CHAPTER IV

HIGHEST ACCOMPLISHMENTS OF CONSCIOUSNESS

§ 23. EVILS OF KNOWLEDGE

Into the remotest distances, spatial and temporal, mind penetrates

through the accumulation and theoretical elaboration of experiences.

Knowledge may be obtained of the names and the deeds of Assyrian kings,

of the shape of the oceans and the continents thousands and hundreds of

thousands of years ago, of eclipses of the sun and the moon, of the

appearance of the starry sky for any number of years hence. Knowledge

means power. Insight into the relations of things enables the mind to

adapt itself more perfectly to them. Science and industrial development

are the results of this advancement of mental activity.

Nevertheless, it is not exclusively happiness that is thus gained. So

complicated is mind that what contributes to its welfare and removes

obstacles to its well-being, at the same time creates new sources of

unhappiness, which call for new means, new methods, of relief. “La

prévoyance, la prévoyance,” complains Rousseau, “voilà la véritable

source de toutes nos misères.” We must make allowance for the

exaggeration necessary to make the desired impression; but even then

there is much truth in Rousseau’s words. Not all evils spring from

prescience, but a good many do. Three classes of unintended and

unpleasant effects of knowledge anticipating future events may be

described.

As our knowledge expands we become more and more impressed with the

narrow limits placed on this expansion, with our insuperable impotence

in so many respects. To a child, who knows little and accomplishes

little, his inability, his helplessness, does not give much concern. It

is the prevalent, one may even say normal, condition of his life, and

therefore scarcely gives rise to unpleasant feelings. But the

experienced adult, in the full consciousness of his knowledge, of the

advantage which this gives to him, strives to know everything, to extend

his power over everything. And he is constrained to learn that he will

never come near this end. His prescience, the source of so much pleasant

feeling, becomes thus a source of immense unpleasantness. Highly

important relations of things remain in almost total darkness. Not even

the next day’s weather can be foretold, not the issue of the imminent

battle, not the bent of the woman he woos. How numerous are the things

against which he is almost powerless: human enemies, wild beasts, storm,

earthquake, fire, flood, famine, a host of diseases, and last of all the

inevitable death. He foresees all the terrors, aware of their power over

him. This must fill his life with anxiety and bitterness. “He whose eye

is so keen that he sees the dead in their graves, no longer sees the

flowers blooming.”

Other evils have their sources, not directly in the mind’s foreseeing,

but in the limitations of foreseeing activity. The most fundamental aims

of human activity are self-preservation and the preservation of the

species. But our feelings indicate that a third class of activities are

essential for the completeness of human life, although their

contribution to self-preservation and to preservation of the race seems

to be limited. The aim of these activities perhaps is only a training of

our powers of attention, of unifying in consciousness a number of

impressions which indirectly might benefit the two aims first mentioned.

Even primitive man devotes a considerable part of his activity to the

production of these effects--esthetic impressions from colors, from

tones, from symmetry, from rhythm. He ties feathers into his hair, dyes

his clothes, and constructs his implements in symmetrical design without

being forced by their use to do this. He works rhythmically, either

himself or with others; he dances, thus uniting successive movements

into regularly repeated groups. But those activities which serve the

purpose of self-preservation and race-preservation directly, often

occupy his mental energies so exclusively that no time is left for the

exercise of these esthetic tendencies. Their suppression then results in

deeply felt unpleasantness.

The activities of preservation are a source of evil in still another

way. Whatever pleasure they may give, they do not give a lasting peace.

As soon as one goal is reached, it appears as a mere stepping stone to a

further one. Why does the merchant earn money? In order to earn more

money! The fisherman’s wife in the fairy tale, who had been beggarly

poor all her life, did not enjoy the comfortable cottage given to her

for more than eight days. Then it appeared small and homely to her, and

she desired a castle. This obtained, it took only a day to have her wish

to be king. And immediately after the satisfaction of this desire, she

asked to be made emperor. It is true, not every one is always thus rent

by his cravings: the fairy tale places the sober husband at the side of

the greedy woman. But a ceaseless, insatiable longing seems to be, in

varying intensities, a normal element of human nature. When the

attainment of a further end appears clearly impossible, a quiet

enjoyment of one’s possessions may be the natural consequence; but even

then there is no lasting peace, for the tormenting experience of tedium

takes the place of unsatisfied longing.

A third class of evils take their origin from the effects of foreseeing

activity, not only on the acting person, but chiefly on the other

members of society. The natural endowment of different individuals for

the struggle of preservation differs greatly and results in

corresponding differences of achievement. In small communities, for

instance in the family, the favorable results obtained by one are shared

by all. But as larger social groups are formed, this becomes impossible.

The results of the individual’s labor remain with him or at least within

a smaller circle. This is the origin of property. Certain members of the

social group not only procure more, but through the possession of

desirable things become able to hire others to work for them. This

enables them to increase still more the rate of accumulation of wealth.

Thus a chasm is opened between masters and servants. However, his nature

compels man to seek the companionship of other men, and this tends to

bridge over the chasm. But between one community and another community a

similar chasm remains. To steal from the members of another community,

to rob them by force, to make war upon them and carry off the plunder,

is the same as to rob an apple tree of its fruit or to kill a sheep.

Property thus obtained naturally passes into the hands of the masters,

increasing their own and their offspring’s powers. The final result is

the existence of enormous contrasts: blessedness of a few and

wretchedness of the multitude. The total balance is bad: there is more

evil in the world than good.

Of course, those who have secured their masterships will say: Why should

it be otherwise? Why should a low level of development of human life in

all be preferable to a vastly higher development of a few and a still

lower one of all the rest? And those youths who are not yet masters, but

feel confident of being destined to become masters, readily applaud.

There are, however, at least two objections to this view. First, we must

remember that all human thought and feeling is determined by the laws of

association. The masters cannot help seeing the wretched condition of

the slaves, and must thus suffer themselves, although much less. This

interferes with the enjoyment of their privileged condition. But the

diminution of their happiness on this account may amount to little if

they avoid the sight of poverty whenever possible; and that part of it

which they cannot avoid seeing, they get accustomed to.

The following objection is more serious. The slaves are not likely to

adopt the view of their masters that the contrast of their positions is

the natural and just outcome of their respective endowment with bodily

and mental abilities. They easily notice that this is only partly true.

Especially the rewarding of sons for the merits of their fathers or

grandfathers does not find favor with them. Their practical

belief--supported by the strongest desires and nourished by the

comparison of their own condition with that of the masters--keeps before

their minds ideas of improving their lot, even of becoming masters

themselves. The authoritative belief in the excellence of the present

status, in spite of generations having become accustomed to this status,

loses thus much of its force. The slave class is restless and little to

be relied on; therefore it must be bridled. The chasm between the

classes becomes an abyss. Coöperation between all the members of

society, though instinctively wished for and so necessary, is made

impossible. A whole nation is torn up; its resistance toward attack from

outside is diminished. The strongest people is one whose motto is: all

for one, each for all; sooner or later it will overthrow the other. If

this does not happen, the internal stress is likely at some time to

become too great: the slaves rise and sweep the masters away. In either

case the existing society is destroyed.

Notwithstanding the happiness which our foreseeing activity gives us, it

carries with it three classes of evils: resulting from the limits of our

knowledge, from the limits to which our activity is subject, from the

contrast and enmity between social classes. Are there any ways for our

mind to overcome these evils? There are some, not absolutely

exterminating them, but at least restraining them, keeping them within

bounds.

QUESTIONS

210. What are the three evils originating from the evolution of the

foreseeing mind?

211. What are the two subdivisions of the limitation to which our

active tendencies are subject?

212. Why does the third class of these evils not exist in small

communities?

213. What are the two objections to the theory which regards the

division of society into masters and slaves as entirely

satisfactory? Which of these objections is the stronger one?

§ 24. RELIGION

Aid against the evils resulting from the limits of knowledge is sought

by the human mind in religion. When fire threatens our property, we

think of water; when the enemy presses upon us in battle, we think of

our comrade. By analogy, when we are under the pressure of uncertainty,

in the terror of a great danger, we think of some person or some power

that might aid us. We have seen previously that primitive man regards

everything as animated and every event as caused by motives like his

own. He regards himself as a double being made up of a heavy body and an

exceedingly light, shadow-like thing, a soul. In his dreams he

recognizes clearly the independence of the two: the soul leaves the

body, flies to known and unknown regions, and experiences there the

strangest things. Likewise in death. To-day a certain person talks,

moves about, does good or harm; to-morrow the same person lies stiff. It

is true that one cannot see the cause of this change, but the simplest

explanation is obviously that something, the bearer of his powers, has

escaped from the body and now rests invisibly elsewhere. Furthermore,

are there not those who feel that they are possessed of a demon who

compels them to roll about on the ground in convulsions or to attack

other people?

Accordingly, man populates everything between heaven and earth, animals

and plants, rocks and logs, lakes and streams, the phenomena of the

weather, and the constellations, with demons, ghosts, departed souls,

specters. These beings are thought of as possessing human-like powers,

many of them, however, far mightier than man, handling all those things

of which nature consists in a manner similar to man’s handling of his

own property. Some have asserted that man animates the world because of

an irrepressible desire for theoretical explanation. But this is

scarcely true. Primitive man has no such longing for theories. He does

it simply for the sake of his practical interests: in order to make use

of the things of nature, he must first comprehend them; and what manner

of comprehending them would be preferable to humanizing them? If the

things are like men of his acquaintance, he knows how to obtain their

favor, their aid. His belief in these demons is a practical belief like

the belief of a mother in the future of her son. These demons must

exist, for he would have to give up the struggle for life, perplexed,

helpless, if they did not exist--if the world were a mass of

incomprehensible objects.

Naturally he distinguishes two kinds of demons, as he distinguishes two

kinds of men, good and bad. Those who are malicious and hostile bring

all the distress of diseases and terrible events, from which he cannot

defend himself by his own power. The best one can hope to obtain from

these demons is that they stop exerting their evil influence. Man lives

in constant fear of them. The demons of the other kind are friendly and

helpful. They assist man in his defense against the fiends and in his

fight with other men; and they permit him to participate in their

knowledge of the future. They are reliable. One is grateful to them and

loves them. In the most primitive stage of mankind fear prevails, and

therefore also the belief in harmful ghosts and demons. On a higher

level of culture, advancing insight into the causal relations of natural

events brings about more self-reliance, more hope, and consequently also

a growing belief in benevolent demons. Both fear and love, however,

remain characteristic of the attitude of man toward his gods.

In order to obtain the good will of the gods, man naturally treats them

as he would treat his neighbors. He must earnestly pray to them, flatter

them, perhaps also threaten them, promise gifts in exchange for their

aid, vow continued faith and obedience, especially make them presents in

advance. Prayer, vows, and sacrifice are the means of approaching them.

Soon another thought becomes prevalent. In cases where the influence of

demons seems particularly conspicuous, in mental diseases, certain

persons show themselves much more skilful than the majority in

establishing relations with them and thus curing these diseases. One

naturally employs these persons in one’s relations to the gods. The

medicine man becomes a priest. And he soon establishes himself firmly in

this position by inventing mysterious ceremonies with which he alone is

familiar, and by acquiring the ability to read and interpret sacred

books. His authority, however, rests on his doing what the people expect

from their gods: he must possess prophecy and witchcraft. Even the

apostles prove their legitimacy by prophesying and performing miraculous

cures.

Fear and misery are the parents of religion; and, although it is

propagated in the main through authority, it would long ago have become

extinct, if it were not born anew out of them all the time. In times of

need and oppression religion grows strong. The churches are full,

pilgrimages are common, in wars or epidemics. In battle, in disease,

aboard a sinking ship, many a one learns to pray. Some fear or some need

is always present. Even the highest wisdom and power can only repress,

never exterminate these. Therefore they have always brought forth

religion and will always do so, provided one does not clumsily attempt

to change human nature.

Prayer and sacrifice are not invariably followed by success. But aid

requested from human beings also is often refused, so that explanations

for the lack of success are not wanting. Perhaps the prayer was not

fervent enough, the sacrifice not offered in the correct manner or at

the right place. Or the supplicant has offended the god; it is only to

be expected that he is thus punished for the offense. Or the god,

knowing his most secret failings, wishes to test his faith, his piety,

in case all worldly goods and even health are lost. The gods are

all-wise: who could understand them and their actions completely? Now

and then, when the pious continue to suffer and the godless to prosper,

religion is exposed to a serious danger. But religious faith has found

the solution of this problem, not everywhere on earth, but here and

there; and out of a secret doctrine of certain sects of ancient Greece

this solution has become a gospel spread all over the earth: even that

hope which remains unsatisfied at the time of death will find its

realization. Man’s soul is eternal, is only temporarily united with the

body, and when separated from it will continue to live forever. The

pious must prepare himself for the future life by turning away from

bodily pleasure toward God, by suffering. The godless, who has failed to

prepare himself, finds eternal punishment waiting for him.

Under primitive cultural conditions, when everybody has to do every kind

of labor for himself, the same régime is applied to the gods. They do

not differ much in their abilities, although one can do this, the other

that, somewhat better. They are an unorganized crowd like mankind,

fighting each other and forming alliances for this purpose. When human

societies become established, the gods become differentiated. There are

masters and servants, various professions. Complications arising from

such occurrences as subjection of one nation to another and a consequent

assimilation of their religions, change but little the trend of this

development. Of greater influence are the growth of morality and the

advance of scientific knowledge.

When man establishes a moral ideal for himself, he applies it to his

gods. His gods become moral examples. They no longer require bloody

sacrifices, but a clean heart and good deeds. And since there is only

one morality, and morality is the chief attribute of Deity, there can be

only one God. All those great religious teachers who contributed to the

moral development of religion, the Jewish prophets, Zoroaster, Plato,

accepted monotheism.

When scientific knowledge advances, when more and more of the phenomena

of nature are found to obey simple laws, daring philosophers assert and

convince others that all natural phenomena obey such laws, that nothing

in nature depends on the whims of human-like wills. Religion, then,

seems to be deprived of its foundations. If God does not arbitrarily

interfere with the laws of nature, how can any aid come from him?

However, the need of religion remains, and religion adapts itself to the

new views of the world. The highest form of religion is the outcome of

this development. Prayer, then, has a purely mental value for him who

prays. It gives him hope, confidence, courage, and thus he succeeds in

accomplishing that of which he seemed incapable without aid. The

witchcraft of the priest is reduced to a purely mental influence. In the

sacrament he brings about a sanctification of the mind. God, far from

being lost from the world, is regarded as the world itself, the source

from which every phenomenon of nature springs. And again religion can

give man what he longs for, protection from the overpowering unknown,

peace for the restless heart.

But life is like a hydra: as fast as one head is hewn off, two others

grow. Man overcomes the depression caused by his feeling of impotence by

the help of religion, and immediately has two other troubles besetting

him.

(1) It is natural that of all the creations of mind religion possesses

the strongest inertia. God is unchangeable. But knowledge is changeable:

our ways of thinking of the world differ greatly from those of a

thousand, five hundred, or a hundred years ago. Much knowledge has

become attached to religion. Shall it remain unchanged on that account?

The resulting disharmony has been felt at all times, in varying degrees

of intensity. The representatives of science cannot help contradicting

the faith of their ancestors; and the priests profess that they alone

possess true knowledge, that the knowledge of the scientists is merely a

mass of hypotheses. Bitter was the struggle about the geocentric system,

and no less bitter more recently was the opposition to the theory of

evolution. During the later centuries of antiquity scientists tried to

comprehend the influence of the sun on plant life by conceiving its

power as emanating and yet constantly remaining in its former strength

at the point of its origin. The early Christian theologists were very

modern in their scientific theories. Could they compare God with

anything else better than with the heavenly body on which all earthly

life depends? So they developed the conception of emanations flowing

from God without diminishing his former powers, that is, the Christian

doctrine of the Trinity. Other religions of the time accepted similar

emanation doctrines: the Philonic philosophy recognized a twofoldness,

the Neo-Platonic a fourfoldness of God. To-day every schoolboy is

taught that the sun cannot produce any effect on earth without losing so

much of its energy. The ancient theory of emanations has long ceased to

have any scientific significance. But the formula exists, and is still

thought by many to be the basal concept of the Christian religion, so

that the dissension is endless.

(2) Religion is a weapon in the struggle for preservation for him who

possesses it; but it soon becomes a weapon also for the others. It is a

weapon for the priest, who uses it as the physician uses his knowledge

to make a living. There would be little trouble on this account. But

religion is, naturally and unfortunately, a mighty weapon in the hands

of the masters defending their positions against the slaves. Religion

gives peace, quiescence, to the human heart. Religion perhaps teaches

that the splendor of wealth is insignificant, worthless; that the poor

are better off in the future, eternal life, than those who are now rich.

Religion perhaps even teaches that those who do not believe this will be

severely punished in the next life. This is not the original meaning of

the doctrine--that the wretched should remain wretched; it was meant

merely to comfort them in their distress. But the doctrine obviously

permits this application, and so the masters have always eagerly adopted

religion as one of their safest supports, far superior to brutal force,

since it does not incite revolutionary reaction. “Throne and altar” is a

motto of kings. When the servants recognize this effect of religion,

they naturally tend to free themselves of it, and tremendous conflicts

result for human life.

Will mind succeed in overcoming these difficulties by a new form of

adaptation? We cannot tell how, since thus far it has not succeeded.

QUESTIONS

214. What does not, and what does, cause man to populate the whole

world with demons and specters?

215. What is the chief division applied by man to the hosts of

demons? Do the contents of these divisions tend to change

gradually?

216. How does priesthood originate?

217. Is it probable that religion will ever cease to exist?

218. What are the consequences of the fact that prayer and

sacrifice are not always successful?

219. How does the growth of morality influence religion?

220. Is science inimical to all religion or to special forms of

religion?

221. What are the three illustrations given in the text for the

difficulties arising from the attachment of science to religion?

222. What is illustrated in the text by the quotation “throne and

altar”?

§ 25. ART

The second class of the evils which we mentioned as resulting from our

foreseeing activities consists in an insufficient occupation of the

active tendencies of the mind. The remedy is found in art, in the

enjoyment of works of art.

A work of art may cause a pleasant feeling by inciting any of a large

number of mental activities. Beyond giving pleasure it has no purpose.

Choice articles of food, new clothes, a profession yielding a good

income, give us pleasure through their odor, their look, through the

standing they give us in good society. But they please us also, and

indeed chiefly, through their purposes: we need them for our existence.

Because of their purposes they do not give us pure pleasure: they make

us want better food, better clothes, a better position. A work of art,

on the other hand, may in some way further our life; but he who enjoys

it is not aware of such a furtherance. He sees no purpose in it. He

experiences a bliss of heaven, not pleasures of the world. The purpose

of art consists in its own unity; it does not draw us away from where we

are. It gives us rest while it keeps us active. The pleasure resulting

from this kind of activity is called esthetic pleasure.

Many are the origins of art. Religion is doubtless one of them.

Primitive man conceived of some of the most important of his demons as

having their seats in certain species of animals. The possession of

these animals gives witchcraft. But it is difficult to carry them about,

and killing them is of course out of the question. Primitive reasoning

then accepted an image, a picture, as having about the same

effectiveness. So man came to carve such pictures on his weapons to make

them stronger, to carry them hung around his neck to protect him, to

make idols of his gods which he could visibly reward or punish. The

pleasure of seeing these images then gave them a value separate from

their religious applications. Yet pictures of the virgin and of saints

still continue to be used for the earlier purpose. When thus beginning

to be separated from religion, art became again attached to it; for man,

enjoying pictures, offered them as presents to his gods, so that they,

too, might enjoy them. The subject of representation was naturally the

gods themselves, the most sublime subject known to man.

Another origin of art is play. We said that play is that mass of

instincts, common to man and animals, which brings about an exercise of

the capacities necessary for preservation at a time when no special

purposes demand such exercise. In this absence of a special purpose

consists the ultimate relation of play and art. But play is not

identical with art, because it is still too serious a matter. The boy

who plays robber and police is not like an actor playing the rôle of a

robber. He really is the robber so far as the advantages, the freedom,

and the power of a robber are concerned; and he enjoys these advantages,

while the actor does not even think of them. The actor, even while

playing the rôle of a king, desires to play the king, not to be the

king. Play, that is, the instinctive activity of play, is intermediate

between art and life, a gateway to the former.

There are still further sources of art. After having been successful in

his struggle, when he has some leisure, man observes that many things

which he uses as weapons, as tools, for food, and so on, are capable of

giving him pleasure quite aside from their practical significance. He

therefore obtains these things for their own sake. He collects

brilliantly colored feathers, glittering stones and pearls. The

instinctive reactions upon pleasant experiences are discovered to be

pleasant themselves. They are voluntarily repeated. Thus dance and song

originate. In a similar manner, from the descriptions of ordinary life,

tales takes their origin. Symmetry and rhythm are discovered and become

of the greatest importance for the various arts. In spite of the

manifoldness of its origin and its application, we may speak of art in

the singular, because all the different arts have this in common, that

they give joy without serving any conscious purpose.

In every art three factors may be distinguished on which the feeling

aroused in us depends: the subject-matter or content, the form, and the

personal significance. If the work of art is a picture, it may represent

a battle or a landscape; if a poem, the wanderings of Ulysses or the

story of the Erlking; if music, a waltz or a funeral march. This

subject-matter is given a particular form or structure. The twelve

disciples of the Last Supper may be placed in a simple row or arranged

in groups of various kinds. A church may be built in Roman or Gothic

style. Meter and rhyme differ in various poems. Music may be harmonized

in many different ways. All this refers to the form of art. The third

factor, the personal significance, may be illustrated by the different

moods which speak to us from pictures of the same subject-matter and

similar form, also by the technique chosen by the painter. The picture

may appear to me as an assembly of Jewish fishermen or as an historical

act in which the disciples of the Lord and he himself take part.

Much could be said about all this in detail. Some important insight into

the relation of the different factors can be obtained from a discussion

of the first one, the subject-matter. How does the artist succeed in

giving us, through his subject-matter, pleasure independent of and free

from any consciousness of purpose? Two ways are open to him. The first

appears most clearly in music. It consists in using contents which play

no part in the world of needs. Musical tones, sung or produced by

instruments, do not contribute to the preservation of man; and therefore

they do not incite our desire. However, when properly combined, they are

capable of arousing the most varied and intense feelings, moods,

emotions. They are thus especially adapted to serve as material, as

contents, of a work of art.

The second way open to the artist consists in imitation. It prevails in

painting and sculpture, and one may say also in poetry. The contents of

these arts, that is, the subjects described, are indeed things which

arouse our desires. But the desire is cut short through imitation. Not

the real things, but only descriptions of them, are furnished us. Their

affective value is not diminished thereby. It is true, the feelings

depending on the consciousness of purpose are lost; but the rest of the

feelings attain thus a purity and intensity all the greater. We scarcely

enjoy meeting a robber on the highway; on the stage or in a novel we

enjoy it the more. The real rug gives me feelings of a mixed kind when I

think of its price and its durability; the painted rug gives me only

pleasure. Since imitation is so conspicuous in the three arts of

painting, sculpture, and poetry, it has been mistaken to be the aim of

our artistic activity, whereas it is only a means to an end, to the

production of pleasure free from desire. To understand this still more

clearly, we must give attention to three aspects of the problem of

imitation.

First, imitation must be as true to nature as possible. Feelings are to

be aroused. These feelings are originally attached to the real things.

It is clear, then, that they will be aroused the more readily, the more

similar the work of art is made to reality. A disagreement with nature

causes not merely a weakening of the pleasant feeling, but an unpleasant

feeling, a protest against the artist’s intentionally disforming nature

or against his incapacity.

Secondly, imitation must never become a perfect duplicate of the real

thing, to be mistaken for it. There must be no deception of him who

enjoys the work of art, for deception would result in unpleasant

feelings. Therefore we separate a picture from its surroundings by a

frame, place a statue on a pedestal, let a drama be played on a stage.

Thirdly, devotion to imitation must not lead the artist to neglect the

other properties of the work which make it significant for our life of

feeling. A work of art is always a compromise. Nature gives us not only

what is significant, but also what is insignificant or even disgusting.

The subject-matter must therefore be worked over; that which is of

positive value must be emphasized, even exaggerated. Nature usually

presents a confusing multitude of details. Mind, for its enjoyment,

needs a unitary structure made up of a multitude of details. The artist

therefore must, whenever this is necessary, reconstruct nature in order

to insure unity of perception. Imitation must often be adapted to

special circumstances. A lion among allegorical figures as a symbol of

might cannot be represented as an exact imitation of the lion of the

desert. The real lion is a dangerous beast, a big cat. The symbolical

lion must agree with a certain traditional style. Nature is replete with

the insignificant, the individual, the momentary; mind longs for the

significant, the general, the eternal. The highest art is found where

the artist has been able to reach a maximum of the total effect of all

the simultaneous factors.

Religion would be more easily understood, were it not for the many forms

under which the single need is satisfied according to circumstances.

Art, too, would be more easily understood, if the factors contributing

toward the same end were less numerous. Each of them is regarded by some

as the essential or exclusive basis of art. It is not difficult to

explain this. The people at large naturally take most interest in the

subject-matter, perhaps also in the technical ability of the artist. The

musician, knowing that form is the main factor in his art, is apt to

generalize and to regard form everywhere as the essential element. The

painter or sculptor--observing how other artists give artistic values to

the most varied subjects, perhaps feeling himself able to raise any

subject, however selected, into the realm of art--may be inclined to

think of art as an institution for the employment of the creative energy

of those whose talents tend in this direction. Each one gives attention

to that aspect of the whole problem which especially concerns him. He

overlooks its other aspects.

Not every species of art permits an equal development of all the

different factors of art in general. For example, in handicraft and in

architecture the work as a material thing serves a practical purpose; as

a work of art it serves esthetic enjoyment. The form is here largely

determined by its practical applicability. Its purpose must not be

hidden, but appear as clearly as possible. Mind must here force itself

to disregard the purpose and to enjoy the work independent of its

practical interests.

When mind has thus been trained to look for esthetic values, even where

the practical side of the thing is paramount, it becomes able to enjoy

esthetically even that which in no way directly suggests an esthetic

attitude of the spectator. Man learns to enjoy the beauty of nature as

something independent of his practical needs. This ability has grown

very slowly. As late as the end of the eighteenth century one reads in a

book on Switzerland in a description of the Engelberg valley the

following words: “What do you see? Nothing but horrid mountains; no

gardens, no orchards, no wheat fields pleasing to the eye.”

One thing assisting in this esthetic liberation of the mind is the

many-sidedness of nature in comparison with the practical interests of

man. Every one can find in nature something remote enough from his

everyday interests to become an object of esthetic enjoyment. We enjoy

reading about a war in the far East, not only because we recall that we

have no money invested there and nothing else to risk, but chiefly

because the feelings aroused by the reports from the theater of war can

develop without interference. They could not, if the battle took place

in a neighboring village. For the same reason we enjoy travel

esthetically, not when we are compelled to travel, but when we choose it

for our recreation. Standing in the market place of a foreign city, I

see the people talk, gesticulate, bargain, as they do in my own town.

And yet it is different. There are no relations to my own domestic

affairs. Their talking does not concern me. I do not even understand

their language. Thus I am able to enjoy the sight esthetically. It is

true that nature rarely fulfills all those conditions which the artist

fulfills in a work of art by his artistic reconstruction of the piece of

nature represented by him. But this loss of esthetic effectiveness is

compensated by the inexhaustible variety, the never ceasing movement,

the immense power and magnitude of nature.

Thus mind turns against its own beginning. But not in order to make war

upon itself, but to overcome evils of former adaptations by a new and

higher kind of adaptation.

QUESTIONS

223. What property is common to works of art of every kind?

224. How does religion contribute to the growth of art?

225. How is play related to art?

226. What are the three factors in art on which our feelings

depend?

227. Which of the three factors is predominant in music?

228. What is the advantage of imitation over reality?

229. What are the three aspects of the artistic problem of

imitation?

230. What training does the mind receive from the enjoyment of

handicraft and architecture?

231. What kind of esthetic enjoyment has developed most recently?

232. How does nature assist man in the highest development of his

esthetic ability?

§ 26. MORALITY

What remedy does mind discover for the third class of evils, those

resulting from its own activity for other members of society, and those

resulting from the restlessness, the protestation of the latter? The

remedy is essentially a social phenomenon, and can be discussed here

only very briefly with respect to the individual mind.

Mind learns to appreciate and to train itself for activities

contributing directly to the welfare of society as a whole by actually

working for the good of others rather than for its own good. When the

social group increases in size, the more experienced and provident

members recognize, not by logical reasoning but as the immediate result

of experience, that brutally egotistic acts give rise to quarrel and

distrust, weaken the ties which hold together the members, and make the

group the prey of its enemies. Altruistic acts, on the other hand, are

found to strengthen the group. These influential members then endeavor

to further the latter and to suppress the former kind of actions. There

are two possible ways of bringing this about.

First, compulsion. Acts destructive to society are punished. He who

commits them thus suffers a disadvantage much greater than the immediate

advantage, and the consciousness of this probability of suffering

inhibits the act. The total concept of activities or inactivities

enforced by punishment is the law. But the law is not far-reaching

enough. A society of wholly wicked beings cannot be held together by

law. Faith and loyalty cannot be enforced.

Willing may consist in a consciousness of the immediate act or in a

consciousness of the remotest purpose to the realization of which this

act contributes. If in consequence of threatened punishment I will the

required act, but not its ultimate purpose, I can frustrate the latter

in a hundred different ways. To punishment, therefore, must be added a

second means of furthering the welfare of society, through actions of

free will. The performance of acts of this kind is called morality.

The special form of morality anywhere at any time depends obviously on

many circumstances. It is conceivable that in a tribe sparingly endowed

with natural resources and pressed by enemies, morality may demand the

killing of the aged and of female children. On a higher level of culture

such actions must be immoral, because they do not harmonize with other

moral commandments, or because, when food is plentiful, an increase in

numbers is highly desirable. The Catholic church regards divorce as

immoral, but in Japan public opinion regards the enforced continuation

of the matrimonial tie as immoral. It is obvious that morality is a

growth. But it grows very slowly, remaining nearly constant for long

stretches of time; and so we often meet moral commandments which no

longer fit the people upon whom they are imposed.

Kant has more strongly than any one else taken the opposite view.

Morality, according to him, is something definite, eternal, absolute,

not dependent on circumstances--categorical, as he calls it, not

hypothetical. How can this doctrine be reconciled with what we have said

above?

We mentioned that actions benefiting the total social group are not the

result of reflection, of reasoning, but the immediate result of

experience on the part of the most provident and most influential

members of the group. Errors and superstitions naturally play their

part in the formation of the first moral rules. But subsequent

experience gradually improves them, so that they soon become of real

benefit to the whole society. How are these rules then transmitted to

following generations? By impressing them upon the child. Young children

can be given commandments; but explanations of their purpose would in

most cases be useless. They are therefore given categorically, as

imperatives supported by the authority of parents, elders, priests.

Under these circumstances, of course, it is not to be expected that the

children will later recall any purpose when they become conscious of

these rules. The rules appear in their consciousness as something

unconditional, absolute--in their totality as _conscience_.

One may here raise this question: Why does not society, after its

children have grown into men and women, inform them of the purpose of

these rules? This information is not given partly because society as a

whole is not clearly conscious of the purpose, partly because it is

better to leave to these rules their absolute character. The commander

of an army does not explain the purpose of an order sent to an inferior

officer. This has its disadvantages in so far as the latter, knowing the

purpose, might improve details of the order which the commanding

officer, from his distant position, could not properly adjust to the

actual conditions. But on the whole it is preferable to require strict

adherence to the order and not to permit reflection before its

execution, for reflection might easily give room to thoughts of

self-preservation. Similarly, society demands absolute obedience because

thus, on the whole, the moral rules are more strictly carried out, with

greater benefit to society. Nevertheless, the rules have their

justification only in their purpose, the welfare of society. And

conflicts between the literal commandment and this purpose are by no

means rare. The white lie, for example, has given much trouble to moral

theorists. To the unbiased moral consciousness it is in innumerable

cases the proper act. What commander of an army could be tolerated who

would refuse to deceive the enemy? How could we meet children, the sick,

the insane, if we had made up our minds never to tell a lie?

Understanding the value of the (apparent) absolutism of the moral rules,

we also understand why moral sentiment is so highly estimated as

compared with a mere number of correct acts. Moral sentiment is the only

reliable source of correct action. If we judge a person exclusively or

mainly by his success in correct activity, we are likely to discourage

his attempting a difficult task. In order to give the greatest possible

encouragement, we tell him that it is his free will to do good that

determines our estimation of his social value, no matter whether he

succeeds or not. However, the question whether a man’s will is to be

called good or bad, can be answered only by pointing out a social

purpose, the furtherance of the welfare of the whole. Without this the

will to do good, the feeling of duty, is like the rope by means of which

Münchhausen descended from the moon.

The absolutism of morality explains the close relation of morality to

religion. Religion, morality, and sometimes political law, are under

God’s protection; the laws of reasoning and of artistic creation are

not. The latter are also gifts of God, but left unprotected. Error and

bad taste are no sins. Religion, if without direct protection by

threatened punishment, would be found by each individual; but each would

find a different one, and since only one religion is supposed to be the

true one, uniformity has to be enforced by threats. Morality still more

needs protection by threatened punishment coming from God, since

individual desires differ greatly, and would never give rise directly to

uniform moral rules. These rules are the product of the experience of

generations, and always meet with more or less resistance from the

individual. Human authority is frequently not strong enough to overcome

this resistance. So God’s protection is needed--and found very easily.

What can a father reply to his ever questioning child: Why must I give

away a part of what I like to keep myself, or tell what I shall be

punished for? He gives the same answer which he gives to the question

who made the horses and the whole world: “God made these rules.” Perhaps

it would be best if the child were always told that God did not impose

these rules upon man as something foreign to his nature, simply because

God capriciously chose to do so; but that he gave man these rules

because they are needed for the highest development of human life. Only

a will which acts morally because this significance of morality is

understood can be said to be truly free.

We have frequently spoken of communities, of groups of human beings.

Now, man belongs to many communities at the same time: family, town,

state, nation, friends, the profession, the denomination, and so on, up

to mankind as a whole; which one is meant? They are all meant, but so

that in case one obligation excludes another, the one toward the

narrower circle of associates takes precedence. We do not approve of

women devoting to charity what they owe to their children. But where the

narrower circle leaves us free from obligation, the wider circle claims

us as its subjects. One of these circles, the widest of all, is

mankind; but morality did not begin with recognizing this. Only those

are permitted to enjoy the benefits of one’s morality who are clearly

felt to belong to the same community. The expansion of political,

linguistic, religious communities enormously increases the number of

individuals toward whom each one feels moral obligations.

But this expansion alone would not have broken down the barrier between

one and all the rest of mankind. This barrier has been removed by the

acceptance of monotheism. Other factors may have contributed toward this

result. The categorical character of the moral rules, their independence

of conditions, must have favored their universal application to any

human being. The development of the idea that all human beings are

essentially alike, and of the idea of the unity of the world, must have

greatly strengthened the universality of the moral rules. The

development of the moral ideal, as we saw, tended to unify the

conception of God. But this conception of a single God, monotheism, then

gave a new impulse to the universal application of the moral rules. When

each people has its own god, his commandments are valid only to his own

people. But when it is recognized that only one God exists, his

commandments can hardly be confined to the territory of one people.

Plato and Zeno, accepting this consequence, teaching that human beings

are like the members of one flock, introduced a doctrine new to the

Greeks. Christ, reciting the Mosaic law, “Thou shalt love thy neighbor,

and hate thine enemy,” adds to it: “But I say unto you, love your

enemies, bless them that curse you, do good to them that hate you,” and

thus takes the decisive step. But mankind is still far from having

accepted this doctrine completely. To plunder private property on the

high seas in time of war is no longer regarded as meritorious, but

scarcely begins to cast shame on him who makes himself guilty of it, as

plundering on land does.

QUESTIONS

233. Why is acting by free will superior to willing under

compulsion?

234. What philosopher is mentioned in the text as the chief

opponent to the doctrine that morality is a growth dependent on

circumstances?

235. How and by whom were moral rules first discovered?

236. How are moral rules propagated? What is the consequence of

this mode of propagation?

237. What two reasons are stated for the fact that society does not

inform its members of the real purpose of the moral rules?

238. Why is moral sentiment valued more highly than correct acts?

239. How is the relation between morality and religion established?

240. What is the influence of monotheism on the growth of morality?

CONCLUSION

What a strange being is man according to popular understanding! He

possesses senses intended to inform him of the world, but incapable of

doing this since they deceive him. In addition he has judgment and

reason which help him to discover the deceptions of his senses and to

gain a true knowledge of the world by the aid of principles whose origin

is foreign to this world. His thoughts consist of ideas which succeed

each other in accordance with definite laws. Nevertheless, he sits

within himself, the _homunculus_ in the _homo_, and with perfect

contempt for those laws directs the ideas, weakens this, strengthens

that, keeps one and expels the other, unites them and separates them

with despotic arbitrariness. His chief desire is furtherance of his

well-being. Nevertheless, he strives to aid others, to be fair and just,

to mortify the flesh. He unceasingly strives to make himself the lord of

the world. Still he has a constant craving for being the subject of an

omnipotent power; and to satisfy this craving God has given him the

belief in Divinity. But God, from whom everything springs, has given him

also a punishable inclination toward heresies and confused him by the

contradictions of a hundred different revelations, each one claiming its

own genuineness. Man’s whole being appears mixed up. No second step is

possible without reversing the first. No definite purpose can be made

out in all this.

Yet man becomes comprehensible as soon as we apply scientific methods to

the study of his nature. He has indeed numerous faculties, seeing and

hearing, imagination and feeling, reproduction and concentration. These,

however, do not oppose each other, but stand side by side, supplementing

each other, as everything on earth consists of parts which supplement

each other. The fundamental laws of human life are the same as those

which we find in the higher animals. But man’s ability to elaborate

momentary sense impressions is immensely increased: there is no limit to

the associative and selective combination of the elementary impressions.

Thus man establishes his power over all other animals and the inanimate

world, realizing the general purposes common to all organisms by

incomparably higher and richer constructions. But these, however we

esteem them, are derived from the same fundamental forces of nature,

only differing in measure and in their proportions. Mind is not like an

unclean pot in which noble seeds are planted, so that the plants

growing from them do not fit the vessel containing them and unending

discord must result. Mind is a unitary organism which, unfolding its

capacities, adjusts itself more and more perfectly to the circumstances

of chance or of its own creation. As the same atmosphere brings forth

out of wind and water and warmth now fertile rains, now destructive hail

storms, beautiful clouds above, dangerous fog below, so the same mind by

the same natural laws brings forth error and truth, desireful pleasure

and desireless joy, selfishness and morality.

INDEX

Abstraction, 126, 133, 140, 151.

Adaptation, 74.

Affection, 162.

Afferent, 35, 38.

After-image, 74.

Anemia, 27.

Animals, 27, 37, 65, 75, 128, 151, 197.

Apes, 27.

Apperception, 119.

Arborization, 33.

Architecture, 202.

Aristotle, 3, 10, 17.

Art, 14, 24, 196.

Association, 10, 11, 12, 14, 93, 144, 164.

Attention, 11, 12, 87, 115, 121, 125, 144, 151.

Audition, 74, 76.

Auditory, 62, 98.

Automatic, 101.

Axiom, 152.

Beats, 64.

Beethoven, 14.

Belief, 152, 156, 158.

Bessel, 20.

Biology, 16.

Bismarck, 180.

Blind born, 67.

Boycott, 136.

Brain, 21, 22, 23, 27, 28.

Brewster, 17.

Broca, 21.

Buffon, 11.

Bulb, 38.

Cæsar, 136.

Catholic church, 205.

Causality, 5, 7, 8, 9, 177.

Center, 35, 36, 37, 107, 111.

Cerebellum, 38, 39.

Cerebrum, 38, 41.

Christ, 209.

Cicero, 159.

Coherent thought, 142.

Collateral, 32.

Color, 58.

Color-blind, 60, 76.

Color mixture, 61.

Conduct, 162, 176.

Conscience, 206.

Consciousness, 41.

Conservation of energy, 45.

Copernican system, 161.

Cortex, 38, 40, 41.

Corti, 76.

Crime, 97.

Cutaneous, 52, 73.

Davy, 121.

Definition, 141.

Dendrite, 31.

Desire, 109.

Determinism, 181.

Difference tone, 64.

Discrimination, 100.

Distance, 116.

Dream, 142, 156.

Drugs, 27.

Duration, 68.

Education, 24, 97.

Efferent, 35, 38.

Emotion, 168.

Enlightenment, 11.

Esthetics, 14, 185, 197, 202.

Evolution, 5, 16.

Experiment, 17.

Expression, 105, 169.

Faculties, 10, 11, 13, 22, 124, 151.

Falstaff, 123.

Fatalism, 179.

Fatigue, 102.

Fechner, 18, 19.

Feeling, 81, 162.

Fibril, 32.

Fichte, 15.

France, 10.

Frederick William, 1, 5.

Freedom, 7, 8, 9, 176, 208.

Fritsch, 21.

Future life, 192, 195.

Galileo, 10.

Gall, 29.

Ganglion cell, 30, 32, 38, 80.

Generalization, 126, 128, 134.

Goethe, 14, 62.

Gray matter, 33, 39.

Greece, 192.

Greenwich, 20.

Hallucination, 79.

Handicraft, 202.

Harmony, 68.

Helmholtz, 17, 76.

Heraclitus, 3.

Herbart, 12, 13, 14, 18, 19.

Herod, 137.

Hitzig, 21.

Hobbes, 8, 9, 10, 17.

Hume, 10.

Hypnosis, 179.

Hysteria, 29.

Ideation, 123.

Illusion, 120.

Imagery, 98, 128.

Imagination, 78, 115, 124, 151.

Imitation, 130, 132, 199.

Indeterminism, 181.

Insane, 143.

Instinct, 85, 91, 101, 107, 109, 110, 130, 171, 173, 180, 197.

Intelligence, 27, 148.

Interest, 89.

James, 170.

Japan, 205.

Jewish prophets, 193.

Judgment, 142.

Kant, 13, 15, 205.

Kinesthetic, 51, 52, 67, 86, 91, 98, 108, 117, 129, 131, 145, 174.

Kinnebrook, 20.

Knowledge, 152, 157, 184, 189.

Labyrinth, 54.

Lange, 170.

Language, 3, 24, 109, 128, 144, 147, 151, 155.

Latent idea, 81.

Laughing, 105.

Law, 24.

Leibniz, 8.

Linnæus, 11.

Literature, 139.

Localization of function, 41, 42, 44.

Lotze, 19.

Machine, 15.

Maskelyne, 20.

Mathematics, 13.

Medulla, 38.

Melody, 68.

Memory, 92, 123, 144, 149, 150.

Metaphor, 137.

Metonymy, 137.

Middle Ages, 7.

Mind, 47.

Money, 165.

Monotheism, 193, 209.

Mood, 169.

Morality, 193, 204.

Mosaic law, 209.

Motor point, 34.

Movement, 105, 108.

Müller, Johannes, 17.

Münchhausen, 207.

Music, 199.

Napoleon, 159.

Natural science, 6, 8, 9, 16.

Neo-Platonic philosophy, 194.

Nerve anatomy, 38.

Nerve center, 35, 36, 37, 107, 111.

Nervous architecture, 34.

Nervous process, 33.

Nervous system, 27, 28, 36.

Neuron, 30, 81.

Newton, 10.

Noise, 62.

Odor, 57.

Organic sensation, 56, 170, 174.

Otolith, 54, 55, 65.

Pain, 53.

Painting, 200.

Passion, 172.

Pathology, 22, 117, 143, 174.

Perception, 105, 114, 119.

Personal equation, 20.

Perspective, 116.

Philonic philosophy, 194.

Philosophy, 18, 19, 23, 24.

Phrenology, 29, 42.

Physiology, 16, 17, 19, 21, 22.

Plato, 10, 193, 209.

Play, 106, 197.

Pleasantness, 82, 106.

Poetry, 200.

Practice, 99, 126.

Prayer, 191, 192, 193.

Predestination, 179.

Priesthood, 191, 195.

Priestley, 182.

Property, 186.

Psychiatry, 23, 24, 28, 143.

Psychophysics, 19, 23, 24, 28, 143.

Ptolemaic system, 161.

Pythagoras, 158.

Quantitative, 13, 17.

Range of perceptibility, 70.

Reality, 153.

Reason, 142.

Reflex, 86, 107, 110, 170.

Reflex arch, 36, 38, 107.

Religion, 14, 24, 189, 197, 207, 209.

Reproduction, 93, 125.

Responsibility, 180.

Retina, 73, 75.

Rousseau, 15, 183.

St. Luke, 137.

Schelling, 18.

Schopenhauer, 15.

Science and religion, 194.

Sculpture, 200.

Seat of the soul, 29, 41.

Self, 145, 166.

Semicircular canals, 54, 55, 65.

Sensation, 50, 65.

Sensationalism, 10.

Sensitiveness, 69, 73.

Sensory point, 34.

Set of the mind, 94, 123.

Slang, 138.

Social classes, 186.

Space, 65.

Spatial, 67.

Speech, 109, 130, 139.

Spinal cord, 38.

Spinoza, 8, 160.

Stimulus, 69.

Strümpell, 174.

Succession, 68.

Superstition, 161.

Switzerland, 202.

Taste, 57.

Temperament, 172.

Temporal, 68.

Tetens, 11.

Theology, 194.

Thought, 108.

Threshold, 100.

Time, 65.

Tone, 62.

Trinity, 194.

Truth, 152.

Types of imagery, 98.

Unity in variety, 68, 164.

Unpleasantness, 53, 82, 106.

Vision, 74, 75.

Visual, 58, 73, 98.

Voluntarism, 15.

Voluntary, 109, 171.

Weber, E. H., 17, 18.

Weber’s law, 18, 71.

White matter, 33.

Will, 87, 91.

Willing, 85, 173.

World, 145, 167.

Wundt, 23.

Zeno, 209.

Zoroaster, 193.

Typographical errors corrected by the etext transcriber:

first conciousness accompanies=> first consciousness accompanies {pg 86}

A sub-script is treated like this in the text: s_{1}

Psychology: an elementary text-book · 第 5 / 5 章