R.

[Footnote 1: To this number of the Spectator was added in the original

daily issue an announcement of six places at which were to be sold

'Compleat Setts of this Paper for the Month of March.']

* * * * *

No. 31. Thursday, April 5, 1711. Addison.

'Sit mihi fas audita loqui!'

Vir.

Last Night, upon my going into a Coffee-House not far from the

_Hay-Market_ Theatre, I diverted my self for above half an Hour with

overhearing the Discourse of one, who, by the Shabbiness of his Dress,

the Extravagance of his Conceptions, and the Hurry of his Speech, I

discovered to be of that Species who are generally distinguished by the

Title of Projectors. This Gentleman, for I found he was treated as such

by his Audience, was entertaining a whole Table of Listners with the

Project of an Opera, which he told us had not cost him above two or

three Mornings in the Contrivance, and which he was ready to put in

Execution, provided he might find his Account in it. He said, that he

had observed the great Trouble and Inconvenience which Ladies were at,

in travelling up and down to the several Shows that are exhibited in

different Quarters of the Town. The dancing Monkies are in one place;

the Puppet-Show in another; the Opera in a third; not to mention the

Lions, that are almost a whole Day's Journey from the Politer Part of

the Town. By this means People of Figure are forced to lose half the

Winter after their coming to Town, before they have seen all the strange

Sights about it. In order to remedy this great Inconvenience, our

Projector drew out of his Pocket the Scheme of an Opera, Entitled, _The

Expedition of Alexander the Great_; in which he had disposed of all the

remarkable Shows about Town, among the Scenes and Decorations of his

Piece. The Thought, he confessed, was not originally his own, but that

he had taken the Hint of it from several Performances which he had seen

upon our Stage: In one of which there was a Rary-Show; in another, a

Ladder-dance; and in others a Posture-man, a moving Picture, with many

Curiosities of the like nature.

This _Expedition of Alexander_ opens with his consulting the oracle at

_Delphos_, in which the dumb Conjuror, who has been visited by so many

Persons of Quality of late Years, is to be introduced as telling him his

Fortune; At the same time _Clench_ of _Barnet_ is represented in another

Corner of the Temple, as ringing the Bells of _Delphos_, for joy of his

arrival. The Tent of _Darius_ is to be Peopled by the Ingenious Mrs.

_Salmon_, [1] where Alexander is to fall in Love with a Piece of

Wax-Work, that represents the beautiful _Statira_. When Alexander comes

into that Country, in which _Quintus Curtius_ tells us the Dogs were so

exceeding fierce that they would not loose their hold, tho' they were

cut to pieces Limb by Limb, and that they would hang upon their Prey by

their Teeth when they had nothing but a Mouth left, there is to be a

scene of _Hockley in the Hole_, [2] in which is to be represented all

the Diversions of that Place, the Bull-baiting only excepted, which

cannot possibly be exhibited in the Theatre, by Reason of the Lowness of

the Roof. The several Woods in _Asia_, which _Alexander_ must be

supposed to pass through, will give the Audience a Sight of Monkies

dancing upon Ropes, with many other Pleasantries of that ludicrous

Species. At the same time, if there chance to be any Strange Animals in

Town, whether Birds or Beasts, they may be either let loose among the

Woods, or driven across the Stage by some of the Country People of

_Asia_. In the last great Battel, Pinkethman [3] is to personate King

_Porus_ upon an _Elephant_, and is to be encountered by _Powell_ [4]

representing _Alexander_ the Great upon a Dromedary, which nevertheless

Mr. _Powell_ is desired to call by the Name of _Bucephalus_. Upon the

Close of this great decisive Battel, when the two Kings are thoroughly

reconciled, to shew the mutual Friendship and good Correspondence that

reigns between them, they both of them go together to a Puppet-Show, in

which the ingenious Mr. _Powell, junior_ [5] may have an Opportunity of

displaying his whole Art of Machinery, for the Diversion of the two

Monarchs. Some at the Table urged that a Puppet-Show was not a suitable

Entertainment for _Alexander_ the Great; and that it might be introduced

more properly, if we suppose the Conqueror touched upon that part of

_India_ which is said to be inhabited by the Pigmies. But this Objection

was looked upon as frivolous, and the Proposal immediately over-ruled.

Our Projector further added, that after the Reconciliation of these two

Kings they might invite one another to Dinner, and either of them

entertain his Guest with the _German Artist_, Mr. _Pinkethman's_ Heathen

Gods, [6] or any of the like Diversions, which shall then chance to be

in vogue.

This Project was receiv'd with very great Applause by the whole Table.

Upon which the Undertaker told us, that he had not yet communicated to

us above half his Design; for that _Alexander_ being a _Greek_, it was

his Intention that the whole Opera should be acted in that Language,

which was a Tongue he was sure would wonderfully please the Ladies,

especially when it was a little raised and rounded by the _Ionick_

Dialect; and could not but be [acceptable [8]] to the whole Audience,

because there are fewer of them who understand _Greek_ than _Italian_.

The only Difficulty that remained, was, how to get Performers, unless we

could persuade some Gentlemen of the Universities to learn to sing, in

order to qualify themselves for the Stage; but this Objection soon

vanished, when the Projector informed us that the _Greeks_ were at

present the only Musicians in the _Turkish_ Empire, and that it would be

very easy for our Factory at _Smyrna_ to furnish us every Year with a

Colony of Musicians, by the Opportunity of the _Turkey_ Fleet; besides,

says he, if we want any single Voice for any lower Part in the Opera,

_Lawrence_ can learn to speak _Greek_, as well as he does _Italian_, in

a Fortnight's time.

The Projector having thus settled Matters, to the good liking of all

that heard him, he left his Seat at the Table, and planted himself

before the Fire, where I had unluckily taken my Stand for the

Convenience of over-hearing what he said. Whether he had observed me to

be more attentive than ordinary, I cannot tell, but he had not stood by

me above a Quarter of a Minute, but he turned short upon me on a sudden,

and catching me by a Button of my Coat, attacked me very abruptly after

the following manner.

Besides, Sir, I have heard of a very extraordinary Genius for Musick

that lives in _Switzerland_, who has so strong a Spring in his

Fingers, that he can make the Board of an Organ sound like a Drum, and

if I could but procure a Subscription of about Ten Thousand Pound

every Winter, I would undertake to fetch him over, and oblige him by

Articles to set every thing that should be sung upon the _English_

Stage.

After this he looked full in my Face, expecting I would make an Answer,

when by good Luck, a Gentleman that had entered the Coffee-house since

the Projector applied himself to me, hearing him talk of his _Swiss_

Compositions, cry'd out with a kind of Laugh,

Is our Musick then to receive further Improvements from _Switzerland!_

[8]

This alarmed the Projector, who immediately let go my Button, and turned

about to answer him. I took the Opportunity of the Diversion, which

seemed to be made in favour of me, and laying down my Penny upon the

Bar, retired with some Precipitation.

The Spectator, Volume 1 Eighteenth-Century Periodical Essays · 第 103 / 351 题