C.

[Footnote 1: Dr. Thomas Sydenham died in 1689, aged 65. He was the

friend of Boyle and Locke, and has sometimes been called the English

Hippocrates; though brethren of an older school endeavoured, but in

vain, to banish him as a heretic out of the College of Physicians. His

'Methodus Curandi Febres' was first published in 1666.]

[Footnote 2: Sanctorius, a Professor of Medicine at Padua, who died in

1636, aged 75, was the first to discover the insensible perspiration,

and he discriminated the amount of loss by it in experiments upon

himself by means of his Statical Chair. His observations were published

at Venice in 1614, in his 'Ars de Static Medicind', and led to the

increased use of Sudorifics. A translation of Sanctorius by Dr. John

Quincy appeared in 1712, the year after the publication of this essay.

The 'Art of Static Medicine' was also translated into French by M. Le

Breton, in 1722. Dr. John Quincy became well known as the author of a

'Complete Dispensatory' (1719, &c.).]

[Footnote 3: an half]

[Footnote 4: The old English reading is:

'I was well; I would be better; and here I am.']

* * * * *

No. 26. Friday, March 30, 1711. Addison.

'Pallida mors aquo pulsat pede pauperum tabernas

Regumque turres, O beate Sexti,

Vitæ summa brevis spem nos vetat inchoare longam.

Jam te premet nox, fabulæque manes,

Et domus exilis Plutonia.'

Hor.

When I am in a serious Humour, I very often walk by my self in

_Westminster_ Abbey; where the Gloominess of the Place, and the Use to

which it is applied, with the Solemnity of the Building, and the

Condition of the People who lye in it, are apt to fill the Mind with a

kind of Melancholy, or rather Thoughtfulness, that is not disagreeable.

I Yesterday pass'd a whole Afternoon in the Church-yard, the Cloysters,

and the Church, amusing myself with the Tomb-stones and Inscriptions

that I met with in those several Regions of the Dead. Most of them

recorded nothing else of the buried Person, but that he was born upon

one Day and died upon another: The whole History of his Life, being

comprehended in those two Circumstances, that are common to all Mankind.

I could not but look upon these Registers of Existence, whether of Brass

or Marble, as a kind of Satyr upon the departed Persons; who had left no

other Memorial of them, but that they were born and that they died. They

put me in mind of several Persons mentioned in the Battles of Heroic

Poems, who have sounding Names given them, for no other Reason but that

they may be killed, and are celebrated for nothing but being knocked on

the Head.

[Greek: Glaukon te, Medónta te, Thersilochón te]--Hom.

_Glaucumque, Medontaque, Thersilochumque_.--Virg.

The Life of these Men is finely described in Holy Writ by _the Path of

an Arrow_ which is immediately closed up and lost. Upon my going into

the Church, I entertain'd my self with the digging of a Grave; and saw

in every Shovel-full of it that was thrown up, the Fragment of a Bone or

Skull intermixt with a kind of fresh mouldering Earth that some time or

other had a Place in the Composition of an humane Body. Upon this, I

began to consider with my self, what innumerable Multitudes of People

lay confus'd together under the Pavement of that ancient Cathedral; how

Men and Women, Friends and Enemies, Priests and Soldiers, Monks and

Prebendaries, were crumbled amongst one another, and blended together in

the same common Mass; how Beauty, Strength, and Youth, with Old-age,

Weakness, and Deformity, lay undistinguish'd in the same promiscuous

Heap of Matter.

After having thus surveyed this great Magazine of Mortality, as it were

in the Lump, I examined it more particularly by the Accounts which I

found on several of the Monuments [which [1]] are raised in every

Quarter of that ancient Fabrick. Some of them were covered with such

extravagant Epitaphs, that, if it were possible for the dead Person to

be acquainted with them, he would blush at the Praises which his Friends

[have [2]] bestowed upon him. There are others so excessively modest,

that they deliver the Character of the Person departed in Greek or

Hebrew, and by that Means are not understood once in a Twelve-month. In

the poetical Quarter, I found there were Poets [who [3]] had no

Monuments, and Monuments [which [4]] had no Poets. I observed indeed

that the present War [5] had filled the Church with many of these

uninhabited Monuments, which had been erected to the Memory of Persons

whose Bodies were perhaps buried in the Plains of _Blenheim_, or in

the Bosom of the Ocean.

I could not but be very much delighted with several modern Epitaphs,

which are written with great Elegance of Expression and Justness of

Thought, and therefore do Honour to the Living as well as to the Dead.

As a Foreigner is very apt to conceive an Idea of the Ignorance or

Politeness of a Nation from the Turn of their publick Monuments and

Inscriptions, they should be submitted to the Perusal of Men of Learning

and Genius before they are put in Execution. Sir _Cloudesly

Shovel's_ Monument has very often given me great Offence: Instead of

the brave rough English Admiral, which was the distinguishing Character

of that plain gallant Man, [6] he is represented on his Tomb by the

Figure of a Beau, dress'd in a long Perriwig, and reposing himself upon

Velvet Cushions under a Canopy of State, The Inscription is answerable

to the Monument; for, instead of celebrating the many remarkable Actions

he had performed in the service of his Country, it acquaints us only

with the Manner of his Death, in which it was impossible for him to reap

any Honour. The _Dutch_, whom we are apt to despise for want of

Genius, shew an infinitely greater Taste of Antiquity and Politeness in

their Buildings and Works of this Nature, than what we meet with in

those of our own Country. The Monuments of their Admirals, which have

been erected at the publick Expence, represent them like themselves; and

are adorned with rostral Crowns and naval Ornaments, with beautiful

Festoons of [Seaweed], Shells, and Coral.

But to return to our Subject. I have left the Repository of our English

Kings for the Contemplation of another Day, when I shall find my Mind

disposed for so serious an Amusement. I know that Entertainments of this

Nature, are apt to raise dark and dismal Thoughts in timorous Minds and

gloomy Imaginations; but for my own Part, though I am always serious, I

do not know what it is to be melancholy; and can, therefore, take a View

of Nature in her deep and solemn Scenes, with the same Pleasure as in

her most gay and delightful ones. By this Means I can improve my self

with those Objects, which others consider with Terror. When I look upon

the Tombs of the Great, every Emotion of Envy dies in me; when I read

the Epitaphs of the Beautiful, every inordinate Desire goes out; when I

meet with the Grief of Parents upon a Tombstone, my Heart melts with

Compassion; when I see the Tomb of the Parents themselves, I consider

the Vanity of grieving for those whom we must quickly follow: When I see

Kings lying by those who deposed them, when I consider rival Wits placed

Side by Side, or the holy Men that divided the World with their Contests

and Disputes, I reflect with Sorrow and Astonishment on the little

Competitions, Factions and Debates of Mankind. When I read the several

Dates of the Tombs, of some that dy'd Yesterday, and some six hundred

Years ago, I consider that great Day when we shall all of us be

Contemporaries, and make our Appearance together.

The Spectator, Volume 1 Eighteenth-Century Periodical Essays · 第 87 / 351 题