which, at Drumandruin,

or Drumidoon, is noted in the older traditions of the island as the

lodging of Fin M'Coul, the Fingal of Ossian, during his residence in

Arran. Though low in the roof, it is sufficiently capacious for a

hundred men to sit or lie in it. In this, as in other examples, we find

evidences of artificial operations, proving its connexion with races

long posterior to those with whose works we have chiefly to do in this

section of archaeological inquiry. In the further end a large detached

column of rock has a two-handed sword engraved on it, surmounted by

a deer, and on the southern side of the cave a lunar figure is cut,

similar in character to those frequently found on the sculptured

pillars and crosses which abound in Scotland. It is now more frequently

styled the king's cave, and described as the retreat of Robert the

Bruce, while he lurked as a fugitive in the Western Isles; but, like

many other traditions of the Bruce, this seems to be of very recent

origin. Other caves in the same island are also of large dimensions,

and variously associated with popular traditions, as, indeed, is

generally the case where subterranean retreats of any considerable

extent occur. Some are the supposed dwellings of old mythic chiefs,

whose names still live in the traditional songs of the Gael. Others

are the retreats which the primitive confessors of Scotland excavated

or enlarged for their oratories or cells. Of the latter class are

the caves of St. Molio, on the little island of Lamlash, or the Holy

Isle, on the east coast of Arran; of St. Columba and St. Cormac, on

the Argyleshire coast; of St. Ninian, in Wigtonshire; of St. Serf,

at Dysart, on the Fifeshire coast; and the celebrated "ocean cave of

St. Rule, in Saint Andrew's Bay." This last oratory consists of two

chambers hewn out of the sandstone cliffs of that exposed coast. The

inner apartment is a plain cell, entered from the supposed oratory of

the Greek saint. The latter is nearly circular, measuring about ten

feet in diameter, and has a stone altar hewn in the solid rock on its

eastern side.

MONKISH PRAYERS.

The Monks used to pray heartily, or rather say their prayers no less

than seven times in the twenty-four hours. We will give their names:--

1st.--Nocturnal, at cock-crowing, or two o'clock in the morning.

2nd.--Matins, at six o'clock in the morning.

3rd.--Tierce, at nine o'clock in the morning.

4th.--Sext, at twelve o'clock at noon.

5th.--None, at three o'clock in the afternoon.

6th.--Vespers, at six o'clock in the afternoon.

7th.--Compline, soon after seven.

Quarles has a neat epigram on the subject:--

For all our prayers th' Almighty does regard

The judgment of the _balance_, not the _yard_;

He loves not words, but matter; 'tis his pleasure

To buy his wares by _weight_, and not by _measure_.

THE TRAP-DOOR SPIDER.

[Illustration: Trap-door Spider.]

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