CHAPTER VI.

"Ready money of affection

Pay, whoever drew the bill."

CLOUGH.

"Put not your trust in brothers," said Di, coming in from a balcony

after the departure of the bride and bridegroom, and looking round the

crowded drawing-room, where the fictitious gaiety of a wedding was more

or less dismally stamped on every face. "I do believe Archie has

deserted me."

"I know he has," said her companion. "He told me half an hour ago that

he was going to bolt."

"Did he? The deceiver! He gave me a solemn promise that he would see me

home. I believe young men are the root of all evil. Don't pin your faith

to them, Lord Hemsworth, or you will live to rue it, like me."

"I won't."

"And why, pray, did not you mention the fact that he was going when I

was laboriously explaining all the presents to you, and exhausting

myself in pointing out watches in bracelets or concealed in the handles

of umbrellas, which you were quite unable to see for yourself? One good

turn deserves another. Ah! now the people are really beginning to go. Is

not that Lady Breakwater in the inner drawing-room? Poor woman--I mean,

happy mother! I will try and get near her to say good-bye. Look at her

smiling; I think I should know a wedding smile anywhere."

"No, you need not see me home," she added a few minutes later, as she

stood in the hall. "Have I not a hired brougham? One throws expense to

the winds on an occasion of this kind. There comes your hansom behind

it. What a lovely chestnut! How I do envy you it! The blessings of this

world are very unevenly distributed. Good-bye."

"I am going to see you home," said Lord Hemsworth, with decision. "It is

the duty of the best man to make himself generally useful to the chief

bridesmaid. I've read it in my little etiquette book; and, however

painful my duty may be made to me, I shall perform it."

"You have performed it thoroughly already. No, you are not coming in.

Don't shut the door on my gown, please. Thanks. Home, coachman."

"Are you going to the Speaker's to-night?" said Lord Hemsworth, with

his arms on the carriage-door, perfectly regardless of the string of

carriages behind him.

"I am."

"Good luck; so am I."

"That's not in the etiquette book," said Di, with mischief in her eyes.

"In the meantime you are stopping the whole procession. We have shaken

hands once already. Good-bye again."

* * * * *

Mrs. Courtenay was sitting in her armchair with her back to the light in

the long sunny drawing-room of her little house in Kensington, waiting

for the return of her granddaughter from the wedding to which at the

last moment she had been unable to escort her herself. Her headache was

better now, and she had taken up her work, the fine elaborate lace work

in imitation of an old design which she had copied in some Italian

church.

Mrs. Courtenay had been one of the four beautiful Miss Digbys of

Ebberstone about whom society had gone wild fifty years ago; and in her

old age she was beautiful still, with the dignified and gracious manner

of one who has been worshipped in her day. Her calm keen face bore the

marks of much suffering, but of suffering that had been outlived.

Perhaps next to the death of her husband, who had left her in her early

youth to struggle with life alone, the blow which she had felt most

keenly had been the clandestine and most miserable marriage of her only

daughter with Colonel Tempest; but it was all past now. People while

they are undergoing the strain of the ordinary ills that flesh is heir

to, the bitterness of inadequately returned love, the loss or alienation

of children, the grind of poverty or the hydra-headed wants of

insufficient wealth, are not as a rule pleasant or sympathetic

companions. The lessons of life are coming too quickly upon them to

allow of it. They are preoccupied. But _tout passe_. Mrs. Courtenay had

loved and had suffered, and had presented a brave front to the world,

and had known wealth, as she now knew poverty. The pain was past; the

experience remained; therein lay the secret of her power and her

popularity, for she had both. She seemed to have reached a little quiet

backwater in the river of life where the pressure of the current could

no longer reach her, would never reach her again. She sometimes said

that nothing could affect her very deeply now, except, perhaps, what

affected her granddaughter. But that was a large exception. Mrs.

Courtenay loved her granddaughter with some of the stern tender

affection which she had once lavished on her own daughter--which she

had buried in her grave. The elder Diana had taken two hearts down to

the grave with her--her mother's and Mr. Tempest's.

Mrs. Courtenay had that rarest gift--

"A heart at leisure from itself

To soothe and sympathize."

To that little house in Kensington many came, long before her beautiful

granddaughter was of an age to be its principal attraction, as she had

now become. Mrs. Courtenay's house had gained the magic name of being

agreeable, possibly because she made it so to one and all alike. None

but the pushing and the dictatorial were ever overlooked. Country

relations with the loud voices and the abusive political views peculiar

to rural life were her worst bugbears, but even they had a pleasing

suspicion that they had distinguished themselves in conversation, and

departed with the gratified feeling akin to that depicted on a plain

woman's face when she has come out well in a photograph.

In talking with the young Mrs. Courtenay remembered her own far-away

youth, its romantic passions, its watchful nights, its splendour of

sunrise illusions. She remembered, too, its great ignorance, and was

not, like so many elders, exasperated with the young for having omitted

to learn, before they came into the world, what they themselves only

learned by living half a century in it.

She had sympathy with old and young alike, but perhaps she felt most

deeply for those who were struggling in the meshes of middle age, no

longer interesting to others or even to themselves. Many came to Mrs.

Courtenay for comfort and sympathy in the servitude with hard labour of

middle age, and none came in vain.

Mrs. Courtenay lifted her calm clear eyes to the Louis Quatorze clock on

the old Venetian cabinet near her.

"Di is late," she said half aloud.

The low sun was thinking better of it, and was shining in through the

tracery of the bare branches of the trees outside. If there was ever a

ray of sunshine anywhere, it was in that little Kensington drawing-room.

The sun never forgot to seek it out, to come and have a look at the

little possessions which in spite of her narrow means Mrs. Courtenay had

gradually gathered round her. It came now, and touched the white _Capo

di Monte_ figures on the mantelpiece, and brought into momentary

prominence the inlaid ivory dolphins on the ebony cabinet; those

dolphins with curly tails which two Dianas had loved at the age when

permission to drive dolphins and sit on waves was not a final

impossibility though denied for the moment. It lighted up the groups of

Lowestoft china, and the tall Oriental jars which Mrs. Courtenay

suffered no one to dust but herself. The little bits of old silver and

enamel on the black polished table caught the light. So did the

daffodils in the green Vallauris tripod. They blazed against the

shadowed pictured wall. The quiet room was full of light.

Presently a carriage stopped at the door, the bell rang, and a moment

later a swift light step mounted the stair, and Di came in, tall and

radiant in her flowing white and yellow draperies, her bouquet of mimosa

in her hand.

She was beautiful, with the beauty that is recognized at once. Beauty is

so rare nowadays and prettiness so common, that the terms are often

confused and misapplied, and the most ordinary good looks usurp the

name of beauty. But between prettiness and beauty there is nevertheless

a great gulf fixed. No one had ever called Di a pretty girl. At one and

twenty she was a beautiful woman, with that nameless air of distinction

which can ennoble the plainest face and figure.

She had a right to beauty from both parents, and resembled both of them

to a certain degree. She had the tall splendid figure of the Tempests

with their fair skin and pale golden hair, waving back thick and

burnished from her low white forehead. But she had her mother's dark

unfathomable eyes with the long dark eyelashes, and her mother's

features with their inherent nobility and strength, which were so

entirely lacking in the Tempests--at least, in the present generation of

them. Some people, women mostly, said there was too much contrast

between her dark eyes and eyebrows and the extreme fairness of her

complexion and hair. Men, however, did not think so. They saw that she

was beautiful, and that was enough. Indeed, it was too much for some of

them. Women said, also, that her features were too large, that she was

on too large a scale altogether. No doubt that accounted for the fact

that she was seldom overlooked.

"Well, Granny, and how is the headache?" she asked gaily, pulling off

her long gloves and instantly beginning to unwire the mimosa in her

bouquet with rapid, capable white hands.

"Oh! the headache is gone," said Mrs. Courtenay, watching her

granddaughter. "And how did it all go off?"

"Perfectly," said Di, in her clear gay voice. "Madeleine looked

beautiful, and often as I have been bridesmaid I never stood behind a

bride with a better fitting back. I suppose the survival of the best

fitted is what we are coming to in these days. Anyhow, Madeleine

attained to it. It was a well done thing altogether. The altar one mass

of white peonies! White peonies at Easter! Sir Henry was the only red

one there. And eight of us all youth and innocence in white and amber to

bear her company. We bridesmaids were all waiting for her for some time

before she arrived or he either; but Lord Hemsworth marched him in at

last, just when I was beginning to hope he would not turn up. I have

seen him look worse, Granny. He did not look so very bald until he knelt

down, and I have known his nose redder. To a friend I dare say it only

looked like a blush that had lost its way. He is a stout man to outline

himself in a white waistcoat, but I thought on the whole he looked

well."

"Di," said Mrs. Courtenay, with her little inward laugh, "you should

not say such things."

"Oh yes, I can say anything I like to you," said Di. "Dear me, I am

sitting on my new amber sash! What extravagance! It will be long enough

before I have another. It was really good of Lady Breakwater to give me

the whole turn-out. We never could have afforded it."

"Did Madeleine look unhappy?"

"No; she was pale, but perfectly collected, and she walked quite firmly

to the chancel steps where the security for fifteen thousand a year and

two diamond tiaras and a pendant was awaiting her. The security looked a

little nervous."

"Di," said Mrs. Courtenay, with an effort after severity, "never again

let me hear you laugh at the man who once did you the honour to ask you

to marry him. You show great want of feeling."

Di's face changed. It became several degrees sterner than her

grandmother's. That peculiar concentrated light came into her soft

lovely eyes which is a life-long puzzle to those who can see only one

aspect of a character, and whose ideas are consequently thrown into the

wildest confusion by a change of expression. There was at times an

appearance of intensity of feeling about Di which sometimes gleamed up

into her eyes and gave a certain tremor to her low voice, that surprised

and almost frightened those who regarded her only as a charming but

somewhat eccentric woman. Di's best friends said they did not understand

her. The little foot-rule by which they measured others did not seem to

apply to her. She was grave or gay, cynical or tender, frivolous or

sympathetic, according to the mood of the hour, or according as her

quick intuition and sense of mischief showed her the exact opposite was

expected of her. But behind the various moods which naturally high

spirits led her into for the moment, keener eyes could see that there

was always something kept back--something not suffered to be discussed

and commented on by the crowd--namely, herself. Her frank, cordial

manner might deceive the many, but others who knew her better were

conscious of a great reserve--of a barrier beyond which they might not

pass; of locked rooms in that sunny, hospitable house into which no one

was invited, into which she had, perhaps, as yet rarely penetrated

herself.

Mrs. Courtenay possibly understood her better than any one, but Di took

her by surprise now. She laid down her flowers and came and stood before

her grandmother.

"Do I show want of feeling?" she said, in her low, even voice. "I know I

have none for that man; but why should I have any? If he wanted to

marry me, why did he want it? He knew I did not like him--I made that

sufficiently plain. Did he care one single straw for anything about me

except my looks? If he had liked me ever so little, it would have been

different; but why am I to be grateful because he wanted me to sit at

the head of his table, and wear his diamonds?"

"You talk as young and silly girls with romantic ideas do talk," replied

Mrs. Courtenay, piqued into making assertions exactly contrary to her

real opinions. "I fancied you had more sense! Madeleine did a wise thing

in accepting him. She has made a very prudent marriage."

"Yes," said Di, moving slowly away and sitting down by the window--"that

is just it. I wonder if there is anything in the whole wide world so

recklessly imprudent as a prudent marriage? But what am I talking

about?" she added, lightly. "It is not a marriage; it is merely a social

contract. I can't see why they went to church myself, or what the

peonies and that nice little newly-ironed Bishop were for. They were

quite unnecessary. A register-office and a clerk would have done just as

well, and have been more in keeping. But how silly it is of me to be

wasting my time in holding forth when your cap is not even trimmed for

this evening. The price of a virtuous woman is above rubies nowadays.

Nothing but diamonds and settlements will secure a first-rate article.

And now, to come back to more serious subjects, will you wear your

diamond stars, G"--("G" was the irreverent pet name by which Di

sometimes called her grandmother)--"or shall I fasten that little

marabou feather with your pearl clasp into the point-lace cap? It wants

something at the side."

"I think I will wear the diamonds," said Mrs. Courtenay, thoughtfully.

"People are beginning to wear their jewels again now. Only sew them in

firmly, Di."

"You should have seen the array of jewellery to-day," said Di, still in

the same tone, arranging the mimosa in clusters about the room. "Other

people's diamonds seem to take all the starch out of me. A kind of

limpness comes over me when I look at tiaras. And there was such a

_rivière_ and pendant! And a little hansom cab and horse in diamonds as

a brooch. I should like to be tempted by a brooch like that. Sir Henry

has his good points, after all. I see it now that it is too late. And

why do people sprinkle themselves all over with watches nowadays,

Granny, in unexpected places? Lord Hemsworth counted five--was it, or

six?--set in different presents. There were two, I think, in bracelets,

one in a fan, and one in the handle of an umbrella. What can be the use

of a watch in the handle of an umbrella? Then there was a very little

one in--what was it?--a paper-knife, set round with large diamonds. It

made me feel quite unwell to look at it when I thought how what had been

spent on that silly thing would have dressed you and me, Granny, for a

year. That reminds me--I shall tear off this amber sash and put it on my

white _miroitant_ dinner-gown. You must not give me any more white

gowns; they are done for directly."

"I like to see you in white."

"Oh! so do I--just as much as I like to see you, Granny, in brocade; but

it can't be done. I won't have you spending so much on me. If I am a

pauper, I don't mind looking like one."

She looked very unlike one as she gathered up her gloves and lace

handkerchief and bouquet holder, and left the room. And yet they were

very poor. No one knew on how small a number of hundreds that little

home was kept together, how narrow was the margin which allowed of those

occasional little dinner-parties of eight to which people were so glad

to come. Who was likely to divine that the two black satin chairs had

been covered by Di's strong hands--that the pale Oriental coverings on

the settees and sofas that harmonized so well with the subdued colouring

of the room were the result of her powers of upholstery--that it was Di

who mounted boldly on high steps and painted her own room and her

grandmother's an elegant pink distemper, inciting the servants to go and

do likewise for themselves?

It was easy to see they were poor, but it was generally supposed that

they had the species of limited means which wealth is so often kind

enough to envy, with its old formula that the truly rich are those who

have nothing to keep up. This is true if the narrow means have not

caused the wants to become so circumscribed that nothing further remains

that can _be put down_. The rich, one would imagine, are those who,

whatever their income may be, have it in their power to put down an

unnecessary expense. But probably all expenses are essentially necessary

to the wealthy.

Mrs. Courtenay and her granddaughter lived very quietly, and went

without effort, and, indeed, as a matter of course, into that society

which is labelled, whether rightly or wrongly, as "good."

Persons of narrow means too often slip out of the class to which they

naturally belong, because they can give nothing in return for what they

receive. They may have a thousand virtues, and be far superior in their

domestic relations to those who forget them, but they _are_ forgotten,

all the same. Society is rigorous, and gives nothing for nothing.

But others there are whose poverty makes no difference to them, who are

welcomed with cordiality, and have reserved seats everywhere because,

though they cannot pay in kind, they have other means at their disposal.

Their very presence is an overpayment. Every one who goes into society

must, in some form or other, as Mrs. Lynn Linton expresses it, "pay

their shot." All the doors were open to Mrs. Courtenay and her

granddaughter, not because they were handsomer than other people, not

because they belonged by birth to "good" society, and were only to be

seen at the "best" houses, but because, wherever they went, they were

felt to be an acquisition, and one not invariably to be obtained.

Madeleine had been glad to book Di at once as one of her bridesmaids.

Indeed, she had long professed a great affection for the younger girl,

with whom she had nothing in common, but whose beauty rendered it

probable that she might eventually make a brilliant match.

As the bridesmaid sat down rather wearily in her own room,

and unfastened the diamond monogram brooch--"the gift of the

bridegroom"--the tears that had been in her heart all day came into her

eyes; Di's slow, difficult tears.

What a mass of illusions are torn from us by the first applauded

mercenary marriage that comes very near to us in our youth! Death, when

he draws nigh for the first time, at least leaves us our illusions; but

this voluntary death in life, from which there is no resurrection,

filled Di's soul with loathing compassion. She bowed her fair head on

her hands and wept over the girl who had never been her friend, but

whose fate might at one time have been her own.

Diana Tempest, Volume I · 第 6 / 13 章