OPERATIC NOTES.

[Illustration: Isolde, seated on a sham rock, awaiting the coming of

her lover. Alas! all ends unharpily!]

_Wednesday._--The Irish Question, heard for the first time

operatically, put by The O'WAGNER in his music-story of "_Tristan und

Isolde_." The story is decidedly a _triste 'un and is old_ no doubt

of it. Frau SUCHER first rate as the Irish Princess _Isolde_. Herr

ALVARY plays _Her Tristan_; good, but not great. All vary well. As

_Kurwenal_, Herr KNAPP, in spite of his name, kept everyone awake,

and did his very best; in fact, "went Knapp."

Fräulein RALPH was charming as _Braugäne_, and her manner of

inducing the Princess of the Most Distressful Country to take to the

bottle--KINAHAN's L.L.L.--deserved the encore which she ought to have

received. No matter--Fräulein RALPH played with spirit, which is a

dangerous thing to do as a rule. House crammed: not packed.

[Illustration: "HOW'S YOUR POOR FEET?"

The Pedicure Motif. Shepherd, with pipe, suffering from "Corno

Inglese," showing Triste 'Un, the Cornish Knight, where he may seek

relief from his Bunions' Pilgrim's Progress.]

_Thursday._--Long live the _Don_! _Vive_ MOZART! _Don Giovanni's_

taste as to ladies changed as he grew older. The two musical Duchesses

who accompany _Don Ottavio_ when he is singing are usually, fine and

large; but _Zerlina_, the _Don's_ latest fancy, is _petite_. Why does

Signor CARACCIOLO make _Masetto_ an idiotic old bumpkin? EDOUARD DE

RESZKÉ is admirable as the cowardly _Leporello_, and MAUREL fine as

the Im-maurel Don. With what an air he salutes _Zerlina_! The air

is MOZART's "_La ci darem_," and therefore perfect. ZÉLIE DE LUSSAN

delightful as that arrant flirt _Zerlina_. The Statue was rather in

the dark. The Stalls couldn't see him "noddin', nid nid noddin'."

Let Sir DRURIOLANUS look to this, and say to the Limelighter, quoting

GOËTHE, "More light! More light!"

_Friday._--_Carmen._ Commend me at once to Madame DESCHAMPS-JEHIN

as _Carmen_. Her name is too long, and there's a little too much of

her, figure-ratively speaking. A trifle over-size for quite an ideal

_Carmen_, but then Madame D.-JEHIN is so good that we cannot have

too much of her. Acting excellent. Madame EMMA EAMES EMMA-nently

first-rate as _Michaela_. We all know JEAN DE RESZKÉ'S _Don José_,

which up to now is hard to beat; so for LASSALLE as _Escamillo_,--the

great song encored, of course. Signor CARACCIOLO as _Dancairo_ (of

a mixed race, Irish Dan and Egyptian Cairo--a regular Bohemian), and

RINALDINI as _Remendado_, capital, not overdone. Mlle. BAUERMEISTER

as _Frasquita_, and AGNES JANSON as _Mercedes_, looked winning,

especially when playing cards.

_Saturday._--_Cavalleria Rusticana._ Most appropriate when everybody

is talking of the elections and "going to the country."

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Punch, or the London Charivari, Volume 102, June 25, 1892 · 第 8 / 20 题